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In Hindu Society, Yama is considered the God of Death who is feared. Indians, do not dread death, but instead consider as their body part. This book gives in detail the study of death and its effect on society. The search goes to its roots in the most ancient times.
Yama, in Hindu mythology, is the eschatologist and god of death. And is, thus, dreaded. Even in todays India, there is a fearful hesitancy, if not conscious avoidance, of any talk about him. Yet, paradoxically, the phenomenon of death does not evoke a similar fear in the Indian psyche accepted, as it is, a natural event, a part of life: just like poverty, sickness and old age. Here is an insightful, at once compelling exposition of the phenomenon of death, based on plurimillennial tradition of the Hindus which, despite the affirmation of Western attitudes in certain elitist sections of the urban society, has endured since the times of the Vedas and Indic Civilization. Exploring, contextually, the age-old Indian view of mortal existence: from the very moment of an individuals conception to his/her journey to the Kingdom of Yama through the major phases of birth, growth and ageing, Professor Filippi unveils a complex network of sentiments, beliefs, scriptural references, customs, hopes, ritualistic practices and much else relevant to the great adventure of death. Notwithstanding the sentimental undertones of the mrityu-theme, Dr. Filippis work outstands for its rare scientific objectivity. It has grown from years of his rigorous research effort involving not only his extensive studies of Indian literature: classical and modern, but also his interviews with Indian samnyasins, brahmanas, relatives of the dead, and the persons living around the cremation grounds. Together with visual material, bibliographic references, and a glossary of non-English terms, the book holds out as much appeal to the general reader as to the specialist.
This book contains 57 essays on the history of Kashi. They highlight the important religions, sects, factions of Kashi and their involvement in cultural traditions social and economic.
This book contains 57 essays on the history of Kashi. They highlight the important religions, sects, factions of Kashi and their involvement in cultural traditions social and economic.
The bibliography includes 4081 entries, covering published materials in English and French languages over the last two centuries. The book gives a representative overview of what has been researched and accomplished in the field of Indian Buddhist Art and Archaeology since Wilkinss article on Bodh-Gaya in 1788 or Thomas Daniel’s first illustration on the Kanheri caves in 1798.
The bibliography includes 4081 entries, covering published materials in English and French languages over the last two centuries. It is divided into two parts. The first part contains 2410 entries dealing with Indian Buddhist art and archaeology and Indian art in general, history, religion, some Buddhist sites outside present India with special attention given to Pakistan , etc. Entries in the second part are exclusively devoted to Indian Buddhist sites. There are 57 sites; each one is individually studied. The book gives a representative overview of what has been researched and accomplished in the field of Indian Buddhist Art and Archaeology since Wilkins’s article on Bodh-Gaya in 1788 or Thomas Daniel’s first illustration on the Kanheri caves in 1798.
This book is a survey of the birds and animals used in Mughal paintings, especially during the reigns of Emperors Akbar and Jahangir. It deals with the different perspectives of the two rulers in preserving for posterity the birds and animals found in their times.
The depiction of flora and fauna has been an intrinsic part of Indian painting traditions. The Mughals in their turn, in their fascinating paintings, used the bird and animal imagery to lend a special quality to their art of painting. This book, with over 70 illustrations, is a survey of the birds and animals used in Mughal paintings, especially during the reigns of Emperors Akbar and Jahangir. With historical details, it shows that the depiction of various kinds of birds and animals played a significant role in conformity with the context or the demands of the narratives. The artists painted both wild and domestic animals with equal competence. Outlining the differences in the paintings under the Mughal rulers themselves with regard to depiction of fauna, it notes that while Akbar was interested in historical, mythological or anecdotal events, Jahangir introduced album paintings and evinced interest in individual portrait studies of fauna. In all, it showcases the meticulous depiction of fauna in Mughal art and its persevering beauty. It mentions the names of a host of artists who executed the paintings and the many illustrated manuscripts mythological, historical and on popular fables that saw lavish use of paintings with faunal imagery. The book will interest historians especially those studying art history of the medieval period.
The study discusses importance of bhakti (devotion), pràpatti (self-surrender) and cultivation of peaceful emotions drawn from the great àcàrya’s intense and contemplative study of the Vedas, Upaniùads, the Bhagavad-Gãtà and the Puràõas.
Bhakti-yoga is seen as the direct path to perfection that leads to the very heart of religious consciousness. Ramanujas concept of bhakti (devotion) emphasised the practice of self-surrender through which a person realises his personality, strengths and weaknesses, and hidden powers. Bhakti, for him, acts as a link between mortals and the Ultimate Reality.
