Showing 91–100 of 192 results
This Journal embodies the results of explorations and excavations conducted by scholars in various countries which witnessed the growth of the personality of the shared culture of the Indian Ocean Rim countries, including the countries of Southwest Asia. It also includes all aspects of cultural, economic and socio-political histories of these countries.
Journal of Indian Ocean Archaeology was launched in 2003 by one of Indias leading academic institutions, the Centre for Research & Training in History, Archaeology and Palaeo-environment, New Delhi. The second issue is in the Press. The Journal is an outcome of the realization on the part of the international community of archaeologists and historians that India has no journal devoted exclusively to the archaeology of the Indian Ocean Rim countries, starting from the Red Sea through the South China Sea, although Indian occupies the central position in this vast area, with three-fourths of its land facing the gulfs and bays of the Indian Ocean. It is common knowledge that Egypt, Ethiopis, Kenya, Arabia, Yemen, Oman, Bahrain and countries bordering the Persian Gulf, including Iraq and Iran, as well as Pakistan, Sri Lanka, Myanmar, Thailand, Cambodia, Indonesia, Malaysia, China, were closely connected with each other through long-distance sea-borne trade-routes for thousands of years. This particular phenomenon had led to the development of what is now generally called Shared Culture with its distinct personality which is Afro-Asian. It is reflected in the material items dug up every year at a number of sites in India and all other countries along the coasts of the Indian Ocean. This journal embodies the results of explorations and excavations conducted by scholars in various countries which witnessed the growth of the personality of the shared culture of the Indian Ocean Rim countries, including the countries of Southwest Asia. It also includes all aspects of cultural, economic and socio-political histories of these countries. The contributors to this journal are from all over the world. It is a MUST for every scholar and layman interested in the history and arachaeology of the coastal countries of the Indian Ocean, from Africa, and West Asia through China.
Journal of Indian Ocean Archaeology was launched in 2003 by one of Indias leading academic institutions, the Centre for Research & Training in History, Archaeology and Palaeo-environment, New Delhi. The second issue is in the Press. The Journal is an outcome of the realization on the part of the international community of archaeologists and historians that India has no journal devoted exclusively to the archaeology of the Indian Ocean Rim countries, starting from the Red Sea through the South China Sea, although Indian occupies the central position in this vast area, with three-fourths of its land facing the gulfs and bays of the Indian Ocean. It is common knowledge that Egypt, Ethiopis, Kenya, Arabia, Yemen, Oman, Bahrain and countries bordering the Persian Gulf, including Iraq and Iran, as well as Pakistan, Sri Lanka, Myanmar, Thailand, Cambodia, Indonesia, Malaysia, China, were closely connected with each other through long-distance sea-borne trade-routes for thousands of years. This particular phenomenon had led to the development of what is now generally called Shared Culture with its distinct personality which is Afro-Asian. It is reflected in the material items dug up every year at a number of sites in India and all other countries along the coasts of the Indian Ocean. This journal embodies the results of explorations and excavations conducted by scholars in various countries which witnessed the growth of the personality of the shared culture of the Indian Ocean Rim countries, including the countries of Southwest Asia. It also includes all aspects of cultural, economic and socio-political histories of these countries. The contributors to this journal are from all over the world. It is a MUST for every scholar and layman interested in the history and arachaeology of the coastal countries of the Indian Ocean, from Africa, and West Asia through China.
Journal of Indian Ocean Archaeology was launched in 2003 by one of Indias leading academic institutions, the Centre for Research & Training in History, Archaeology and Palaeo-environment, New Delhi. The second issue is in the Press. The Journal is an outcome of the realization on the part of the international community of archaeologists and historians that India has no journal devoted exclusively to the archaeology of the Indian Ocean Rim countries, starting from the Red Sea through the South China Sea, although Indian occupies the central position in this vast area, with three-fourths of its land facing the gulfs and bays of the Indian Ocean. It is common knowledge that Egypt, Ethiopis, Kenya, Arabia, Yemen, Oman, Bahrain and countries bordering the Persian Gulf, including Iraq and Iran, as well as Pakistan, Sri Lanka, Myanmar, Thailand, Cambodia, Indonesia, Malaysia, China, were closely connected with each other through long-distance sea-borne trade-routes for thousands of years. This particular phenomenon had led to the development of what is now generally called Shared Culture with its distinct personality which is Afro-Asian. It is reflected in the material items dug up every year at a number of sites in India and all other countries along the coasts of the Indian Ocean. This journal embodies the results of explorations and excavations conducted by scholars in various countries which witnessed the growth of the personality of the shared culture of the Indian Ocean Rim countries, including the countries of Southwest Asia. It also includes all aspects of cultural, economic and socio-political histories of these countries. The contributors to this journal are from all over the world. It is a MUST for every scholar and layman interested in the history and arachaeology of the coastal countries of the Indian Ocean, from Africa, and West Asia through China.
