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It analyses, for the first time, each of Sri Lalitas thousand names, through themes like the Goddesss anthropomorphic forms, abodes and ritualistic worship. It underscores the importance of Lalita-Sahasranama in philosophy, tantra, yoga, sahasranama literature, etc.
In the Hindu sacred literature, Sahasra-namas: the texts embodying literally “the Thousand Names” of a deity, constitute a genre in their own right. And Lalita-Sahasranama (LS) is a veritable classic in the traditional writings of the kind — a classic widely acknowledged for its lucidity, clarity and poetic excellence. A medieval work of unknown authorship eulogising Shakti: the Mother Goddess, this Sahasranama is not just a masterly exposition of Shri Lalita’s cult, but also sets out the deity’s diverse epithets — like, for instance, Kundalini, Nirguna, Saguna, Parashakti or Brahman — which continue to evoke reverence as mantras with ‘mystic powers’. Also included among these names are the goddess’s other panegyric descriptions that have come to have profound, esoteric connotations in tantric practices — epitomizing, thus, the fundamental tenets of tantrashastra. Here is a brilliant critical edition of Lalita-Sahasranama meticulously analysing, for the first time, each of Shri Lalita’s thousand names — by a variety of themes, like the Goddess’s conceptual representations, anthropomorphic forms, disposition, abodes, kinships/consorts, ritualistic worship, and her supremacy in pantheonic hierarchy. Also explaining and interpreting anew these thousand names on the basis of time-honoured commentaries, Dr. Joshi under-scores the high importance of Lalita-Sahasranama in philosophy, tantra, yoga, sahasranama literature, and rituals of various descriptions. The book includes the original Sanskrit text of LS, its romanised transliteration and, additionally, an Appendix listing Sri Lalita’s thousand names in the A-Z sequence.
Leadership & Teamwork are today’s success mantras. The 100 ever enticing quotes in this book help one to bring forth the leadership qualities in a person and carry his team for stupendous achievements. Each quote is conjoined with a stimulating painting of Lord Ganesha, the Lord of Peace, Prosperity and Wisdom.
The authors, through this book Leadership & Teamwork, unveil the success mantras of modern life/management. It talks about the quintessential qualities of a leader and the collective responsibility of his team. To percolate this concept well down, the authors have presented 100 carefully chosen quotes on Leadership & Teamwork, Each quote is conjoined with a stimulating painting of Lord Ganesha, the Lord of Peace, Prosperity and Wisdom. Some of these thought-provoking and enlightening quotes are from world-famous personalities, who have enriched us with their foresight and vision.
A true leader must lead from the front shouldering the responsibilities of mistakes of his team and sharing the credit of his success. The team should have faith in the leader and the leader should repose confidence in his team. A good leader is a good mentor and a trainer. And the team draws strengths and skills from him. Success ensues naturally.
This book aims at developing an exclusive literary framework to analyse the Indian queer literary works. It helps in excavating the convoluted layers and subversive potential of queer identities, and in studying the efforts made by the Indian writers to homosexualize various so-called normative spaces.
The invisibility accorded to queer literary works in India has a systematic sinister agenda of silencing. Such a hidden target can be countered only by cataloguing the still unexplored queer texts in various Indian languages and by developing unique critical tools to analyse these texts in a such a manner that helps in excavating the convoluted layers and subversive potential of queer identities.
This book aims at developing an exclusive literary framework to analyse the Indian queer literary works. In all, there are seven chapters which deal with the themes of plurality of lesbian existence, ambivalent adaptation techniques adopted by the writers to grant visibility to subaltern sexualities, overlapping of class and homosexuality, the development of exclusive queer aesthetics by inversion of accepted mode of literary language, imagery and techniques, the doubly marginalized identity of lesbian diaspora and the specific rift between lesbianism, feminism and queer activism in Indian context as presented in literary studies.
It also deals with the issues of biphobia, violence on hijra identity (perhaps one of the most marginalized identity in LGBTQ movement), the depiction of symbiotic relationship between space, sexual identity and sexual citizenship in Indian literary texts and the efforts made by the writers to homosexualize various so-called normative spaces.
This publication with 100 quotes each supported by a thought provoking painting aims at making one realize that life is not as difficult as it seems if lived in the right spirit and a dignified way that encompasses love, kindness, care and compassion.
This publication with 100 quotes each supported by a thought provoking painting aims at making one realize that life is not as difficult as it seems if lived in the right spirit and a dignified way that encompasses love, kindness, care and compassion.
Dr. George Victor studies comprehensively Sankaracaryas teachings on Vedanta his views on scripture, perception and inference as pramanas or standards of knowledges; his explanations of the relation between Brahman and atman, Brahman and äsvara, maya and the world; and his concepts of jnana marga, karma marga and moksa.