This book examines the views of Vishishtadvaita of Ramanuja on bhakti and prapatti (self-surrender). It studies in-depth the meaning of God, the soul and the Supreme Soul, and the world; the concept of bhakti; the different stages of bhakti referring to numerous sources that include the Vedas, the Bhagavad-Gita, the Upanishads and the Puranas. It focuses on Ramanujas teaching of bhakti, examining his philosophy in general and his sevenfold practice, Sadhana Saptaka to generate bhakti that expounds the qualities and significance of discrimination for viveka, freedom from sensual attachment or anger for securing vimoka, repeated reflection of God, performance of religious duty for inner mental strength, development of ethical virtues, freedom from despair and freedom from excessive joy. It understands the relevance of symbols in devotion and examines nature and use of symbols in Buddhism and Hinduism. The scholarly study discusses the importance and cultivation of peaceful emotions, and need for prayer and dietary regulations in devotion.
The volume will prove an indispensable work for scholars of Indian philosophy and religious studies.
The study discusses importance of bhakti (devotion), pràpatti (self-surrender) and cultivation of peaceful emotions drawn from the great àcàrya’s intense and contemplative study of the Vedas, Upaniùads, the Bhagavad-Gãtà and the Puràõas.
Bhakti-yoga is seen as the direct path to perfection that leads to the very heart of religious consciousness. Ramanujas concept of bhakti (devotion) emphasised the practice of self-surrender through which a person realises his personality, strengths and weaknesses, and hidden powers. Bhakti, for him, acts as a link between mortals and the Ultimate Reality.
This book examines the views of Vishishtadvaita of Ramanuja on bhakti and prapatti (self-surrender). It studies in-depth the meaning of God, the soul and the Supreme Soul, and the world; the concept of bhakti; the different stages of bhakti referring to numerous sources that include the Vedas, the Bhagavad-Gita, the Upanishads and the Puranas. It focuses on Ramanujas teaching of bhakti, examining his philosophy in general and his sevenfold practice, Sadhana Saptaka to generate bhakti that expounds the qualities and significance of discrimination for viveka, freedom from sensual attachment or anger for securing vimoka, repeated reflection of God, performance of religious duty for inner mental strength, development of ethical virtues, freedom from despair and freedom from excessive joy. It understands the relevance of symbols in devotion and examines nature and use of symbols in Buddhism and Hinduism. The scholarly study discusses the importance and cultivation of peaceful emotions, and need for prayer and dietary regulations in devotion.
The volume will prove an indispensable work for scholars of Indian philosophy and religious studies.
The Bodo, an ancient group of Northeast India, is resorting to a movement for autonomy. A section of the Bodo educated youth being thoroughly disillusioned with constitutional safeguards, like autonomy arragements, joined a secessionist struggle, which has not only radically transformed the character and substance of the Bodo assertion from autonomy to secession in terms of goals, but also the methods of achieving it, by showing prefernce to voilence. Tracing historical background of the Bodos, this book seeks to analyse the emergence of the NDFB, its supoort base, and its major demands and strategies to achieve them. It also examines the factors that persuaded the NDFB to adopt extermist methods for achieving its goals, the nature and extent of support for the NDFB’s demand for a Savereign Bodoland, the relationship of NDFB with the other Bodo organiztions and responses of the BTC, as well as Union and State Goverments to the demands of the NDFB.
The Bodo, an ancient group of Northeast India, is resorting to a movement for autonomy. A section of the Bodo educated youth being thoroughly disillusioned with constitutional safeguards, like autonomy arragements, joined a secessionist struggle, which has not only radically transformed the character and substance of the Bodo assertion from autonomy to secession in terms of goals, but also the methods of achieving it, by showing prefernce to voilence. Tracing historical background of the Bodos, this book seeks to analyse the emergence of the NDFB, its supoort base, and its major demands and strategies to achieve them. It also examines the factors that persuaded the NDFB to adopt extermist methods for achieving its goals, the nature and extent of support for the NDFB’s demand for a Savereign Bodoland, the relationship of NDFB with the other Bodo organiztions and responses of the BTC, as well as Union and State Goverments to the demands of the NDFB.
Borobudur was constructed during the eighth century as a guide to the Noble Path of the Buddha. Born from silence and unfolding into the serenity of the other shore, it expresses the glory of Indonesia’s awareness and creativity, the smile of her plastic forms over the centuries as well as her travels along the edge of thoughts that cross the endless corridors of memory.