This Journal embodies the results of explorations and excavations conducted by scholars in various countries which witnessed the growth of the personality of the shared culture of the Indian Ocean Rim countries, including the countries of Southwest Asia. It also includes all aspects of cultural, economic and socio-political histories of these countries.
Journal of Indian Ocean Archaeology was launched in 2003 by one of Indias leading academic institutions, the Centre for Research & Training in History, Archaeology and Palaeo-environment, New Delhi. The second issue is in the Press. The Journal is an outcome of the realization on the part of the international community of archaeologists and historians that India has no journal devoted exclusively to the archaeology of the Indian Ocean Rim countries, starting from the Red Sea through the South China Sea, although Indian occupies the central position in this vast area, with three-fourths of its land facing the gulfs and bays of the Indian Ocean. It is common knowledge that Egypt, Ethiopis, Kenya, Arabia, Yemen, Oman, Bahrain and countries bordering the Persian Gulf, including Iraq and Iran, as well as Pakistan, Sri Lanka, Myanmar, Thailand, Cambodia, Indonesia, Malaysia, China, were closely connected with each other through long-distance sea-borne trade-routes for thousands of years. This particular phenomenon had led to the development of what is now generally called Shared Culture with its distinct personality which is Afro-Asian. It is reflected in the material items dug up every year at a number of sites in India and all other countries along the coasts of the Indian Ocean. This journal embodies the results of explorations and excavations conducted by scholars in various countries which witnessed the growth of the personality of the shared culture of the Indian Ocean Rim countries, including the countries of Southwest Asia. It also includes all aspects of cultural, economic and socio-political histories of these countries. The contributors to this journal are from all over the world. It is a MUST for every scholar and layman interested in the history and arachaeology of the coastal countries of the Indian Ocean, from Africa, and West Asia through China.
The Book mainly deals with the historical importance of the Kalamukha movement in Karnataka and the existence of an exceptional school of arts which flourished under Kalamukha patronage, describing Somanatha temple at Haralahalli and the Kadambeshvara temple at Rattihalli with their architecture, iconography, epigraphy and religious and cultural background.
The Kalamukha temples in Karnataka are associated with the Lakulashaiva movement especially the beliefs and practices of the Kalamukha Shaivites and the jakkanacari style of temples in Karnataka. This volume is a study of two of the best examples of Kalamukha shrines in the region. It focuses on the Somanatheshvara temple at Haralahalli and Kadambeshvara temple at Rattihalli, splendid examples of conversion of single-cell shrines into triple sancta. With numrous illustrations of the temples including their plans and sculptures and referring to and quoting from the Agamas, the Puranas and other ancient works, it studies the architecture of the temples along with their history, the general plans of the temples, their interior including pillars, lintel and entrances, their external structure, and their iconography, particularly the main deities in the temples. It makes a unique effort to study the inscriptions associated with the temples which are in Kannada interlaced with Sanskrit verses and containing Sanskrit words, presenting their Roman transliteration and translation into English. The inscriptions include one on renovation of Someshvara temple by King Joma (ce 1181), one on the foundation of a temple of Daseshvara laid by Dasiraja (ce 1188) and one that eulogises the Kadambas and minister Soma (ce 1144).
The volume, with extensive notes that explain terms in a simple manner, will prove invaluable to scholars and students of Indology, especially those interested in early medieval religion, culture and architecture in South India.
The research findings of archaeological and socio-ethnological nature studying geomorphological/environmental influence on historical settlements explore the possible identity of Drupad-Kila complex near Kampil village with Kampilya city of Mahabharata fame.
