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| Tirumurai is the sacred poetry in the Saiva tradition of ancient Tamilnadu. Sung to the rhythm of percussion, string and reed instruments, the devotional outpouring of saints and poets known as Nayanars of the fifth to the twelfth century CE reflect the religious and cultural mores of the people. This book attempts to capture the grandeur of this vast, fascinating subject by presenting a detailed overview of the salient features. Beginning with an introduction to Nataraja Tattvam and Tamil Isai, all twelve Tirumurai are explained. Each chapter begins with the life story of the Nayanar followed by an analysis of the poetry with explanation of paN (raga) and sthala puranam. A few select songs from each Tirumurai are presented in the original Tamil with Romanized transliteration as well as English translation, made available in an online audio album complementing this book. Foreword by Lakshmi Viswanathan |
Present book presents interesting and authentic details of almost all promient Vedic gods, about their conceptions, their most ancient forms, their orderly evolution, and about their evolved personalities.
There have been quite a few attempts to delineate the nature and character of Vedic Deities on the basis of Vedic Samhitas by European scholars like Macdonell, Hillebrandt, Oldenberg, Luders and, of late, by Oberlies, etc. However, none of these scholars has made attempt to trace the subsequent development of their character and personalities through the later Vedic texts, epics and the Puranas, etc., whereas it goes without saying that the concept of Hindu gods today in the minds of the people is exactly the one which we encounter in the Puranas and in the folk literature.
This obviously means that the personalities of the Vedic Deities did not freeze with the end of Vedic literature but continued to develop in later period as well through the subsequent literarary activities. Taking rather vague clues from the Vedic texts, the authors or narrators of the Puràõas, augmented and supported by folk beliefs, further expanded, modified and developed the personalities of these gods so that, for the most part, the intangible character of these gods acquired a concrete shape and form, a body of flesh and blood, so to say.
The book tries to trace the historical development of the personalities of Vedic Deities through the subsequent Vedic literature, as well as the epics and the Puranas till they acquire the shape and form in which they are conceived and venerated today.
Varanasi, the abode of Lord Shiva has also embraced other sects including Vaisnavism. If Shiva is Nataraja or Natesha, Krishna is known as Natavara dancing with gopis. There are traditions which reveal that Kashi was once a Vaishnava stronghold. The book projects the Vaishnava contribution to Varanasi in literature, sculptural and other artistic renderings, visual and performing arts, temples, festivals and ceremonies.
Varanasi, the abode of Lord Shiva has also embraced other sects including Vaisnavism. If Shiva is Nataraja or Natesha, Krishna is known as Natavara dancing with gopis. There are traditions which reveal that Kashi was once a Vaishnava stronghold. In the medieval period many Vaishnava saints from different quarters thronged to Varanasi to preach and popularise their faith. The book projects the Vaishnava contribution to Varanasi in literature, sculptural and other artistic renderings, visual and performing arts, temples, festivals and ceremonies.
The three scholarly volumes contain an iconographic analysis and compilation of the over 760 images from the six chapels of the Pao-hsiang Lou in the Forbidden City, Beijing. There are details of each image like name in Sanskrit, Tibetan and Chinese; physical description; iconographical and stylistic features; and associated images.
The three volumes contain an iconographic analysis and compilation of the over 760 images from the six chapels of the Pao-hsiang Lou (Bao-xiang Lou) in the garden of the Tzu-ning Kung (Palace of Kindness and Tranquillity) in the Forbidden City, Beijing. The pavilion Pao-hsiang Lou, a two-storied simple structure with seven chapels on each floor, holds hundreds of Tibetan Buddhist images of remarkable quality. The volumes present the entire set of images, each reproduced and explained with great clarity. There are details of each image with regard to the physical description of the figure portrayed and its various iconographical and stylistic features and associated images. Each entry contains the name of the deity with the Sanskrit, Tibetan and Chinese transliterations of the name. The very interesting and useful introduction discusses deities of mandalas, placement of deities within a single chapel, images of the Pao-hsiang Lou pantheon compared to the Chu Fo Pu-sa Sheng Hsiang Tsan pantheon, variations in depiction of images with regard to their hair, crown and other parts and associated ornaments, and the asanas of the images. The scholarly volumes are a result of the painstaking research by the author by referring to noted experts on the subject. The volumes will interest all students and scholars of Buddhist art and iconography.
