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In this work the author explains an entirely new system of directions which, for ease of working and certainty of results, is unsurpassed by any of the extant methods. A new formula for longevity is included.
Directions in New Era Astrology is a veritable storehouse of all the methods employed in delineation prevalent in both systems. No single book furnishes such information on divers topics so very clearly and in such a masterly manner as this book. The author rightly and cogently points out the limitations in the several systems of direction in vogue either now or in the past. His keen powers of discretion and discrimination together with his experience of horoscopes for well over three decades have enabled him to develop and propound a method of directions which being a harmonious synthesis of all that is best in both the systems seems to fit in with the events and times of their occurrences in a better way than every other method. The book with horoscope diagrams neatly illustrated under various heads such as longevity, marriage, accidents etc. should be possessed by all students of astrology, the lay as well as the professional.
This work serves as a useful companion for the scholars and researchers who are seriously interested in the history of Buddhist literature; who wish to probe into Buddhist Textual Studies and who desire to have a lucid understanding of the philosophy of the two major Buddhist traditions of Theravada and Mahayana.
Discourses in Buddhist Classics is primarily designed with twofold objective viz., (a) to serve as the tool for post-graduate teaching of the Course in Philosophy of the Buddha; and (b) to sustain the interest of the enterprising student by providing comprehensive understanding of Theravada and Mahayana schools of Buddhism. Divided into six chapters, the first chapter gives an account of the missionary life and object of Buddha’s teachings from Pali and Sanskrit sources; the second surveys the evolution of Pali language and its significant contribution; the third and fourth provide a brief sketch of Pali Tripitakas, the salient features as well as the Philosophical doctrines of Theravada and Mahayana Buddhism by comparison and contrast. The last two chapters discuss the historiography of the two representative Buddhist Classics each from Thervada and Mahayana philosophical schools of Buddhism viz., Dhammapada, Sutta-Nipata, Vajracchedika Prajnaparamita and Saddharma Punóarika Sutra while throwing light on their central teachings. This work serves as a useful companion for the scholars and researchers who are seriously interested in the history of Buddhist literature; who wish to probe into Buddhist Textual Studies and who desire to have a lucid understanding of the philosophy of the two major Buddhist traditions of Theravada and Mahayana
The volume is a study of the importance of upamana (knowledge by analogy) in Indian epistemology, with special focus on the Nyaya (and Mimamsa) positions on upamana and the usefulness of upamana as stressed by the Naiyàyikas. It highlights also the views of some schools against upamana as such.
The volume is a study of the importance of upamana (knowledge by analogy) in Indian epistemology. The two stalwart schools of Nyaya and Mimamsa admit the relevance of upamana but differ with regard to many things including the object of knowledge by upamana.
This book explores the way Naiyayikas and the Mimamsakas differ on some major points with reference to upamana in their very definition of upamana, for instance. The focus is on the Nyaya position on upamana and the usefulness of upamana as stressed by the Naiyayikas. The analytic study by the dialectical method explains the classical Nyaya view of upamana of Gautama and his followers and then the classical Mimamsa views. It considers the views of Naiyayikas Jayanta Bhatta and Udayanacarya to show how much the Naiyayikas were logical in accepting a particular view on upamana. It gives the views of some other schools including the Bauddha and Vaiseshika schools against upamana as such and against Nyaya and Mimamsa views of upamana in particular. Throughout, a number of philosophical scholars and their original texts spread over many centuries are examined.
The book will interest scholars and students of Indian philosophy.
Dr. Yadav here captures the rich meaning of the Bhagavad Gita and presents it in a condensed form with a rare clarity. In a simple and fluent language, he brings out the glory of Lord Krishna and discusses the essence of the yoga of knowledge, karma yoga, the yoga of devotion and the yoga of meditation.
