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This volume is a study of two semantic perspectives meaning atomism and meaning holism. It mainly focuses on contrasting these perspectives or models of meaning and evaluates them from different philosophical standings to arrive at an explicit conception of meaning that will correctly reveal the semantics of natural language.
This volume explores the nature of meaning and the way it functions in language. Philosophers such as Aristotle, Thomas Acquinas, John Locke, Immanuel Kant and David Hume had keen interest in the study of meaning, though it was not central to their philosophical inquiry. But the contemporary philosophy takes a radical twist towards language which is characterized as linguistic turn in philosophy. Meaning and its correct characterization are the foremost concerns of contemporary philosophy.
Study of two semantic perspectives meaning atomism and meaning holism is the core content of this book and it mainly focuses on contrasting these two perspectives or models of meaning and evaluates them with a view to arrive at an explicit conception of meaning that will correctly reveal the semantics of natural language.
In doing so, it vividly discusses the two perspectives of meaning along with the atomistic theory of Gottlob Frege, Wittgensteins approach to meaning, logical positivists conception of meaning, why meaning atomism fails to capture the uniqueness of meaning, Quinian theory of meaning holism, Davidsons approach to meaning holism, and Later Wittgensteins view on meaning holism, thus covering a wide gamut of the topic.
This volume delves upon the Vakyapadiya of Bhartrhari, written in fifth century ce, as a contnuity of the theory and praxis of Panini and Patanjali on Sanskrit grammar and Indian language philosophy. It makes an attempt to explore and analyse some issues such as meaning of language, theory of sphota, and conditions and context of meaning.
The study of grammar and linguistic philosophy had its origin in the Vedic period, at least in the second millennium bce. The Vakyapadiya of Bhartrhari, an authoritative Sanskrit text written in the fifth century ce, contains reflections on the subject matter of language and grammar, thus the philosophy of language. Interpretation of communication is one of the principal objectives of Bhrtrhari’s philosophy of language. His goal is to interpret the communication of all living things, be it a man or an animal, or a yogi or a baby.
Bhartrhari represents a rich tradition of Indian philosophy of language that he inherited from Panini and Patanjali. The West, for all practical purposes, lagged behind in grammar, literary theories, philosophy of language and with the problems of meaning, even at the dawn of the twentieth century, when the Indian Grammarians made penetrating studies on the same even before the common era.
This volume delves upon “meaning” discussed in the Vakyapadiya as a continuity of the great Indian literary tradition, philosophy and grammar. In the process, it explores and analyses some issues such as meaning in Indian philosophy of language, theory of sphota, and conditions and context of meaning.
The study of grammar and linguistic philosophy had its origin in the Vedic period, at least in the second millennium BCE. The Vakyapadiya of Bhartrhari, an authoritative Sanskrit text written in the fifth century CE, contains reflections on the subject matter of language and grammar, thus the philosophy of language. Interpretation of communication is one of the principal objectives of Bhrtrhari’s philosophy of language. His goal is to interpret the communication of all living things, be it a man or an animal, or a yogi or a baby. Bhartrhari represents a rich tradition of Indian philosophy of language that he inherited from Panini and Patatijali. The West, for all practical purposes, lagged behind in grammar, literary theories, philosophy of language and with the problems of meaning, even at the dawn of the twentieth century, when the Indian Grammarians made penetrating studies on the same even before the common era.
The present book is a heavily annotated translation of the Namartha-nirnaya section of Kaundabhatta’s Vaiyakarana-bhushana, with an extensive introduction. While there are several books that discuss Indian semantic theories in general terms, this book belongs to a small class of intensive, focused studies of densely written philosophical texts which examine each argument in its historical and philosophical context. It is of interest to all students of philosophy of language in general, and to students of Indian philosophy in particular.