This book reconsiders Valmiki Ramayana from different perspectives literary, aesthetic, ethical, comparative, interdisciplinary, religious, philosophical, social, and archaeological among others. In the process, it underscores significance of Ramayana from modern perspective, as it unveils its multilayered worlds.
Valmiki Ramayana, the first kavya (poetic composition) and the first mahakavya (epic) of the world, is an inexhaustible fountain of culture and knowledge. It has impacted infinite minds and souls in India and abroad, and continues to inspire and engage creative and critical minds, and will remain so for the ages to come.
Ramayana, along with standardizing Ramakatha, transcends history, geography and binaries of mode of thinking. Its appeal may be discerned from the fact that it exists in different versions in various regions and forms. Notwithstanding these versions, Valmiki Ramayana rules human heart and mind for its subject matter and manner of articulation.
The multilayered worlds of Ramayana make it a seedbed of ideas existing at various levels. Traversing generations, and getting interpreted anew in consonance with cultural needs and existential questions, it has earned serious critical consideration of scholars from different perspectives literary, aesthetic, ethical, comparative, interdisciplinary, religious, philosophical, moral, social, archaeological, and intermedial among many. Hence, it demands its reinterpretation by every generation. The present book is a testimony to it, and a response in this direction.
Consisting of scholarly papers by eminent intellectuals and with a perspicuous introduction, this book reconsiders Valmiki Ramayana from different perspectives, presented in a seminar on Ramayana that was organized with the blessings of Pujya Morari Bapu.
All the philosophers of Vedànta have resorted to reason in their attempts to reconcile the reality of Brahman with that of the world of empirical experience. This book traces the philosophical development of Vedànta starting from Badaràyaõa to Sri Aurobindo and critically evaluates their arguments and positions.
The problem of reconciliation of mutually incompatible Upanishadic statements on some of the basic problems has attracted the attention of almost all the major philosophers of Vedanta. One such problem is about the nature of relationship between Brahman and the world of empirical experience. And in their attempts to reconcile the reality of Brahman with that of the world of empirical experience almost all the philosophers of Vedanta have resorted to reason. They have not only tried to provide rational justification for their positions and views but have also used reason freely in analyzing and criticizing the rival positions and views. In this process several arguments which are subtle and cogent are developed. However, some of the Vedantins who have shown critical spirit and acumen in understanding and criticizing the rival arguments and positions are not so critical about their own arguments and positions. Thus the Vedantins who came after Shankara have made his position (advaita) their major purvapaksha without, however, trying to make their own positions a possible purvapaksha. This is an attempt to trace the philosophical development of Vedanta starting from Badarayana to Sri Aurobindo, and to understand and evaluate critically their arguments and positions.
This volume features thirty-one well-researched articles and resonates the current expectations from Vedanta in a fast-changing world. It discusses and debates among reputed and erudite scholars the Vedantic traditions and their scientific and contemporary relevance to the society across the globe.
Ancient Indian thought system, well known for its relentless argumentation on varied contentious issues, paved the way for maturing deep philosophical thoughts, and scientific and technological inventions. This volume Vedanta Anvikshiki, Science and Philosophy in Contemporary Perspective, which resonates the current expectations from Vedanta in a fast-changing world, is the proceedings of the 21st edition of International Congress of Vedanta organized by the Center of Indic Studies, University of Massachusetts, Dartmouth during 11-13 July 2013.
