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The book offers a systematic and complete account of the names and character of Hindu deities and their relationship with one another. Based on authoritative sources, it classifies the deities and explains their origin, function and worship supported by well-drawn illustrations.
Hindu mythology is a fascinating world of legends and stories centred around a sophisticated structure and hierarchy of deities and their worship. The many gods and goddesses, depicted in myriad forms in art and literature, constitute a sacred and complex subject of interesting study. The book, Hindu Mythology attempts to offer a systematic and complete account of the names and character of the deities of Hinduism and their relationship with one another. The book, typed afresh, studies the main attributes of the deities and recounts myths associated with their origin, nature, function and worship. For the purpose, the deities are classified into the major deities of the Vedic Age and those of the Puranic Age, and the inferior deities which include demigods, sacred plants, animals and birds, supernatural beings and minor deities like Sitala and Manasa. Based on authoritative sources, the reliable accounts are supported by well-drawn illustrations of the deities that add to the appeal of the work. The work involves clear explanation of terms and concepts in a fluent language. The volume will prove to be an interesting reference work for scholars and students of Hindu mythology and will attract general readers keen to acquire information on the subject.
The book studies, in two volumes, the traditional concept of Hindu marriage as a sacrament, analysing the validity of the reasons for incorporating the provision of divorce in the Hindu Law. It discusses divorce laws in the global perspective and analyses statutory divorce in Hindu Law.
The book is a detailed study (in two volumes) of the traditional concept of Hindu marriage as a sacrament, analysing the validity of the reasons for incorporating the provision of divorce in the Hindu Law. Relying on a variety of original and secondary sources -the juridical literature of ancient texts like the Vedas, Dharmasutras and works of eminent scholars on the subject, it first examines the status of women under Shastric law: her exalted position in family and society and the constraints imposed upon her. Showing how the concept of divorce is based on recognising marriage as a contract rather than a sacrament, this scholarly work discusses divorce laws in the global perspective and makes a detailed analysis of statutory divorce in Hindu Law, particularly the grounds for divorce and its statutory evolution. Dr. Kohli considers crucial concerns related to secularisation of marriage, the Western cultures influence on the social upheaval in Indian society, and whether divorce is the solution to effectively address the social evils against women. Maintaining that Hindu marriage is still a sacrament despite inclusion of divorce-related provisions in the Hindu Marriage Act, 1955, he recommends abolition of divorce laws for their disastrous results on the society or, at least, a review of these laws. Quoting from diverse original Sanskrit works and giving. their English translations as well for a better understanding of the modern law, the book will be extremely useful for law and Dharmashastra scholars and students and those interested in a study of the divorce laws in the Indian context.
This book traces the evolution of Hinduism from ancient period to the modern age. It records Dravidian and Aryan symbiosis in Hinduism, and the impact of Greeks and British, Buddhism and Islam. Quoting liberally from Hindu sacred texts and related literature, this book enumerates the ethical and socio-political implications of Advaita Vedanta, delving into the working of self-consciousness and the falsity of the world.
This book traces the evolution of Hinduism from ancient period to the modern age. It records Dravidian and Aryan symbiosis in Hinduism, and the impact of Greeks and British, Buddhism and Islam. Quoting liberally from Hindu sacred texts and related literature, this book enumerates the ethical and socio-political implications of Advaita Vedanta, delving into the working of self-consciousness and the falsity of the world. It emphasises the significance of the thoughts of Adi Shankara and others in this context. The book will be very useful for students and scholars of Hindu religion and philosophy as well as general readers.
This book traces the evolution of Hinduism from ancient period to the modern age. It records Dravidian and Aryan symbiosis in Hinduism, and the impact of Greeks and British, Buddhism and Islam. Quoting liberally from Hindu sacred texts and related literature, this book enumerates the ethical and socio-political implications of Advaita Vedanta, delving into the working of self-consciousness and the falsity of the world.
This book traces the evolution of Hinduism from ancient period to the modern age. It records Dravidian and Aryan symbiosis in Hinduism, and the impact of Greeks and British, Buddhism and Islam. Quoting liberally from Hindu sacred texts and related literature, this book enumerates the ethical and socio-political implications of Advaita Vedanta, delving into the working of self-consciousness and the falsity of the world. It emphasises the significance of the thoughts of Adi Shankara and others in this context. The book will be very useful for students and scholars of Hindu religion and philosophy as well as general readers.
The author focuses on some of the contemporary scientific ideas vis-a-vis the achievements of old-world Hinduism in cosmogony, astronomy, meteorology and psychology. The book, in the process, unfolds some fundamental Hindu philosophical concepts.
