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This book is a celebration of India through Hindu eyes. Those eyes are of sages and kings, artists and artisans, potters and poets, rasikas and bhaktas. In that journey we remember the almond-shaped eyes of Shrinathji, the round eyes of Jagganathji. Those are human eyes through which we have received the darshan of our gods and goddesses and also the blessings of our elders and teachers. Those eyes are ancient and have witnessed magnificent kingdoms and trackless empires. They have watched the creations of monumental temples as well as charming havelis. They have travelled through the pages of history and chronicled the glory of the raja and the praja. Hindu eyes see the past even when they watch the present for they guide us through linear time but when we close our eyes we contemplate in circular time. Our eyes delight in asserting the finite but they rest when they find the infinite. They rejoice in the various akritis but they direct us to our sanskriti. They have been witness to our love stories and heroic sagas. They have smiled and spoken, invited and whispered. Hindu eyes belong to our mind which is buddhi pradhan but they throb with our heart which is bhava pradhan. They are the eyes of a people for whom adornment is beautiful but the serenity of ananda is blissful, for those eyes are the windows of our atman forever seeking the Brahman. Join us in this celebration.
The essays included in this book provide highly critical and creative analysis of some of the basic problems of normative and meta—ethies in a pleasantly readable language. They can be enjoyably and profitably read by technical philosophers as well as interested bymen. Professor Prasad writes on ethical issues as seminal, conceptual issues of moral philosophical, and not as issues arising out of some regional, Indian or non-Indian, instances of moral thinking. Even ethical issues, generally discussed as rooted in classical Indian thinking, have been discussed by him as basic ones of moral philosophising, and thereby he raises the status of some classical Indian views to a level at which their conceptual, general or non-regional, role becomes crystac clear, His writings by to bridge the gulf wrongly created by some others, between Indian and Western moral theorising.
Morality for the Ailing and Others: An Anthology on Applied Ethics, volume 2 is a collection of ten articles written by distinguished scholars who have provided exciting and interesting introduction to some domains of medical ethics, environmental ethics, ethics of politics, exploratory account of moral domains centring female sexuality, women’s position in society and prescribed code of conduct for women and analytic explanation of some hard-core ethical concepts and theories. This publication aims at carrying out the task of emphasizing the link, if any, between hard-core ethical theories and their applications to real life practical situations with special reference to Indian texts and literature. However, any holistic approach to ethics as a branch of philosophy hardly can deny drawing some contrast, comparison and analogy with the Western paradigms. The present anthology is no exception to this custom. Strictly speaking, this is a book on Applied Ethics which aims at exploring concrete suggestions, as far as possible, to meet challenges posed before human beings arising from moral conflicts and dilemmas at different levels of life. Whoever is interested in applied ethics – whether a researcher or a student or a lay reader – will be enormously benefited by the richness of the content of this volume. Authors have sharpened theoretical tools as per their requirements and credibly covered some of the fuzzy areas of practical moral situations. Articles are written in clear language and in very lucid but argumentative style.
1000 Full Moons is an anthology of 21 articles and poems, written by the students and admirers of Guru Muni Narayana Prasad like Swami Tyageswaran, Swami Tanmaya, Swami Vyasa Prasad, Scott Teitsworth, Deborah Buchanan, Andy Larkin and a few other bright minds/scholars, on the occasion of his 80th birthday. It has serious philosophical essays, fond reminisces and a few poems along with some interesting photographs marking important events in his life. The book’s philosophical reflection is a continuum of the vision and teachings of Narayana Guru, a highly venerated spiritual guru, philosopher, visionary and social reformer, and his immediate successors, Nataraja Guru and Guru Nitya Chaitanya Yati. Guru Muni Narayana Prasad, as the successor to Guru Nitya Chaitanya Yati, is an epitome of great wisdom, and is fully dedicated to Guruhood in general and to the life and teachings of Narayana Guru in particular.
The Paratrishika Vivarana, an extensive commentary by Abhinavagupta on the Tantra, is one of the most profound texts of Kashmir Shaivism, and of Indian philosophy and mysticism. The present work is an important contribution to studies and interpretations of texts on Kashmir Shaivism, its spirituality and philosophy.
