Showing 253–264 of 383 results
Sanskrit, one of the oldest extant languages of the Indo-European group, is hailed as the memory of the human race and its earliest cultural history. In this book scholars trace the links of Sanskrit with various countries of the world and their cultures and languages.
Sanskrit may be said to be one of the oldest extant languages of the Indo-European group of languages. It is hailed as the memory of the human race and its earliest cultural history. No serious study of the world civilization and cultures of different countries will be possible without understanding Sanskrit as it evolved and influenced other languages of the world or bears association with them. This volume has articles that attempt such an understanding of the Sanskrit language. Scholars trace the link of Sanskrit with various countries of the world and their cultures and languages. They throw light on Sanskrit grammar as recorded in Chinese works and contributions of Sanskrit to Chinese linguistics; on the many Sanskrit manuscripts available in Japan; and similarities and regularities in the phonetic system, grammar and vocabulary of Sanskrit and Russian. They view links between Sanskrit and the Slavonic languages, German, English, Persian and the Indonesian languages, examining mutual borrowings. They explain the way translations from one language to another have affected preservation and dissemination of knowledge. The articles, a result of meticulous study and marked by simplicity and clarity in expression, will be interesting and informative to a range of scholars of Indology.
Sanskrit education was a prime focus of the Pallava, Pandya, Cola, Vijayanagara, Nayaka and other kings of the Tamil country. Education was disseminated through agraharas, ghatikas, temple-colleges and mathas. Much authentic and interesting information about Sanskrit education and literature is available from the copper-plate grants and stone epigraphs.
Education, especially Vedic and Vedantic, along with allied subjects, was a prime focus of the rulers of the Tamil kingdoms. This book highlights the educational initiatives during the reigns of the Pallava, Pandya, Cola, Vijayanagara, Nayaka and other kings.
The inscriptions across the Tamil country talk about Sanskrit education in detail. Agraharas, ghatikas, temple-colleges and mathas were the main educational institutions propagating Sanskrit texts. The teachers were handsomely paid and bhatta-vritti was the norm of the day; villages were donated to them Þ either as ekabhoga or as agrahara (brahmadeya). There were poets and composers among the rulers, as an embodiment of their dedication to education. The numerous grants act as authentic sources of information on the reigns of these rulers, scholars, composers and educational institutions across many centuries Þ beginning from the Pallava times.
Giving a deep insight, this book is an invaluable source of information for students and researchers in the ancient and medieval history of India.
Sanskrit education was a prime focus of the Pallava, Pandya, Cola, Vijayanagara, Nayaka and other kings of the Tamil country. Education was disseminated through agraharas, ghatikas, temple-colleges and mathas. Much authentic and interesting information about Sanskrit education and literature is available from the copper-plate grants and stone epigraphs.
Education, especially Vedic and Vedantic, along with allied subjects, was a prime focus of the rulers of the Tamil kingdoms. This book highlights the educational initiatives during the reigns of the Pallava, Pandya, Cola, Vijayanagara, Nayaka and other kings.
The inscriptions across the Tamil country talk about Sanskrit education in detail. Agraharas, ghatikas, temple-colleges and mathas were the main educational institutions propagating Sanskrit texts. The teachers were handsomely paid and bhatta-vritti was the norm of the day; villages were donated to them Þ either as ekabhoga or as agrahara (brahmadeya). There were poets and composers among the rulers, as an embodiment of their dedication to education. The numerous grants act as authentic sources of information on the reigns of these rulers, scholars, composers and educational institutions across many centuries Þ beginning from the Pallava times.
Giving a deep insight, this book is an invaluable source of information for students and researchers in the ancient and medieval history of India.
This fresh typesetting of Prof. Macdonells work explains the mechanics of the Sanskrit languages euphonic combinations (sandhi), declension, conjugation, nominal stem formation and compounds, etc., with insights into the syntactical arrangement of Sanskrit sentence.
It is an altogether fresh reprint of the eminent Orientalist, Arthur Macdonells A Sanskrit Grammar (1927 edition: Oxford). Which, ever since its first appearance, has been widely acclaimed both in India and elsewhere in the world, as an authentic, at once relevant account of classical Sanskrit.
Projecting, with well-chosen examples, a whole mass of grammatical forms to be met with in the post-Vedic Sanskrit literature, the author systematically explains the mechanics of its euphonic combinations (sandhi), declension, conjugation, nominal stem formation and compounds, and a lot else — with complete insights into the syntactical arrangement of Sanskrit sentence. Supported by several information-packaged appendices, the book also carries a brilliant resume of the Sanskrit grammatical tradition going back to the 5th century BC.
Now typeset anew with the latest technological aids, the late Macdonells work today remains as much indispensable to the students of Sanskrit as to the scholars, who seek to discover for themselves the splendour of its literary classics.
This fresh typesetting of Prof. Macdonells work explains the mechanics of the Sanskrit languages euphonic combinations (sandhi), declension, conjugation, nominal stem formation and compounds, etc., with insights into the syntactical arrangement of Sanskrit sentence.