Hinduism is not just a religion. It synonymizes the five-millennia of Indias cultural heritage. Which is unequivocally manifest in the Hindus architecture, sculptural art, music, mythology, Sanskrit literary classics, social institutions, and ethical/legal codes. And also in their complex philosophical systems addressing perpetually baffling questions concerning creation, existence, cosmic consciousness, reincarnation, and the like. Yet, ironically perhaps, not many know about the striking breakthroughs of Hindu sages in astronomy, mathematics, chemistry, medicine, metallurgy, and other ancient-time sciences leave alone a deficient awareness of the monumental treatises of Charaka, Aryabhatta, Bhaskara and Kautilya that still remain as landmarks in the scientific history. Here is a book trying to highlight how Hinduism of yore : both in its motivations and methodology, laid the foundations of modern scientific quest. Drawing on the prodigious mass of Vedic/post-Vedic Sanskrit writings, the author focuses specially on some of the contemporary scientific ideas vis-a-vis the achievements of the old-world Hinduism in cosmogony, astronomy, meteorology and psychology. Contextually, Iyengars book also unfolds the Hindu worldviews of creation, soul and determinism, among other fundamental philosophical concepts. Discerning readers will find Hinduism and Scientific Quest as much a useful read as the scholars of traditional Indian philosophy and history of science.
The author focuses on some of the contemporary scientific ideas vis-a-vis the achievements of old-world Hinduism in cosmogony, astronomy, meteorology and psychology. The book, in the process, unfolds some fundamental Hindu philosophical concepts.
Hinduism is not just a religion. It synonymizes the five-millennia of Indias cultural heritage. Which is unequivocally manifest in the Hindus architecture, sculptural art, music, mythology, Sanskrit literary classics, social institutions, and ethical/legal codes. And also in their complex philosophical systems addressing perpetually baffling questions concerning creation, existence, cosmic consciousness, reincarnation, and the like. Yet, ironically perhaps, not many know about the striking breakthroughs of Hindu sages in astronomy, mathematics, chemistry, medicine, metallurgy, and other ancient-time sciences leave alone a deficient awareness of the monumental treatises of Charaka, Aryabhatta, Bhaskara and Kautilya that still remain as landmarks in the scientific history. Here is a book trying to highlight how Hinduism of yore : both in its motivations and methodology, laid the foundations of modern scientific quest. Drawing on the prodigious mass of Vedic/post-Vedic Sanskrit writings, the author focuses specially on some of the contemporary scientific ideas vis-a-vis the achievements of the old-world Hinduism in cosmogony, astronomy, meteorology and psychology. Contextually, Iyengars book also unfolds the Hindu worldviews of creation, soul and determinism, among other fundamental philosophical concepts. Discerning readers will find Hinduism and Scientific Quest as much a useful read as the scholars of traditional Indian philosophy and history of science.
This book defines and surveys Hinduism, and elaborates its keywords. It consists of two parts. The first part is a general survey of Hinduism. Many terms which appear in the first part are elaborated in the second part. This volume enables readers to grasp the fundamentals of Hinduism.
Hinduism, due to its proteanness, is more a way of life rather than a creed. The Hindu tradition recognizes the Vedas as its foundational scripture, Hinduism itself being indigenously known as Vaidika Dharma. Shruti and Smriti are the primary sources of Hinduism, where the former connotes the Vedas that stand for the revealed wisdom and the latter stands for tradition. Smriti texts include law books like the Manusmriti, epics (Itihasa) like the Ramayana and Mahabharata, Puranas, Agamas, Darshana literature (philosophical systems), sometimes Buddhist and Jaina works, other than the numerous religious works in regional languages.
Hinduism was challenged by the rise of heterodox movements in the sixth century bce, especially Jainism and Buddhism. Their prolonged encounter and interaction led to the development of the philosophical schools of Hinduism. The advent of Islam and Christianity, and the origin of Sikhism, led to further developments in the Hindu thought system.
This book defines and surveys Hinduism, and elaborates its keywords. It consists of two parts. The first part is a general survey of Hinduism. It describes its primary sources of information and the historical trends within its study; the Great Tradition with its basic teaching and practices; the Little Tradition; and modern developments. Many terms which appear in the first part are elaborated in the second part, along with some additional terms.
This volume enables readers to grasp the fundamentals of Hinduism.
Prof. Dash studies the tribals absorption into Hindu society and their upward movement in the jati hierarchy in medieval Orissa at the micro level. The author discusses the history of the Jagannatha cult by considering the folk tradition.
