Linguistic Studies (52)

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    Sanskrit education was a prime focus of the Pallava, Pandya, Cola, Vijayanagara, Nayaka and other kings of the Tamil country. Education was disseminated through agraharas, ghatikas, temple-colleges and mathas. Much authentic and interesting information about Sanskrit education and literature is available from the copper-plate grants and stone epigraphs.

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    Sanskrit Education and Literature in Ancient and Medieval Tamil Nadu by: Chithra Madhavan 360.00585.00

    Education, especially Vedic and Vedantic, along with allied subjects, was a prime focus of the rulers of the Tamil kingdoms. This book highlights the educational initiatives during the reigns of the Pallava, Pandya, Cola, Vijayanagara, Nayaka and other kings.
    The inscriptions across the Tamil country talk about Sanskrit education in detail. Agraharas, ghatikas, temple-colleges and mathas were the main educational institutions propagating Sanskrit texts. The teachers were handsomely paid and bhatta-vritti was the norm of the day; villages were donated to them Þ either as ekabhoga or as agrahara (brahmadeya). There were poets and composers among the rulers, as an embodiment of their dedication to education. The numerous grants act as authentic sources of information on the reigns of these rulers, scholars, composers and educational institutions across many centuries Þ beginning from the Pallava times.
    Giving a deep insight, this book is an invaluable source of information for students and researchers in the ancient and medieval history of India.

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    This fresh typesetting of Prof. Macdonell’s work explains the mechanics of the Sanskrit language’s euphonic combinations (sandhi), declension, conjugation, nominal stem formation and compounds, etc., with insights into the syntactical arrangement of Sanskrit sentence.

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    Sanskrit Grammar for Students by: Arthur A. Macdonell 234.00288.00

    It is an altogether fresh “reprint” of the eminent Orientalist, Arthur Macdonell’s A Sanskrit Grammar (1927 edition: Oxford). Which, ever since its first appearance, has been widely acclaimed both in India and elsewhere in the world, as an authentic, at once relevant account of classical Sanskrit.

    Projecting, with well-chosen examples, a whole mass of grammatical forms to be met with in the post-Vedic Sanskrit literature, the author systematically explains the mechanics of its euphonic combinations (sandhi), declension, conjugation, nominal stem formation and compounds, and a lot else — with complete insights into the syntactical arrangement of Sanskrit sentence. Supported by several information-packaged appendices, the book also carries a brilliant resume of the Sanskrit grammatical tradition going back to the 5th century BC.

    Now typeset anew with the latest technological aids, the late Macdonell’s work today remains as much indispensable to the students of Sanskrit as to the scholars, who seek to discover for themselves the splendour of its literary classics.

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    In the past many Sanskrit works were translated into Persian and other Indian languages so as to reveal the glory of the Sanskrit language and its literary output. This book presents details of the Urdu translations covering the Vedic literature the Puranas and classical works on various subjects.

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    Sanskrit Literature Rendered into Urdu by: Shaik Abdul Ghani 144.00

    Sanskrit literature is a vast tradition, its literary activity being one of the oldest in the world. In the past, many Sanskrit works were translated into Persian and other Indian languages so as to reveal the glory of the Sanskrit language and literary output to all. This book is an attempt to present Urdu translations of Sanskrit literature. The translations include the Gayatri mantra and a few random lines/verses from the Arthashastra, the epic literature especially the Bhagavad Gita, Kalidasa’s plays, Bahrtrhari’s Shatakas, the Yoga Darshana of Patanjali and the Kapila Sutras on Sankhya philosophy, in a simple manner and with clarity. It includes a detailed list of various works of Sanskrit translations into Urdu covering the Vedic literature, the Puranas, Sanskrit classical literature like the epics, drama, lyrics, poetry, prose, romance, popular tales and scientific literature on grammar, phonetics, medicine, the law, astronomy and mathematics.

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    This book, felicitating Professor Ashok Aklujkar, throws light on the major areas of Sanskrit and related subjects, such as philosophy, religion, linguistics, poetics, art and sociology. It primarily contains essays exploring the complexities of Sanskrit grammars, Indic linguistic philosophy and the relation between Sanskrit and Pali.