Kampil (Farrukhabad District, U.P.) is a typical Indian village in the fertile terrain of the Ganga-Yamuna Doab. Known for its long, glorious past, the village has, since A. Cunninghams visit here in 1878, compelled increasing attention of the archaeologists seeking to explore its possible identity with Kampilya the city, described in the Mahabharata story, as the fabulous capital of Drupads south Pancala kingdom. The question of Kampil-Kampilya identity was examined afresh by a multidisciplinary research team, on the basis of lRS Satellite multispectral images of the mid -Ganga plain, a predictive geo-archaeological model, and field surveys. Which, in trun, led researchers to the discovery of a complex of ruins: the remains of a fortified structure, locally called Drupad Kila about five kilometers upstream of the Kampil village. Set out here are the preliminary findings of this multidisciplinary research, including (a) a study of the late Holocene palaeo-hydographic evolution of Doab region around Drupad Kila site and the influence of geomorphology/environmental resources on the human historical settlements; (b) an archaeological report, based on the surface survey of the discovered site; and (c) a socio-ethnological study of the villages around the Kila complex. Carried out during 1996-98, these studies: each contributed by the area specialist (s) of the research team, addressed specifically the question whether the Drupad-Kila complex answers to the description of Mahabharata city of Kampilya. Visualizing the manifold importance of Kampilya beyond just the archaeological event, the editors have created a holistic Kampilya Project to retrieve the cultural and environmental potentialities of the Drupad-Kila complex and its peripheral areas.
Supported by beautiful illustrations, the study reconstructs the glorious history of the Rajput house of Mewar, perhaps the worlds oldest ruling family. It recounts its heroic battlefield engagements and examines its artistic and literary achievements.
A Premier princely state of Rajsthan, the erstwhile Rajputana (northwest India), till its merger into the Union territory in 1948, Mewar has been celebrated in history and legend. In this far-famed region are best represented not only the Rajput chivalry and high sense of honour, but also their arts, architecture, and fabulous cultural traditions. Developed from the authors four-year long intensive research, the book tries to reconstruct the unparalleled, glorious history of (perhaps) the worlds oldest ruling family: the house of Mewar now called the clan of Sisodias, in earliest times Guhilots. Tracing chronologically the entire course of events since their first known ancestor, Guhil (ad 566), Irmgard Meininger here unfolds a compelling story of brave Rajput men and women, with an exaggerated sense of honour, pride and independence the story of their triumphs and tragedies, and simultaneously of palace intrigues and rivalries, and of supreme sacrifies and treacheries. And yet, in the main, it is an exciting story of Mewars heroic resistance: first to Afghan/Arab adventures and Delhi Sultans and, in the later days, to the Mughal imperialists. Weaving into her narrative the legendary episodes around Maharani Padminis fabulous beauty, the dread rite jauhar, Panna Dais unique loyalty, and Princess Miras bhakti, among others, the author also attempts to show how Mewar has been the repository not only of old Hindu traditions, but of the enchanting Rajput culture as well, and how Rajputs, notwithstanding their endless engagements in the battlefield, were great patrons of art, architecture, literature and music. Supported by numerous beautiful illustrations, bibliographic references and a glossary of non-English words, the book will fascinate anyone interested in India, particularly Rajasthan: whether as an inquisitive reader, tourist, hostorian, or a connoisseur of art.
The book deals with aspects of everyday life of the Vedic people seers and the elite as well as that of the common people their housing, mode of production and occupations, social organisation, education, food and drink, entertainment, dress and cosmetics, etc.
Based on a deep analysis of the Vedic literature, the book deals with aspects of everyday life of the Vedic people: their housing, mode of production and occupations, social organisation, education, food and drink, entertainment, dress and cosmetics, etc. Tracing the influence of Vedic learning on Upanishads and Såtra literature which have also been referred to here for details on the Vedic people and their traditions, this study focuses on the lifestyle of seers and the elite as well as that of the common people and stresses the importance of the ritualistic context in discussing aspects of daily life like preparing of food and food-eating habits, style of dressing, building of houses and so on. It deals with the Vedic peoples approach to life, covering points such as their attitude towards knowledge and their quest for Brahman, their view of death and their yearning for heaven. This publication also examines the growth of the Vedic tradition from one based on the minimum requirements of life to a tradition involving refinement of things a system of writing and a complex religion based on deep philosophical study and explanations of cosmology. The book will be useful to all students and scholars of ancient Indian religion and culture.
This impressively illustrated volume brings forth the evergreen spirit of a Muslim ruler of Awadh, Nawab Wajid Ali Shaw (1822-87), in composing love poetry taking a cue from the amorous Krishna leela and assimilating and practising the same in personal life. A trained Kathak dancer himself and a dedicated patron of poetry, painting and performing arts, Wajid Ali Shah immersed in the rasa of dance, music and drama, and got deeply indulged in the many an expression of shringar, while administering the political affairs of his state.
