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The present study is the comprehensive analysis of interpretative tradition, concerned with the problem of determining meaning in verbal texts, and examines the nature of the texts and the typology of textual situations. It investigates the instruments of interpretation and illustrates their use in various texts and exegetes.
Linguistic communities are interpretative they have shared frameworks and strategies to fix the meaning of what is experienced through senses or communicated through language. India presents one such interpretative community in which the three major contending schools of thought the Brahmins, the Buddhists and the Jains flourished and fought. The presence of a strong interpretative tradition suggests the existence of texts and issues that are perennially important and also a certain freedom of mind that the community has enjoyed and guaranteed. The present study is perhaps the first comprehensive analysis of this tradition concerned with the problems of determining meaning in verbal texts. It examines the nature of the texts and the typology of textual situations in response to which a system of interpretation developed and became a shared mode of interpretation, the Shastra-Paddhati. It sets up several typologies of meaning, of textual situations and of the interpretative strategies. The book then investigates the instruments of interpretation, verbal testimony, sarvabhauma siddhanta (the meta-principle), sangati (coherence), paribhasha (metarules), laukika-nyaya (common principles of judgement), vyakarana (grammar), nirvacana, (exposition or etymology) and verbal symbolism and illustrates the use that is made of them in different kinds of texts, shruti, smriti and kavya, and by different exegetes such as Shankara. At a time of resurgence of interest in the Indian intellectual traditions in grammar, philosophy, logic, theories of meaning and poetics and as part of a transdisciplinary search for abstract structures of knowledge this book should be of interest to students and scholars of Indian languages, linguistics, semiotics and literatures and generate lively intellectual controversy among scholars and motivate further research and study in these areas.
This book sets forth the principles and procedures of elementary Logic in a more simplified way. The enlarged edition of A Text Book of Logic Þ An Introduction, it includes an additional chapter on Uses of Language and its Functions besides the main topics on Deductive, Inductive and Symbolic Logic prescribed by various universities.
The present book is the fifth enlarged edition of the earlier book A Text Book of Logic An Introduction. The current edition includes additional chapters on Arguments and Explanations, and Dilemma. Like the earlier book, the present book sets forth the principles and procedures of elementary Logic in the most simplified way and is specifically designed and intended for the use of undergraduate students. It contains almost all the main topics on Deductive, Inductive and Symbolic Logic prescribed in the syllabi of different universities in the country.
The book attempts to present a clear perspective on Logic as a science of correct reasoning. In the introductory chapter the aim of Logic and the task of a Logician are elaborated. Other topics covered here are Terms, Propositions, Immediate Inference, Syllogism, Boolean Equations, Venn Diagrams, Anti-Logism Theorem, Truth Functions, Truth Table, Deductive Method, Predicate Calculus, Scientific Inductions, Causation, Mill’s Methods and Informal Fallacies to mention a few. All the topics are explained with the help of diagrams and lucid examples. Each chapter is followed by plenty of fresh and exclusive exercises for the benefit of students.
The book comprehensively studies aspects of Thai political life, religion, art and literature emphasising the role of Buddhism in influencing the Thai culture. It analyses Buddhist art styles pertaining to sculpture, stucco decoration and paintings in different periods of history and surveys schools of art and stupa-building.
The book is a comprehensive study of different aspects of Thai political life, religion, art and literature with the emphasis on the role of Buddhism in influencing the Thai culture and way of life. Showing how Thailand has a unique blend of a glorious past traceable to very early times and remarkable modernisation attempts, it traces, under political history, the earliest dynasties of kings and their battles and wars to found empires and cities down to more recent political developments in particular, its loss of territories to the British and the French in the nineteenth-twentieth centuries, its relation with other nations and its economic scenario. Reflecting deep scholarship and quoting extensively from ancient and modern scholarly works it looks into the rise and development of Buddhism referring constantly to inscriptional evidences and archaeological studies. Focussing on a detailed analysis of the growth of Buddhist art styles pertaining to sculpture, stucco decoration and paintings in different periods of history, it takes up a survey of the schools of art and stupa-building while revealing how the Thai art form is based on ideas borrowed from India, Sri Lanka and Cambodia. In an interesting attempt, the author undertakes a discussion of the Thai tamnan (stories/legends) of the distant past: historical works by Buddhist monks and accounts relating to Buddhist images, relics and institutions.
