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The book is a Shrauta-Prayoga text, which deals with the sequence and procedures of the Shrauta- sacrifices. It also explains many technical ritualistic terms in accordance with their usage in Vadhula-tradition, focusing on the performance of the rituals with accuracy.
The Prayogaklpti, as its nomenclature indicates, is a Shrauta-Prayoga-text, dealing with the sequence and procedures of the Shrauta-sacrifices, viz. Agnyadheya, Darshapurnamasyeshti, Chaturmasya, Pashubandha, Jyotishtoma and Agnishtoma in six Prapathakas respectively, as prevalent in the Vadhula tradition. The author of the text is Acarya Shivashrona, a versatile exponent of the Shrauta tradition. At places he explains many technical ritualistic terms in accordance with their usage in the Vadhula tradition. He gives very much stress on the performance of the rituals with accuracy in accordance with the Vadhula tradition, after having consultation with experts in this matter. He often quotes the views of other Acharyas not by names but using the phrases like iti kecit, ityanye, ityeke, and so on.
This text has been edited for the first time on the basis of three MSS deposited in the Government Oriental Manuscript Library, Chennai; Adyar Library, Chennai; and Oriental Institute, M.S. University, Baroda, by an eminent Vedic Scholar like Prof. B.B. Chaubey who has already edited many other texts of this tradition like Vadhula-Shrautasutra, Vadhula-Anvakhyana, Vadhula Kalpagamavrttirahasya, Vadhµla-Yajnaprayashcitta, Vadhula-Smriti and also the Ashvalayana Samhita of the Rigveda for the first time.
The text is appended with three important indexes, viz. glossary of technical terms, mantras quoted in the text, and complete word-index.
This book was written by an unusual royal court poet of Bhavanagar (Gujarat) between 1885 and 1900. It benefits those readers, music lovers and singers who are interested in having knowledge of our ancient musicology. This book tries to project the style and suras prevalent from ancient to the modern times, and is a very useful guide for the music critics.
This book was written by an unusual royal court poet of Bhavanagar (Gujarat) between 1885 and 1900. It benefits those readers, music lovers and singers who are interested in having knowledge of our ancient musicology. This book tries to project the style and suras prevalent from ancient to the modern times, and is a very useful guide for the music critics.
How many of us know about the persons involved in pulling down the controversial structure the Babari Masjid in Ayodhaya? What is the importance of Ram janmabhoomi? Was the Babari structure built on the portions of Ram Mandir? All this and much more in a QuestionAnswer form, based on ground realities, presented in this book.
How many of us know about the persons involved in pulling down the controversial structure the Babari Masjid in Ayodhaya? What is the importance of Ram janmabhoomi? Was the Babari structure built on the portions of Ram Mandir? All this and much more in a QuestionAnswer form, based on ground realities, presented in this book.
The volume aims at sharpening the skills of translating the Sanskrit philosophical texts so as to retain fundamental concreteness, basic dynamics and original flavour. The volume particularly highlights the use and significance of prefixes in the backdrop of leading Indian philosophical texts.
This volume attempts to present a dynamic approach to translating Sanskrit philosophical texts while emphasizing on keeping certain principles in mind when rendering Sanskrit philosophical texts such as: the fundamental concreteness, the basic dynamics, the resultant ambiguity and the necessary congruence of the term in question with the specific context in which it is introduced. In this context, it particularly throws light on the use and significance of prefixes, particularly of propositions used as prefixes, in Sanskrit philosophical terminology. It also examines the basic problem in dealing with prefixes; their relation to the verbal roots to which they are attached. It studies the philosophical texts of various leading schools and systems including Vedanta, Mimamsa, Samkhya, Yoga, Nyaya, Vaisesika, Buddhism and Jainism, to examine the compound-terms in them and the mental operations which are grammatically and philosophically expressed. Study of the variation of terms brought about by the application of prefixes is intended. It argues that the prefixes throw into relief, by the different modes of their application, the specific bent of the systems themselves. They have retained the motional and emotional significance, which they apparently once had, at the earliest stage. The book also takes up some vital questions, such as, whether the prefix or the noun is the essential bearer of the meaning.
The volume is a well-researched study of the use of language in Sanskrit philosophical texts. It will prove useful to scholars and students of Indology, particularly those concerned with Sanskrit language and philosophy.
