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The three scholarly volumes contain an iconographic analysis and compilation of the over 760 images from the six chapels of the Pao-hsiang Lou in the Forbidden City, Beijing. There are details of each image like name in Sanskrit, Tibetan and Chinese; physical description; iconographical and stylistic features; and associated images.
The three volumes contain an iconographic analysis and compilation of the over 760 images from the six chapels of the Pao-hsiang Lou (Bao-xiang Lou) in the garden of the Tzu-ning Kung (Palace of Kindness and Tranquillity) in the Forbidden City, Beijing. The pavilion Pao-hsiang Lou, a two-storied simple structure with seven chapels on each floor, holds hundreds of Tibetan Buddhist images of remarkable quality. The volumes present the entire set of images, each reproduced and explained with great clarity. There are details of each image with regard to the physical description of the figure portrayed and its various iconographical and stylistic features and associated images. Each entry contains the name of the deity with the Sanskrit, Tibetan and Chinese transliterations of the name. The very interesting and useful introduction discusses deities of mandalas, placement of deities within a single chapel, images of the Pao-hsiang Lou pantheon compared to the Chu Fo Pu-sa Sheng Hsiang Tsan pantheon, variations in depiction of images with regard to their hair, crown and other parts and associated ornaments, and the asanas of the images. The scholarly volumes are a result of the painstaking research by the author by referring to noted experts on the subject. The volumes will interest all students and scholars of Buddhist art and iconography.
The book deals with the main contribution of Bhartrhari to the field of linguistic study and its impact on philosophy in general. Presenting a systematic study of the jati, dravya and bhuvodravya samuddeshas in the Vakyapadiya it also looks at the concept of jati in the philosophies of Nyaya and Mimamsa.
This research study is concerned with understanding the concept of jati and dravya in the Vakyapadiya of Bhartrhari.
The concept of jati is crucial to the enunciation of sphota, the single most outstanding contribution of Vakyapadiya to the field of language study. The concept, already connected with the import of a word in Nyaya-Vaisheshika and Mimamsa schools, was brought into the field of linguistics by Bhartrhari. This book traces the development of language study from the Vedic period to the darshanas. It deals with the main contribution of Bhartrhari to the field of linguistic study and its impact on philosophy in general. It then presents a systematic study of the jati, dravya and bhuyo dravya samuddeshas in the Vakyapadiya, explaining all the karikas. It also views the concept of jati in the philosophies of Nyaya and Mimamsa, its development over the centuries and the necessity of modifying some tenets owing to the sharp criticism from other schools especially Buddhism. The volume includes relevant quotations from Sanskrit texts and makes use of important commentaries like the Prakasha of Helaraja and Ambakartri of Pt. Raghunatha Sarma.
The scholarly work will prove invaluable to scholars and students of Indology, particularly those keen on studying Indian linguistic philosophy with special reference to Bhartrhari.
This book reconsiders Valmiki Ramayana from different perspectives literary, aesthetic, ethical, comparative, interdisciplinary, religious, philosophical, social, and archaeological among others. In the process, it underscores significance of Ramayana from modern perspective, as it unveils its multilayered worlds.
Valmiki Ramayana, the first kavya (poetic composition) and the first mahakavya (epic) of the world, is an inexhaustible fountain of culture and knowledge. It has impacted infinite minds and souls in India and abroad, and continues to inspire and engage creative and critical minds, and will remain so for the ages to come.
Ramayana, along with standardizing Ramakatha, transcends history, geography and binaries of mode of thinking. Its appeal may be discerned from the fact that it exists in different versions in various regions and forms. Notwithstanding these versions, Valmiki Ramayana rules human heart and mind for its subject matter and manner of articulation.
The multilayered worlds of Ramayana make it a seedbed of ideas existing at various levels. Traversing generations, and getting interpreted anew in consonance with cultural needs and existential questions, it has earned serious critical consideration of scholars from different perspectives literary, aesthetic, ethical, comparative, interdisciplinary, religious, philosophical, moral, social, archaeological, and intermedial among many. Hence, it demands its reinterpretation by every generation. The present book is a testimony to it, and a response in this direction.