The volume presents thirty-one research papers from reputed scholars on wide-ranging topics like metaphysics, knowledge and hermeneutics, science and technology in ancient texts, interpretation of key texts, digital libraries, yoga and ayurveda, spirituality and science, interfaith dialogue, Indian cosmology and psychology, Vedantic pedagogy, history, culture, social systems, corporate world, governance, music and consciousness studies. These papers present vast treasures of Indias knowledge systems and offer potential for multidisciplinary research.
It would be of immense value to the students and scholars of Vedanta, and would stimulate them for more discussions and debates on Vedantic traditions and their contemporary relevance.
Vedanta for the Western World is a collection of sixty-eight articles appeared in a magazine having the same title during 1938-45 by eminent scholars of international repute such as Aldous Huxley, Allan Hunter, Gerald Heard and Swami Prabhavananda reflecting on the varied aspects and universal reflections of Vedanta, with an Introduction by Christopher Isherwood. Vedanta, the Vedic philosophy per se, and not time-specific, focuses on three fundamental propositions that man’s real nature is divine; aim of human life is to realize this divine nature; and all religions are essentially in agreement as far as this divine concept is concerned. The essays featured in this volume imbibe and exude the same philosophy being best suited to the understanding of new generation audience, especially the one that belongs to the Western world. This unique volume stands out in its genera of works due to a wide gamut of topics featured in it under the umbrella banner Vedanta. It enables every student of Vedanta know the essence of the Vedic philosophies from the perspectives of both Indian and Western scholars and men of merit.
The multidimensional approach to Vedānta Science Technology extends the core scientific ideas of Vedānta to social, cultural, aesthetic and religious principles. The effort is to present a wide spectrum of intellectual discourse trying to discover fundamental scientific and technological aspects of Vedānta studies.
Vedānta texts have been well known for their richness in fundamental scientific and technological principles with strong potential for research and development today. In fact, much of ancient India’s remarkable achievements in science and technology can be credited to Vedantic texts.
This volume – proceedings of the 22nd International Congress of Vedanta held during 27-30 December 2015 at Jawaharlal Nehru University, New Delhi – features 53 scholarly articles from a wide variety of areas of study. The 22nd Vedanta was a confluence of scholars from various disciplines and the papers in this volume bear the imprint of an intense discussion that is usually expected from a good Vedanta seminar. Though the majority of the papers are in English, a few are in Sanskrit and Hindi as well. The papers are grouped under Vedānta Studies, Vedānta and Philosophy, Vedānta and Science, Vedānta and Culture, Applied Vedānta, and Digital Access and Search of Sanskrit Texts.
This multidimensional approach extends the core scientific ideas of Vedānta to social, cultural, aesthetic and religious aspects of studies, creating a wide spectrum of intellectual discourse and trying to discover fundamental scientific and technological aspects of Vedānta studies.
Being a worthwhile addition to Vedānta studies, this volume should invoke keen interest among all those who are deeply into it, be a student, a researcher or a common reader.
Sree Narayana Guru (1856–1928), an enlightened seer, represents Vedanta as a Science of Consciousness or pure Epistemology. This book deals with Guru’s epistemology and shows how it can eliminate many of the problems in philosophy and life.
The Guru conceives Consciousness or Arivu as the one all underlying Reality that assumes the form of everything in the world, both mind and matter.
Epistemologists are usually either idealists or realists, but the Guru is neither. To him there is no need to place one above the other since they are two manifest forms of one Consciousness.
Many eminent persons have tried to solve the problem of consciousness, but could not succeed because they were not ready to consider man as a pure being and the essence of the world as Consciousness.
To the Guru, in every event of knowing there is the coming together of subject, object and also the function of knowing. These three are Consciousness in essence. What we really need is awareness of it. All kinds of divisiveness, conflicts and crises can be solved through an awakening of the inner consciousness of man which is non-different from the one all underlying Reality titled Brahman, Atman or Consciousness.
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