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This volume discusses the different conceptions of the self and considers responses to many a question associated with the idea of the self, and on the destiny of the self in the context of karma, dharma, death and rebirth. It also deliberates on how a Hindu would realize the fullest to total potential and purpose of the self.
There is a variety of competing ideas about the nature of self in the Hindu tradition. Efforts to bring them together under a unitary conception were underway for many centuries. Much of the eighteenth- and nineteenth-century Oriental scholarship and the latter-day popularist movements made considerable effort to obscure the complexity and diversity of the idea of the self and its horizon in the broad spectrum of Hindu beliefs.
This modest study discusses the different conceptions of the self, and answers questions such as what is the self? and where does the self come from? How does the personal self retain its identity over time and space? In answering these questions it draws from the Vedic texts, Upanishads and the Vedanta system, especially Advaita (non-dualism). It also looks at the Samkhya system and its radically different conception of the self, which varies considerably from that of Upanishadic formulation. Buddhist and latter-day criticisms of the Hindu positions on the self via the neo-self theory are discussed.
The book also addresses questions such as what happens to the self, what does it do? where does it go? and where ought it go? discussing fate or destiny of the self in the context of karma, dharma, death and rebirth. Issues such as ends or goals towards which a person has to strive, realizing the fullest potential and purpose of the self, are well deliberated upon. Shankaras concept of the self and critique of the non-self are also examined.
This volume addresses and analyses the different aspects of yoga and consciousness using scientific and pedagogical tools. It has been structured as a textbook on yoga and conforms to the course content of yogic science of Indian universities and should serve as an authentic reference book on the subject.
This volume addresses and analyses the different aspects of yoga and consciousness using scientific and pedagogical tools to fit well into an academic framework. The essence of yoga is the search to know our true selves to discover the real nature of consciousness. It starts with the body, goes to the mind and aims to realize the inner nature. Yoga is a way of life; it provides excellence in action; it removes our own evils and weaknesses, leading us to a higher level of consciousness paving the way for peace, bliss and harmony.
This book has been structured as a textbook on yoga. It conforms to the course content of yogic science of Indian universities and should serve as an authentic reference book on the subject. Efforts have been made here to navigate the readers with different aspects and planes of yoga and consciousness smoothly.
While dealing with topics such as the concept, science, psychology, and problems and challenges of consciousness, this volume delves deep into topics like human consciousness in philosophical thought; yoga and expansion of consciousness; and the current issues in the science of consciousness and yoga. It also familiarizes one with the different methods of evolution of consciousness in Buddhism, Christianity, Hinduism, Islam, Jainism and Sikkhism.
This book is specifically targeted at university teachers and students of yogic science. It should also raise keen interest among practising psychologists, psychoanalysts and general readers.
This book, a collection of six lectures Dr Kapila Vatsyayan made at different UNESCO seminars and two reports, presents, discusses, analyses and prognosticates the varied aspects of human development from the perspective of a developing country.
This book, a collection of six lectures Dr Kapila Vatsyayan made at different UNESCO seminars and two reports she prepared for UNESCO, presents, discusses, analyses and prognosticates the varied aspects of human development in India and other developing nations. She has made some commendable observations and suggestions with a futuristic view on UNDPs Human Development Report 1990 which defines and measures human development.
Through these papers and reports, Dr Vatsyayan has attempted to chart out a new perspective as far as development is concerned from the viewpoint of developing countries. The Western paradigms in defining development do not fit the frame of these countries. Culture, arts, oral wisdom, all should come to play a crucial role in defining, planning and executing developmental programmes in such countries, and in defining their educational status.
In addition, the volume provides a historical glimpse of Delhi and addresses the issues of cultural heritage and cultural lifestyle of the National Capital Territory of Delhi. In a nutshell, Dr Vatsyayan makes the readers travel with her continuous UNESCO engagement, over a period of sixty years.
This book analyses Vedic writings to highlight the ancient rsis perceptions of the Universe, Nature, and cause-effect relationships. It discusses selected Rgvedic hymns and explores important aspects of Indra and Varuna.
