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Chhau is a confluence of classical and folk traditions, having its foundation in martial arts. This second part begins with the art of fighting and then proceeds to survey the historicity of Seraikela, Mayurbhanj and Purulia styles along with the performing style, present-day branches, its condition with the information on the artists and institutions that continue to practise this art form.
Chhau dance has an unbroken relation with the essence of Indian culture. This dance form that flourishes in the forest-areas of Jharkhand, Odisha and West Bengal has already attained widespread acclaim, internationally, as an art. By its distinct confluence of the classical and folk traditions, this art form has carved a niche for itself of being counted as the dance of the traditional and classical discipline. It is based on the foundation of martial art techniques. The most striking features are the multi-coloured, splendid, artistic and attractive masks and magnificent headgears that form part of the decoration and costume design. It consists of dance movements called as nritta-karanas as described in Bharata’s Natyashastra and hand gesticulations as found in Nandikeshvara’s Narityashastra, and is also endowed with varied regional movements of folk forms. This dance form depicts movements of day-to-day activities, gaits of animals and birds, and symbolic gestures accompanied by the war-drums and music giving an experience of the sweet fragrance of the regional music forms. The plot is generally drawn from the Ramayana, Mahbaharata, and various other Puranas and poetry. It is thus a combination of a rich tradition of artistic creativity that has naturally attracted the mind of all age-groups at the national and international arena.
The author has collected authentic information by visiting those places where this dance form is traditionally taught and practised. The author has met the teachers of chhau dance, the designers of masks and costumes, and spent time to gather information to be made available in a single place. In the present text, chhau dance has been presented for the first time elaborately with indepth and authentic details. Along with the presentation of the historical and cultural aspects of chhau dance, its performing aspect, content of plot, costumes, physical gesticulation, instruments and instrumentalists, regional styles, the three distinct styles of chhau its history, folk tradition and other details are elaborated in nine sections. The 200 photographs in this edition reiterate the richness of this art with greater authenticity and thus prove to enliven this traditional art form.
Vol. 1 ISBN: 8124606463, 9788124606469
Vol. 2 ISBN: 8124606471, 9788124606476
Sociology, as a social science, is new to India. This volume in Hindi thus discusses the advent, teaching and development of sociology in India. It is an outstanding narration of advent and evolution of sociology in India and the major sociologists.
Bharatiya Samaj Shastra ke Pramukh Sampradaya is a book in Hindi language that deals with the advent, teaching and development of Sociology in India.It is an original book that deals with the major Sociologists in India. This book divides the whole history of sociology in India into nine interesting chapters. This book is an outstanding narration of the advent and evolution of Sociology in India. For a long time there was a need of such a book in Hindi .This is a helpful book for the teachers, students and researchers in various colleges, Universities and research institutions. For the researchers in Hindi literature, Cinema and Culture this can be used as a reference book. This book is also helpful for the UGC. / NET aspirants in Sociology.
Sociology, as a social science, is new to India. This volume in Hindi thus discusses the advent, teaching and development of sociology in India. It is an outstanding narration of advent and evolution of sociology in India and the major sociologists.
Bharatiya Samaj Shastra ke Pramukh Sampradaya is a book in Hindi language that deals with the advent, teaching and development of Sociology in India.It is an original book that deals with the major Sociologists in India. This book divides the whole history of sociology in India into nine interesting chapters. This book is an outstanding narration of the advent and evolution of Sociology in India. For a long time there was a need of such a book in Hindi .This is a helpful book for the teachers, students and researchers in various colleges, Universities and research institutions. For the researchers in Hindi literature, Cinema and Culture this can be used as a reference book. This book is also helpful for the UGC. / NET aspirants in Sociology.
This book drives one to the commendable social dignity that women adored during the Vedic period. The values of women were considered holy and pure. Literatures from Vedic period to the British rule glorify women and treat them with high esteem. Brahmavadini Gaargi, Durgavati of Gondavana, Rani Lakshmibai and Ahlyabhai, the towering personalities India, serve as the role model for Indian women and those who are engaged in women studies.
Respecting of women was prevalent in Indian culture ever since the Vedic period. The life values of women were considered holy and pure in those times. In the literature pertaining to Ramayana, Mahabharata, Upanishads, Buddhist, Middle Age and the British times, the highly respectable status of women is clearly shown. How differently were the women viewed at various times in different eras? Which were the women who made a special place for themselves in the different fields of life? In this context we remember Brahmavadini Gargi, Rajmahishi Durgavati of Gondvana, Queen Ahilyabai, Rani Lakshmibai of Jhansi, and some other women for their special contribution in maintaining the high status of women in Indian society.
Portraying the position of women in the ancient period and comparing them to the present times when life is full of struggles, this book becomes a valuable tool for the scholars engaged in women studies and also for the people specializing in Indian traditional culture besides the general readers.
In Hindu Society, Yama is considered the God of Death who is feared. Indians, do not dread death, but instead consider as their body part. This book gives in detail the study of death and its effect on society. The search goes to its roots in the most ancient times.
