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This is decidedly the very first book of its kind. It explains in simple Hindi (or rather Hindustani) the basic concepts and problems of contemporary Western (philosophical) aesthetics with apt illustrative references not only to Hindi (and even Urdu) poetry, but to Hindustani Sangeet and English poetry.
After its attainment of Independence, India has witnessed the quickening of a new life in the field of art as well. Cultural exchanges between its various regions have shown a marked upswing, and reflection on cultural matters has also increased beyond expectations. Concurrently, in quite a few of our colleges and universities aesthetics has been included in the syllabi as an optional subject of study. Some books on this subject, mostly written in the traditional way, are surely available; but philosophical aesthetics, which is today regarded as a distinct intellectual achievement of the twentieth century, still remains largely neglected in the field of Indian scholarship. What is worse, a Hindi book on this form of aesthetics has never been attempted before the present work.
It is precisely this need which this book seeks to meet fairly. With an eye to facilitate understanding of the basic concepts and related problems of contemporary aesthetics, the author has taken pains to give appropriate references, as illustration, to Hindi, Urdu, and English poetry, and music. This should make the book useful to students of both philosophy and music.
Its language is simple Hindustani; and the manner of writing is free from needless ambiguities. Readers in general should therefore find it not only easy to follow, but interesting as well.
The book delves deep into all aspects of bilateral relationship between India and Korea on commercial, cultural, economic, educational, historic, language and literature, political, science and technology, and trade. Taking a cue from the socio-economic growth of Korea, it suggests to move up India in its economic ladder to lead Asia from the front.
This volume is comprised of the proceedings of an international conference on IndiaKorea Relations: Past and Present, dealing with India’s relationship with Korea since ce 48. While Buddhism was the amblical cord of Indian relationship with Korea in the first millennium, the end of Cold War has helped to scale up their relations to a new league. Complimenting their bilateral relationship are the Look East Policy of India and the New Asia Initiative of Korea.
These economic giants of Asia have many things in common to share, give and take in the post-colonial era. The rag to richess story of the miracle on the Han River gives impetus to India’s surge in the economic front. From a hermit-kingdom image, Korea now stands tall among the Asian countries with its rapid socio-economic progress and a per capita income of US $ 22,000. Its advancements in education, science and technology, and defence deserve kudos.
The book thus delves deep into all aspects of bilateral relationship commercial, cultural, economic, educational, historic, language and literature, political, science and technology, and trade. Both the countries have experienced drastic economic progress, increase in trade volumes, Korean corporates investing in India vis-
-vis Indian companies in Korea. A target-trading volume of US $ 40 billion by the year 2015 tells a vibrant story. Also, both are committed in making Asia the most happening region.
The book provides a graphic account of all these developments, shedding light on India’s low per capita income of US $ 1,219 and suggesting to put her acts together, to lead Asia from the front.
This volume takes up crucial problems faced by the old, suggests ways to address them and discusses the future scenario by viewing ageing and the aged in the context of increasing modernisation. The papers deal with intergenerational problems of the old, the environments effect on them and their nutritional status and health problems.
The old and aged in a society represent the bedrock of its existence: symbolising the past. They are the carriers of tradition, values and experience, the guiding light for the young without whom society is not total and lose its stability. And progress that a society makes, culturally and morally, is reflected in the way it treats its aged. This volume, comprising presentations at a national seminar on issues of ageing of current importance, takes up crucial problems faced by the old, suggests ways to address them and discusses the future scenario viewing ageing and the aged in the context of increasing modernisation. The well-researched papers, reflecting clarity in thought and language, deal with aspects like inter-generational problems of the old, the environments effect on them and their nutritional status and health problems. They examine how the age-old institution of the family and the newly-evolved concept of the old-age home cater to the needs and comforts of the elderly persons, with investigations into care of the aged in specific homes and institutions. They also focus specially on the plight of the poor aged and old women who are debilitated by the social environment and conditions as well. They study the priorities of action where the welfare of the aged is concerned, reviewing policies and programmes in operation including the National Policy for Welfare of the aged. The book would prove invaluable to scholars of gerontology and sociologists and be of interest to general readers as well.
Ageless Mind and Timeless Ideas contains the reflections and reminiscences on the life and legend of Prof. Koneru Ramakrishna Rao by some of his students, colleagues and fellow scholars who are familiar with him and his work. The volume also includes as an Epilogue a recent address of Prof. Rao at the Centenary Conference on Psychology at Calcutta University in October 2015 Indian Psychology: A Case Study of Mahatma Gandhi.
