India has been labelled as a land of gender inequality and a challenging place for a woman to live. For centuries, social reformers were fighting for women rights and thus taking the country out of this social stigma and injustice, and they invested a lot on educating and empowering women. But they have met with only partial success. The numerous cases of female infanticides, sex-selective abortions and atrocities on women endorse this fact. We have yet to undergo a sea change in our attitude towards the dignity, education, employment and empowerment of women. The society has to appreciate their strength and treat them as quintessentials in nation-building.
There is no society in the world in which women do not experience some gender inequality, be it in political, economic, social, or legal fronts. But in many countries, the gender inequality is really acute. Therefore these important issues Þ the invisibility, dstortion and marginalization of gender as a category of analysis in mainstream disciplines and their canonozation Þ need serious deliberations.
The objectives of Journal of Gender and Justice are both academic and social. It expects to change the present attitude and values in society regarding women’s roles and rights to one of equal participation in all social, economic and political processes. It is designed to help in bringing a culture shift in attitudes and values in society regarding women’s roles and rights. This ßannualû journal from the stable of Banares Hindu University’s Centre for Women’s Studies and Development, Varanasi, will also target at fulfilling a special responsibility to teachers, who are aware of the need of non-sexiest education, who would pick up the challenge to promote value of equality, including the gender equality.
This book explores the presence and contribution of women to the recorded history of Indian theatre. It provides a platform to raise, discuss and debate issues, aesthetics and techniques connected with the Indian theatre in the backdrop of political, social and moral values of women in theatre. An attempt to fill up the vacuum of scholarly literature on the role of women in theatre, this book expects to create enough academic value and interest. Its content unearths the dynamics of gender in the history of theatre. It extensively deals with the theoretical and practical aspects of women’s theatre.
This anthology also addresses the various social issues associated with gender inequality through essays, play-texts and interviews. In a similar vein, it delves deep into the relationship among theatre, public/private sphere and gender. This work purports to address a variety of needs of feminist researchers and laymen who are not conversant with the contribution of women to theatre and its obvious political and transformative intent.
This collection also intends to see how the theatrical space could unsettle the gendered binaries regulating women’s presence in public space, and proposes to see why and how relevant feminist politics is in re-imagining a vibrant and inclusive concept of gender fairness and justice in contemporary India. It extends high referral value for researchers, students and even laymen with interest in the role of women in theatre.
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