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In this volume the first English-language publication on the subject the author describes the various indigenous musical instruments which support rituals and performances within and outside the temples of Kerala. Illustrations of each instrument, accompany the text, with information on its dimensions, construction, playing techniques, methods of training and music.
The performing arts of Kerala Kathakali, Kutiyattam, Mohiniattam, and other forms of dance and drama occupy a vital space in Indias creative imagination. All these performances move to a music that is supported by Keralas indigenous musical instruments a variety of drums and clappers, as well as a smaller number of pipes and strings.
Quite a few of these instruments are also found associated with rituals and festivities in the temples of Kerala: the Itakka, Chenta, Timila, Milavu, Suddha Maddalam all membranophones; the aerophones Kurum Kulal and Kompu Vadyam; and Ilattalam, an idiophone. Notes on these instruments by a devoted student of the performing arts of Kerala are put together in this small volume the first English-language publication on the subject. Illustrations of each instrument accompany the texts.
The author brings to his task the benefit of an intimate knowledge of each instrument, acquired through years of fieldwork, as well as an erudition born of his immersion in literary classics in Tamil, Malayalam and Sanskrit. The pieces here are a source too of the folklore associated with Keralas musical instruments. The chief strength of the book, however, lies in the precise information it provides on each instrument its dimensions, materials, construction, playing techniques, methods of training, and, not least, its music.
Apart from musicians and musicologists, this book would interest students of Keralas folklore and anthropology, as well as general readers with a special interest in the arts and culture of Kerala.
This volume studies the beginning and evolution of temple architecture in India and deals with temples constructed by different ancient and medieval dynasties in various parts of the country. It contains over a hundred plates of temples and carvings on them, cave faades, pillar descriptions, etc. Many Jaina temples are also covered.
This volume is a study of the beginning and evolution of temple architecture in India which covers sculptures and carvings as well. With over a hundred plates of temples and carvings on them, including cave facades and pillar depictions, it deals with temples constructed by the different ancient and medieval dynasties in Indian history, particularly the Early Western Calukyan and Later Western Calukyans, Pallava, Pandya, Cola, Hoyasala and Nayaka. With illustrations that include maps, plans of caves and even viharas and caityas, it undertakes a study of the temples found in different States of India. The research discusses the variations in plans and elevations to examine development of temple architecture over time and new experimentations in the building of temples by use of various materials. Reconstructing art and architectural styles from the remnants of the ruined temples in many places, it explains terms and concepts in temple building and architecture and cites examples of various temple styles and traditions including the best and the earliest ones. The focus is on the Dravida and Nagara temple styles and a third hybrid form of ÷ikhara that developed in the Deccan. Many Jaina temples are also covered. The book will prove extremely useful for scholars and students of Indology, particularly those studying Indian religious architecture.
This volume studies the beginning and evolution of temple architecture in India and deals with temples constructed by different ancient and medieval dynasties in various parts of the country. It contains over a hundred plates of temples and carvings on them, cave faades, pillar descriptions, etc. Many Jaina temples are also covered.
This volume is a study of the beginning and evolution of temple architecture in India which covers sculptures and carvings as well. With over a hundred plates of temples and carvings on them, including cave facades and pillar depictions, it deals with temples constructed by the different ancient and medieval dynasties in Indian history, particularly the Early Western Calukyan and Later Western Calukyans, Pallava, Pandya, Cola, Hoyasala and Nayaka. With illustrations that include maps, plans of caves and even viharas and caityas, it undertakes a study of the temples found in different States of India. The research discusses the variations in plans and elevations to examine development of temple architecture over time and new experimentations in the building of temples by use of various materials. Reconstructing art and architectural styles from the remnants of the ruined temples in many places, it explains terms and concepts in temple building and architecture and cites examples of various temple styles and traditions including the best and the earliest ones. The focus is on the Dravida and Nagara temple styles and a third hybrid form of ÷ikhara that developed in the Deccan. Many Jaina temples are also covered. The book will prove extremely useful for scholars and students of Indology, particularly those studying Indian religious architecture.
