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This is an extraordinary volume on Bhagavad-Gita in that, besides the usual Sanskrit verses, their meanings and commentaries, this book covers all the eighteen chapters in the form of essays containing the reflections of the author who has analyzed the topic in the light of modern thought in a broader spectrum.
This Exposition on the Bhagavad-Gita is an exception to the traditional translation of and commentary on the scripture. It covers all the eighteen chapters of the Gita in the form of essays, with English translation of almost all verses and commentaries thereupon. In addition, the essays do contain the reflections of the author who has analyzed the topics in the light of modern thought in a broader spectrum. The Sanskrit text in Devanagari script, with Roman transliteration, has been appended to the main text.
The Gita is not a religious book. It does not belong to any single faith. In the language of Aldous Huxley, it is the perennial philosophy of mankind. Keeping this context in view, the book has been addressed not only to the present citizens but also to the whole mankind which will inhabit the earth in the future.
This scripture had its birth in a battlefield. Symbolically speaking, everybodys life is a battleground. Arjuna represents all members of the human species. In a situation of agony and dejection, being utterly perplexed, he could not decide what to do and what not to do. The Gita provides practical solutions to the problems of life and leads the path to liberation. It humanizes and divinizes man. The present book gets success if it helps man ascend humanely and spiritually.
This is an extraordinary volume on Bhagavad-Gita in that, besides the usual Sanskrit verses, their meanings and commentaries, this book covers all the eighteen chapters in the form of essays containing the reflections of the author who has analyzed the topic in the light of modern thought in a broader spectrum.
This Exposition on the Bhagavad-Gita is an exception to the traditional translation of and commentary on the scripture. It covers all the eighteen chapters of the Gita in the form of essays, with English translation of almost all verses and commentaries thereupon. In addition, the essays do contain the reflections of the author who has analyzed the topics in the light of modern thought in a broader spectrum. The Sanskrit text in Devanagari script, with Roman transliteration, has been appended to the main text.
The Gita is not a religious book. It does not belong to any single faith. In the language of Aldous Huxley, it is the perennial philosophy of mankind. Keeping this context in view, the book has been addressed not only to the present citizens but also to the whole mankind which will inhabit the earth in the future.
This scripture had its birth in a battlefield. Symbolically speaking, everybodys life is a battleground. Arjuna represents all members of the human species. In a situation of agony and dejection, being utterly perplexed, he could not decide what to do and what not to do. The Gita provides practical solutions to the problems of life and leads the path to liberation. It humanizes and divinizes man. The present book gets success if it helps man ascend humanely and spiritually.
Devotional songs frequently sung by the common public in praise of various Gods/Goddesses like Sri Ganesa, Siva, Krsna, Hanuman, Rama, Khattu Syama, Durga, etc. have been compiled in this hard-bound volume at a very nominal price.
Devotional songs frequently sung by the common public in praise of various Gods/Goddesses like Sri Ganesa, Siva, Krsna, Hanuman, Rama, Khattu Syama, Durga, etc. have been compiled in this hard-bound volume at a very nominal price.
This book is a collection of more than 350 bhajans. It has an amalgamation of old and new bhajans. Its bhajans are different from that of Bhajan Sarovar (Part 1). It is a rare kind of collection which all householders would like to keep in their house forever.
This book is a collection of more than 350 bhajans. It has an amalgamation of old and new bhajans. Its bhajans are different from that of Bhajan Sarovar (Part 1). It is a rare kind of collection which all householders would like to keep in their house forever.
This book contains, as the title suggests, the nectar or amrita of bhajans mostly in praise of Lord Krishna, the everplayful God in the Hindu pantheon. Each bhajan has been transliterated into Roman to facilitate the readers who cannot read Devanagiri to enjoy their singing.
This book contains, as the title suggests, the nectar or amrita of bhajans mostly in praise of Lord Krishna, the everplayful God in the Hindu pantheon. Each bhajan has been transliterated into Roman to facilitate the readers who cannot read Devanagiri to enjoy their singing.
Pursuing the path of yoga accomplishment, the practiser attains a few distinct supernatural powers. This book makes an attempt, through examples and extractions, to prove that these powers are not mere imginations but can be absorbed in the present materialistic world too.
Fresh excavations, new dating techniques and ever-growing conceptual frameworks since 1950 have greatly reshaped our perspective on Prehistory and Protohistory of the Indian subcontinent. This monograph, which is primarily aimed to serve as a starter for the undergraduate and postgraduate students, presents, in a concise but comprehensive manner, a syncretic view of the latest information on various aspects such as tools and technologies, settlement and subsistence patterns, ecological background and distributional configuration in respect of the Stone Age and the Chalcolithic Cultures outside the Harappan Zone. The Megalithic Cultures of peninsular India and the Deccan too find a place in the book. A glossary of the terms used frequently in archaeology as well as maps, line-drawings and explanatory notes on individual sites add further value to the text.
