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The book introduces the fundamental ethical precepts of Buddhism, which are significant and relevant to contemporary society, as these are not restricted to any caste, creed, race, region and language. It also reveals the Buddhist solution to the problems of war, suicide, gender inequality, etc.
The book introduces readers to the fundamental ethical precepts of Buddhism. Buddhist ethics are significant and relevant to contemporary society, as these are not restricted to any caste, creed, race, region and language. The ethical precepts of Buddhism are flexible and autonomous in character. They are of a very practical character, such that they can be easily adapted and applied to modern times. The precepts are essentially taken from the sacred texts of Buddhism.
This volume comes in an attempt to highlight the philosophical and ethical bases of Buddhism. It classifies the ethical precepts of Buddhism in order to show their relevance to different categories of people monks, nuns and Buddhist lay people as well as non-Buddhists. It brings out the autonomous character of Buddhist ethics and the ethical idealism of Buddhism to show that the precepts have a pragmatic character. It also reveals the Buddhist solution to problems in the world in general and individual societies in particular, problems of the nature of war, suicide, gender inequality which existed in ancient times and continue to exist today.
The book will be extremely useful to scholars and students of Buddhist philosophy and ethics.
The book presents the Buddhist iconography as depicted in the Butsuzo-zui Buddhism adapted in Japan with the collections of icons divided into five parts. It introduces the amalgamation of Buddhist and the native Shinto deities, a unique feature of Japanese Buddhism.
The volume presents the Buddhist iconography of Japan as depicted in the Butsuzozui, a collection of iconographic sketches of various Buddhas that falls under the genre of Zuzo collections of iconic drawings in black and white. Inspired by the Chinese style of paintings called Paihuo or Hakubyo, the over 800 sketches presented here bear reference to the landmark work of this genre compiled in ce 1175 under the title of Besson Zakki and are arranged on the basis of the treatise of the Shingon sect of Buddhism. Butsuzozui presents Buddhism as it has been adapted in Japan, with the collections of Buddhist icons divided into five parts. It contains the list of sources, especially the scriptures. It deals with the Chinese icons of Fudaishi and his sons Þ the laughing Buddhas; sketches on the birth of the historical Buddha, his search, sambodhi and parinirvana; the nine categories of Amida and the classification of the Seven Buddhas of healing (Shichi Yakubutsu). It introduces the amalgamation of Buddhist and the native Shinto deities, a unique feature of Japanese Buddhism. The sections that follow expand the list of the protector gods associated with the Japanese beliefs and the different historical personalities associated with the various sects of Buddhism in Japan.
The volume will interest scholars of Buddhist religion and art.
The volume contains scholarly essays that make an in-depth study of Buddhist logical theory in the background of Buddhist epistemology. Two crucial philosophical concepts: trairåpya and apoha have also been discussed, besides the contributions of the leading Buddhist scholars like Diïnàga and Dharmakãrti.
The history of Buddhist logical and epistemological theories constitutes an interesting study for Buddhist religious scholars and philosophers.
This volume contains scholarly essays, presented at a seminar, that make an in-depth study of Buddhist logical theory in the background of Buddhist epistemology. Scholars from different parts of the world combine historical and philological scholarship with philosophical acumen and linguistic insight to examine the issues relating to problems of inductive logic and the problem of meaning and the universals. They also address the crucial question regarding the relevance of logical theory to Buddhism, especially to the philosophical soteriology such as Madhyamika. Using both Tibetan and Sanskrit texts to delve deep into the logical issues and philosophical questions, they focus attention on two crucial philosophical concepts: trairupya or the triple character of evidence, and apoha its meaning as exclusion. They examine the contributions of Buddhist scholars of yore in this regard, such as that of the Buddhist master Dinnaga and his general theory of inference, and in particular, his Hetucakradamaru, a study of propositions; Dharmakirti, particularly his theory of inference and definition of points of defeat; besides Shantarakshita and Ratnakirti.
The volume, offering original perspectives based on detailed study of ancient texts and their interpretations, will prove an informative source for scholars of Indology, particularly those involved in Buddhist religion and philosophy.
It deals with the development and fundamental aspects of Buddhist Tantrism and its impact on paintings and the sculptural art of India. It discusses concepts and schools of Tantrism citing Buddhist Tantric works.
In (perhaps) secret defiance of the rigid prescriptive codes of the Buddhist monastic order cropped up a new, esoteric cultic phenomenon. Which, later known as Buddhist tantra, not just compromised Shakyamunis ethical legacy, but came to be administered by a whole host of mudras, mandalas, kriyas, caryas and mysteriously ritualistic elements, even hedonistic practices. Dr. Mishras book attempts afresh to investigate when, why and how emerged this secrecy-ridden cult: now a spiritual tradition in its own right. The author, who has had long, personal interactions with some of the living tantriks, here enters the dark alleys of Buddhist tantra to look for its nucleus, its evolution, its culmination, and the causes of its disintegration. Focussing, further, on the shifting philosophical tenets of Buddhism: from Hinayana to Mahayana, Vajrayana, Kalacakrayana and, finally, Sahajayana, Dr. Mishra spells out quintessentially the world-view of Buddhist Tantra and its path to nirvana or sukhavati: the abode of bliss, together with a wide range of tàntric concepts that remain guhya (secret) to the uninitiated. Also showing how Buddhist art, almost from the beginning, has been compellingly influenced by tantric practices, the book exemplifies the manifestations of this influence in the iconographic representations of the Buddhist deities, illustrated manuscripts, thangkas, and even in the use of colours by the Buddhist artists.