Kaundabhatta’s Vaiyakarana-bhushana is a massive work on semantic theory written in India in the 17th century. Kaundabhatta belonged to the tradition of Sanskrit grammar and in this work he consolidated the philosophy of language developed in the Paninian tradition of Sanskrit grammar. His work takes account of the philosophical debate which occurred in classical and medieval India among the philosophers and grammarians from about 500 bc. to the 17th century ad and primarily represents this debate between the traditions of Sanskrit grammar, Mimamsa, and Nyaya-Vaisheshika. It discusses ontological, epistemological, and exegetical issues concerning the notion of meaning as it relates to the various components of language. The present book is a heavily annotated translation of the Namartha-nirnaya section of Kauandabhatta’s Vaiyakarana-bhushana, with an extensive introduction. While there are several books that discuss Indian semantic theories in general terms, this book belongs to a small class of intensive, focused studies of densely written
The immemorial systems, rules and customs of Ancient India were invaded, subdued and modified by a succession of foreign conquerors who imposed new rules and introduced an exotic creed, strange languages and a foreign art. Their invasion started with the raid of the Muslim Arabs in Sind and with the arrival of the Turks under Mahmud the Iconoclast at the beginning of the eleventh century, India entered upon her Middle Age. This volume talks about the Indian history of over a 1,000 years, from 712-1764 with the raid of the Arabs in the Sind to the decline of the Moghul empire, featuring the Turks, Persians and Afghans (Moghuls) and specifies that the age-old Indian life outlived the shock of the new ideas, religion and culture that were imposed on India’s polity. India never assimilated the foreigners or their ideas. Barring Akbar the Great, that too at a minuscule level, no one could make much influence on them. Therefore, these foreigners remained essentially as an army of occupation among a hostile or repellent population, making the history of the Mohammedan Period more of a chronicle of kings, courts and conquest than of organic or national growth, stimulating and instructive.
Prof. Panda discusses the eight limbs of Patanjala Yoga, emphasizing on meditation in its three stages of dharana, dhyana and samadhi. Delving into Patnnjalis classical yogic theories, he gives detailed guidelines on the practice of meditation and explains in scientific terms the benefits surfacing from the practice of meditation.
Yoga, contrary to the popular perception, is not merely a system of physical culture. It is, in fact, a uniquely Indian discipline aiming to bring about the union of an individual spirit with the Universal Spirit: the Cosmic Consciousness through what in Yoga is known as samadhi, a state of profound meditation. Patanjalis Yoga-sutram, written sometime around the second century bc, is the first, systematic, at once authoritative presentation of Yoga: in both its theoretical and practical aspects. Professor N. C. Panda, who has had a lifetime involvement with the science and practice of Yoga, here outlines the eight limbs of Patanjala Yoga, with added emphasis on meditation in all its three stages: dharana, dhyana, and samadhi; and how this ancient system of bodily and mental control is found to have a strong scientific basis. Offered in three parts, his book focuses, in Part 1, on the practice of meditation, with detailed guidelines concerning the relevant yogic postures, yogic breathing and breath-control. Part 2 presents Patanjalis classical yogic theories, showing how these are validated: both theoretically and experimentally, by modern science. In Part 3, the author explains, in pure scientific terms, the physical, psychic, therapeutic and spiritual benefits surfacing from the practice of meditation. Though based on the principles of classical yoga, Professor Pandas book is truly a brilliant effort to treat Yoga as an advanced science. Including a comprehensive glossary of Sanskrit technical terms and numerous illustrations, it is invaluable to medical scientists/researchers/anyone interested in Yogic Meditation and how it can give a holistic, healthy and creative life.
Prof. Panda discusses the eight limbs of Patanjala Yoga, emphasizing on meditation in its three stages of dharana, dhyana and samadhi. Delving into Patnnjalis classical yogic theories, he gives detailed guidelines on the practice of meditation and explains in scientific terms the benefits surfacing from the practice of meditation.