In this book eminent archaeologists, philologists, anthropologists and historians re-examine recent research and existing theories upon the nature of the interrelation between the two most ancient prehistoric cultures of the South Asian subcontinent: the Indus (Sindhu) or Harappan Civilization and the Vedic Civilization.
SindhuSarasvati Civilization: New Perspectives. A Volume in Memory of Dr Shikaripur Ranganatha Rao is a compilation of the papers presented at the International Conference on the SindhuSarasvati Civilization: A Reappraisal held in Loyola Marymount University, Los Angeles, during 21-22 February 2009. Here, eminent archaeologists, philologists, anthropologists and historians re-examine recent researches and existing theories upon the nature of the interrelation between the two most ancient prehistoric cultures of the South Asian subcontinent: the Indus (Sindhu or Harappan Civilization) and the Vedic Civilization. The scholars touch upon areas of consensus and contentions, with a tentatively conclusive interdisciplinary understanding about the pluralistic culture and shared identity of the two riverine cultures between 3000 and 1500 bce.
They rightly swing the balance of the argument away from the archaic and now exploded Aryan Invasion Theory to the well-grounded Vedic Sarasvati milieu as the home of the Harappan Civilization. Thus it opens a new window to the cultural content of the prehistoric period of the subcontinent.
The eminent personalities that have contributed include Ashok Aklujkar, Shiva G. Bajpai, Giacomo Benedetti, R.S. Bisht, Edwin Bryant, Michel Danino, Subhash Kak, Robin Bradley Kar, Nicholas Kazanas, Mark Jonathan Kenoyer, Prem Kishore Saint, Jim J. Shaffer, Diane A. Lichtenstein, Shrikant Talageri, Lavanya Vamsani as well as Sundara Adiga, S.R. Rao, and Nalini Rao.
This volume is poised to evoke keen interest among archaeologists, researchers, historians and students of history and archaeology.
The work it two volumes explores the physical and emotional interaction between Siva and Parvati as represented in sculptural works in the Indian subcontinent and examines a host of images supported by classifications of Siva-Parvati figures in texts like the Saiva Agamas and iconographic studies of the past decades. The images are related not only to religious beliefs but also iconographical.
The work explores the physical and emotional interaction between Shiva and Parvati as represented in sculptural works in the Indian subcontinent. In two volumes, it examines a host of images supported by classifications of Shiva-Parvati figures in texts like the Shaiva âgamas and iconographic studies of the past decades. It surveys an astounding sculptural diversity of Shiva-Parvati icons particularly forms of seated or standing Umasahita-murti, standing Alingana murti and Tantric forms of the deities. The images are related not only to religious beliefs but also iconographical research for instance, linking depiction of figures in certain postures and areas to their places of origin. With numerous charts, it highlights iconographical peculiarities, distribution and popularity, and identifies similarities and differences over periods of time and areas of making. Referring to sculptural collections in museums and private acquisitions, the painstaking research examines the sculptor’s technique of combining aesthetic harmony and beauty with the sacred in ontological symbols as of Umamaheshvara. There is a detailed mythological background concentrating on the individual character of Shiva and Parvati in their mutual relationship; their marriage and conjugal life; explicitly Shaiva motifs where the major concern is with the all-important Lord Shiva; and the physical and emotional interaction of Shiva and Parvati as man and wife. An entire volume is devoted to reproduction of the rich representative sculpture studied through more than 570 black and white photographs and over 160 colour plates. The volumes will prove useful for scholars of Indological art and art connoisseurs as well as general readers.
The Sivastotravali is a collection of hymns composed by Utpaladeva, the great mystic and philosopher of non-dualistic Kashmir Saivism, and the Paramaguru of the illustrious Abhinavagupta. This book brings out the English exposition, for the first time, of the hymns by Swami Lakshman Joo, the renowned scholar of Kashmir Saivism.