The complex process of tribal absorption into the Hindu society and the mobility of jatis in the varna scale has been keenly studied by scholars in the past under various labels Sanskritization, Brahmanization and so on; however, there has resulted a tediousness owing to use of the same old trends and methods of research. Hindu and Tribals is a trend-setter in this regard as it studies the workings of this process from fresh perspectives using new methodologies of inter-disciplinary approach, for instance. Prof. G.N. Dash, a learned scholar in the field, studies the tribals absorption into the Hindu society and their upward movement in the jati hierarchy in medieval Orissa at the micro level. The author sheds some new light on the history of the Jagannatha cult by considering folk versions of this tradition. The salient feature of the work is its freshness in approach: its focus is on interaction of the socio-economic, religious and cultural forces and counter-forces unlike traditional historical works which primarily record the political events. Adopting a new methodology, it uses the concepts and tools of social sciences like ethnology to analyse historical data. Setting new trends in Orissan historiography, it emphasises the traditional account as a source material and seeks to discover the historical background of its evolution rather than its historical basis as such. Prof. G.N. Dash emerges with important statements that scholars and historiographers cannot afford to ignore: for instance, the strong possibility of tribal origin of the Sudha Suaras and Daitas (temple servants at Jagannatha shrine). With an extensive bibliography and index, this work is invaluable for further studies in Orissan historiography. Its well-researched statements and originality in approach would provide researchers fresh material and methods for study and extend young scholars the necessary motivation to adopt new methodological trends in research.
It is a wide-ranging survey of the north Indian tradition of classical music during the post-Independence period. The book is divided into six parts, which, based on the authors vast experiences, make complex musicological concepts accessible to non-academic readers.
Hindustani Music: A tradition in transition is a wide-ranging survey of the North Indian tradition of classical music during the post-independence period. Explicitly, this book addresses music lovers of above-average familiarity with Hindustani music, and their curiosity about its inner workings. It is, however, also a valuable reference for scholars and other writers on music. The book is based on the author’s long years of training as a musician, vast experience as an analyst of music, and an observer of the cultural environment. The book is divided into six parts. Part I articulates an Indian perspective on important societal, cultural, economic and technological drivers of Hindustani music. Part II discusses issues pertaining to presentation formats, and the structural and melodic aspects of Hindustani music. Part III deals with the notion of raga-ness, and the world of ragas. Part IV presents comprehensive backgrounders on the four major genres of vocal music Dhrupad, Khayal, Thumree, and Tappa. Part V features detailed fact-sheets on eight major melodic instruments of the Hindustani tradition Rudra Veena, Sitar, Surbahar, Sarod, Sarangi, Shehnai, Santoor, and the Indian classical (Hawaiian) guitar. Part VI presents a glossary of words in italics, a list of suggested readings, and an index. The book makes complex musicological concepts accessible to non-academic readers, and contributes significantly to widening the understanding of contemporary trends in Hindustani music. Written by an author of impeccable credentials as a musician, researcher, and author, this book is a very significant addition to the body of authoritative writing on 20th century Hindustani music.
It is a wide-ranging survey of the north Indian tradition of classical music during the post-Independence period. The book is divided into six parts, which, based on the authors vast experiences, make complex musicological concepts accessible to non-academic readers.
Hindustani Music: A tradition in transition is a wide-ranging survey of the North Indian tradition of classical music during the post-independence period. Explicitly, this book addresses music lovers of above-average familiarity with Hindustani music, and their curiosity about its inner workings. It is, however, also a valuable reference for scholars and other writers on music. The book is based on the author’s long years of training as a musician, vast experience as an analyst of music, and an observer of the cultural environment. The book is divided into six parts. Part I articulates an Indian perspective on important societal, cultural, economic and technological drivers of Hindustani music. Part II discusses issues pertaining to presentation formats, and the structural and melodic aspects of Hindustani music. Part III deals with the notion of raga-ness, and the world of ragas. Part IV presents comprehensive backgrounders on the four major genres of vocal music Dhrupad, Khayal, Thumree, and Tappa. Part V features detailed fact-sheets on eight major melodic instruments of the Hindustani tradition Rudra Veena, Sitar, Surbahar, Sarod, Sarangi, Shehnai, Santoor, and the Indian classical (Hawaiian) guitar. Part VI presents a glossary of words in italics, a list of suggested readings, and an index. The book makes complex musicological concepts accessible to non-academic readers, and contributes significantly to widening the understanding of contemporary trends in Hindustani music. Written by an author of impeccable credentials as a musician, researcher, and author, this book is a very significant addition to the body of authoritative writing on 20th century Hindustani music.
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