Yama, in Hindu mythology, is the eschatologist and god of death. And is, thus, dreaded. Even in todays India, there is a fearful hesitancy, if not conscious avoidance, of any talk about him. Yet, paradoxically, the phenomenon of death does not evoke a similar fear in the Indian psyche accepted, as it is, a natural event, a part of life: just like poverty, sickness and old age. Here is an insightful, at once compelling exposition of the phenomenon of death, based on plurimillennial tradition of the Hindus which, despite the affirmation of Western attitudes in certain elitist sections of the urban society, has endured since the times of the Vedas and Indic Civilization. Exploring, contextually, the age-old Indian view of mortal existence: from the very moment of an individuals conception to his/her journey to the Kingdom of Yama through the major phases of birth, growth and ageing, Professor Filippi unveils a complex network of sentiments, beliefs, scriptural references, customs, hopes, ritualistic practices and much else relevant to the great adventure of death. Notwithstanding the sentimental undertones of the mrityu-theme, Dr. Filippis work outstands for its rare scientific objectivity. It has grown from years of his rigorous research effort involving not only his extensive studies of Indian literature: classical and modern, but also his interviews with Indian samnyasins, brahmanas, relatives of the dead, and the persons living around the cremation grounds. Together with visual material, bibliographic references, and a glossary of non-English terms, the book holds out as much appeal to the general reader as to the specialist.
This book contains 57 essays on the history of Kashi. They highlight the important religions, sects, factions of Kashi and their involvement in cultural traditions social and economic.
This book contains 57 essays on the history of Kashi. They highlight the important religions, sects, factions of Kashi and their involvement in cultural traditions social and economic.
The bibliography includes 4081 entries, covering published materials in English and French languages over the last two centuries. The book gives a representative overview of what has been researched and accomplished in the field of Indian Buddhist Art and Archaeology since Wilkinss article on Bodh-Gaya in 1788 or Thomas Daniel’s first illustration on the Kanheri caves in 1798.
The bibliography includes 4081 entries, covering published materials in English and French languages over the last two centuries. It is divided into two parts. The first part contains 2410 entries dealing with Indian Buddhist art and archaeology and Indian art in general, history, religion, some Buddhist sites outside present India with special attention given to Pakistan , etc. Entries in the second part are exclusively devoted to Indian Buddhist sites. There are 57 sites; each one is individually studied. The book gives a representative overview of what has been researched and accomplished in the field of Indian Buddhist Art and Archaeology since Wilkins’s article on Bodh-Gaya in 1788 or Thomas Daniel’s first illustration on the Kanheri caves in 1798.
This book is a survey of the birds and animals used in Mughal paintings, especially during the reigns of Emperors Akbar and Jahangir. It deals with the different perspectives of the two rulers in preserving for posterity the birds and animals found in their times.
The depiction of flora and fauna has been an intrinsic part of Indian painting traditions. The Mughals in their turn, in their fascinating paintings, used the bird and animal imagery to lend a special quality to their art of painting. This book, with over 70 illustrations, is a survey of the birds and animals used in Mughal paintings, especially during the reigns of Emperors Akbar and Jahangir. With historical details, it shows that the depiction of various kinds of birds and animals played a significant role in conformity with the context or the demands of the narratives. The artists painted both wild and domestic animals with equal competence. Outlining the differences in the paintings under the Mughal rulers themselves with regard to depiction of fauna, it notes that while Akbar was interested in historical, mythological or anecdotal events, Jahangir introduced album paintings and evinced interest in individual portrait studies of fauna. In all, it showcases the meticulous depiction of fauna in Mughal art and its persevering beauty. It mentions the names of a host of artists who executed the paintings and the many illustrated manuscripts mythological, historical and on popular fables that saw lavish use of paintings with faunal imagery. The book will interest historians especially those studying art history of the medieval period.
The study discusses importance of bhakti (devotion), pràpatti (self-surrender) and cultivation of peaceful emotions drawn from the great àcàrya’s intense and contemplative study of the Vedas, Upaniùads, the Bhagavad-Gãtà and the Puràõas.
Bhakti-yoga is seen as the direct path to perfection that leads to the very heart of religious consciousness. Ramanujas concept of bhakti (devotion) emphasised the practice of self-surrender through which a person realises his personality, strengths and weaknesses, and hidden powers. Bhakti, for him, acts as a link between mortals and the Ultimate Reality.
This book examines the views of Vishishtadvaita of Ramanuja on bhakti and prapatti (self-surrender). It studies in-depth the meaning of God, the soul and the Supreme Soul, and the world; the concept of bhakti; the different stages of bhakti referring to numerous sources that include the Vedas, the Bhagavad-Gita, the Upanishads and the Puranas. It focuses on Ramanujas teaching of bhakti, examining his philosophy in general and his sevenfold practice, Sadhana Saptaka to generate bhakti that expounds the qualities and significance of discrimination for viveka, freedom from sensual attachment or anger for securing vimoka, repeated reflection of God, performance of religious duty for inner mental strength, development of ethical virtues, freedom from despair and freedom from excessive joy. It understands the relevance of symbols in devotion and examines nature and use of symbols in Buddhism and Hinduism. The scholarly study discusses the importance and cultivation of peaceful emotions, and need for prayer and dietary regulations in devotion.