The book recounts 100 darsanas delving into the meaning of the Atmopadesa Satakam One Hundred Verses of Self-Instruction of Narayana Guru to present insights into the essence of Guru-disciple transmission. It combines the mystical element with scientific rigour to attempt a total transformation of consciousness in the reader.
With this verse you are entering into an intense spiritual discipline. Thus concludes the commentary of the first verse of Atmopadesha Shatakam, the One Hundred Verses of Self Instruction of Narayana Guru, the best known of his major works. Epitomizing the essence of Guru-disciple transmission, That Alone: The Core of Wisdom recounts 100 darsanas presenting the meaning of Atmopadesha Shatakam to a group of disciples. The power of the Hundred Verses is summed up by Guru Nitya: There is no need to learn each verse and then rationally apply it in everyday life. You can even hear it and forget it. Forgetting means it only goes deeper into you. Once you have heard it, it will go and work its way by itself. The effect will be very subtle. It comes almost without you knowing that it is somethings which you heard that is enabling you to see things in a new light or make resolutions in a certain more helpful way. Combining scientific rigor with mystical rapture, this book has the power to bring about a total transformation of consciousness by leading the reader to his or her own Core, wherein lies the essence of wisdom.
This book is an excellent exposition of the complex philosophy of Advaita. A special feature of the book is that it inspires the readers to inquire deeply into their own traditions and undertake the mystical quest.
Written with extraordinary clarity and elegance, this book is an excellent exposition of the complex philosophy of Advaita. A special feature of the book is that it inspires the readers to inquire deeply into their own traditions and undertake the mystical quest. The author’s emphasis on first-hand truth is indeed heartening, for, as he says quite rightly, ultimate questions are too important to be left for others to determine the answers. Professor Puligandla approaches Vedanta as a free and independent thinker with a desire to modernize its format and shows the key to search and reach the highest form of living truth by tracing the single theme of non-dualism.
This coffee table book on contemporary art unravels the artistic journey of a talented artist in Naina Dalal, covering a span of fifty-nine years, mainly in the printmaking activities. It showcases her flight as a painter in thinking, perceiving, imagining, creatively objectifying and expressing her artistic acumen through the medium of printmaking processes, her lifetime quest. The book traces the stages through which this versatile artist matured traversing the different realms as a painter, lithographer, etcher and a calligraphy artist.
Further, this monograph is an embodiment of her several decades of artistic wisdom, maturity and thematic range. The images herein deliberate on many a political, social and ethical challenge that infects the society. Along with some shade of feminism, one also comes across her passion in reflecting the true conditions of humanity. These paintings should stir the consciousness of artists, connoisseurs and critics alike.r
This book introduces Aryabhata and the Aryabhatiya to the new generations through an authentic English translation. It discusses Aryabhata as an innovator and the findings of Aryabhata on dashagitika, ganitapada, kalakriya and gola in great details, endorsing it as quite a genuine work.
The Aryabhatiya of Aryabhata is of great work in the annals of the history of Indian mathematics and astronomy. This volume is expected to give a complete translation (with notes) of the Aryabhatiya with references to some of the most important parallel passages. It is a brief descriptive work intended to supplement matters and processes which are generally known and agreed upon to give only the most distinctive features of Aryabhatas own system. Many common places and many simple processes are taken for granted.
The book vividly addresses topics such as dashagitika, ganitapada, kalakriya and gola in much details. Withstanding many a criticism from people like Brahmagupta on the theories of Aryabhata, this volume through the introductory chapter contends that the Aryabhatiya, on the whole, is quite genuine. It presents Aryabhata as an innovator, thus his difference from Smriti or tradition in his approach to many astronomical matters is fully justified. It also discusses a serious internal discrepancy in the Aryabhatiya about the stationary and revolutionary nature of earth.