It is an altogether fresh reprint of the eminent Orientalist, Arthur Macdonells A Sanskrit Grammar (1927 edition: Oxford). Which, ever since its first appearance, has been widely acclaimed both in India and elsewhere in the world, as an authentic, at once relevant account of classical Sanskrit.
Projecting, with well-chosen examples, a whole mass of grammatical forms to be met with in the post-Vedic Sanskrit literature, the author systematically explains the mechanics of its euphonic combinations (sandhi), declension, conjugation, nominal stem formation and compounds, and a lot else — with complete insights into the syntactical arrangement of Sanskrit sentence. Supported by several information-packaged appendices, the book also carries a brilliant resume of the Sanskrit grammatical tradition going back to the 5th century BC.
Now typeset anew with the latest technological aids, the late Macdonells work today remains as much indispensable to the students of Sanskrit as to the scholars, who seek to discover for themselves the splendour of its literary classics.
In the past many Sanskrit works were translated into Persian and other Indian languages so as to reveal the glory of the Sanskrit language and its literary output. This book presents details of the Urdu translations covering the Vedic literature the Puranas and classical works on various subjects.
Sanskrit literature is a vast tradition, its literary activity being one of the oldest in the world. In the past, many Sanskrit works were translated into Persian and other Indian languages so as to reveal the glory of the Sanskrit language and literary output to all. This book is an attempt to present Urdu translations of Sanskrit literature. The translations include the Gayatri mantra and a few random lines/verses from the Arthashastra, the epic literature especially the Bhagavad Gita, Kalidasas plays, Bahrtrharis Shatakas, the Yoga Darshana of Patanjali and the Kapila Sutras on Sankhya philosophy, in a simple manner and with clarity. It includes a detailed list of various works of Sanskrit translations into Urdu covering the Vedic literature, the Puranas, Sanskrit classical literature like the epics, drama, lyrics, poetry, prose, romance, popular tales and scientific literature on grammar, phonetics, medicine, the law, astronomy and mathematics.
The book employs the multi-disciplinary methodologies of art historical interpretation to contextualise nearly the whole range of Saptamatrka icons within the larger historical evolution of accultured Brahmanical religion, mythology, theology and cultic developments.
The worship of Saptamatrika; the seven Mother Goddesses (or the seven Saktis, the divine feminine powers), is over a millennia and half old, pan-Indian phenomenon. And, over the centuries, the Matrika concept has come to have varied ideational, literary, visual and ritualistic manifestations which not just interconnect the totality of Brahmanical and non-Brahmanical religious traditions, but are integral components of the diverse historical processes of Indian society. A reputed scholar of art history here offers an insightful iconological study of Saptamatrika divinities: the Brahmanical goddesses found invariably as a single collective whole, consisting literally of seven (though sometimes eight or more) female deities, variably accompanied by different forms of Shiva, and Ganesha or Skanda. Employing the multidisciplinary methodo-logies of art historical interpretation, including the recent feminist interventions, Dr. Panikkars inquiry contextualises nearly the whole range of Saptamatrika icons within the larger historical evolution of accultured Brahmanical religion, mythology, theology and concomitant multifarious cultic developments. Also clarifying some of the basic principles of Brahmanical iconic tradition, his study has, for the first time, exceeded the accepted Art Historical procedures by incorporating the questions of class conflict, gender representations and ideology within the iconological discourse and has, thus, advanced the frontiers of Art Historical practice. It is a compelling, painstakingly researched work growing from the authors indepth survey of diverse Saptamatrika sculptures and an astonishing mass of both primary textual sources and research publications of more recent years. And, yet more significantly, it is enlivened with exquisite visual material: comprising nearly 200 photographic reproductions.
This detailed commentary views the Saundaryalahari compilation of 100 verses in praise of the Devi as Advaita Vedanta itself. The absolute joy of Advaita is presented in a pictorial language, subjectively as ananda, and objectively as saundarya.
The Saundaryalahari has fascinated and puzzled generations of scholars and laypersons; subject to continuing study and debate, till today, such details as the authorship of the 100 verses named the Saundaryalahari remain a matter of contention, particularly among scholars. While some attribute it to Shankara, others argue that the Saundaryalahari’s verses in praise of the Devi cannot have been authored by this staunch Vedantin; some argue that its value is essentially in the realm of what is loosely called “tantra,” while others extend the significance of the Saundaryalahari to include the preoccupations of Vedanta. Nataraja Guru is unequivocal in his belief that none other than Shankara could have composed this masterpiece of mystical poetry and identifies internal evidence in the verses themselves to support this view. The detailed commentary views the Saundaryalahari as Advaita Vedanta itself. The absolute Joy of Advaita is presented in a pictorial language, subjectively as ananda, and objectively as saundarya.
This detailed commentary views the Saundaryalahari compilation of 100 verses in praise of the Devi as Advaita Vedanta itself. The absolute joy of Advaita is presented in a pictorial language, subjectively as ananda, and objectively as saundarya.