Utpaladeva (late 9thearly 10th century) was a great philosopher of the School of Recognition of non-dualist Kashmir Shaivism, who established its philosophy on a solid basis with his Ishvarapratyabhijna Karikas (Verses on the Recognition of the Lord), and with three philosophical works, the Siddhitrayi. He was the predecessor (Paramaguru) of the great Abhinavagupta. But at the same time he was a mystic of bhakti as we find it here expressed in his Hymns Shivastotravali. For him, bhakti and advaita were not opposed to each other but complementary.The Shivastotravali is a collection of verses and hymns which are an expression of intense bhakti, longing for the Lord, and the mystical experience of the author and his non-dual union with Shiva. They were arranged in 20 chapters or Stotras by his disciples. Of highly poetic quality, these verses belong to the greatest mystical literatures of the world. Swami Lakshman Joo, the last Shaivacarya of Kashmir (19071991), combined in himself the great scholar of the tradition of Kashmir Shaivism, who taught and expounded its texts time and again to his disciples and to scholars from all parts of the world, and the perfect yogi who had an intimate experience of the spirituality contained therein. He had a special love for the Shivastotravali and expounded it many times in different languages (Kashmiri, Hindi and English). His edition of the Shivastotravali with Kshemaraja’s commentary and his Hindi translation remains the standard text. In the present volume his exposition in English is brought out for the first time.
The Sivastotravali is a collection of hymns composed by Utpaladeva, the great mystic and philosopher of non-dualistic Kashmir Saivism, and the Paramaguru of the illustrious Abhinavagupta. This book brings out the English exposition, for the first time, of the hymns by Swami Lakshman Joo, the renowned scholar of Kashmir Saivism.
Utpaladeva (late 9thearly 10th century) was a great philosopher of the School of Recognition of non-dualist Kashmir Shaivism, who established its philosophy on a solid basis with his Ishvarapratyabhijna Karikas (Verses on the Recognition of the Lord), and with three philosophical works, the Siddhitrayi. He was the predecessor (Paramaguru) of the great Abhinavagupta. But at the same time he was a mystic of bhakti as we find it here expressed in his Hymns Shivastotravali. For him, bhakti and advaita were not opposed to each other but complementary.The Shivastotravali is a collection of verses and hymns which are an expression of intense bhakti, longing for the Lord, and the mystical experience of the author and his non-dual union with Shiva. They were arranged in 20 chapters or Stotras by his disciples. Of highly poetic quality, these verses belong to the greatest mystical literatures of the world. Swami Lakshman Joo, the last Shaivacarya of Kashmir (19071991), combined in himself the great scholar of the tradition of Kashmir Shaivism, who taught and expounded its texts time and again to his disciples and to scholars from all parts of the world, and the perfect yogi who had an intimate experience of the spirituality contained therein. He had a special love for the Shivastotravali and expounded it many times in different languages (Kashmiri, Hindi and English). His edition of the Shivastotravali with Kshemaraja’s commentary and his Hindi translation remains the standard text. In the present volume his exposition in English is brought out for the first time.
This volume addresses descriptively the key thoughts in Vedanta, Uttara-Mimamsa and Purva-Mimamsa, Samkhya, Yoga, Nyaya-Vaisheshika, and Vaisheshika systems. It reveals that Indian religion and the major philosophies of the land are well connected with the character of the inhabitants of India.
The Six Systems of Indian Philosophy by Friedrich Max Müller is a goldmine of comprehensive account of six major systems of Indian philosophical thought. It addresses descriptively the key thoughts in Vedanta, Uttara-Mimamsa and Purva-Mimamsa, Samkhya, Yoga, Nyaya-Vaisheshika, and Vaisheshika systems.
The book seriously focuses on one major finding that Indian religion and the major philosophies of the land are well connected with the character of the inhabitants of India. The originators of these six systems left no uncertainty as to the exact position which each of these philosophers occupied on the great battlefield of thought. Max Müller quite analytically approaches every system with full dedication and brings out the crux of all these thoughts. He revitalizes these systems and presents to the entire world the quintessentials of Indian thoughts.
This volume is also an effort to rejuvenate the lesser-known systems like Purva-Mimamsa, Nyaya, Vaisheshika and Yoga. This comprehensive volume should cater to the needs of all who operate in the domain of Indian philosophy.
The individual papers published in this compendium present a comprehensive view of the status and trends of Sanskrit studies in India and related developments over the last sixty years. This state-wise systematic presentation covers various aspects of Sanskrit teaching, research and publications as also the diverse initiatives taken by the state governments, etc. for promotion of Sanskrit Studies in the recent past.
Sanskrit was born and nurtured in India and in course of time became the mother of many languages worldwide besides a host of regional languages, it continues to be a source of inspiration, treasure trove of knowledge and a symbol of universal brotherhood. These virtues of the great language need to be taken good care of.
There is hardly any region or district in India where Sanskrit is not studied in some form or the other. This volume 1 of Sixty Years of Sanskrit Studies presents a comprehensive view of the status and trends of Sanskrit studies in India (volume II takes up the scenario of Sanskrit studies in some other countries of the world). It is a compilation of expert papers that survey the state of Sanskrit studies in the different states/union territories of the country in a systematic manner.