Yoga, contrary to the popular perception, is not merely a system of physical culture. It is, in fact, a uniquely Indian discipline aiming to bring about the union of an individual spirit with the Universal Spirit: the Cosmic Consciousness through what in Yoga is known as samadhi, a state of profound meditation. Patanjalis Yoga-sutram, written sometime around the second century bc, is the first, systematic, at once authoritative presentation of Yoga: in both its theoretical and practical aspects. Professor N. C. Panda, who has had a lifetime involvement with the science and practice of Yoga, here outlines the eight limbs of Patanjala Yoga, with added emphasis on meditation in all its three stages: dharana, dhyana, and samadhi; and how this ancient system of bodily and mental control is found to have a strong scientific basis. Offered in three parts, his book focuses, in Part 1, on the practice of meditation, with detailed guidelines concerning the relevant yogic postures, yogic breathing and breath-control. Part 2 presents Patanjalis classical yogic theories, showing how these are validated: both theoretically and experimentally, by modern science. In Part 3, the author explains, in pure scientific terms, the physical, psychic, therapeutic and spiritual benefits surfacing from the practice of meditation. Though based on the principles of classical yoga, Professor Pandas book is truly a brilliant effort to treat Yoga as an advanced science. Including a comprehensive glossary of Sanskrit technical terms and numerous illustrations, it is invaluable to medical scientists/researchers/anyone interested in Yogic Meditation and how it can give a holistic, healthy and creative life.
This volume focuses on the new studies, researches and revelations about the Megalithic culture. The old focus on structural forms has given way to the study of their alignment with solstice and constellation. The book also talks about the
ethno-archaeological approaches in understanding the socio-religious paradigm behind erecting such structural forms along with the study of megalithic art.
This volume focuses on the new studies, researches and revelations about the Megalithic culture. The old focus on structural forms has given way to the study of their alignment with solstice and constellation. The book also talks about the
ethno-archaeological approaches in understanding the socio-religious paradigm behind erecting such structural forms along with the study of megalithic art.
India’s association with the South-East Asian countries, especially those on either side of the Mekong River, is well known. It analyses India’s past and present relationship in the domains of architecture, religious engagements, interculturality, syncretism of cultures, interliterariness, composite literary cultures, religious arts, trade associations, among others.
India has a fascinating history of cultural relationship with South-East Asia, spanning across more than the last two millennia, mainly with the spread of Buddhism and Hinduism, deeply impacting the cultural, religious and social lives of people in countries such as Cambodia, Indonesia, Laos, South Korea, Sri Lanka, Thailand and Vietnam. The Hindu-Buddhist monuments in South-East Asia stand testimony of this peaceful and mutually beneficial interaction. The contents of this book Mekong-Ganga Axis centre around India’s association with most of the countries of the region, especially those on either side of the Mekong River.
Most of the South-East Asian countries were influenced by more than two foreign cultures, though they have an indigenous culture. The Chinese and Indian cultures had impacted them the most, in addition to the European influence. However, only Indias impact was peaceful and, to a great extent, non-political. This paved the way for many developments in architecture, religious engagements, interculturality, syncretism of cultures, inter-literariness, composite literary cultures, religious arts, trade relations and so on.
This book thus critically engages one to all these topics and more, and recalls India’s glorious relationship of the forgone era with these countries, showcasing somewhat a similar kind of cultural/religious affinity from South China to India. And two great rivers, Mekong and Ganga, are witness to it. It also reinstates the criticality of India to be engaged with these countries at present because of the compulsions of a globalized world.
This anthology is a selection of writings of Dr Kapila Vatsyayans nearly four-decade long journey as an art critic and art historian. It reveals the distinct nature of Indian arts from the angle of the world-view in which they emerge. At the same time, it amply shows the theory of art and aesthetics which may enable us to to see the other traditions of art from our own window.
This anthology Metaphors of the Indian Arts and Other Essays is a selection of writings of Dr Kapila Vatsyayans nearly four-decade long journey as an art critic and art historian. It reveals the distinct nature of Indian arts from the angle of the world-view in which they emerge. At the same time, it amply shows the theory of art and aesthetics which may enable us to to see the other traditions of art from our own window. In a seminal article entitled Metaphors of the Indian Arts, the author identifies some fundamentals which permeate the Indian artistic traditions.
In the article entitled Mountain, Myth, Monuments Dr Vatsyayan discusses the significance of mountains and the sanctuaries, diversity of attitude and approaches to them in Indian context. She focuses on sacred mountains, especially Kailasa, which have dominated the Indian imagination for many millennia in the world of literature, architecture, sculpture, music and dance.
