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Volume four contains 1344 records on South and Southeast Asia selected out of 1800 records from the ABIA South and Southeast Asian Art and Archaeology Index database. Volume four has been compiled by the ABIA project team at IGNCA New Delhi. It includes all forms of scholarly publications, ranging from survey works to small but important articles in composite books and journals published in India between 2006 and 2011. Subjects include pre- and protohistory, historical archaeology, ancient art history, modern art history, material culture, epigraphy and palaeography, numismatics and sigillography (seals). The bibliographic descriptions (with the original diacritics), keywords and annotations have made this reference work a reliable guide to recently published scholarly work in the field.
Volume four contains 1344 records on South and Southeast Asia selected out of 1800 records from the ABIA South and Southeast Asian Art and Archaeology Index database. Volume four has been compiled by the ABIA project team at IGNCA New Delhi. It includes all forms of scholarly publications, ranging from survey works to small but important articles in composite books and journals published in India between 2006 and 2011. Subjects include pre- and protohistory, historical archaeology, ancient art history, modern art history, material culture, epigraphy and palaeography, numismatics and sigillography (seals). The bibliographic descriptions (with the original diacritics), keywords and annotations have made this reference work a reliable guide to recently published scholarly work in the field.
This Dictionary of Hindi Apabhramsa gives in detail the grammatical importance of words, their meanings, correct spellings, the alternate words and their various usages as mentioned by lexicographer Naresh Kumar.
This Dictionary of Hindi Apabhramsa gives in detail the grammatical importance of words, their meanings, correct spellings, the alternate words and their various usages as mentioned by lexicographer Naresh Kumar.
The Classical Dictionary encompassing the vast Hindu pantheon presents episodes, legends, literary works and geographical locales associated with Hindu religious beliefs. It is now offered in a fresh, state-of-the-art typeset incorporating standard diacritical marks.
Professor Dowsons Classical Dictionary of Hindu Mythology and Religion is now offered not only in a fresh format, but in a fresh, state-of-the-art typeset as well. Incorporated here, in addition, are standard, meticulously worked-out diacritical marks as rather mechanical aids in comprehending the transliteration of Indic sounds, more specially of the Sanskrit alphabet, into English. In its alphabetically arranged articles of varying lengths, the Dictionary tries to encompass the vast Hindu pantheon, in all its complexity and symbolic/metaphorical representations. Covering, thus, a whole mix of mythological characters: gods and demons, prajapatis and raksasas, it also presents explanatory accounts of important events/episodes, legends, literary works, and even geographical locales, associated with Hindu myths and religious beliefs. Acclaimed worldwide ever since its first appearance, the Dictionary sustains its essentially undiminishing appeal to the scholars and general readers seeking to discover for themselves the awesome world of Hindu mythology and the grand cosmogonic design it unveils.
The work, now in a fresh format, is a storehouse of knowledge on Indian Mythology/antiquities Hindu deities and concepts, Buddhist theological terms, etc. It refers to authentic writings and their vast sources.
With lucidly-written accounts, of varying lengths, this Dictionary attempts to unfold all that anyone would want to know about Vedic/post-Vedic/classical India: its religions, mythology, pantheonic/legendary personages, schools of philosophy, sacred and secular texts, arts, antiquities, sciences, geography, rituals, customs, and the like; and, these besides, English equivalents/definitions of myriad Indic, largely Sanskrit, terms. For its sheer authenticity, the late John Garrett had drawn on a whole line-up of eminent Orientalists: from Max Muller to Monier Williams, form H.H. Wilson to John Muir. No wonder, the author, himself a celebrated scholar, invested over two-decade-long effort to compile this reliable, neatly exhaustive Classical Dictionary. For well over a hundred years, Garretts work has been recognized as a classic in its own right. Now reaching it out afresh to the present-day international scholarship, this edition has been recomposed in its entirely. And its lay-out as well has been improved in certain user-friendly ways. Also intoduced here, for the first time, are standard diacritical marks to help readers comprehend the transliteration of Indic sounds. As ever, it remains an unfailing companion of researchers, scholars and general readers, involved with Indological studies.