The volume will prove an indispensable work for scholars of Indian philosophy and religious studies.
The study discusses importance of bhakti (devotion), pràpatti (self-surrender) and cultivation of peaceful emotions drawn from the great àcàrya’s intense and contemplative study of the Vedas, Upaniùads, the Bhagavad-Gãtà and the Puràõas.
Bhakti-yoga is seen as the direct path to perfection that leads to the very heart of religious consciousness. Ramanujas concept of bhakti (devotion) emphasised the practice of self-surrender through which a person realises his personality, strengths and weaknesses, and hidden powers. Bhakti, for him, acts as a link between mortals and the Ultimate Reality.
This book examines the views of Vishishtadvaita of Ramanuja on bhakti and prapatti (self-surrender). It studies in-depth the meaning of God, the soul and the Supreme Soul, and the world; the concept of bhakti; the different stages of bhakti referring to numerous sources that include the Vedas, the Bhagavad-Gita, the Upanishads and the Puranas. It focuses on Ramanujas teaching of bhakti, examining his philosophy in general and his sevenfold practice, Sadhana Saptaka to generate bhakti that expounds the qualities and significance of discrimination for viveka, freedom from sensual attachment or anger for securing vimoka, repeated reflection of God, performance of religious duty for inner mental strength, development of ethical virtues, freedom from despair and freedom from excessive joy. It understands the relevance of symbols in devotion and examines nature and use of symbols in Buddhism and Hinduism. The scholarly study discusses the importance and cultivation of peaceful emotions, and need for prayer and dietary regulations in devotion.
The volume will prove an indispensable work for scholars of Indian philosophy and religious studies.
The Bodo, an ancient group of Northeast India, is resorting to a movement for autonomy. A section of the Bodo educated youth being thoroughly disillusioned with constitutional safeguards, like autonomy arragements, joined a secessionist struggle, which has not only radically transformed the character and substance of the Bodo assertion from autonomy to secession in terms of goals, but also the methods of achieving it, by showing prefernce to voilence. Tracing historical background of the Bodos, this book seeks to analyse the emergence of the NDFB, its supoort base, and its major demands and strategies to achieve them. It also examines the factors that persuaded the NDFB to adopt extermist methods for achieving its goals, the nature and extent of support for the NDFB’s demand for a Savereign Bodoland, the relationship of NDFB with the other Bodo organiztions and responses of the BTC, as well as Union and State Goverments to the demands of the NDFB.
The Bodo, an ancient group of Northeast India, is resorting to a movement for autonomy. A section of the Bodo educated youth being thoroughly disillusioned with constitutional safeguards, like autonomy arragements, joined a secessionist struggle, which has not only radically transformed the character and substance of the Bodo assertion from autonomy to secession in terms of goals, but also the methods of achieving it, by showing prefernce to voilence. Tracing historical background of the Bodos, this book seeks to analyse the emergence of the NDFB, its supoort base, and its major demands and strategies to achieve them. It also examines the factors that persuaded the NDFB to adopt extermist methods for achieving its goals, the nature and extent of support for the NDFB’s demand for a Savereign Bodoland, the relationship of NDFB with the other Bodo organiztions and responses of the BTC, as well as Union and State Goverments to the demands of the NDFB.
Borobudur was constructed during the eighth century as a guide to the Noble Path of the Buddha. Born from silence and unfolding into the serenity of the other shore, it expresses the glory of Indonesia’s awareness and creativity, the smile of her plastic forms over the centuries as well as her travels along the edge of thoughts that cross the endless corridors of memory. Though the Western world rediscovered this magnificent structure almost 200 years ago, this sacred place nonetheless remains seated in its enigmatic depth, engulfed in vaporous illusions, waiting for someone to find the base simplicity of its Truth. This book is a catalyst and invites adventurous minds to find new directions by bringing into focus the vast universe of the Borobudur in order to cultivate the Way to weeding out error. The questions posed or solutions offered herein are like water and waves: different yet identical in essence. They stir discussion. One of the special contributions of this book lies in its correlating the cyclical movements of the Sun and Moon with the numerical symbolism of Borobudur. The authors cite the magical effect of the Sun suddenly appearing out of the volcano Merapi and empowering the Borobudur-mountain with its radiant energy in poetic imagery. This magic moment of satori or enlightenment echoes the experiences of the unknown Shailendra monarch who had commissioned the monument’s construction and the inspiration that made the architect envision this Buddhist wonder.
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Birds and Animals in Mughal Miniature Paintings 1 x ₹1,440.00 |
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Bibliography on Indian Buddhist Art and Archaeology 1 x ₹1,710.00 |
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Copper-Plate Inscription of Odisha 1 x ₹2,970.00 |
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Ancient Gods and Heroes of East and West 1 x ₹810.00 |
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An Intergrated Science of the Absolute (2 Vols. Set) 1 x ₹2,700.00 |