Consisting of scholarly papers by eminent intellectuals and with a perspicuous introduction, this book reconsiders Valmiki Ramayana from different perspectives, presented in a seminar on Ramayana that was organized with the blessings of Pujya Morari Bapu.
Tirumalamba, a poetess of the Vijayanagara Empire, wrote the Varadambikaparinayam, the story of marriage of King Acyuta Deva Rāya, in Sanskrit which forms the 5th volume of the series: Women Writings in Sanskrit.
In the court of King Acyutaraya (1529-42 CE) of Vijayanagara there was a poetess of great merit and her name was Oduva Tirumalamba. She was employed as a reader in the royal court whose duty was perhaps the reading of poetical and other compositions to the ladies of the royal family as well as to the royal court. Tirumalamba was popularly known as Oduva (reader) Tirumalamba. Evidently she was a genius, since she was an excellent musician and grammarian, possessing in addition a good command of rhetoric and diction. She was a scholar of Hindu epics, poetry, drama and philosophy and had other accomplishments also; she was a linguist and could write in many scripts. In addition to all these excellent qualities she must have possessed great beauty, for King Acyutaraya became so enamoured of her that he elevated her to the position of his queen (Rajamahisi).
We learn most of these details from the epilogue to the Varadambika-parinaya-campu, celebrating the wedding of King Acyutaraya and his senior queen Varadambika. It is learnt from epigraphical and other sources that Varadambika was the principal queen (Pattamahisi) of King Acyutaraya. We also learn from the epilogue to the campu that she was a patroness of learned priests, scholars and poets and that she made liberal gifts and endowments to temples and religious institutions.
This poem also describes the birth of Prince Venkatadri, the first born of Varadambika. But it cannot be denied that the work shows that Tirumalamba was a highly educated woman, who wrote for the cultured.
This work analyses some basic concepts of Indian ethics. It shows that a Varnadharma cannot be both natural and obligatory, the prescription of acting desirelessly makes any desireless action justified, the jivan-mukti concept is inapplicable, etc.
This book provides a bold, original and ciritical analysis of some basic concepts of Indian ethics, lifting them up from their regional roots to a general philosophical level, along with illuminatingly creative analysis of some practical issues of moral living. Professor Prasad shows, on logical grounds that a varnadharma cannot be both natural and obligatory, the prescription of acting desirelessly makes any desireless action justified, acting desirelessly itself cannot be a duty, the concept of jivanmukti is inapplicable, etc. In respect of ethical practice, he argues, with fair amount of rigour and originality, for moral anger and forgiveness as a conditional virtue, basing secularism on the primacy of the ethical, and preferring a morally good professional to one who is good as a professional or as a person. His plea for legitimacy of profit in business and non-hyperactivism in applying ethics throws useful light on business ethics. His down-to-the-earth approach makes the book a work on applied ethics and his conceptual openness makes it one on the basics. Its simple style makes it useful not only for students and teachers of philosophy but also for general readers with interest in Indian philosophy and culture.
This volume, through colours, transcends many a cue of the aesthetic aspects of human life into a connoisseur’s mind. Whether on fabric or canvas, mud wall or floor, sculptures or pots, colours for us is a language, a raga and a tala.
Colours are not just for adornment, but a medium that reflects our state of mind, artistic acumen, culture, ethics, philosophy, social values, tradition and the sacredness of life. A non-verbal language, they conjure up our emotions, feelings and moo ds, and take a rasika far beyond the realms of words. In them we see the lush and luxuriant natural world around us, the world of birds and blossoms, earth and sky, gems and stones, creating in us a certain feeling and a gush of powerful ethos.
The artist in Varsha, through colours, transcends many a cue of the aesthetic aspects of human life into a connoisseurs mind. Whether on fabric or canvas, mud wall or floor, sculptures or pots, colours for us is a language, a raga and a tala. And Celebration of Colours is just that.