This volume identifies and presents over one-hundred temples having more than one garbhagrha, categorized as dvikuta, trikuta, catuskuta, pancakuta, saptakuta, navakuta and caunsath. It features the temples in detail: their historical milieu, their iconography and the application of mandala(s) to their plans.
Hindu temples are raised to their deities. They are a means to acknowledge the deity and to enshrine his/her images. People honour and worship the deity. Within the Hindu pantheon, there is an array of divinities spread over three major sects Þ Vaisnava, Saiva and Sakta. All these sects have stemmed from the Vedic teachings and beliefs. Normally a temple is devoted to a single diety, having a solitary sanctum (garbhagrha), called ekakuta. In this volume, the author, through his serious research, has made a sincere attempt to identify, present and feature about one hundred temples with multiple garbhagrhas which are categorized as dvikuta, trikuta, catuskuta, pancakuta, saptakuta, navakuta and caunsath yogini temple.
This book delves deep into the details of these temples: their historical milieu, their iconography, the application of mandala(s) to their plans and so on. It also attempts to correct those errors crept in the earlier studies of other researchers in understanding and detailing a few multiple garbhagrhas. The author has given a brief description of such temples and has made a sincere effort to provide a relatively precise scale rendering of those temples, in a size and format, commensurate with their importance.
This volume can serve architects, temple planners, researchers, vastu experts and even historians as a sourcebook on temples with multiple garbhagrhas.
The present study is the comprehensive analysis of interpretative tradition, concerned with the problem of determining meaning in verbal texts, and examines the nature of the texts and the typology of textual situations. It investigates the instruments of interpretation and illustrates their use in various texts and exegetes.
Linguistic communities are interpretative they have shared frameworks and strategies to fix the meaning of what is experienced through senses or communicated through language. India presents one such interpretative community in which the three major contending schools of thought the Brahmins, the Buddhists and the Jains flourished and fought. The presence of a strong interpretative tradition suggests the existence of texts and issues that are perennially important and also a certain freedom of mind that the community has enjoyed and guaranteed. The present study is perhaps the first comprehensive analysis of this tradition concerned with the problems of determining meaning in verbal texts. It examines the nature of the texts and the typology of textual situations in response to which a system of interpretation developed and became a shared mode of interpretation, the Shastra-Paddhati. It sets up several typologies of meaning, of textual situations and of the interpretative strategies. The book then investigates the instruments of interpretation, verbal testimony, sarvabhauma siddhanta (the meta-principle), sangati (coherence), paribhasha (metarules), laukika-nyaya (common principles of judgement), vyakarana (grammar), nirvacana, (exposition or etymology) and verbal symbolism and illustrates the use that is made of them in different kinds of texts, shruti, smriti and kavya, and by different exegetes such as Shankara. At a time of resurgence of interest in the Indian intellectual traditions in grammar, philosophy, logic, theories of meaning and poetics and as part of a transdisciplinary search for abstract structures of knowledge this book should be of interest to students and scholars of Indian languages, linguistics, semiotics and literatures and generate lively intellectual controversy among scholars and motivate further research and study in these areas.
This book sets forth the principles and procedures of elementary Logic in a more simplified way. The enlarged edition of A Text Book of Logic Þ An Introduction, it includes an additional chapter on Uses of Language and its Functions besides the main topics on Deductive, Inductive and Symbolic Logic prescribed by various universities.
The present book is the fifth enlarged edition of the earlier book A Text Book of Logic An Introduction. The current edition includes additional chapters on Arguments and Explanations, and Dilemma. Like the earlier book, the present book sets forth the principles and procedures of elementary Logic in the most simplified way and is specifically designed and intended for the use of undergraduate students. It contains almost all the main topics on Deductive, Inductive and Symbolic Logic prescribed in the syllabi of different universities in the country.
The book attempts to present a clear perspective on Logic as a science of correct reasoning. In the introductory chapter the aim of Logic and the task of a Logician are elaborated. Other topics covered here are Terms, Propositions, Immediate Inference, Syllogism, Boolean Equations, Venn Diagrams, Anti-Logism Theorem, Truth Functions, Truth Table, Deductive Method, Predicate Calculus, Scientific Inductions, Causation, Mill’s Methods and Informal Fallacies to mention a few. All the topics are explained with the help of diagrams and lucid examples. Each chapter is followed by plenty of fresh and exclusive exercises for the benefit of students.