This book studies the iconography of the design elements typically employed by craftspersons of Tai textiles from the Laos, Lan Na and Isan areas. With numerous splendid illustrations of the designs, it deals with their art of weaving, various textile forms to be found in the region and the suitable and inherently powerful motifs woven.
Textiles from Laos, Lan Na and the Isan are prized for their artistic brilliance and aesthetic beauty. They speak volumes on a weaving tradition that has evolved through centuries and shaped the socio-cultural life of the people associated with it. This book studies the iconography of the design elements typically employed by craftspersons of textiles from these areas: it deals with their art of weaving, various textile forms to be found in the region and the suitable and inherently powerful motifs woven. With numerous splendid illustrations of the designs, it involves study of design elements on articles of daily use as well as those used for ceremonial purposes and the kind of forms and iconography depicted like ancestor figures, animal and plant forms, water creatures, objects used in ceremonies and geometric forms. Viewing Buddhism as the prime influence upon the objects though Hinduism is also an important referent, it explores the symbols the design elements involve and their many meanings and the dimensions they encompass their fertility-related, religious and universal associations, for instance. The designs considered in the study are based upon the square grid and the design elements are shown in the typical graph form employed by weavers. It also gives Indian (Sanskrit) and Thai equivalents for English terms of plant and animal species and clarifies a number of terms all of which make this painstakingly-conducted research a thorough work on the subject. The book will be very useful to scholars of Textile designs, Buddhist art and culture; and the cultural traditions of South-east Asia. The scholars of Buddhist studies, specially of Buddhist tantra and art, will find the book as both interesting and useful.
This book offers a fresh exposition of the Buddhist theory of meaning (apohavada) against the backdrop of Indian linguistic thought and shows how this theory is positioned vis-a-vis current issues and assumptions in language. Consists a very useful glossary.
For over two millennia, language has been one of the prime concerns in nearly all philosophical systems of India: Grammar, Mimamsa, Nyaya, Vaisheshika, Jaina and Bauddha which, in turn, not only have shaped the Indian perception of vak, but also constitute the essential background to study the major concerns of language that have been taken up in the subsequent phases of philosophical-linguistic developments. Rajnish Mishras book offers a fresh, in-depth exposition of the Buddhist theory of meaning (apohavada) against this stupendous backdrop of Indian linguistic thought and also tries to show how this time-honoured theory is positioned vis-a-vis the current issues and assumptions in language. Surveying the evolution of apoha across the ages specially in its four kindred perspectives, viz, the Abhidharmika, the Sautrantika, the Yogacara and the Madhyamika schools of Buddhist philosophy, the author sets out, on its basis, a cognitive-epistemological model for literary analysis and illustrates as well the applicational aspects of this model with meticulous analysis of Wordsworths poetic masterpiece, Tintern Abbey. Based, as it is, on wide-ranging primary sources, including the Buddhist philosophical-epistemological texts in Sanskrit, the book sheds altogether new light on the Buddhist theory of meaning and, simultaneously, argues against the fallacies that have cropped up around its latter-day interpretations. A work of specific contemporary relevance to the ongoing post-structuralist debates, the book also carries a comprehensive, highly valuable cross-referential glossary of conceptual Sanskrit terms.
This book develops a consilience of research and thinking in epigraphy, archaeology, and linguistics on the Indic Brahmi writing system. Its objective is to identify the problems that need to be tackled by anybody who tries to develop a theory of the Brahmi writing system. As for the currently scientifically supported hypothesis that Brahmi originated in Tamil Nadu during the sixth century BCE or earlier, Patel opts for the need to keep this as an idea for the working basket awaiting new archaeological research in the sixth-century Magadha region.
The book deliberates upon how ancient Tamil Nadu was receptive to literacy. The Brahmanical fascination for orality blocked literacy in Vedic India. The brahmanas from north India entered Tamil Nadu only during the third century bce and lived away from residential areas. Tamil Nadu at the time had no caste system. This is reflected in the Sangam literature, which followed historically the grammarian Tolkappiyar. The conditions in Sri Lanka before and after the arrival of Buddhism are noted in relation to the rise of literacy. The relationship between Brahmi in Sri Lanka and Tamil Nadu is highlighted for the purpose of further research. Also noted is the need for research on the differences between Dravidian and northern scripts in the way the aksharas are formed in graphic representation.
The book studies various aspects of the bull as reflected in Indian art and literature up to the sixth century ad from its domestication and migration and philosophical tenets associated with it to its relation to the fertility cult and significance attached to its physical form and psychological characteristics.