This dictionary serves as an immediate reference book to the teachers and the students of philosophy and also to the general readers. It covers as many as seventeen hundred entries that include the most commonly used philosophical terms of the East and the West and the brief biographies of prominent philosophers of the Orient as well as the Occident.
This dictionary serves as an immediate reference book to the teachers and the students of philosophy and also to the general readers. It covers as many as seventeen hundred entries that include the most commonly used philosophical terms of the East and the West and the brief biographies of prominent philosophers of the Orient as well as the Occident.
This dictionary serves as an immediate reference book to the teachers and the students of philosophy and also to the general readers. It covers as many as seventeen hundred entries that include the most commonly used philosophical terms of the East and the West and the brief biographies of prominent philosophers of the Orient as well as the Occident.
This dictionary serves as an immediate reference book to the teachers and the students of philosophy and also to the general readers. It covers as many as seventeen hundred entries that include the most commonly used philosophical terms of the East and the West and the brief biographies of prominent philosophers of the Orient as well as the Occident.
The present volume consists of a classical interpretation of important Indian philosophical concepts based on the original sources of each system thereof. Two hundred technical terms have been selected from significant schools/branches of Indian philosophy such as Veda, Mimamsa, Upanishads, Vedanta, Yoga, Samkhya, Vaisheshika, Nyaya, Jaina and Buddhism.
This encyclopaedic dictionary is one of its own kind in the sense that it is for the first time that a selection of original Indian philosophical concepts is done and the concepts are then explained by eminent scholars as per the Sanskrit texts of each school. There is no doubt that the dictionary will be useful for one and all: the inquisitive readers, researchers as well as the scholars of Indian Philosophy.
The present volume consists of a classical interpretation of important Indian philosophical concepts based on the original sources of each system thereof. Two hundred technical terms have been selected from significant schools/branches of Indian philosophy such as Veda, Mimamsa, Upanishads, Vedanta, Yoga, Samkhya, Vaisheshika, Nyaya, Jaina and Buddhism.
This encyclopaedic dictionary is one of its own kind in the sense that it is for the first time that a selection of original Indian philosophical concepts is done and the concepts are then explained by eminent scholars as per the Sanskrit texts of each school. There is no doubt that the dictionary will be useful for one and all: the inquisitive readers, researchers as well as the scholars of Indian Philosophy.
Bhakti is the tool prescribed in the present Kali age to reach the Supreme. Over the last seven centuries mystic reformers preached a monotheistic religion, without caste distinction and wandering singers spread their message in the vernacular languages. This dictionary will enable a wider readership to access and understand the beautiful texts available in bhakti literature.
After ce 1000 an important change took place on the religious scene in India. With the arrival of the Muslims and the establishment of Muslim governments in Delhi and elsewhere, Hinduism was confronted with a powerful religious tradition that was not only supported by military strength but was also endowed with a strong tradition of mysticism. Along with this double challenge, India was invaded by a language, Persian, that became the official language of the imperial court. From ce 1300 onwards a remarkable phenomenon changed the religious history of India. Popular mystic reformers appeared, reacting vehemently against both the Brahmanical ritualism and the corruption in Islamic practices. They preached a monotheistic religion, without caste distinction, stressing very personal devotion and giving their message in the vernacular languages, not in Sanskrit.
The language of this bhakti literature is a mixed medium that, until now, has not been described in detailed grammars and dictionaries, as was the case with Sanskrit. The vocabulary of this medium was borrowed, not only from Sanskrit and Persian but also from local idioms and dialects, and wandering singers adopted many terms and expressions as they travelled from one region to another. Consequently, each fresh edition in this field requires new grammars and glossaries.
The challenge of research in this area is the fact that this literature is only accessible in manuscripts and little has been critically edited. Secondly, the language in which these hymns were sung has been studied only imperfectly, although a lot of progress has been made in the last twenty years. It is important that a wider readership should be able to access and understand the texts available, and it is here that we should situate the usefulness of the Bhakti HindiEnglish Dictionary.