Directing his view towards the whole universe holistically, amazingly, the Rigvedic man as this study shows was awakened to the cosmic Law and Order (Rita); he saw how nothing: nature, environment, or the universe itself, was ever static; and how the orderly Energy was at the root of all changes and movements. Instinctively, he not only bowed down to the Order that reigns supreme, but also tried to attune himself, his behaviour, and his everyday activity to the eternal laws of the universe. Which, says the author, he recognized as his dharma. A sequel to her earlier, well-received title: Ecological Readings in the Veda, Dr. Marta Vannuccis this book sets out fresh, insightful analyses of the Vedic writings to highlight the ancient rishis perceptions of the Universe, Nature, and cause-effect relationships; and how, millennia ago, these sages came to revere, even adore, Nature in its different manifestations and, wittingly or unwittingly, evolve an environmentally friendly culture. In support of her findings, the author also analyses a few selected hymns from the Rigveda, using a biological key to decode these songs. Additionally, she also explores some important aspects of two Vedic gods: Indra and Varuna, who respectively represent the material and immaterial reality. Highly relevant appendices apart, the book includes a comprehensive glossary of Sanskrit/non-English words and numerous bibliographic references.
Whether the discourse on Human Rights constitutes an authentically universal discourse, or merely Western discourse masquerading as such, is an issue which has persisted ever since the Universal Declaration of Human Rights was adopted in 1948, and shows no signs of letting up. This book presents an in-depth exploration of this issue in a novel format, by presenting a celebrated piece on this issue by Raimundo Panikkar, with a detailed response to it by Arvind Sharma, thereby laying bare several key dimensions of the debate which may otherwise escape notice.
Whether the discourse on Human Rights constitutes an authentically universal discourse, or merely Western discourse masquerading as such, is an issue which has persisted ever since the Universal Declaration of Human Rights was adopted in 1948, and shows no signs of letting up. This book presents an in-depth exploration of this issue in a novel format, by presenting a celebrated piece on this issue by Raimundo Panikkar, with a detailed response to it by Arvind Sharma, thereby laying bare several key dimensions of the debate which may otherwise escape notice.
This volume Hymns to the Goddess is an endeavour of Sir John Woodroffe (Arthur Avalon) to translate the Sanskrit hymns in praise of the Goddess or Devi, scattered in Tantra and Purana texts, Mahabharata, and in the hymns of Shankaracharya. Hymn to Kali (Karpuradi Stotra), another book within the book, is a celebrated Kaula stotra, having commentary on the hymns.
The Goddess or Devi is God in Its Mother aspect. Devi, who is existence, consciousness and bliss, is thought of as a female, a male or pure Brahman. This volume Hymns to the Goddess is an endeavour of Sir John Woodroffe (Arthur Avalon) to translate the Sanskrit hymns in praise of the Goddess or Devi, scattered in Tantra and Purana texts, Mahabharata, and in the hymns of Shankaracharya, who was an incarnation of devotion and a great philosopher, Valmiki and Indra.
After a general introduction, the book starts with a hymn to Kalabhairava, the spouse of Devi, followed by Devi stotras. In these hymns, Devi is praised as Bhairavi, Bhuvaneshvari, Adyakali, Lakshmi, Tara, Mahishamardini, Annapurna, Sarasvati, Durga, Tripura in Tantra texts; Sarvavishvajanani, Ambika, Chandika, Mahadevi and Jagadambika in Puranas; Durga, Arya, Durga in Mahabharata; Tripurasundari, Ganga, Ananadalahari, Yamuna, Narmada and Mahalakshmi.
Hymn to Kali (Karpuradi Stotra), another book within the book, is a celebrated Kaula stotra, having commentary on the hymns. It, in addition to mantroddharadhara, contains stotras of dhyana, yantra, sadhana, madya, mamsa, maithuna and phala-shruti matters.
This volume Hymns to the Goddess is an endeavour of Sir John Woodroffe (Arthur Avalon) to translate the Sanskrit hymns in praise of the Goddess or Devi, scattered in Tantra and Purana texts, Mahabharata, and in the hymns of Shankaracharya. Hymn to Kali (Karpuradi Stotra), another book within the book, is a celebrated Kaula stotra, having commentary on the hymns.
