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The book is a comprehensive study of the evolution and development of Buddhist visual art in India and Sri Lanka, taking into consideration their diverse forms and the impact of regional trends on them. It examines architecture, sculpture, painting, and use of symbols like the lotus and Sri Lanka devil masks.
The book is a comprehensive study of the evolution and development of Buddhist visual art in India and Sri Lanka, taking into consideration their diverse forms and the impact of regional trends on them. Consulting a number of original sources including scholarly works in the Sinhala language, Dr. Dabral highlights the salient features of ancient Buddhist art in the two countries with special attention to architecture, sculpture, painting, use of symbols like the lotus and Sri Lanka devil masks. Dr. Dabral emphasises how Sri Lankan Buddhist art though originally derived from Indian art, developed its own art forms on the basis of local conditions. The critical study evaluates Buddhist art under various rulers/empires such as the Mauryan empire, the Kushanas, the Nagas and the Guptas. With numerous plates and an extensive bibliography, it gives insights into important aspects like the architectural excellence of stupas and viharas, the Sigiriya frescoes, Ajanta and Bagh paintings, Mathura, Gandhara and Sarnath schools of art, and the Jatakas as reflected in carvings at Sanci, Amaravati and other places.
The book highlights the art treasures of Kosambi, a famous ancient centre of Buddhist art, through a study of over 300 stone sculptures, paying special attention to their iconographic features, the stone types, carving, grinding and polishing techniques and their aesthetic appeal. It discusses the uniqueness of Kosambi art as compared to Mathura and Sarnath schools.
The Upanishads capture the quintessence of Indian spiritual wisdom unfolding deepest, highly perceptive reflections on human existence and how it is related to the mysterious cosmos. Authored by enlightened seers over the period of 1500-200 bc., the Upanishadic message is a magnificent vision that raises human consciousness to sublime heights. One of the major centres of Buddhist art in ancient times, Kausambi provides evidence of an uninterrupted art tradition spanning centuries. Pointing to the scant attention Kausambi has received from scholars in the past, this work attempts to highlight its art treasures through a study of its stone sculptures. Based on scrutiny of stone sculptures found at various sites in Kausambi and its vicinity and housed in different museums, it presents perhaps the first extensive documentation of the Buddhist art of the region from the Mauryan to post-Gupta period. It examines in detail over 300 stone sculptures, paying special attention to their iconographic features, types of stone, techniques of carving, grinding and polishing and their aesthetic appeal. All this comes with a background throwing light on the history of Kausambi and its association with Buddhism, the early archaeological explorations in the region, and the individuality and uniqueness of Kausambi art as compared to Mathura and Sarnath schools. The book presents over 225 black-and-white and over 50 coloured photographs of Buddhist sculptures which are neatly classified and systematically analysed. It would prove invaluable to scholars and students of Buddhist art.
The book introduces the fundamental ethical precepts of Buddhism, which are significant and relevant to contemporary society, as these are not restricted to any caste, creed, race, region and language. It also reveals the Buddhist solution to the problems of war, suicide, gender inequality, etc.
The book introduces readers to the fundamental ethical precepts of Buddhism. Buddhist ethics are significant and relevant to contemporary society, as these are not restricted to any caste, creed, race, region and language. The ethical precepts of Buddhism are flexible and autonomous in character. They are of a very practical character, such that they can be easily adapted and applied to modern times. The precepts are essentially taken from the sacred texts of Buddhism.
This volume comes in an attempt to highlight the philosophical and ethical bases of Buddhism. It classifies the ethical precepts of Buddhism in order to show their relevance to different categories of people monks, nuns and Buddhist lay people as well as non-Buddhists. It brings out the autonomous character of Buddhist ethics and the ethical idealism of Buddhism to show that the precepts have a pragmatic character. It also reveals the Buddhist solution to problems in the world in general and individual societies in particular, problems of the nature of war, suicide, gender inequality which existed in ancient times and continue to exist today.
The book will be extremely useful to scholars and students of Buddhist philosophy and ethics.
The book presents the Buddhist iconography as depicted in the Butsuzo-zui Buddhism adapted in Japan with the collections of icons divided into five parts. It introduces the amalgamation of Buddhist and the native Shinto deities, a unique feature of Japanese Buddhism.
The volume presents the Buddhist iconography of Japan as depicted in the Butsuzozui, a collection of iconographic sketches of various Buddhas that falls under the genre of Zuzo collections of iconic drawings in black and white. Inspired by the Chinese style of paintings called Paihuo or Hakubyo, the over 800 sketches presented here bear reference to the landmark work of this genre compiled in ce 1175 under the title of Besson Zakki and are arranged on the basis of the treatise of the Shingon sect of Buddhism. Butsuzozui presents Buddhism as it has been adapted in Japan, with the collections of Buddhist icons divided into five parts. It contains the list of sources, especially the scriptures. It deals with the Chinese icons of Fudaishi and his sons Þ the laughing Buddhas; sketches on the birth of the historical Buddha, his search, sambodhi and parinirvana; the nine categories of Amida and the classification of the Seven Buddhas of healing (Shichi Yakubutsu). It introduces the amalgamation of Buddhist and the native Shinto deities, a unique feature of Japanese Buddhism. The sections that follow expand the list of the protector gods associated with the Japanese beliefs and the different historical personalities associated with the various sects of Buddhism in Japan.