The attitude to the human body as also the self-consciousness of the relationship of the senses and the mind in diverse civilizations has been of special interest to the author for decades. In the article Early Evidence of Female Figures, Music and Dance, she points at essentials of treating the human body in Indian art, specially the female body, over a long span of history. She draws attention to the large measure of consensus on the identification of meaning of the particular or single image or relief, ranging from the examples from Mesopotamia to Assyria to Egypt and the figurines and statues of the Indus Valley, Mohenjo-Daro, Harappa and Mehergarh.
Further she returns to explicitly stating the ideational background of Indian aesthetics. Finally, she identifies certain motifs which have travelled across a vast geographical area, specially in South-East Asia.
Altogether, these essays will enable the reader to trace not only her journey but also her place in Indian art history as a carrier of a tradition of A.K. Coomaraswamy and Stella Kramrisch.
This volume, a tribute to Prof. Amita Chatterjee, features the views of forty scholars across the globe on major philosophical areas like Fusion Philosophy, Mind and Cognition, Mind and Perception, Mind and Language, Logic, and Indian Philosophy along with the autobiography of Chatterjee and her response to the contributions of those scholars.
“Knowing one’s tradition is important; but only when tradition is not presented as fossilised but as continuous with our present-day living. In most places we do not make enough effort to show the link between the classical philosophical thoughts and the contemporary world view. We need to show that we can still meaningfully interact with the classical philosophical systems”, writes Amita Chatterjee in her seminal essay “In Search of Counterpoints”. This volume is dedicated in her honour. “Knowing one’s tradition is important; but only when tradition is not presented as fossilised but as continuous with our present-day living. In most places we do not make enough effort to show the link between the classical philosophical thoughts and the contemporary world view. We need to show that we can still meaningfully interact with the classical philosophical systems”, writes Amita Chatterjee in her seminal essay “In Search of Counterpoints”. This volume is dedicated in her honour. Chatterjee belongs to a genre of philosophers, who have as part of their cultural heritage, like Raghunath Siromani and Immanuel Kant. Chatterjee, in addition to breaking cultural boundaries, desired to break boundaries that have kept professional disciplines apart. She deeply believes that there are certain basic questions that are questions not for any specific discipline. These questions, she thinks, could not be answered by remaining within one single discipline. It is no surprise that she was the founder of the first Cognitive Science Centre in India. Responding to her multifaceted academic talent, forty academics from diverse disciplines and from all over the world have contributed papers to this volume. The major areas of Chatterjee’s interest that feature in this volume are: (i) Fusion Philosophy, (ii) Mind and Cognition, (iii) Mind and Perception, (iv) Mind and Language, (v) Logic and Vagueness, (vi) Logic, (vii) Indian Philosophy, and (viii) Philosophy, Society and Popular Culture. Chatterjee’s intellectual autobiography and her responses to each of the papers are parts of this volume.
ISBN 9788124609514 (vol. 1)
ISBN 9788124609521 (vol. 2)
This uncovers the secrets of mind so that one can awaken, and prepares one for meditation. It breaks a lot of myths about meditation. Human machine has three brains and the book elaborates that using these minds, one can keep away from diseases, stress, ageing, etc. It also teaches one how to transform negative thoughts to creative ones, and how to use the calm mind and intuition to solve our problems that circumvent us in our day-to-day life.
Mind and Meditation opens the doors of wisdom for people interested in knowing what meditation is and how to meditate.
In this book, Dr Amit Jain uncovers the secrets of our mind, so that we can awaken. In simple words, this book prepares us for meditation. It breaks lots of myths related to meditation. The book reveals that the human machine has not one but three brains and how by using the three brains in a balanced way one can keep oneself away from diseases, stress, aging, etc. The book also throws light on different types of minds and how they trap us and destroy our intuition.
Overall the book calls the reader to learn how to transform negative thoughts. For those wanting to achieve a calm mind, it’s a blessing. It also teaches how to use this calm mind and intuition to solve our problems creatively. Insightful and life changing!
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