The Goddess or Devi is God in Its Mother aspect. Devi, who is existence, consciousness and bliss, is thought of as a female, a male or pure Brahman. This volume Hymns to the Goddess is an endeavour of Sir John Woodroffe (Arthur Avalon) to translate the Sanskrit hymns in praise of the Goddess or Devi, scattered in Tantra and Purana texts, Mahabharata, and in the hymns of Shankaracharya, who was an incarnation of devotion and a great philosopher, Valmiki and Indra.
After a general introduction, the book starts with a hymn to Kalabhairava, the spouse of Devi, followed by Devi stotras. In these hymns, Devi is praised as Bhairavi, Bhuvaneshvari, Adyakali, Lakshmi, Tara, Mahishamardini, Annapurna, Sarasvati, Durga, Tripura in Tantra texts; Sarvavishvajanani, Ambika, Chandika, Mahadevi and Jagadambika in Puranas; Durga, Arya, Durga in Mahabharata; Tripurasundari, Ganga, Ananadalahari, Yamuna, Narmada and Mahalakshmi.
Hymn to Kali (Karpuradi Stotra), another book within the book, is a celebrated Kaula stotra, having commentary on the hymns. It, in addition to mantroddharadhara, contains stotras of dhyana, yantra, sadhana, madya, mamsa, maithuna and phala-shruti matters.
With surveys of diverse Buddhic and Hindic temples in India, Sri Lanka, Indonesia, Myanmar, Thailand, Vietnam, and even Malaysia, the book shows how the basic element in their architecture: the PLAN was fraught with iconographic import and input, necessitating the guidance of authoritative compendia, the arcane knowledge of the sthapati (priest-architect), and other complex procedures steeped in symbolism.
Over the rolling centuries, Buddhism and Hinduism, two of the worlds oldest sustained faiths, came to evolve a complex, yet precisely defining, iconic language: not just for figural representations, but for the architectural plans of their temples and monuments as well a language that allows interpretations of geometric proportions. Here is the first ever effort to brilliantly unravel the iconic idiom involved in the architectural plans of Buddhist and Hindu temples and monuments of India and the Indianized States of Southeast Asia. With his indepth surveys of diverse Buddhic and Hindic temples in India, Sri Lanka, Java (Indonesia), Kambuja, Myanmar, Thailand, Vietnam, and even Malaysia, the author shows how the basic element in their architecture: the PLAN conceived within a cosmological framework was fraught with iconographic import and input, necessitating the guidance of authoritative compendia, like the Manasara and the Mayamata, the arcane knowledge of the sthapati (priest-architect), and many other complex procedures which all were steeped in symbolism. In analysing the architectural plans of these temples, Professor Bunce also highlights the various related iconographic considerations, like orientation, basic geometric forms, construction methods, rules and ratios, the non-congregational necessity, the high place as a consideration as well as the cave besides a number of viable influences which exert various amounts of control, e.g., textual, philosophic/theologic, numerological, astrological/astronomical, regionality and, most importantly, the mandala. Generously supported by visual material comprising as many as 400 figures and line-drawings, Professor Bunces book is veritably a monumental, off-beat exercise of enormous interest to iconographers as well as the historians/specialists of South and Southeast Asian temple architecture.
This work analyses the Vaisnava iconography of Orissa. Vaisnava iconography proper including Hari-Hara and other composite images and those of Visnus female consorts; images of Visnu in his avataras; depiction of Balarama, Krsna and Jagannatha; and iconography of the secondary figures like Garuda and Hanumana.
This work is a well?researched attempt to analyse the Vaishnava iconography of Orissa which is unique in that there are to be found an overwhelming number of Vishnu images in the region despite paucity of Vishnu temples and inscriptional evidence suggesting royal patronage. Dr. Donaldson here undertakes a detailed study under four heads: Vaishnava iconography proper including Hari?Hara and other composite images and those of Vishnus female consorts; images of Vishnu in his different avataras; depiction of Balarama, Krishna and Jagannatha; and iconography of what are termed secondary figures like Garuda and Hanumana. He presents various iconographic charts throughout the book on the basis of textual description of the many images and their representations in sculpture with a number of photographs of the images studied, he provides details on the physical attributes of each group of images and specific images and their evolving iconographic and stylistic peculiarities: such as the decline of a particular motif and the emergence of another depending on the popularity of sects. The author also traces with keen interest the influence of Vaishnavism on the iconographic programme and rituals of Shaiva temples, resulting in even joint worship of Vishnu and Shiva. For each type of iconography, the book cites examples of different Orissan temples and discusses the images in them. The book would be of immense interest to scholars of religious studies and particularly those concerned with Hindu iconography.