This book helps in introducing Aryabhata and the quintessential of Aryabhatiya to the mathematicians and astronomers of the new generations, for whom the original language Sanskrit and the old processes might be unknown.
This book is a journey into that charmed and beautiful mind from which has arisen concepts and ideas, forms and textures, words and music, movement and stillness, philosophy and worship. myths and their celebrations.
It is through the Indian aesthetic mind and its concepts of the beautiful that the Indian civilization can be best understood, for in that mind are pages of history and voices of the past, in it will be heard the sounds of our dancers and in it will be seen the colours of our fabrics, it is a mind which treasures the aroma of the earth for in it we shall find terracotta figures that will whisper stories of times gone by. In that ancient mind silent stones will speak of sthapatis who not only built temples but also havelis, in that very mind rivers will whisper of saints who meditated on its banks and also of mountains which will beckon us to caves where truth was discovered, in that pristine mind stars will talk to us of astronomers who counted them, in that radiant mind we will meet scribes who created beautiful manuscripts and painters who immortalised our gathas and kathas through their kalam.
This book is a journey into that charmed and beautiful mind from which has arisen concepts and ideas, forms and textures, words and music, movement and stillness, philosophy and worship. myths and their celebrations.
The book is lavishly illustrated and is a visual delight.
Indisputably one of the world’s best-known books, the Bhagavadgita embodies the quint-essence of classical Upanisadic philosophy, presented in the form of a dialogue between Krsna, the archetypal teacher, and Arjuna, the archetypal human being caught in the grip of a monumental crisis. For anyone like Arjuna who has ever paused to ponder the meaning of life, the work is as relevant today as it was when it was written.
By stripping away the manifold biases — both subtle and obvious — that have colored other commentaries, Guru Nitya has uncovered the perennial philosophy at the heart of this great classic. In an original, easy to understand format, his commentary divides each of the Gita’s eighteen chapters into three sections: the first elucidating the basic concepts involved; the second including Sanskrit text in Roman script along with the English meaning of each word or phrase and Nataraja Guru’s lucid and revolutionary English translation; and the third carrying explanatory notes and comments in the form of a dialogue between a teacher and student.
The breakthrough of this interpretation of the Gita is in its transcendence of sectarian dogma to reveal the work as a fully developed scientific psychology, whose keen insights and vivid reasoning can be readily appreciated by the twenty-first-century mind.
This book, “The Buddhivilasini: Commentary of Ganesa Daivajna on the Lilavati of Bhäskaracarya II” is a version of the thesis, for which Dr V. Ramakalyani has been awarded the degree of Doctor of Philosophy by the University of Madras in 2018. Among the published commentaries on Lilavati, Buddhivilasini stands out for its characteristic treatment of the original work as Buddhivilasini contains more than hundred upapattis (Indian proofs) for almost all the rules of Lilavati. In the context of Buddhivilasini, upapatti is either a description of the process, numerical demonstration thereof, verbal explanation, reasoning utilising algebraic rules, proportion, examples or justification. This book consists of nine chapters. First chapter introduces the background relating to Indian contribution to mathematics. Second to eighth chapters consist of study of the upapattis on parikarmastakam (eight operations on arithmetic, fractions and zero), prakirnakas (miscellaneous units), misra-vyavahara (investigation of mixed units) sredha-vyavahara (progressions), Ksetra-vyavahara (geometry), Itara-vyavahara dealing with the khata (volume of excavations), citi (stacks), rasi (mound of grains) and chaya (shadows and gnomon), kuttaka (an indeterminate equation of degree one) and ankapasa, dealing with combinatorics. The translation of the passages in Buddhivilasini and explanations in modern notations are given with valuable remarks. Ganesa’s contribution to mathematics, style of commenting and his erudition are discussed in the last chapter. Six appendices, bibliography and index are given at the end. On the whole this is a valuable contribution to the historiography of mathematical literature in Sanskrit.
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