Recognising the significance of the Bhagavad Gita in the present times as a guide to understanding the life and attaining spiritual fulfilment, Dr. Surendra Singh Yadav conveys here its enduring message in the form of beautiful verses in English. In a simple and fluent language, the verses capture the rich meaning of the Gita and present it in a condensed form with a rare clarity. Much like his rare book in Hindi, titled, KrishnaArjuna Samvad, this work in English, brings out the glory of the Lord Krishna and gives out the essential substance of the yoga of knowledge, the karma yoga, the yoga of devotion and the yoga of meditation. The book will make essential reading for all as the Gita is concerned with the human quest in the battle field of life and provides the guidelines for a victory therein.
This study offers a fresh approach in comparing ancient Greek and Indian dramatic theories by reconstructing Greek/Indian performances to highlight their similarities and differences. This revaluation will help in shaping of newer modes of performance.
This study offers a fresh approach in comparing ancient Greek and Indian dramatic theories. Instead of treating the Poetics and the Natyashastra as Western and Eastern viewpoints, it places them within the broad framework of ancient Indo-European culture and the art of sacred drama (hieropraxis). It demonstrates that hieropraxis was basically different from post-Renaissance European drama which was entirely secular in content and Realistic in presentation. The Poetics and the Natyashastra on the contrary, belonged to theatres which pleased both gods and men, and which used semiotised gesture, dance, music, and dialogue to create a highly ornate theatrical reality. The book aims at comparing not only the concepts as propounded by Aristotle and Bharata Muni, but also attempts to reconstruct the Greek and Indian performances to highlight their similarities and differences. In view of the increasing constrains imposed on artistic endeavours by commercial pre-occupations in todays world, this stimulating revaluation of the two major classical stage-crafts will go a long way in the discerning and shaping of newer modes of performance. Concepts like anukarana, dharmi, abhinaya, itivritta, mimesis, muthos, melopoiia, katharsis and rasa, etc., as revisited and expounded here, can be seen as means of creating dramatic shows which go beyond message and entertainment to provide sublimer experiences.
This book an English translation of the Tamil text expounds the wisdom contained in seven of the principal Upanishads in the style of short dramas. English transliteration and meanings of the Sanskrit verses are also included. The language is simple to follow which makes the Upanishads easily understandable by even a layman.
The Upanishads reveal the nature of true vidya: it is the knowledge which leads to the understanding of Brahman which alone is the Reality in the world of appearances. The dramas by Shri Mani Iyer based on the Upanishads render the meaning of the Upanishads in an interesting and captivating manner so that a wider audience can gain from the Upanishadic insight.
This book presents an English translation of Mani Iyers seven Upanishadic dramas, originally in Tamil, and includes English transliteration of the original Sanskrit verses. The dramas pertain to seven of the major Upanishads: Kena, Ishavasya, Prashna, Mundaka, Mandukya, Taittiriya and Katha. With reference to each drama, there is an introduction that reveals the major questions raised by the Upanishad, the manner in which the play proceeds, the nature of the story, its characters, and the conclusion of the play. The translation is simple to follow and possesses a rare clarity.
Because of the simple language and the clear meanings of the Upanishadic verses, this book will be valuable to readers in general, students in particular, and to those interested in knowing what our Upanishads contain and intend to convey.
This book an English translation of the Tamil text expounds the wisdom contained in seven of the principal Upanishads in the style of short dramas. English transliteration and meanings of the Sanskrit verses are also included. The language is simple to follow which makes the Upanishads easily understandable by even a layman.
The Upanishads reveal the nature of true vidya: it is the knowledge which leads to the understanding of Brahman which alone is the Reality in the world of appearances. The dramas by Shri Mani Iyer based on the Upanishads render the meaning of the Upanishads in an interesting and captivating manner so that a wider audience can gain from the Upanishadic insight.