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    Sanskrit Sadhuta Goodness of Sanskrit by: Chikafumi Watanabe, Michele M. Desmarais, Yoshichika Honda, 1,620.00

    Making any valuable and original contribution to the treasure troves of knowledge and world literature based on serious studies, deep thought, extensive research, intensive literary discourses and experience gained through continued exposure and involvement, is not everybody’s forte. It is for such literary acumen, intrinsic scholastic qualities and other personal attributes that make Dr. Ashok Aklujkar stand out and be regarded as the world-renowned Sanskrit scholar of the modern times in whose honour and appreciation this volume has been compiled and published.
    Several leading and gifted scholars from across the world have contributed a wide range of interesting research articles for this special volume that deal with major areas of Sanskrit and related studies such as philosophy, religion, linguistics, poetics, art and sociology. As a befitting tribute to the scholarly interests and attainments, reflected in the published works of Prof. Aklujkar, essays exploring the complexities in Sanskrit grammars and Indic linguistic philosophy take the centre stage in this volume. Good care has also been taken to devote sufficient space to the poetics and the inherent relation between Sanskrit and Pali Þ the two other important areas Prof. Aklujkar has focussed on, from time to time.
    In this compendium of assorted and absorbing articles authored by quite senior and well-known scholars of repute, appear alongside an equal number of articles from new generation, young scholars of merit, wherein they have attempted to offer the fruits of their original and critical research work.
    The result: a panorama of interesting readings that introduce the reader to the unique diversity and richness of Indology from various vantage points.

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    This volume ranges over logic, grammar, philosophy, environment, aesthetics, interpretation, science, epic-poetry, India’s cultural presence in Asia, and maintenance of texts, and as such should interest students, researchers and teachers of languages, literature, sciences and philosophy.

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    Sanskrit Studies — Vol. 1, Samvat 2061-62 (CE 2004-05) by: Kapil Kapoor 446.00

    The educated Indian mind of today is, by and large, subjugated by the contemporary ethnographic, conflict-oriented, divisive thought and ideologies of the West. This can be corrected only by the thought structure in the Sanskrit intellectual texts. Two learned Supreme Court judges noted in 1993 — “the people of India have always held in high esteem the cultural heritage of this ancient land. And learning of Sanskrit is undoubtedly necessary for protection of this heritage.” And the 1986 education policy said, “Efforts will be made to delve into India’s ancient fund of knowledge and to relate it to contemporary reality. This effort will imply the development of facilities for the intensive study of Sanskrit.” With this in mind, JNU set up in 2002 the Special Centre for Sanskrit Studies to examine and relate Indian thought systems both to the contemporary Indian reality and the contemporary Western thinking. A research journal/publication is integral to this vision. This volume is the first issue and it promises a continuous commitment to Indian thought, its validity and value. We hope that this effort shall build a team of young scholars with a commitment to exact Indian scholarship. This book ranges over logic, grammar, philosophy, environment, aesthetics, interpretation, science, epic-poetry, India’s cultural presence in Asia, and maintenance of texts, and as such should interest students, researchers and teachers of languages, literature, sciences and philosophy. We would like the readers to enjoy this first volume. We welcome comments, observations, responses and also invite contributions for the next volume in the series.

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    This is a second volume brought out by the Special Centre for Sanskrit Studies, JNU. It’s a collection of scholarly writings that throws light on ancient cultural heritage of India, marked by the Sanskrit intellectual traditions, dealing with schools of Vedas like Niruktas and the Itihasas, and the pre-Harappan Rgveda.