Chhau is a confluence of classical and folk traditions, having its foundation in martial arts. This second part begins with the art of fighting and then proceeds to survey the historicity of Seraikela, Mayurbhanj and Purulia styles along with the performing style, present-day branches, its condition with the information on the artists and institutions that continue to practise this art form.
Chhau dance has an unbroken relation with the essence of Indian culture. This dance form that flourishes in the forest-areas of Jharkhand, Odisha and West Bengal has already attained widespread acclaim, internationally, as an art. By its distinct confluence of the classical and folk traditions, this art form has carved a niche for itself of being counted as the dance of the traditional and classical discipline. It is based on the foundation of martial art techniques. The most striking features are the multi-coloured, splendid, artistic and attractive masks and magnificent headgears that form part of the decoration and costume design. It consists of dance movements called as nritta-karanas as described in Bharata’s Natyashastra and hand gesticulations as found in Nandikeshvara’s Narityashastra, and is also endowed with varied regional movements of folk forms. This dance form depicts movements of day-to-day activities, gaits of animals and birds, and symbolic gestures accompanied by the war-drums and music giving an experience of the sweet fragrance of the regional music forms. The plot is generally drawn from the Ramayana, Mahbaharata, and various other Puranas and poetry. It is thus a combination of a rich tradition of artistic creativity that has naturally attracted the mind of all age-groups at the national and international arena.
The author has collected authentic information by visiting those places where this dance form is traditionally taught and practised. The author has met the teachers of chhau dance, the designers of masks and costumes, and spent time to gather information to be made available in a single place. In the present text, chhau dance has been presented for the first time elaborately with indepth and authentic details. Along with the presentation of the historical and cultural aspects of chhau dance, its performing aspect, content of plot, costumes, physical gesticulation, instruments and instrumentalists, regional styles, the three distinct styles of chhau its history, folk tradition and other details are elaborated in nine sections. The 200 photographs in this edition reiterate the richness of this art with greater authenticity and thus prove to enliven this traditional art form.
Vol. 1 ISBN: 8124606463, 9788124606469
Vol. 2 ISBN: 8124606471, 9788124606476
Sociology, as a social science, is new to India. This volume in Hindi thus discusses the advent, teaching and development of sociology in India. It is an outstanding narration of advent and evolution of sociology in India and the major sociologists.
Bharatiya Samaj Shastra ke Pramukh Sampradaya is a book in Hindi language that deals with the advent, teaching and development of Sociology in India.It is an original book that deals with the major Sociologists in India. This book divides the whole history of sociology in India into nine interesting chapters. This book is an outstanding narration of the advent and evolution of Sociology in India. For a long time there was a need of such a book in Hindi .This is a helpful book for the teachers, students and researchers in various colleges, Universities and research institutions. For the researchers in Hindi literature, Cinema and Culture this can be used as a reference book. This book is also helpful for the UGC. / NET aspirants in Sociology.
Sociology, as a social science, is new to India. This volume in Hindi thus discusses the advent, teaching and development of sociology in India. It is an outstanding narration of advent and evolution of sociology in India and the major sociologists.
Bharatiya Samaj Shastra ke Pramukh Sampradaya is a book in Hindi language that deals with the advent, teaching and development of Sociology in India.It is an original book that deals with the major Sociologists in India. This book divides the whole history of sociology in India into nine interesting chapters. This book is an outstanding narration of the advent and evolution of Sociology in India. For a long time there was a need of such a book in Hindi .This is a helpful book for the teachers, students and researchers in various colleges, Universities and research institutions. For the researchers in Hindi literature, Cinema and Culture this can be used as a reference book. This book is also helpful for the UGC. / NET aspirants in Sociology.
This book drives one to the commendable social dignity that women adored during the Vedic period. The values of women were considered holy and pure. Literatures from Vedic period to the British rule glorify women and treat them with high esteem. Brahmavadini Gaargi, Durgavati of Gondavana, Rani Lakshmibai and Ahlyabhai, the towering personalities India, serve as the role model for Indian women and those who are engaged in women studies.
Respecting of women was prevalent in Indian culture ever since the Vedic period. The life values of women were considered holy and pure in those times. In the literature pertaining to Ramayana, Mahabharata, Upanishads, Buddhist, Middle Age and the British times, the highly respectable status of women is clearly shown. How differently were the women viewed at various times in different eras? Which were the women who made a special place for themselves in the different fields of life? In this context we remember Brahmavadini Gargi, Rajmahishi Durgavati of Gondvana, Queen Ahilyabai, Rani Lakshmibai of Jhansi, and some other women for their special contribution in maintaining the high status of women in Indian society.
Portraying the position of women in the ancient period and comparing them to the present times when life is full of struggles, this book becomes a valuable tool for the scholars engaged in women studies and also for the people specializing in Indian traditional culture besides the general readers.
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