Involved with her family, Varsha loves art and craft, whether it is painting, embroidery, working with terracotta and ceramic, jewels and the creation of ornaments, crochet and knitting, stitching and designing clothes, or cooking. Absorbed in the world of colour, she likes to share her moment of beauty with everyone around her and spread joy everywhere.
This study treats Vasantotsava as a thematically unified generic whole embracing a range of spring festivals, pansectarian in character and incorporating various rituals. It reassesses Sanskrit texts to explore the rituals, symbols and underlying motifs of the Vasantotsava.
This study treats Vasantotsava as a thematically unified generic whole embracing a wide range of spring festivals including the Phalgunotsava, Caitrotsava, Phalgu, Madhutsava, Madanamahotsava, Madanatroydashi, Anangotsava, Madanadvadaishi, Kamotsava, Shripancami, Yatramahotsava, and Holaka (Holi). These festivals are pansectarian in character and incorporate a variety of ritual observances practised through- out the Indian subcontinent. Signifying the termination of winter and announcing the advent of spring, the celebration was a diverse and complex spectacle situated within the framework of Indian ritual and myth. On the basis of puranic and ritual texts, folk tales, drama, poetry, and narratives in mixed prose and poetry (campus), Dr. Anderson addresses complex issues of indigenous ritual, mythology, and tradition. The Vasantotsava incorporates a broad spectrum of human concerns: in the sphere of polity, it can be turned to account to celebrate and reinforce the power of the king; in the social sphere, it is a time of revelry and merry-making indicative of the annual renewal in human affairs; and in the sphere of religion, it celebrates the exploits of the gods and establishes a link between human and divine actions and events.
Examining vàstu÷àstra’s conceptual roots in øilpa÷àstra and its later evolution, the volume analyses technical aspects of vàstu÷àstra by concentrating on the essential elements (aïgas) of vàstu÷àstra which involve decision-making and actual construction methods, art of engineering and role and responsibilities of engineers, and aspects related to land materials and rituals associated with use of building after its construction
Though there has been considerable interest in vastushastra in recent times and the orientational aspects of vastushastra have been often discussed, little is known of the essential elements that constitute This small book, written in a simple and lucid style, contains teachings of great men, gleanings from the scriptures, and examples from the epics and Puranas, and suggests easy solutions to the various problems faced by man in the present-day world of violence, wars, killings and disasters, and how to have a holistic approach to life vastushastra and its scientific application in the present day. Based on extensive research, the work, vastushastra attempts to address this aspect. Examining comprehensively the subject of vastushastra: its conceptual roots in Shilpashastra and its later evolution as dealt with in the Vedas, the Epic literature, Arthashastra, literature on ayurveda and Kamasutra literature, the volume analyses technical aspects of vastushastra by concentrating on the essential elements [angas] of vastushastra which involve decision-making and actual construction methods, art of engineering and role and responsibilities of engineers, and aspects related to land materials and rituals associated with use of building after its construction. It discusses the eco-friendly life style of the ancient Indians based on vastushastra principles. Giving minute attention to details, it focuses on the application of vastushastra in the present-day society — how the vastushastra principles can be scientifically applied and the potential of application of vastushastra keeping in view modern trends in architectural science and civil engineering.
The book will be useful for students and scholars of architecture and engineering and those interested in vastushastra.