This book presents an English translation of Mani Iyers seven Upanishadic dramas, originally in Tamil, and includes English transliteration of the original Sanskrit verses. The dramas pertain to seven of the major Upanishads: Kena, Ishavasya, Prashna, Mundaka, Mandukya, Taittiriya and Katha. With reference to each drama, there is an introduction that reveals the major questions raised by the Upanishad, the manner in which the play proceeds, the nature of the story, its characters, and the conclusion of the play. The translation is simple to follow and possesses a rare clarity.
Because of the simple language and the clear meanings of the Upanishadic verses, this book will be valuable to readers in general, students in particular, and to those interested in knowing what our Upanishads contain and intend to convey.
Dreams are generally viewed as displays of the subconscious and the unconscious, which know everything of the past, the present and the future, and constitute an interrelation between these. This book presents the viewpoints of scientists, psychologists and various religious and cultural traditions on the phenomenon of dreams.
This book is a study of the mysterious phenomenon of dreams. Dreams have fascinated mankind for ages. Civilisations over time and varied cultures have attempted to interpret the occurrence and meaning of dreams in different ways. Various theories have been extended from time to time to interpret this phenomenon. Dreams are generally viewed as displays of the subconscious and the unconscious which know everything of the past, the present and the future and constitute an interrelation between these.
The book analyses the states of thought, the sleep cycle and occurrence of dreams, presenting viewpoints of various religious and cultural traditions like the tantric view, that of the Guiana Indians, the Korean tradition, and so on. It discusses the views of scientists and psychologists on dreams, examining the beliefs of each school the Freud school, Jung school, Hall school among others in detail. It classifies dreams in different ways and deals with aspects of contemplation, emotions, and feelings in dreams. It also takes up dream healing and numerology, explaining how one can understand the structure of a dream and its significance and use it for achieving something in life. It contains accounts of dreams experienced by famous personalities in history which were closely linked to their real lives.
Dreams are generally viewed as displays of the subconscious and the unconscious, which know everything of the past, the present and the future, and constitute an interrelation between these. This book presents the viewpoints of scientists, psychologists and various religious and cultural traditions on the phenomenon of dreams.
This book is a study of the mysterious phenomenon of dreams. Dreams have fascinated mankind for ages. Civilisations over time and varied cultures have attempted to interpret the occurrence and meaning of dreams in different ways. Various theories have been extended from time to time to interpret this phenomenon. Dreams are generally viewed as displays of the subconscious and the unconscious which know everything of the past, the present and the future and constitute an interrelation between these.
The book analyses the states of thought, the sleep cycle and occurrence of dreams, presenting viewpoints of various religious and cultural traditions like the tantric view, that of the Guiana Indians, the Korean tradition, and so on. It discusses the views of scientists and psychologists on dreams, examining the beliefs of each school the Freud school, Jung school, Hall school among others in detail. It classifies dreams in different ways and deals with aspects of contemplation, emotions, and feelings in dreams. It also takes up dream healing and numerology, explaining how one can understand the structure of a dream and its significance and use it for achieving something in life. It contains accounts of dreams experienced by famous personalities in history which were closely linked to their real lives.
DRISHTIPAAT, is a glimpse into the life and times of the three great saints of Ishvar Ashram, Nishat, Srinagar Kashmir. This book makes their presence felt all around us. The pictorial journey, takes the reader, in the serene and benign presence of the great Shaiva master Shree Lakshman Joo, Devi Sharika Ji and Devi Prabha Ji. Their drishti (glance), through the pictures, and shlokas make readers drench with the Divine Grace and their blessings.
Since the inception of Creation, woman has always been adored as a symbol of strength (Shakti) and beauty (Saundarya). In reality, the importance of woman begins in the foremost ancient text of the Rigveda in its Vak Sukta. Upanishads also mention Usha Devi as eternally young woman. This trend continues in Puranas too. History of ancient India has been described in Puranas, and sanskriti (culture) shown therein is the sanskriti of a comman man. Markandeya Purana, one of the eighteen Mahapuranas, consists a collection of thirteen chapters in 700 shlokas named Durgasaptashati, depicting that form of Goddess Bhagavati, the Universal Mother, which explores womans dignity with its constructive power.