The individual papers begin with an analysis of the position of the Sanskrit language in the states of India. They cover various aspects of teaching, spread of popularity, research and publications in Sanskrit language and literature. They also deal with the Sanskrit academies established by the state governments and discuss the Indological research journals being brought out by various academies and institutes as also journals in the Sanskrit language. Scholars herein explore attempts made at investigating the inter-relationship of Sanskrit with medieval literatures in other languages or the regional literatures. They particularly focus on grammar, epic literature, Sanskrit religious and secular literature besides the manuscripts of other kinds. They also examine the evolution of great centres of Vedic studies in India, such as Pune, and attempts made to rediscover the corpus of the lost sàkhàs and later Vedic texts.
This volume will immensely interest students and scholars of Sanskrit studies and Indology who are keen to know about the present status of the Sanskrit language and literature in India.
While covering the status of Sanskrit studies in 13 countries across the world and bringing forth the challenges the ancient language faces, the articles by the leading international scholars contained in the book urge for understanding the future of Sanskrit studies in the larger context of human culture and as a cementing force in bringing together diverse cultures and civilizations.
With the popularity of Orientalism in the eighteenth and nineteenth centuries, knowledge of Sanskrit in the Western world led to the emergence of new schools and disciplines for study like, comparative mythology, comparative religion and comparative linguistics, etc. The articles presented in this volume examine the state of Sanskrit studies in universities in different countries of the world (volume 1 presents a survey of Sanskrit studies in universities and institutes in the states/union territories of India).
Covering some 13 countries, the articles herein discuss how some departments, related to the study of religions, in countries like the US have incorporated Sanskrit even as some other universities as those in the UK, US and other parts of the world, have Sanskrit as one of the subjects under other departments. They emphasise the fact that it is not possible to view Sanskrit as an autonomous discipline, providing authenticity to various other branches of learning, but that it has to be considered as a part of the larger framework of the global studies. They point to the emergence of new schools and centres for studies of Sanskrit in various countries. At the same time, they also examine the alarming situation arising because of the erosion or marginalisation of Sanskrit across the world, especially as some Sanskrit departments in reputed universities or institutions of higher learning, are being closed one after the other. They urge for understanding the future of Sanskrit studies in the larger context of human culture while underlining the importance of Sanskrit as a cementing force in bringing together diverse civilisations and cultures.
“Dreams play a significant role in our life, meaningfully affecting us in the development of our personality and our spiritual journey. They are an everyday experience for any human being. Dreams have always been of great interest to poets and philosophers alike since ancient times and examples are aplenty in Indian and Western scriptures. However, it is an uphill task for an ordinary person to fully appreciate the intricacies and significance of dreams in the day-to-day life. It is here that this book proves as an invaluable guide providing deep understanding on the nature of dream and sleep.
This book is a repertoire of human wisdom – gathered for centuries and attested by the modern science – offering enormous insights into our dream and deep-sleep states. It asks, from a common man’s point of view, many a question that perturb us and provides answers to them from the scientific and spiritual perspectives in a captivating way. Some such questions include:
• Do we see dreams in black and white or in colour?
• What does a visually-challenged person see in his dreams?
• Why are some of our dreams extraordinarily vivid with electric colours, the clarity and brilliance of which, we may never encounter in our ordinary waking lives?
• Why are we non-reflective, irrational in our dreams?
• Are the dream time and waking time equal?
• How does our memory work in dream state? Why do we forget our dreams and is it possible to improve dream recall and cultivate awareness in dreams?
• Why do we fail to distinguish a dream object from the physical world object while we are dreaming?
• If the dream experience exactly feels like the real world and we fail to distinguish it from the waking world while we are dreaming, how can we be certain that we are not dreaming now?
• How does a dream contain various persons exhibiting opposite emotions at the same time when all the dream characters including the witnessing dreamer are produced out of single mind of the dreaming person?
• Can we intentionally transform the dream scenarios? If so, what would be the philosophical implications of it?
• Can dreams and sleeps be utilized for spiritual elevation?
… and many more questions we always wondered about the daily eight hours of our bed time, but never got the right answers to! We find new meanings and ways in dealing with our dreams in this volume, therefore, it is a must read for every dream enthusiast as well as any serious spiritual seeker.
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