The volume will interest scholars of Buddhist religion and art.
The volume contains scholarly essays that make an in-depth study of Buddhist logical theory in the background of Buddhist epistemology. Two crucial philosophical concepts: trairåpya and apoha have also been discussed, besides the contributions of the leading Buddhist scholars like Diïnàga and Dharmakãrti.
The history of Buddhist logical and epistemological theories constitutes an interesting study for Buddhist religious scholars and philosophers.
This volume contains scholarly essays, presented at a seminar, that make an in-depth study of Buddhist logical theory in the background of Buddhist epistemology. Scholars from different parts of the world combine historical and philological scholarship with philosophical acumen and linguistic insight to examine the issues relating to problems of inductive logic and the problem of meaning and the universals. They also address the crucial question regarding the relevance of logical theory to Buddhism, especially to the philosophical soteriology such as Madhyamika. Using both Tibetan and Sanskrit texts to delve deep into the logical issues and philosophical questions, they focus attention on two crucial philosophical concepts: trairupya or the triple character of evidence, and apoha its meaning as exclusion. They examine the contributions of Buddhist scholars of yore in this regard, such as that of the Buddhist master Dinnaga and his general theory of inference, and in particular, his Hetucakradamaru, a study of propositions; Dharmakirti, particularly his theory of inference and definition of points of defeat; besides Shantarakshita and Ratnakirti.
The volume, offering original perspectives based on detailed study of ancient texts and their interpretations, will prove an informative source for scholars of Indology, particularly those involved in Buddhist religion and philosophy.
It deals with the development and fundamental aspects of Buddhist Tantrism and its impact on paintings and the sculptural art of India. It discusses concepts and schools of Tantrism citing Buddhist Tantric works.
In (perhaps) secret defiance of the rigid prescriptive codes of the Buddhist monastic order cropped up a new, esoteric cultic phenomenon. Which, later known as Buddhist tantra, not just compromised Shakyamunis ethical legacy, but came to be administered by a whole host of mudras, mandalas, kriyas, caryas and mysteriously ritualistic elements, even hedonistic practices. Dr. Mishras book attempts afresh to investigate when, why and how emerged this secrecy-ridden cult: now a spiritual tradition in its own right. The author, who has had long, personal interactions with some of the living tantriks, here enters the dark alleys of Buddhist tantra to look for its nucleus, its evolution, its culmination, and the causes of its disintegration. Focussing, further, on the shifting philosophical tenets of Buddhism: from Hinayana to Mahayana, Vajrayana, Kalacakrayana and, finally, Sahajayana, Dr. Mishra spells out quintessentially the world-view of Buddhist Tantra and its path to nirvana or sukhavati: the abode of bliss, together with a wide range of tàntric concepts that remain guhya (secret) to the uninitiated. Also showing how Buddhist art, almost from the beginning, has been compellingly influenced by tantric practices, the book exemplifies the manifestations of this influence in the iconographic representations of the Buddhist deities, illustrated manuscripts, thangkas, and even in the use of colours by the Buddhist artists.
This book studies the iconography of the design elements typically employed by craftspersons of Tai textiles from the Laos, Lan Na and Isan areas. With numerous splendid illustrations of the designs, it deals with their art of weaving, various textile forms to be found in the region and the suitable and inherently powerful motifs woven.
Textiles from Laos, Lan Na and the Isan are prized for their artistic brilliance and aesthetic beauty. They speak volumes on a weaving tradition that has evolved through centuries and shaped the socio-cultural life of the people associated with it. This book studies the iconography of the design elements typically employed by craftspersons of textiles from these areas: it deals with their art of weaving, various textile forms to be found in the region and the suitable and inherently powerful motifs woven. With numerous splendid illustrations of the designs, it involves study of design elements on articles of daily use as well as those used for ceremonial purposes and the kind of forms and iconography depicted like ancestor figures, animal and plant forms, water creatures, objects used in ceremonies and geometric forms. Viewing Buddhism as the prime influence upon the objects though Hinduism is also an important referent, it explores the symbols the design elements involve and their many meanings and the dimensions they encompass their fertility-related, religious and universal associations, for instance. The designs considered in the study are based upon the square grid and the design elements are shown in the typical graph form employed by weavers. It also gives Indian (Sanskrit) and Thai equivalents for English terms of plant and animal species and clarifies a number of terms all of which make this painstakingly-conducted research a thorough work on the subject. The book will be very useful to scholars of Textile designs, Buddhist art and culture; and the cultural traditions of South-east Asia. The scholars of Buddhist studies, specially of Buddhist tantra and art, will find the book as both interesting and useful.