Examining vàstu÷àstra’s conceptual roots in øilpa÷àstra and its later evolution, the volume analyses technical aspects of vàstu÷àstra by concentrating on the essential elements (aïgas) of vàstu÷àstra which involve decision-making and actual construction methods, art of engineering and role and responsibilities of engineers, and aspects related to land materials and rituals associated with use of building after its construction
Though there has been considerable interest in vastushastra in recent times and the orientational aspects of vastushastra have been often discussed, little is known of the essential elements that constitute This small book, written in a simple and lucid style, contains teachings of great men, gleanings from the scriptures, and examples from the epics and Puranas, and suggests easy solutions to the various problems faced by man in the present-day world of violence, wars, killings and disasters, and how to have a holistic approach to life vastushastra and its scientific application in the present day. Based on extensive research, the work, vastushastra attempts to address this aspect. Examining comprehensively the subject of vastushastra: its conceptual roots in Shilpashastra and its later evolution as dealt with in the Vedas, the Epic literature, Arthashastra, literature on ayurveda and Kamasutra literature, the volume analyses technical aspects of vastushastra by concentrating on the essential elements [angas] of vastushastra which involve decision-making and actual construction methods, art of engineering and role and responsibilities of engineers, and aspects related to land materials and rituals associated with use of building after its construction. It discusses the eco-friendly life style of the ancient Indians based on vastushastra principles. Giving minute attention to details, it focuses on the application of vastushastra in the present-day society — how the vastushastra principles can be scientifically applied and the potential of application of vastushastra keeping in view modern trends in architectural science and civil engineering.
The book will be useful for students and scholars of architecture and engineering and those interested in vastushastra.
The present volume is a collection of papers originally presented at the first National Seminar held at the Special Centre for Sanskrit Studies, JNU, New Delhi, in February, 2005 on Veda as Word. The book covers Vedic philosophy, phonetics, ritual, accentology, mantravij¤àna, exegesis, narratives, lexicography, etymology, grammar, ethics, epistemology and some vedic hymns which deal specifically with word or sound.
The present volume is a collection of papers originally presented at the first National Seminar held at the Special Centre for Sanskrit Studies, JNU, New Delhi, during 11-13 February, 2005 on Veda as Word. The book covers in its gamut Vedic philosophy, phonetics, ritual, accentology, mantravijnana, exegesis, narratives, lexicography, etymology, grammar, ethics, epistemology and also some select hymns of the Veda which deal specifically with word or sound.
Vedamritabindavah (Drops of Vedic Nectar) is a modest tribute to those who are genuinely interested in Vedas universal message. It is a collection of select Vedic statements with Hindi and English translations intending to communicate the Vedic wisdom to the young people of modern age. This book, with fairly accurate translations from Vedic Sanskrit, aims to acquaint the modern readers with their most ancient, richest literary heritage so that they can comprehend its worth and bring value to their life.
In spite of numerous translations available, this volume has some novelty in its content and freshness in its presentation, and stands witness to the fact that in representing Vedas, there still exist infinite possibilities.
Vedamritabindavah (Drops of Vedic Nectar) is a modest tribute to those who are genuinely interested in Vedas universal message. It is a collection of select Vedic statements with Hindi and English translations intending to communicate the Vedic wisdom to the young people of modern age. This book, with fairly accurate translations from Vedic Sanskrit, aims to acquaint the modern readers with their most ancient, richest literary heritage so that they can comprehend its worth and bring value to their life.
In spite of numerous translations available, this volume has some novelty in its content and freshness in its presentation, and stands witness to the fact that in representing Vedas, there still exist infinite possibilities.
All the philosophers of Vedànta have resorted to reason in their attempts to reconcile the reality of Brahman with that of the world of empirical experience. This book traces the philosophical development of Vedànta starting from Badaràyaõa to Sri Aurobindo and critically evaluates their arguments and positions.
The problem of reconciliation of mutually incompatible Upanishadic statements on some of the basic problems has attracted the attention of almost all the major philosophers of Vedanta. One such problem is about the nature of relationship between Brahman and the world of empirical experience. And in their attempts to reconcile the reality of Brahman with that of the world of empirical experience almost all the philosophers of Vedanta have resorted to reason. They have not only tried to provide rational justification for their positions and views but have also used reason freely in analyzing and criticizing the rival positions and views. In this process several arguments which are subtle and cogent are developed. However, some of the Vedantins who have shown critical spirit and acumen in understanding and criticizing the rival arguments and positions are not so critical about their own arguments and positions. Thus the Vedantins who came after Shankara have made his position (advaita) their major purvapaksha without, however, trying to make their own positions a possible purvapaksha. This is an attempt to trace the philosophical development of Vedanta starting from Badarayana to Sri Aurobindo, and to understand and evaluate critically their arguments and positions.
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