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    Sanskrit Studies — Vol. 2, Samvat 2063-64 (CE 2006-07) by: Wagish Shukla 446.00

    The cultural heritage of India is marked by the Sanskrit intellectual tradition whose flowering resulted in rich literature and development of philosophy, art and the sciences. Sanskrit Studies vol. 2 is the second issue showcasing the rich ancient heritage of Sanskrit brought out by the Centre. This volume is a collection of articles that throws light on various aspects of the Sanskrit tradition. The scholarly writings deal with schools of interpretation of the Vedas like the Niruktas and the Itihasas and evidences and arguments for a pre-Harappan date of composition for the Rigveda. They examine atomistic doctrines in Indian thought tradition, the charms and spells that constitute the Atharvaveda, the place of the Hindu women vis-a-vis ancient Indian society and traditions, and the philosophy and the aesthetics of rasa. Throughout they cite ancient Indian epics and mythologies, religious thoughts, literary works, philosophical traditions and scientific achievements to carry out a thorough and comprehensive study of the subject. There is an interesting article on issues involved in comparative studies of philosophies of two different traditions, as of the East and the West. The volume will appeal to students, teachers and scholars of Indology.

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    This book, the third volume in the Sanskrit Studies Series of JNU, addresses varied topics of Sanskrit studies such as the Theory of Oral Composition of Veda, Hermeneutics of the Upanisads, Concept of Dharma, Aesthetic Universe of Natyasastra, the Cultural Geography of Kalidasa, Sanskrit Commentary, Archaeoastronomy, Universal Premise in Early Nyaya, among others.

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    Sanskrit Studies — Vol. 3, Samvat 2069-70 (CE 2013-14) by: Shashi Prabha Kumar 563.00

    This anthology (2013-14) is the third volume of the “Sanskrit Studies”, a serial publication from the Special Centre for Sanskrit Studies, Jawaharlal Nehru University (JNU). The first volume of the series was published in 2004-05, and the second in 2006-07. JNU is committed to bring out this serial publication, though with some interval.
    This Sanskrit Studies series is set to focus on a vast range of Sanskrit language and literature, grammar and historical linguistics, sources of history and systems of philosophy, principles of poetics and details of dramaturgy, lexicography, and so on. It also aims to bring forth the vision of Vedic texts and the varieties of Vedic traditions, Buddhist canons, Pali texts, different versions of Prakrt language and the emerging field of computational linguistics, thus adopting a multi-disciplinary approach.
    This volume too deliberates on varied topics of Sanskrit studies and discusses the theory of Oral Ccomposition of Veda, the Yajusha Hautra Dispute, Hermeneutics of the Upanisads, Concept of Dharma, Aesthetic Universe of Natyasastra, the Cultural Geography of Kalidasa, Sanskrit Commentary, Archaeoastronomy, Universal Premise in Early Nyaya, Sanskrit and Tamil Interrelation, among others.
    The fifteen articles presented in this volume represent the richness and rigour of Sanskrit studies in contemporary times across the globe. It should interest all those who are in Sanskrit studies – researchers, teachers, students and scholars alike.

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    This fourth volume in Sanskrit Studies from JNU encompasses a vast range of Sanskrit disciplines including language, literature, grammar and philosophy of Sanskrit, and related disciplines like Pali, Prakrit and Apabhramsha studies, both traditional and modern subjects, showcasing the profound views of erudite scholars from India and abroad.

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    Sanskrit Studies Vol. 4 by: C. Upender Rao 630.00

    The fourth volume of ‘Sanskrit studies’ (2015) is a consecutive publication of the Special Centre for Sanskrit Studies, Jawaharlal Nehru University. This publication from JNU is intended to throw the light on vast range of Sanskrit studies such as language and literature of Sanskrit, Grammar and linguistics, Vedanta and other ancient Indian Philosophies, Poetics, Dramaturgy, Historiography of Vedic Age, Purana and Dharmashastra, etc.
    This anthology presents the profound views of experienced and young scholars from India and abroad. It addresses both traditional and modern systems prevailed in the area of Sanskrit Studies. Sanskrit is the source of great inspiration and treasure house of various knowledge systems. Its literature has spread the universal brotherhood and sustainable human relations in the world. Therefore Special Centre for Sanskrit Studies determined to bring out this publication in the field of “Sanskrit Studies” on vast range of Sanskrit disciplines which cover not only Language, Literature, Grammar and Philosophy of Sanskrit, but also the related disciplines such as Pali, Prakrit and Apabhramsha studies.
    The seventeen articles in this volume — fourteen in English and three in Sanskrit — cover topics such as Champa in the Global Vision of Classical India; Kashmir’s Contribution to Sanskrit Literature; Concept of Nirvikalpaka and Savikalpaka; Reconstructing Abhiramamani; Legend of King Nimi and Uttarakanda of Valmiki Ramayana; A Dense Definition of Rupaka; Abduction and Marriage in Ithihasa and Purana; Problem of Iron in Rigvedic Society; Ancient Indian Methodology of Authoring Textbooks; Bana: A Histographer; Vedantadarshne Brahmasvarupam; among others.