This Dictionary attempts to reveal the divine paradoxes of Buddhist-Hindu iconography by even interpreting the nuances of their iconic language. It explains, vividly, thousands of iconic representations (visual, conceptual symbols, images, objects, concepts, rites).
Man has, from times immemorial, exhibited a striking predilection for symbols. Which, through written words, drawings, sculptures or other visual/iconographic representations, seem to have shaped much of mankinds culture. From the simplest, yet eloquent, drawings on the walls of the prehistoric caves, through the sophistication of Egyptian imagery, the sculptural embroidered wealth of a Khajuraho, or the convoluted elegance of a Mannerist painting all interweave iconographic imagery so inextricably into their very core that, without its visual/didactic richness, these would be a mere shell, a hollow vanity! Veritably, our cultural scenograph will lose much of its aesthetic charm and meaning, once it is bereft of iconography. Over the centuries, Buddhisn and Hinduism (Brahmanical) have built up pantheon after pantheon, with a bewildering number of divinities, in varying forms and emanations and, significantly, with myriad iconographic attributes. Which, for both their definable precision and complex multi-interpretationality, not merely seem paradoxical, but may baffle even the specialists and the initiated as well. Here is just the Dictionary trying, for the first time, to help you see into the divine paradoxesof Buddhist-and-Hindu iconography and, simultaneously, interpret the very nuances of their iconic language. Painstakingly compiled by a distinguished scholar of Oriental/Buddhist Art, it is a Buddhist-and-Hindu Iconologia par excellence, spelling out vividly thousands of iconic representations, which these two of the worlds oldest, sustained faiths have left for all times to come. In its monumental effort to explain/interpret Buddhist-and-Hindu visual/conceptual symbols, images, objects, concepts and rites, the Dictionary extends the definition of iconography to embrace numerous peripheral/other terms, which either have immediate relevance to iconographic principles or are hard to dispense with in visualizing the true import of different icons. Dr. Bunces work has, at its base, his own first-hand observation of various temples in India, Nepal and several Southeast Asian countries; besides a number of authentic sources: both illustrated and verbal. Flawlessly illustrated: from cover to cover, it includes a compellingly readable introduction, an easy-to-understand Users Guide, extensive bibliographic references, and two well-planned lists to facilitate location of its each headword, each entry. Which all reinforce the Dictionarys indispensability to the specialists and the non-specialists who have often to grope for the essentials of Buddhist/Hindu iconographic complexities.
The book systematically studies various Hindu gods and goddesses based on Hindu sacred literature. It covers their earliest references and the evolution of their worship, their attributes and forms, and their signific-ance in the Hindu scheme of worship. It also includes references to many animate/inanimate sacred beings/things associated with the deities.
The Hindu pantheon of gods and goddesses has evolved over many millennia from a simple worship of elements and phenomena of nature to a complex system of myriad gods and goddesses of differing physical attributes, characteristic features and functions and each with different forms. The present Dictionary is an attempt to provide an in-depth yet comprehensive account of Hindu gods and goddesses referring to all the important religious sources. Based on Hindu sacred literature including the Vedas, epics and the Puranas, the book is a systematic study, in alphabetical order, of various Hindu gods and goddesses covering aspects such as the evolution of their worship and their earliest references in texts, stories of their birth and achievements, their attributes, their significance in the Hindu scheme of worship, their forms of representations, and their relationship with one another. It has references to not only personified beings but also other animate and inanimate sacred beings/things, seen in close association with the deities and worshipped by devotees, like Nandi, the bull, the snakes, the banyan and pipal trees, the saligramas and the banalingas. The adornments, vahanas, weapons and places associated with the deities are also elaborately discussed. The Dictionary will be an immensely useful reference work for scholars of ancient Indian mythology and religion as well as general readers willing to know more about Hindu gods and goddesses.
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