Recalling the different facets of Nawab Wajid Ali’s life, the book explores the state and fame of Lucknow, of his times, where the Nawab lived a life of refinement and pomp, and attracted the best talents in arts and crafts. It also portrays how were dance and music enjoying pride of place during his reign.
While presenting a penetrating account of Ali Shah’s poetry, the book revisits his musical scholarship, history of his times and presents his poems with English translation. It as well showcases the best paintings centring around his personal and cultural life, and guides one go through the religious and cultural harmony prevailed in Awadh where a lot of factors were at play effecting acculturation between the Hindus and the Muslims, popularly known as the Ganga-Jamuni tehzeeb.
This impressively illustrated volume brings forth the evergreen spirit of a Muslim ruler of Awadh, Nawab Wajid Ali Shaw (1822-87), in composing love poetry taking a cue from the amorous Krishna leela and assimilating and practising the same in personal life. A trained Kathak dancer himself and a dedicated patron of poetry, painting and performing arts, Wajid Ali Shah immersed in the rasa of dance, music and drama, and got deeply indulged in the many an expression of shringar, while administering the political affairs of his state.
Recalling the different facets of Nawab Wajid Ali’s life, the book explores the state and fame of Lucknow, of his times, where the Nawab lived a life of refinement and pomp, and attracted the best talents in arts and crafts. It also portrays how were dance and music enjoying pride of place during his reign.
While presenting a penetrating account of Ali Shah’s poetry, the book revisits his musical scholarship, history of his times and presents his poems with English translation. It as well showcases the best paintings centring around his personal and cultural life, and guides one go through the religious and cultural harmony prevailed in Awadh where a lot of factors were at play effecting acculturation between the Hindus and the Muslims, popularly known as the Ganga-Jamuni tehzeeb.
Matrimonial alliances between royal families were a prominent feature of politics in ancient India. Beginning with matrimonial relations among the shodash-mahajanapadas, the book traces alliances formed by the Nandas, Mauryas, Indo-Greeks, Shakas, the Imperial and later Guptas, etc. from the sixth century bce to the seventh century ce.
Matrimonial alliances between royal families to further the power, prestige and influence were a prominent feature of politics in ancient India. This volume examines the matrimonial alliances among the ruling dynasties of ancient India from the sixth century bce to the seventh century ce. Beginning with matrimonial relations among the shodash-mahajanapadas that flourished before the time of the Buddha, the book traces alliances formed by the Nandas, Mauryas, Shungas, Satavahanas, Cedis, Indo-Greeks, Shakas, Pahlavas and Kushanas, the Imperial Guptas, Vakatakas, the Later Guptas, Maukharis and Varadhanas. Dr Preeti Prabhat studies the important places accorded to such alliances by rulers in their foreign policies. She views their beneficial and adverse impact for royalty. They led to expansion as in the case of the Mauryan kingdom, opened new avenues for economic growth, and helped powers retain their independence as for the Satavahanas (from the Shakas). But they also created jealousies and rivalries between family members and neighbouring kingdoms. She relies on a host of historical accounts from Ceylonese Chronicles and Greek writings to Hindu religious literature and secular writings as well as archaeological evidence including epigraphic and numismatical sources to produce a comprehensive research. The book will interest scholars of Indian history focused on ancient Indian polity as well as general readers interested in knowing about politics of mighty kings and kingdoms of ancient India.
The immemorial systems, rules and customs of Ancient India were invaded, subdued and modified by a succession of foreign conquerors who imposed new rules and introduced an exotic creed, strange languages and a foreign art. Their invasion started with the raid of the Muslim Arabs in Sind and with the arrival of the Turks under Mahmud the Iconoclast at the beginning of the eleventh century, India entered upon her Middle Age. This volume talks about the Indian history of over a 1,000 years, from 712-1764 with the raid of the Arabs in the Sind to the decline of the Moghul empire, featuring the Turks, Persians and Afghans (Moghuls) and specifies that the age-old Indian life outlived the shock of the new ideas, religion and culture that were imposed on India’s polity. India never assimilated the foreigners or their ideas. Barring Akbar the Great, that too at a minuscule level, no one could make much influence on them. Therefore, these foreigners remained essentially as an army of occupation among a hostile or repellent population, making the history of the Mohammedan Period more of a chronicle of kings, courts and conquest than of organic or national growth, stimulating and instructive.
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