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    Sarada script has a pride of place among the Indian scripts. Though an alphabet of Kashmir par exellence, it remained for several centuries a popular script of north-western India and an extensive area around it. This book deals with the development of this script and its descendants, the Devasesaa and Takari scripts.

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    Sarada and Takari Alphabets by: Bhushan Kumar Kaul Deambi 810.00

    Among the Indian scripts the Sharada script has a pride of place. Though an alphabet of Kashmir par excellence it remained for several centuries a popular script of an extensive area of north-western India including Afghanistan, Gandhara or north-western Pakistan, the Darad territories of Gilgit, Chilas and Chitral, Ladakh, Jammu, Himachal Pradesh and Delhi. The epigraphic and literary records written in the Sharada script that have surfaced in these regions have thrown welcome light on many facets of the history and culture of the area of their provenance. Nearly the entire extant manuscripts of Sanskrit works including those on science, mathematics and erotics besides some old Kashmiri texts are written in this script. The Sharada alphabet was replaced in the 13th century by its descendant, the Devashesha, which in turn gave rise to the modern alphabet of Takari. The epigraphic, literary and other valuable documents of Himachal Pradesh available are mostly written in Devashesha and Takari. But it is sad that the number of scholars having a sound knowledge of the Sharada and Takari scripts is extremely small. There is every apprehension of the complete loss of these two scripts unless serious measures are taken to disseminate the knowledge under the guidance of the epigraphy stalwart to our younger generation of scholars. The entire study of the present work is based on original records and is comprehensively illustrated by palaeographic tables and charts prepared from published facsimilies, photographs, and original inscriptions and manuscripts. To give an idea of the records written in these two scripts, printed photographs of the inscriptions, manuscripts, documents, etc. have been given at the end of the book. It is hoped that the book would serve as a guide and an aid for the scholars interested in the study of the important and valuable records written in Sharada and Takari scripts which are otherwise preserved in museums and libraries in India and abroad.

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    Shivajnanabodhabhashyam by: Sharath Chandra Swamy 720.00

    The experiences and knowledge from our past are recorded in manuscripts which have been handed down to us over several thousand years. The Government of India, through the Department of Culture, took note of the importance of this vast tangible heritage and, in order to preserve and conserve as well as to make access to this wealth easy, established the National Mission for Manuscripts (NMM). In order to disseminate the knowledge content of manuscripts, the Mission has taken up several programmes such as lectures, seminars, and workshops. The Mission publishes the proceedings of the above-said programmes under the following series: “Samrakshika” (on conservation), “Tattvabodha” (comprising lectures based on manuscripts delivered by eminent scholars), Samikshika” (research-oriented papers presented in the seminars), and “Kritibodha” (transcribed and edited texts prepared at advanced level manuscriptology workshops conducted by NMM).
    NMM has taken up a project for publishing rare and unpublished manuscripts in three forms: (a) facsimile, (b) critical edition with annotation, and (c) critical edition with translation. This series has been named as “Prakashika”.
    This critically edited volume of the Shivajnanabodhabhashyam is a commentary by Shivagrayogin, an acclaimed authority on Shaiva Siddhanta, on the Shivajnanabodham of Meykandadeva, another great exponent of Shaivaism. It is the most authentic, canonical and methodical work on Shaiva Siddhanta. It stands as a mark of classical scholasticism in the Indian philosophical system. It is 39 in the Prakashika Series.

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