Vedanta is recognised as the leading philosophy of the Vedic tradition. A major proponent of Vedanta was Shankaracarya who laid the basis for the propagation of Vedanta before the beginning of the Middle Ages. His contribution has been so immense and significant that often Vedanta has been interpreted as synonymous with Advaita Vedanta of Shankara.
Dr. George Victor studies comprehensively Sankaracaryas teachings on Vedanta his views on scripture, perception and inference as pramanas or standards of knowledges; his explanations of the relation between Brahman and atman, Brahman and äsvara, maya and the world; and his concepts of jnana marga, karma marga and moksa.
Vedanta is recognised as the leading philosophy of the Vedic tradition. A major proponent of Vedanta was Shankaracarya who laid the basis for the propagation of Vedanta before the beginning of the Middle Ages. His contribution has been so immense and significant that often Vedanta has been interpreted as synonymous with Advaita Vedanta of Shankara.
The book traces the beginning of narrative compositions in reliefs depicting the life of the Buddha and analyzes these sculptural depictions of events relating them to biographical texts on him. Supported by over 210 illustrations including drawings and photographs, the work reveals the process of symbolization in visual forms and participation of the sculptors in the process.
The life of the Buddha has been a great source of perennial inspiration to scholars, artists and poets since the early times. Many events from the life of the Buddha have inspired some of the greatest relief compositions in Indian art, which have been depicted in sculptures and monuments.
Tracing the beginning of narrative compositions in reliefs delineating the life of the Buddha, the book analyzes these sculptural depictions of events in the context of several biographical texts on him. The episodes represent the Buddhas birth, enlightenment, first sermon and miracle at Shravasti, descent from Tuùita heaven, subduing of Nalagiri, culminating with mahaparinirvana. The book explores how some of Buddhas basic teachings are linked with certain specific episodes of his life. It highlights the difference between representations of the same events by artists at various periods and places and the differences between the textual description and its sculptural counterpart. It also undertakes a survey of the inspiration provided by the theme of the Buddhas life to devotees and artists in other Asian countries as revealed in their iconography and sculpture.
Supported by over 210 illustrations including drawings and photographs, it reveals the process of symbolization in visual forms and participation of the sculptors in the process. It shows that the sculptural reliefs provide a fascinating insight into the creative mind of the Indian artist: how he invented visual devices and integrated them into the formal structure and the story content and imparted meanings in each sculptural relief. The volume will be essential reading for students and scholars of art history and Buddhist art in particular.
This edition of Bhagavad Gita elaborates how each of its chapters and even verses leads to the next one, all in line with the overall scheme of thought. Acknowledging Gita as a yoga-sastra (science of dialectics), it explicates how this methodological device strings together all the seemingly contradictory statements; revealing an ineffably uniting experience, befitting a scientifically and practically conceived non-dualism or advaita.
The Bhagavad Gita, in this commentary is realized as a philosophical treatise of universal significance, having a bearing on the personal existence of each of us, as it is inseparably one with the existence of the whole. Taking cognizance of the overall development of the thought in the text, it enunciates the first half as a visualization of the oneness of the total system of existence and life with one Absolute Reality; with the second half insightfully proclaiming the unity of every individual, while maintaining ones characteristics, with the Cosmic Form, the concrete version of the Absolute or Bhagavan. It elaborates how each of its chapters and even verses leads to the next one, all in line with the overall scheme of thought. Acknowledging Gita as a yoga-shastra (science of dialectics), it explicates how this methodological device strings together all the seemingly contradictory statements; revealing an ineffably uniting experience, befitting a scientifically and practically conceived non-dualism or advaita. Though written as a sort of varttika to Nataraja Gurus famous commentary on the Gita, this one is appreciable as an independent book, since it delves into the depth of each verse directly in the view of the core philosophical vision, the Gita intends to communicate.
This edition of Bhagavad Gita elaborates how each of its chapters and even verses leads to the next one, all in line with the overall scheme of thought. Acknowledging Gita as a yoga-sastra (science of dialectics), it explicates how this methodological device strings together all the seemingly contradictory statements; revealing an ineffably uniting experience, befitting a scientifically and practically conceived non-dualism or advaita.