Though the Western world rediscovered this magnificent structure almost 200 years ago, this sacred place nonetheless remains seated in its enigmatic depth, engulfed in vaporous illusions, waiting for someone to find the base simplicity of its Truth. This book is a catalyst and invites adventurous minds to find new directionJs by bringing into focus the vast universe of the Borobudur in order to cultivate the Way to weeding out error. The questions posed or solutions offered herein are like water and waves: different yet identical in essence. They stir discussion.
One of the special contributions of this book lies in its correlating the cyclical movements of the Sun and Moon with the numerical symbolism of Borobudur. The authors cite the magical effect of the Sun suddenly appearing out of the volcano Merapi and empowering the Borobudur-mountain with its radiant energy in poetic imagery. This magic moment of satori or enlightenment echoes the experiences of the unknown Shailendra monarch who had commissioned the monument’s construction and the inspiration that made the architect envision this Buddhist wonder.
Highlighting the tenets of Sri Vallabhas Brahma-Vada, the book spells out his views of Ultimate Reality (Brahman/Krsna), Individual Soul (Jivatman) and the Phenomenal World (Jagat) and his concepts of Aksara Brahman and Pusti Bhakti.
Stirred on, perhaps mystified, by Natures grand design, the Vedic seers pondered upon the nature of Ultimate Reality: Brahman, and how it is related to Man and the World. Over the time, these early reflections turned into profound, intricately metaphysical discussions, even polemics. And the dialogue continued vigorously in the post-Upanishadic period leading to the emergence of many spiritual-metaphysical schools of thought, represented notably by Gaudapadas Ajata-Vada, Shankaras Advaita (Kevaladvaita), Bhskaras Bhedabheda-Vada, Ramanujas Vishishtadvaita, Madhvas Dvaita, and Shripati Pandits Dvaitadvaita (also called Shakti Vishishtadvaita). Dr. Tagare here tries to locate Shri Vallabhacaryas worldview in this centuries-long discourse on Brahman. A highly erudite, Telugu brahmin, the great Acarya Shri Vallabha: 1478(?) – 1530 ad, was not only involved in the metaphysical niceties of the Brahman-related dialogue, but also came to develop his own doctrine, called Shuddhadvaita which, literally meaningpure advaita, views Brahman as pure (shuddha) Karya-Karana- Rupa: the cause and effect (of the universe), without the least mix of maya. Highlighting the tenets of his Brahma-Vada, the book spells out Shri Vallabhas views of Ultimate Reality (Brahman/Krishna), Individual Soul (Jivatman), and the Phenomenal World (Jagat), together with his concepts of Akshara Brahman and Pushti Bhakti. The author charts the historical development of Brahman-Vada, underscoring therein the uniqueness of Shri Vallabhas position. And also the relevance of his message of Bhakti-Karma-Samuccaya to the distraught, tension-ridden world of ours.
Renowned Vedic scholar, Pandit Madhusudan Ojha has presented in this volume a rich and ancient history of our world and civilization.
Jagadguruvaibhavam, the final part of the trilogy authored by Ojhaji on various facets of Creation, is as much an insightful work on the Vedic knowledge contained in the Vedas and Puranas as also an exceptional example of his profound knowledge and wisdom. Indravijayah (Bharatavarsha: The India Narrative in English) and Devasurkhyati are the first two volumes on the subject.
The Brahma’s Universe: The Chronicle of Creation is the English translation of Jagadguruvaibhavam prepared by a board of editors at Shri Shankar Shikshayatan headed by well-known Indologist, Prof. Kapil Kapoor.
Brahma is the central character of this book and through his forms, age and abode, Ojhaji has outlined the story of our universe’s evolution. It was Brahma who perceived that, in this world, the source of energy is the surya or sun. All spiritual, metaphysical and supraphysical energies exist in the surya. The vital energy (prana), which gives life to all beings too is produced from the sun. Brahma recorded all these in granthas (volumes) that came to be known as the Vedas.
Written in verse form, the volume offers a unique rendering of the creation of atma, veda, praja and dharma. Ojhaji presents a remarkable insight into the ancient knowledge on rivers, mountains, eras and communities like Sadhyas and Manijas.
Brahma’s Universe is more than a companion book of Bharatavarsha: The India Narrative. It expands the magnificent narrative of Creation, offers broader meaning to Vedic terms and illuminates the profound wisdom contained in the Vedas.
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