Ageless Mind and Timeless Ideas contains the reflections and reminiscences on the life and legend of Prof. Koneru Ramakrishna Rao by some of his students, colleagues and fellow scholars who are familiar with him and his work. The volume also includes as an Epilogue a recent address of Prof. Rao at the Centenary Conference on Psychology at Calcutta University in October 2015 Indian Psychology: A Case Study of Mahatma Gandhi.
Prof. Ramakrishna Rao is both a visionary and a missionary with an incredible ability to conceptualize and concretize his ideas and the gift to live his dreams. He is an internationally acclaimed academic visionary who excelled in vastly different areas that include Psychology, Philosophy, Yoga, Education, and Library and Information Sciences. At 83, Prof. Rao is still active as a scholar and administrator. He published over 5,000 pages during the last ten years, and currently serves as the Chancellor of GITAM University.
This book is a study on the cultural developments of Agneya-Kona (the south-east India), where Orissa is the centre, and their contributions to the development of humanity. It studies the rise and spread of different cults and states that the culture of Agneya-Kona was older than the Sumerian Civilization.
The book focuses on the cultural developments of Agneya-Kona (the south-east India) and their contributions to the development of humanity, and highlights the concocted history of Bharatavarsha, especially of Agneya-Kona.
The author projects many artefacts to substantiate his theory. Many archaeological findings Þ the pre-historic rock painting of Gudahandi, images of female figurines, along with circular discs, and nude female figurines are cases in point. Female principle was worshipped in the Mahanadi Valley both in aniconic and iconic forms.
Agneya-Kona has contributed significantly to the growth of the tantric worship. In the pre-historic rock painting of Gudahandi, there is a trace of Yoga, especially Kundalini Yoga. The book details the spiritual and yogic culture of Orissa, the formative phase of Purushottama Jagannatha culture, the impact of Narasimha culture, yoni tantra traditions of the Central Mahanadi Valley and the spiritual relationship of Kalahandi with Candipur Tara-Pitha of Birbhum.
A Sumerian temple that imbibed the form of Lord Purushottama Jagannatha is in highlight, and the author makes a strong statement that the culture of the region is older than the Sumerian Civilization.
The book is a source of inspiration for archaeologists and historians, who want to study more about south-east India, and students, teachers and researchers of arts and culture.
This critical commentary offering fresh insights into the essential teachings of the Aitareya Upanisad presents its original Sanskrit text along with Roman transliteration and a verse-to-verse translation in English.
Yet another masterly piece of Hindu spiritual wisdom, Aitareya essentially reinforces the grand Upanishadic message which is neither a picturesque mythology nor a promise of heaven nor a threat of hell. It is yet another reminder (from the ancient seers) of our cosmic connection showing how this universe, this phenomenal world of ours, and all that is created, whether movable or immovable, are unfolded from one primeval casual Reality: atman, variantly called the Supreme Spirit, Pure Consciousness or Prajnanam Brahma; and how, in turn, atman perceives itself as the one underlying substance of all these phenomena. A distinguished exponent of Vedanta, Swami Muni Narayana Prasad reinterprets this Upanishad, developing refreshing insights into its textual discourse, its meaning, and its message. Also included in this critical commentary are its original Sanskrit text, Romanised transliteration, and verse for verse English translation. Appended to the Rigveda, Aitareya Upanishad comprises three chapters (IV-VI) of the Aitareya-Aranyaka which, in itself, is a continuation of Aitareya Brahmana. And as one of the principal Upanishads is invaluable as much to the discerning readers as to the scholars of Indian philosophy.
Akbar, the most powerful Mughal emperor, was a great aesthete and promoter of arts. Eminent Persian and Indian artists thronged his Royal Studio who were studiously committed to paint numerous emotive miniatures of style and substance, communicating highly complex narratives. These minitatures are a beautiful manifestation of human expressions, vividly encapsulating moments of history for posterity.
Mughal miniatures are a vivid account of the cultural, sociopolitical scenario of the Mughal era. Jalal-ud-Din Muhammad Akbar, the most powerful Mughal emperor, was a great aesthete and promoter of arts. Eminent Persian and Indian artists thronged his Royal Studio and were encouraged to paint numerous emotive miniatures of style and substance, communicating highly complex narratives. These miniatures are a beautiful manifestation of human expressions, vividly encapsulating moments of history for posterity.