The work deals with various aspects of the bull as reflected in Indian art and literature up to the sixth century ad. Perhaps the first effort to showcase the representation of the bull in ancient India, it examines the bulls domestication and migration, the Indian type of bulls, and the philosophical tenets associated with it and studies the importance attached to the bulls physical form and its psychological characteristics, its relation to the fertility cult and its usefulness as a domesticated animal as reflected in ancient Indian art. It looks into the manner in which its significance was reinforced through art and the animal protected by associating it with religion Hindu, Buddhist, Jaina and folk. Dr. Bhogendra Jha goes in-depth into the mode of revering the bull in stone, clay, metal and colours through modelling, moulding and painting: its depiction in coins, seals and sealings, and terracottas, with reference to different historical and dynastic periods. He includes depiction of the bull in prehistoric art and its description in writings, and also compares the position of the bull in ancient world cultures of Egypt, Crete and Mesopotamia, for instance with its position in ancient India to broaden the scope of the study. The book will be useful for researchers beginners and established scholars of early Indian art.
प्रस्तुत पुस्तक बुन्देलखण्ड का इतिहास में बुन्देलखण्ड के सीमांकन, नामकरण एवं बुन्देला साम्राज्यों की स्थापना को रोचक ढंग से समझाने का प्रयास किया गया है।
अखिल भारतीय स्तर पर 1836 ई॰ में भारतीय स्वाधीनता का प्रथम प्रस्ताव चरखारी में पारित हुआ था। इसके बाद 1842 ई॰ के बुन्देला विद्रोह में जैतपुर नरेष पारीछत ने अपने सहयोगियों मधुकरशाह एवं हिरदेशाह के साथ मिलकर अंग्रेज़ों के दाँत खट्टे कर दिए। इसी प्रकार 1857 ई॰ की क्रान्ति में बानपुर राजा मर्दन सिंह, शाहगढ़ राजा बखतवली एवं रानी लक्ष्मीबाई ने अपने अन्य सहयोगियों के साथ मिलकर अंग्रेज़ों को अत्यधिक परेषान किया। बुन्देलखण्ड के अंग्रेज़ों ने सागर आकर जान बचाई। सागर के किले में पूरे 370 अंग्रेज़ों ने शरण ली। इस किले को चारों ओर से क्रान्तिकारियों ने घेर लिया। बड़ी मुश्किल से ब्रिगेेडियर जनरल ह्यूरोज ने बुन्देलखण्ड में 1857 ई॰ की क्रान्ति का दमन किया।
उक्त समस्त घटनाक्रम को प्रथम बार इस पुस्तक में सहज सरल एवं सुबोध ढंग से पिरोया गया है तथा बुन्देलखण्ड के इतिहास को प्रथम बार रोचक शैली में धाराप्रवाह ढंग से प्रस्तुत करने का हरसम्भव प्रयास किया गया है।
आशा है यह पुस्तक छात्रों, शोधार्थियों सहित इतिहास में रुचि रखने वाले आम नागरिकों को भी रूचिकर लगेगी।
प्रस्तुत पुस्तक बुन्देलखण्ड का इतिहास में बुन्देलखण्ड के सीमांकन, नामकरण एवं बुन्देला साम्राज्यों की स्थापना को रोचक ढंग से समझाने का प्रयास किया गया है।
अखिल भारतीय स्तर पर 1836 ई॰ में भारतीय स्वाधीनता का प्रथम प्रस्ताव चरखारी में पारित हुआ था। इसके बाद 1842 ई॰ के बुन्देला विद्रोह में जैतपुर नरेष पारीछत ने अपने सहयोगियों मधुकरशाह एवं हिरदेशाह के साथ मिलकर अंग्रेज़ों के दाँत खट्टे कर दिए। इसी प्रकार 1857 ई॰ की क्रान्ति में बानपुर राजा मर्दन सिंह, शाहगढ़ राजा बखतवली एवं रानी लक्ष्मीबाई ने अपने अन्य सहयोगियों के साथ मिलकर अंग्रेज़ों को अत्यधिक परेषान किया। बुन्देलखण्ड के अंग्रेज़ों ने सागर आकर जान बचाई। सागर के किले में पूरे 370 अंग्रेज़ों ने शरण ली। इस किले को चारों ओर से क्रान्तिकारियों ने घेर लिया। बड़ी मुश्किल से ब्रिगेेडियर जनरल ह्यूरोज ने बुन्देलखण्ड में 1857 ई॰ की क्रान्ति का दमन किया।
उक्त समस्त घटनाक्रम को प्रथम बार इस पुस्तक में सहज सरल एवं सुबोध ढंग से पिरोया गया है तथा बुन्देलखण्ड के इतिहास को प्रथम बार रोचक शैली में धाराप्रवाह ढंग से प्रस्तुत करने का हरसम्भव प्रयास किया गया है।
आशा है यह पुस्तक छात्रों, शोधार्थियों सहित इतिहास में रुचि रखने वाले आम नागरिकों को भी रूचिकर लगेगी।
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