The Paratrishika Vivarana by the great Kashmiri philosopher and mystic Abhinavagupta is an extensive commentary on the Paratrishika Tantra, and it is one of the most profound texts, not only of non-dualist Kashmir Shaivism, but of Indian philosophy and mysticism in general. The present work attempts to make this difficult text accessible, by culling out the important themes and offering an interpretation. The main focus is on the understanding of the Absolute (Anuttara) and the ways to realize it. The central theme of mantra also leads to a mysticism of language with its philosophical implications. All these reflections and practices are inscribed in the theory that everything is related to the totality, every part contains the whole of reality (sarvam sarvatmakam). It is this holistic vision of Abhinavagupta, based on the Tantras, which makes this work so relevant in our times of fragmented aspects of life and knowledge in search of integration. No doubt, in the view of the Tantra and of Abhinavagupta, language and mantra provide the key.
This fascinating book is an important contribution to studies and interpretations on Kashmir Shaivism, its spirituality and philosophy, and on Abhinavagupta in particular.
This book, a work on human doing, analyses and applies three central aspects of human life – Action, Freedom and Responsibility – in the wide spectrum of the Philosophy of Mind. Reflections on these issues and their interconnections have a significant effect on the Philosophy of Value and application of ethical theories in practical life. This book even reconstructs the conceptual connection between action and freedom, on the one hand, and that between freedom and responsibility, on the other.
It also puts the concepts of freedom and determinism to critical test and reinterprets them from different angles and perspectives. The conventional doctrine of karma, based on the teachings of the Bhagavadgātā, is relieved from its usual deterministic presentation and a logically reasonable explanation is offered.
Human actions and human agency are central concepts in the philosophy of mind and action. Free will and responsibility constitute the bedrock of the moral life of the human agents and the book pinpoints that freedom is meant to undertake the goal-oriented actions. It is, therefore, focused on the enquiry into the various aspects of philosophy of mind, as well as the philosophy of value.
The book aspires to do for Indian poetics what Hudson’s book, An Introduction to the Study of English Literature did for English literature, though in a totally different manner and style. It provides the student with the essential knowledge about almost all aspects of Indian poetics. Based on the original Sanskrit sources, it presents the necessary information lucidly in precise and clear terms. Each chapter is self-contained and complete in itself, with explanatory notes, and a bibliography of relevant works. The Sanskrit terms used in the text are invariably explained or provided with English equivalents.
For quick reference, “A Glossary of Sanskrit Literary Terms” is given in the Appendices, which contain also “A List of Noted Indian Poeticians (including commentators) and Their Works” and “Notes on Major Texts in Indian Poetics”.
This handy volume, with its unique features, will prove invaluable to those who are going to embark on the study of Indian poetics, especially the ones who have no Sanskrit background. To a devoted student, it will prove a useful companion during his/her further studies.
The book aspires to do for Indian poetics what Hudson’s book, An Introduction to the Study of English Literature did for English literature, though in a totally different manner and style. It provides the student with the essential knowledge about almost all aspects of Indian poetics. Based on the original Sanskrit sources, it presents the necessary information lucidly in precise and clear terms. Each chapter is self-contained and complete in itself, with explanatory notes, and a bibliography of relevant works. The Sanskrit terms used in the text are invariably explained or provided with English equivalents.
For quick reference, “A Glossary of Sanskrit Literary Terms” is given in the Appendices, which contain also “A List of Noted Indian Poeticians (including commentators) and Their Works” and “Notes on Major Texts in Indian Poetics”.
This handy volume, with its unique features, will prove invaluable to those who are going to embark on the study of Indian poetics, especially the ones who have no Sanskrit background. To a devoted student, it will prove a useful companion during his/her further studies.
The centuries-old exchange of ideas, knowledge systems, resources, skills and materials among the people of the Asian continent left a lasting legacy in various spheres of human experience. This was a dialogue that involved rich exchange of religious, literary, aesthetic and artistic ideas and forms across the regions of Asia. The general impressions of an art, which is spiritual and magical in character, highly charged with literary myths and legends, and presented through a seemingly improvised styles in various art forms, provide us with a clue of an understanding of the fundamental foundations of the arts in Asia.
This volume contains the papers of the panel on ‘Asian Aesthetic Theories and Art Forms’ in first two sections. This panel was a part of the international conference on “Asian Encounters: Networks of Cultural Interaction” held in New Delhi. The volume reaffirms that the Indian theory of art as a creative process and creative expression is broadly true for entire Asian theory of art and aesthetics and it opens up a pan-Asian theory of art and aesthetics.
‘Representation of Asian Art in Asian Museums’ was another panel of the conference. The volume contains three papers from that panel also and the transcript of the dialogue held on ‘Cross Cultural Frontiers in the Study of the Past’.
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