This book offers a fresh exposition of the Buddhist theory of meaning (apohavada) against the backdrop of Indian linguistic thought and shows how this theory is positioned vis-a-vis current issues and assumptions in language. Consists a very useful glossary.
For over two millennia, language has been one of the prime concerns in nearly all philosophical systems of India: Grammar, Mimamsa, Nyaya, Vaisheshika, Jaina and Bauddha which, in turn, not only have shaped the Indian perception of vak, but also constitute the essential background to study the major concerns of language that have been taken up in the subsequent phases of philosophical-linguistic developments. Rajnish Mishras book offers a fresh, in-depth exposition of the Buddhist theory of meaning (apohavada) against this stupendous backdrop of Indian linguistic thought and also tries to show how this time-honoured theory is positioned vis-a-vis the current issues and assumptions in language. Surveying the evolution of apoha across the ages specially in its four kindred perspectives, viz, the Abhidharmika, the Sautrantika, the Yogacara and the Madhyamika schools of Buddhist philosophy, the author sets out, on its basis, a cognitive-epistemological model for literary analysis and illustrates as well the applicational aspects of this model with meticulous analysis of Wordsworths poetic masterpiece, Tintern Abbey. Based, as it is, on wide-ranging primary sources, including the Buddhist philosophical-epistemological texts in Sanskrit, the book sheds altogether new light on the Buddhist theory of meaning and, simultaneously, argues against the fallacies that have cropped up around its latter-day interpretations. A work of specific contemporary relevance to the ongoing post-structuralist debates, the book also carries a comprehensive, highly valuable cross-referential glossary of conceptual Sanskrit terms.
Dr. Thomas Dahnhardt deals with the evolution of the Indian lineage of the Naqshbandiyya also called Mujaddidiyya to study the spiritual symbiosis between the Hindu and Muslim communities. He surveys various masters of the tradition, the establishment of a new khanaqah and the emergence and methodology of the Hindu offshoot of the Mujaddidiyya Mazhariyya.
The common heritage of India is an active concept expressing itself in the myriad forms of integration of diverse cultures and traditions. Change and Continuity in Indian Sufism explores this common heritage through a study of the esoteric relationship between Indias two major religious traditions, Hinduism and Islam as expressed in the sufi tradition. Dr. Thomas Dahnhardt focuses on the evolution of the Indian lineage of the Naqshbandiyya, generally known as the Mujaddidiyya, in Indian sufism as an example of the intense spiritual symbiosis between the Hindu and Muslim communities. Based on a field study among the Hindu and Muslim representatives of the Naqshbandiyya lineage, he presents a social and historical study of the Naqshbandiyya Mujaddidiyya, surveying the various masters of the tradition and taking up specifically the establishment of a new khanaqah of the Mazhariyya branch of the Mujaddidiyyal in Old Delhi, one of the most important Naqshbandi centres of the tradition in the Indian subcontinent. The work goes in detail into the emergence, doctrines and methodology of the Hindu offshoot of the Mujaddidiyya Mazhariyya along with creation of regional sub-Hindu branches. The book would be useful to scholars of inter-religious studies, Sufism and Indian religious traditions as well as general readers interested in the process of integration of traditions and communities.
Dr. Thomas Dahnhardt deals with the evolution of the Indian lineage of the Naqshbandiyya also called Mujaddidiyya to study the spiritual symbiosis between the Hindu and Muslim communities. He surveys various masters of the tradition, the establishment of a new khanaqah and the emergence and methodology of the Hindu offshoot of the Mujaddidiyya Mazhariyya.
The common heritage of India is an active concept expressing itself in the myriad forms of integration of diverse cultures and traditions. Change and Continuity in Indian Sufism explores this common heritage through a study of the esoteric relationship between Indias two major religious traditions, Hinduism and Islam as expressed in the sufi tradition. Dr. Thomas Dahnhardt focuses on the evolution of the Indian lineage of the Naqshbandiyya, generally known as the Mujaddidiyya, in Indian sufism as an example of the intense spiritual symbiosis between the Hindu and Muslim communities. Based on a field study among the Hindu and Muslim representatives of the Naqshbandiyya lineage, he presents a social and historical study of the Naqshbandiyya Mujaddidiyya, surveying the various masters of the tradition and taking up specifically the establishment of a new khanaqah of the Mazhariyya branch of the Mujaddidiyyal in Old Delhi, one of the most important Naqshbandi centres of the tradition in the Indian subcontinent. The work goes in detail into the emergence, doctrines and methodology of the Hindu offshoot of the Mujaddidiyya Mazhariyya along with creation of regional sub-Hindu branches. The book would be useful to scholars of inter-religious studies, Sufism and Indian religious traditions as well as general readers interested in the process of integration of traditions and communities.
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