In the same tone, Saundaryalahari mentions about Bhagavati who is simply Kundalini, and her depiction as aesthetically beautiful woman is manifested by Shankaracharya. This scripture reveals that the worshipping power inspires us for continuous creation, and discusses about philosophical (Tantric), cultural and literary trinity. In this deliberation antiquity manifests itself into modernity and ultimately into science. When meaningfulness of word-Brahman takes divine form, then it becomes humanity and there itself we realize the concept of Shiva-Shakti. The light of Brahman exists in this world. This exact realisation of Brahma is the subject-matter of this book.
The sources of Indian culture are found in Darshan and Tantra. This expounds the expression of Tantra philosophy in the comparative appreciation of Durgasaptashati and Saundaryalahari. This book appreciates poetry, culture and literature and at the same time, there is also beautiful assimilation of aesthetic sense, Tattva-Darshan and literature.
Since the inception of Creation, woman has always been adored as a symbol of strength (Shakti) and beauty (Saundarya). In reality, the importance of woman begins in the foremost ancient text of the Rigveda in its Vak Sukta. Upanishads also mention Usha Devi as eternally young woman. This trend continues in Puranas too. History of ancient India has been described in Puranas, and sanskriti (culture) shown therein is the sanskriti of a comman man. Markandeya Purana, one of the eighteen Mahapuranas, consists a collection of thirteen chapters in 700 shlokas named Durgasaptashati, depicting that form of Goddess Bhagavati, the Universal Mother, which explores womans dignity with its constructive power.
In the same tone, Saundaryalahari mentions about Bhagavati who is simply Kundalini, and her depiction as aesthetically beautiful woman is manifested by Shankaracharya. This scripture reveals that the worshipping power inspires us for continuous creation, and discusses about philosophical (Tantric), cultural and literary trinity. In this deliberation antiquity manifests itself into modernity and ultimately into science. When meaningfulness of word-Brahman takes divine form, then it becomes humanity and there itself we realize the concept of Shiva-Shakti. The light of Brahman exists in this world. This exact realisation of Brahma is the subject-matter of this book.
The sources of Indian culture are found in Darshan and Tantra. This expounds the expression of Tantra philosophy in the comparative appreciation of Durgasaptashati and Saundaryalahari. This book appreciates poetry, culture and literature and at the same time, there is also beautiful assimilation of aesthetic sense, Tattva-Darshan and literature.
Philosophy in this set of two volumes is a cognitive activity par excellence. Cognition is that the language expresses and it reveals intelligible objects/beings of language and the meaning to which our philosophical reflections, investigations, analysis and interpretation are not only based on but are confined to. The work is fit for satisfying the intellectual hunger of those who are sick of reading the same metaphysical, ontological, theological and epistemological descriptions in different books of history of philosophy, Indian and Western, to those searching a philosophy free from our captive thinking and also an innovative vision to meet out the new challenges in philosophy. Concentrating on cognition as it flashes by language the book analyses, discusses, interprets and critically argues most of the philosophical issues and their responses by Indian and Western philosophical traditions well conclusively.
Unlike linguistic and analytic philosophies, the book is a philosophy of language. Unlike meaning-centric philosophies popular in the East and West, the language-centric approach of the book is based on the expressive nature of language. Based on cognition as it flashes, on active theory of knowledge and action-oriented view of language and its meaning, it reflects on problems, doubts, paradoxes and queries for clarity and resolve, and on that basis, utility and future of philosophy as well.
Against philosophy as subjective and objective thinking, it is a cognitive reflection par excellence. These volumes cover the courses of philosophy prescribed in the universities and colleges useful for scholars and students and those who want a fresh perception to come up with the new challenges in philosophy.
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