The book comprehensively studies aspects of Thai political life, religion, art and literature emphasising the role of Buddhism in influencing the Thai culture. It analyses Buddhist art styles pertaining to sculpture, stucco decoration and paintings in different periods of history and surveys schools of art and stupa-building.
The book is a comprehensive study of different aspects of Thai political life, religion, art and literature with the emphasis on the role of Buddhism in influencing the Thai culture and way of life. Showing how Thailand has a unique blend of a glorious past traceable to very early times and remarkable modernisation attempts, it traces, under political history, the earliest dynasties of kings and their battles and wars to found empires and cities down to more recent political developments in particular, its loss of territories to the British and the French in the nineteenth-twentieth centuries, its relation with other nations and its economic scenario. Reflecting deep scholarship and quoting extensively from ancient and modern scholarly works it looks into the rise and development of Buddhism referring constantly to inscriptional evidences and archaeological studies. Focussing on a detailed analysis of the growth of Buddhist art styles pertaining to sculpture, stucco decoration and paintings in different periods of history, it takes up a survey of the schools of art and stupa-building while revealing how the Thai art form is based on ideas borrowed from India, Sri Lanka and Cambodia. In an interesting attempt, the author undertakes a discussion of the Thai tamnan (stories/legends) of the distant past: historical works by Buddhist monks and accounts relating to Buddhist images, relics and institutions.
The book recounts 100 darsanas delving into the meaning of the Atmopadesa Satakam One Hundred Verses of Self-Instruction of Narayana Guru to present insights into the essence of Guru-disciple transmission. It combines the mystical element with scientific rigour to attempt a total transformation of consciousness in the reader.
With this verse you are entering into an intense spiritual discipline. Thus concludes the commentary of the first verse of Atmopadesha Shatakam, the One Hundred Verses of Self Instruction of Narayana Guru, the best known of his major works. Epitomizing the essence of Guru-disciple transmission, That Alone: The Core of Wisdom recounts 100 darsanas presenting the meaning of Atmopadesha Shatakam to a group of disciples. The power of the Hundred Verses is summed up by Guru Nitya: There is no need to learn each verse and then rationally apply it in everyday life. You can even hear it and forget it. Forgetting means it only goes deeper into you. Once you have heard it, it will go and work its way by itself. The effect will be very subtle. It comes almost without you knowing that it is somethings which you heard that is enabling you to see things in a new light or make resolutions in a certain more helpful way. Combining scientific rigor with mystical rapture, this book has the power to bring about a total transformation of consciousness by leading the reader to his or her own Core, wherein lies the essence of wisdom.
This book is an excellent exposition of the complex philosophy of Advaita. A special feature of the book is that it inspires the readers to inquire deeply into their own traditions and undertake the mystical quest.
Written with extraordinary clarity and elegance, this book is an excellent exposition of the complex philosophy of Advaita. A special feature of the book is that it inspires the readers to inquire deeply into their own traditions and undertake the mystical quest. The author’s emphasis on first-hand truth is indeed heartening, for, as he says quite rightly, ultimate questions are too important to be left for others to determine the answers. Professor Puligandla approaches Vedanta as a free and independent thinker with a desire to modernize its format and shows the key to search and reach the highest form of living truth by tracing the single theme of non-dualism.
This coffee table book on contemporary art unravels the artistic journey of a talented artist in Naina Dalal, covering a span of fifty-nine years, mainly in the printmaking activities. It showcases her flight as a painter in thinking, perceiving, imagining, creatively objectifying and expressing her artistic acumen through the medium of printmaking processes, her lifetime quest. The book traces the stages through which this versatile artist matured traversing the different realms as a painter, lithographer, etcher and a calligraphy artist.
Further, this monograph is an embodiment of her several decades of artistic wisdom, maturity and thematic range. The images herein deliberate on many a political, social and ethical challenge that infects the society. Along with some shade of feminism, one also comes across her passion in reflecting the true conditions of humanity. These paintings should stir the consciousness of artists, connoisseurs and critics alike.r
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