The Bhagavad Gita, in this commentary is realized as a philosophical treatise of universal significance, having a bearing on the personal existence of each of us, as it is inseparably one with the existence of the whole. Taking cognizance of the overall development of the thought in the text, it enunciates the first half as a visualization of the oneness of the total system of existence and life with one Absolute Reality; with the second half insightfully proclaiming the unity of every individual, while maintaining ones characteristics, with the Cosmic Form, the concrete version of the Absolute or Bhagavan. It elaborates how each of its chapters and even verses leads to the next one, all in line with the overall scheme of thought. Acknowledging Gita as a yoga-shastra (science of dialectics), it explicates how this methodological device strings together all the seemingly contradictory statements; revealing an ineffably uniting experience, befitting a scientifically and practically conceived non-dualism or advaita. Though written as a sort of varttika to Nataraja Gurus famous commentary on the Gita, this one is appreciable as an independent book, since it delves into the depth of each verse directly in the view of the core philosophical vision, the Gita intends to communicate.
The studies show how the Himalayan pastoral nomads, Lakshadweep islanders and other peoples follow the spirit of the natural world in continuation of the primal vision by delineating their belief systems, knowledge of cosmology, etc.
As one of its significant programmes, the Indira Gandhi National Centre for the Arts (IGNCA) has, for sometime, focussed on the lifestyle studies addressing the fundamental questions concerning Mans relationship with Cosmic Order, his perceptions of Space and Time through the ages and across cultures, and his experience of Nature and how far he has evolved a symbiotic existential connection with it. The IGNCA has now launched forth a series of Pilot Studies which, through specific community studies, seeks to explore culture-ecology interrelationship in its myriad manifestations. Lifestyles and Ecology is the series first thematic monograph. With meticulous analyses of the lifestyles of the Himalayan pastoral nomads, the Lakshadweep islanders, and Kanyakumaris Mukkuvar fisherfolk, among others, the studies here show how these communities follow the spirit of the natural world: not in imitation, but in continuation of the primal vision. Delineating, thus, variegated cultural paradigms of these communities, with details like, for instance, of their belief systems, myths, rituals, folklore, songs, and their knowledge of cosmology as well as natural phenomena, the authors underscore the inseparability of nature and culture in the lived experience of traditional societies the world over. The book also carries a brilliant overview of ecology vis-a-vis traditional resource management systems. The authors are ecologists, anthropologists and folklorists of wide repute.
The book deals with aspects of everyday life of the Vedic people seers and the elite as well as that of the common people their housing, mode of production and occupations, social organisation, education, food and drink, entertainment, dress and cosmetics, etc.
Based on a deep analysis of the Vedic literature, the book deals with aspects of everyday life of the Vedic people: their housing, mode of production and occupations, social organisation, education, food and drink, entertainment, dress and cosmetics, etc. Tracing the influence of Vedic learning on Upanishads and Såtra literature which have also been referred to here for details on the Vedic people and their traditions, this study focuses on the lifestyle of seers and the elite as well as that of the common people and stresses the importance of the ritualistic context in discussing aspects of daily life like preparing of food and food-eating habits, style of dressing, building of houses and so on. It deals with the Vedic peoples approach to life, covering points such as their attitude towards knowledge and their quest for Brahman, their view of death and their yearning for heaven. This publication also examines the growth of the Vedic tradition from one based on the minimum requirements of life to a tradition involving refinement of things a system of writing and a complex religion based on deep philosophical study and explanations of cosmology. The book will be useful to all students and scholars of ancient Indian religion and culture.
The Lilavati, a vithi, is the magnum opus of Ramapanivada, a versatile poet of eighteenth century ce. It is the best of all available specimens of vithi literature in the history of Sanskrit drama. The plot of the Lilavati Vithi is based on the love story between Virapala, the king of Kuntala, and Lilavati, the daughter of the king of Karnata.
The Lilavati, a vithi, is the magnum opus of Ramapanivada, a versatile poet of eighteenth century ce, a resourceful and multitalented writer of almost all the genres of creative compositions, belonged to Kerala, India. The Lilavati is the best of all available specimens of vithi literature in the history of Sanskrit drama. The plot of the Lilavati Vithi is based on the love story between Virapala, the king of Kuntala, and Lilavati, the daughter of the king of Karnata.
The text of the present volume of Lilavati Vithi is carefully edited and presented with a Sanskrit commentary Praci in the light of Sanskrit dramaturgy as well as Indian rhetorics. The commentary Praci treats to critically evaluate various poetical aspects, like figures in speech and metres. The characteristics of vithi with the suitable examples from the Lilavati, the thirteen numbers of vithyangas, the type of amukha or prastavana are explored in the introduction. It also presents an account of the history of the literature of available and non-available vithi type in its introduction.
Present edition of Lilavati Vithi along with the Sanskrit commentary Praci and an extensive introduction in English and appendices will interest scholars and students of Indology who are focused on the study of Sanskrit literature. It will benefit the readers interested in classical Sanskrit literature. It will also be a supporting tool for the researchers of the history of classical Sanskrit literature in general and vithi literature in particular.
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