This book combines the sources and methodology of history and art history of the Mughal era, and is an analysis of a select group of paintings of Akbar’s reign. The miniature paintings incorporate a wide variety of rich, vibrant and varied themes, ranging from durbar scenes, depicting Akbar in different moods and forms, the princes and nobles in their finery, hunting and battle scenes, elaborate scenes of royal births, construction scenes, ascetics, common man, and countryside scenes, to the flora and fauna. Individual analyses of these miniatures, shows the manner of their composition and the inherent value of their sociocultural content in a lively manner. These paintings became a passion and a diversion for Akbar, who had an innate aesthetic sense.
However, there are hardly any true-to-life paintings of women of the royal seraglio. This book thus attempts to cover some images of femininity, whether it is of Queen Alanquwa, Akbar’s mother, or of Madonna as sacred mothers, and women, per se, in different roles. These miniatures make one wonder how much these women contributed to the life of Mughal India.
This unique volume, having given transliteration and translation of the original Persian text of the miniatures, provides an insight into Akbar as an aesthete, and will help academics and laymen alike in appreciating the beauty and history of Akbar’s period.
The anthology is a tribute to Prof. Kalidas Bhattacharyya, the eminent thinker of twentieth century India. Prof. Bhattacharyya presented philosophy in an original way with scientific spirit. His metaphysics was deeply rooted in the traditions of Advaita Vedanta and Shaivism.
The anthology Alternative Standpoints: A Tribute to Kalidas Bhattacharyya is a tribute to Prof. Kalidas Bhattacharyya, the eminent thinker of twentieth-century India, on his birth centenary by his students. A distinguished philosopher and an academician, Prof. Bhattacharyya presented philosophy in an original way with scientific spirit. He was essentially a metaphysician and his metaphysics was deeply rooted in the traditions of Advaita Vedanta and Shaivism. His ultimate concern was to present a theory of freedom and a theory of the possibility of realizing that freedom.
In this collection eminent scholars have written on different aspects of his philosophy. This anthology is divided into four parts the first one concentrating on his metaphysics, the second part dealing with his views on freedom, the third one with education and science and the fourth one is a reminiscence of his student and his family members. In short this anthology tries to present a picture of Kalidas Bhattacharyya as a philosopher and also as a man within the two covers.
This volume is expected to familiarize students and present-day philosophers the persona of Prof. Bhattacharyya and his philosophical positioning and pedagogical skillset.
This volume, based on the paintings at Shivaji Maharaj Vastu Sanghralaya, formerly Prince of Wales Museum, Mumbai, makes us travel through the bright and radiant world of the many splendours of Malwa painting and its silent pages are alive with the whispers of romantic love.
Amarushataka is considered to be one of the finest poetic creations in Sanskrit in ancient India and is a watershed development in the genre of Shringara Rasa. We do not know who the poet Amaru was, but a number of legends abound and it is believed that he lived in the seventh century. In Amarus poetic gems love is not measured but experienced, it is not evaluated socially but felt in the deepest recesses of the mind and heart. He paints the varied moods and nuances of love with words that evoke vivid colours and rhythms that are sonorous with music. Amarushataka basks in a sunlit space, fragrant with the aroma of love, brilliant with the hues of a throbbing heart and within the minute compass of the few lines of a verse we are privy to a whole universe of romance. Amarus lovers inhabit a non-descript space, so that our attention is entirely on them and not on the surroundings. Amarus lovers are driven by desire, devoid of guilt, finding their fulfilment in a passionate embrace or a loving gaze. Using traditional Prakrit romantic idioms Amaru prepares us for the feast both for the eyes and the ears that is to follow, for the muktakas of Amaru create an emotionally charged world, where every nuance of romantic love is explored, where the pangs and pleasures, pathos and poignancy, of amorous dalliances are sensitively portrayed, where neither the restraint of dharma nor the restriction of samsara is allowed to interfere with a glorious celebration of love. Whatever its origins, for 1,300 years this work has retained its reputation in India as one of the foundational collections of poetry. Poets and critics still use its verses as a template against which to consider other poems. Such was the impact of Amarushataka, especially in Malwa of the seventeenth century, that it was transformed into miniature paintings in the evocative Malwa style. The one room chamber with strong monochromatic colours and robust figures marks the painting. The book also traces the history of Malwa painting. An interesting side light of the book is an attempt to demonstrate that the verses of Amaru were also perhaps responsible for amorous sculptures in Khajuraho and other temples. The book is richly illustrated, has the verses of Amaru in Sanskrit and English and is a source book of Shringara Rasa for scholars and students alike.
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