The Saundaryalahari has fascinated and puzzled generations of scholars and laypersons; subject to continuing study and debate, till today, such details as the authorship of the 100 verses named the Saundaryalahari remain a matter of contention, particularly among scholars. While some attribute it to Shankara, others argue that the Saundaryalahari’s verses in praise of the Devi cannot have been authored by this staunch Vedantin; some argue that its value is essentially in the realm of what is loosely called “tantra,” while others extend the significance of the Saundaryalahari to include the preoccupations of Vedanta. Nataraja Guru is unequivocal in his belief that none other than Shankara could have composed this masterpiece of mystical poetry and identifies internal evidence in the verses themselves to support this view. The detailed commentary views the Saundaryalahari as Advaita Vedanta itself. The absolute Joy of Advaita is presented in a pictorial language, subjectively as ananda, and objectively as saundarya.
The book throws light on the structural, philosophical and scientific perspectives of mandala designs of temples, and explores the relationship between spiritual ideas and the ideas of scientific advancement as exhibited in the mandalas of ancient temples.
Indian temples are a rich repository of the religious, cultural, and artistic life of the society. Of special importance here are the circular, intricate, and artistic patterns called the mandalas, which are placed in the bhuvaneshvari of the temple that is conceived as the microcosmic representation of the cosmos in a temple.
The study of the significance of the mandalas are based on the aspects like symbolism, fractals, numerology, and sacred geometry that are used as codes to reveal the mystery of the universe and the eternal laws that govern the order of the universe. The diagrams of mandalas, concealing vast and grandest knowledge of science and spirituality in an amalgamation, are condensed to simplest graphic designs so that the knowledge of science was accessible to the commoners. The study presents the structural, philosophical and scientific perspectives of some mandalas belonging to the early Calukya, late Calukya and the Hoysala temples of south India. The research work also explores the study of the Golden ratios on which the mandalas and the divine images of the temples are designed.
The book will prove extremely absorbing to scholars concerned with the study of the art and architecture of the ancient divine sculptures.
A compilation of seminar papers by Indian and foreign experts brings alive ancient Indian developments in science, technology and medicine. The book presents Vedic quest in science and metaphysics with a special emphasis on ancient science and contemporary ideas.
The volume comprises seminar presentations by experts from India and abroad involved in the study of development of the natural sciences in ancient India. It offers eighteen papers from the seminar that showcase and project the Vedic literature as a treasure trove of vast knowledge that covers various branches of learning. The papers in particular discuss the ancient developments in science and technology: logic, mechanics in Sanskrit literature, Indian mathematics and its application in the Vedas, besides production technology and mechanical engineering, environmental science and roots, applicative wonders and scientific validation of Ayurveda. They involve a deep study of the Vedic understanding and description of sound and speech as para, pashyanti, madhyama and vaikhari. They also deal with the Indian perspective on the spirit and some mahakavyas of Indian philosophy. They scrutinise various theories on matter, causation, metals, dreams and motion, according to the Vaisheshika philosophy and underline the relevance of ancient knowledge to the contemporary world, especially in relation to the Vedic physics, environmental science and Ayurveda. They reiterate in unison the scientific vision of the ancient sages who held the keen eye of a poet-artist even while bringing to light modern and advanced ideas. The papers include references to various commentaries and studies on scientific and mathematical treatises, like Katyayana’s Shulbasutra and Vaimanikashastra of Bharadvaja.
The book will interest Indologists, particularly concerned with the study of ancient science, technology and mathematics, as they evolved in ancient India.
This work demystifies the entire subject of spirituality and the phenomena of Enlightenment and Liberation by demonstrating how they have a scientific basis and are definable in scientific/psychological terms.
What is the precise nature of Reality or God? And what exactly, in scientific terms, is the much-talked about spiritual phenomenon called Enlightenment? Is it at all scientifically possible for a state devoid of ego to exist? And can a person do his normal duties in life in such a state? This book answers these and kindred questions convincingly: in a way that should appeal to a scientist, a spiritualist and a lay person alike. Uncommonly combining in him the rationality of a medical scientist and the profundity of his religio-philosophical studies, the author demonstrates how the spiritual phenomena of Enlightenment and Liberation do have an eminently satisfactory scientific explanation an explanation which he also reconciles with conventional spiritual teachings. Finally, flitting adroitly from Advaita to Tao, Zen to Sufism, Buddhism to Christianity, Dr. Trasi shows how the teachings of different faiths arent different in essence, but just constitute intricate parts of the one and the same grand, big picture. With deep insight, forceful logic and supporting references, Dr. Trasis book not only dispels many of the myths, mis-conceptions and distortions woven around Enlightenment, the Liberated State, the Soul and Death, but explores the rationale behind wide-ranging traditional beliefs as well. Also set out is a scientific explanation of diverse spiritual terms. Nor is the practical aspect neglected here including, as it does, a scientifically-backed guide to offset the oft-recurring doubts and questions that nag the average spiritual enthusiast. Written lucidly, the book is bound to interest scientists, sceptics, and anyone else even remotely concerned with spirituality.
| There are no products |