Dr. Divatia deals with the rise and growth of Idealistic thought from the Vedic times till the final establishment of Drsti-Srsti-Vada in the Kevaladvaita Vedanta vis-a-vis the Srsti-Drsti-Vada of the same school.
The development of Drishti-Srishti-vada from its emergence till its establishment has been systematically presented in this book entitled Idealistic Thought in Indian Philosophy. The author has attempted to show how the Idealistic thought of a primary stage reached its acme step by step. The book explains what Idealism signifies in its different shades with special reference to the Idealistic schools of Indian philosophy and also speaks about the rise and growth of Idealisitc thought from the Vedic times till the final establishment of Drishti-Srishti-vada in the Kevaladvaita Vedanta vis-a-vis the Srshti-Drishti–vada of the same school. Drishti-Srishti-vada of the Kevaladvaita Vedanta represents the culmination of Idealistic thought. Idealism, rooted in the Upanishadic era, reached its zenith in the Drishti-Srishti-vada and was finally established in the sixteenth century A.D. by Prakashananda. Drishti-Srishti-vada totally denounces the reality of the wordly phenomena and puts them on a par with the dreaming world. This theory emphasiges that the world of appearance has no substantiality but exists only when it is perceived. In other words srishti and drishti are both identical. Drishti-Srishti-vada multifies the unapprehended existence of the world and is an unique theory of solving the riddle of the world of appearance, even while upholding the Absolute Reality of the ultimate Reality.
The readers are here presented with a bouquet of forty-eight short stories Þ each one is unique with an elegance and aroma of its own imparting a divine message. The whole collection of tales on different themes should make interesting reading to young and old alike.
The readers are hereby being presented with a bouquet of forty-eight short stories in the form of the The Immortal Tales. Each of the story is unique with an elegance and aroma of its own imparting a divine message to the readers.
In fact distribution of the divine messages through short stories is an age-old practice, since earlier the same had been kept in such a form that only wise and learned could reach the same.
The stories are being told by several people from time to time and it is quite possible that some readers might have heard them in a different form than what is stated here hope they would enjoy reading them in this form as well.
The writer offers his salutations to all those pious souls who had presented the divine messages to common persons in whatsoever form earlier.
The book analyses the social and cultural transformation of the people of Asia, particularly in Sri Lanka, China and Tibet brought about by Buddhist monks, missionaries and royal personages in a matter of centuries.
Buddhism is an ancient religion that spread across Asia in a matter of centuries and had a rare kind of influence on the social and religious life of the Asian peoples. The volume stresses on the social and cultural transformation brought about by Buddhism when the royalty in these countries adopted the religion and propagated it. It deals with Sri Lanka’s evolution into a stronghold of Theravàda Buddhism and China and Tibet’s contribution to the Mahàyàna and Tantrayàna Buddhist traditions. It takes up the royal patronage and zeal of missionaries, Buddhist influence on the social structure and personal names, impact of Buddhism on customs, lifestyle, food habits and spread of education and learning in Sri Lanka. It covers factors that encouraged spread of Buddhism in China, architectural and art works undertaken there, and the flourishing of Buddhist literature and missionary work under royal patronage in that country. The work captures the effect of Buddhism on Tibetan religious thinking and social life. It also discusses the later socio-cultural transformation of people of nearby countries owing to the missionary zeal of Buddhism in those countries. Throughout, the work refers to numerous legends and accounts for detailing the contribution of monks, missionaries and royal personages. The book will prove immensely valuable to Buddhist scholars keen on studying the evolution and impact of Buddhism in Asia.
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