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The fascinating world of multiple Bharatas that this book introduces its readers with is that of a perennial tale discovered and created afresh at each juncture of time; at each moment of self-doubt and self-exploration; at each rejoicing of self-discovery and self-recovery. If one does not come across a seamless continuity here, one does not encounter apparent ruptures either. The Bharatas, as narrated here, present us with amazing diversity with palpable consubstantiality expressed in myriad forms and multiple hues; tradition belonging as much to its contemporaneity as to its past; belonging as much to the spokes as to the axle; centrifugal and centripetal at once; a tradition old and new at the same moment of time.
The book is based on the proceedings of a seven-day international conference organized by the Indira Gandhi National Centre for the Arts (IGNCA) on the living traditions of the Mahabharata in the year 2011. The conference explored the multiple tellings and retellings of the Mahabharata story as sung, danced, and celebrated in festivals, inscribed on to geographic landscapes, committed to memory as sacred genealogy, embodied in rituals, and sculpted in shrines and temples. The presentations ranged from issues of poetics and ethics to translations, adaptations, and variations to folk and tribal traditions as sung, recited, and performed. Rather than exploring the Mahabharata as a book or a singular narrative, these papers focus on the multi-tradition of the Mahabharata in all its multidimensionality, multiplicity, and above all, in its fluidity. The book would certainly interest the scholars engaged in the study of the living heritage of Indian epics, folklorists, indologists, and anthropologists.
The book opens with a fairly detailed essay on aesthetics as it is today, and explains the main ways in which contemporary aesthetic thinking is being done, the basic concepts of aesthetics and theories of art. A detailed account of the Indian theory of rasa is also included in the volume.
This work may well be expected to serve as an introduction to the study of aesthetics, suitable alike to the needs of our students and the general reader. A fair part of it deals with some of the more difficult concepts and problems one encounters in contemporary Western philosophical discourse on art. At the same time, the book is studded with illustrative references to contemporary aesthetic practice in India. This is true of almost every individual chapter; and the close is provided by a critical and comprehensive, yet intelligible account of the Indian theory of rasa, to which some eminent Western aestheticians, such as Susanne K. Langer and Harold Osborne, have referred admiringly in some of their basic writings.
What should make this book specially attractive to enquiring readers is its consistent attempt to reflect on teasing aesthetical questions with clarity.
This is decidedly the very first book of its kind. It explains in simple Hindi (or rather Hindustani) the basic concepts and problems of contemporary Western (philosophical) aesthetics with apt illustrative references not only to Hindi (and even Urdu) poetry, but to Hindustani Sangeet and English poetry.
After its attainment of Independence, India has witnessed the quickening of a new life in the field of art as well. Cultural exchanges between its various regions have shown a marked upswing, and reflection on cultural matters has also increased beyond expectations. Concurrently, in quite a few of our colleges and universities aesthetics has been included in the syllabi as an optional subject of study. Some books on this subject, mostly written in the traditional way, are surely available; but philosophical aesthetics, which is today regarded as a distinct intellectual achievement of the twentieth century, still remains largely neglected in the field of Indian scholarship. What is worse, a Hindi book on this form of aesthetics has never been attempted before the present work.
It is precisely this need which this book seeks to meet fairly. With an eye to facilitate understanding of the basic concepts and related problems of contemporary aesthetics, the author has taken pains to give appropriate references, as illustration, to Hindi, Urdu, and English poetry, and music. This should make the book useful to students of both philosophy and music.
Its language is simple Hindustani; and the manner of writing is free from needless ambiguities. Readers in general should therefore find it not only easy to follow, but interesting as well.
This is decidedly the very first book of its kind. It explains in simple Hindi (or rather Hindustani) the basic concepts and problems of contemporary Western (philosophical) aesthetics with apt illustrative references not only to Hindi (and even Urdu) poetry, but to Hindustani Sangeet and English poetry.
After its attainment of Independence, India has witnessed the quickening of a new life in the field of art as well. Cultural exchanges between its various regions have shown a marked upswing, and reflection on cultural matters has also increased beyond expectations. Concurrently, in quite a few of our colleges and universities aesthetics has been included in the syllabi as an optional subject of study. Some books on this subject, mostly written in the traditional way, are surely available; but philosophical aesthetics, which is today regarded as a distinct intellectual achievement of the twentieth century, still remains largely neglected in the field of Indian scholarship. What is worse, a Hindi book on this form of aesthetics has never been attempted before the present work.
It is precisely this need which this book seeks to meet fairly. With an eye to facilitate understanding of the basic concepts and related problems of contemporary aesthetics, the author has taken pains to give appropriate references, as illustration, to Hindi, Urdu, and English poetry, and music. This should make the book useful to students of both philosophy and music.
Its language is simple Hindustani; and the manner of writing is free from needless ambiguities. Readers in general should therefore find it not only easy to follow, but interesting as well.
The book delves deep into all aspects of bilateral relationship between India and Korea on commercial, cultural, economic, educational, historic, language and literature, political, science and technology, and trade. Taking a cue from the socio-economic growth of Korea, it suggests to move up India in its economic ladder to lead Asia from the front.
This volume is comprised of the proceedings of an international conference on IndiaKorea Relations: Past and Present, dealing with India’s relationship with Korea since ce 48. While Buddhism was the amblical cord of Indian relationship with Korea in the first millennium, the end of Cold War has helped to scale up their relations to a new league. Complimenting their bilateral relationship are the Look East Policy of India and the New Asia Initiative of Korea.
These economic giants of Asia have many things in common to share, give and take in the post-colonial era. The rag to richess story of the miracle on the Han River gives impetus to India’s surge in the economic front. From a hermit-kingdom image, Korea now stands tall among the Asian countries with its rapid socio-economic progress and a per capita income of US $ 22,000. Its advancements in education, science and technology, and defence deserve kudos.
The book thus delves deep into all aspects of bilateral relationship commercial, cultural, economic, educational, historic, language and literature, political, science and technology, and trade. Both the countries have experienced drastic economic progress, increase in trade volumes, Korean corporates investing in India vis-
-vis Indian companies in Korea. A target-trading volume of US $ 40 billion by the year 2015 tells a vibrant story. Also, both are committed in making Asia the most happening region.
The book provides a graphic account of all these developments, shedding light on India’s low per capita income of US $ 1,219 and suggesting to put her acts together, to lead Asia from the front.
This volume takes up crucial problems faced by the old, suggests ways to address them and discusses the future scenario by viewing ageing and the aged in the context of increasing modernisation. The papers deal with intergenerational problems of the old, the environments effect on them and their nutritional status and health problems.
The old and aged in a society represent the bedrock of its existence: symbolising the past. They are the carriers of tradition, values and experience, the guiding light for the young without whom society is not total and lose its stability. And progress that a society makes, culturally and morally, is reflected in the way it treats its aged. This volume, comprising presentations at a national seminar on issues of ageing of current importance, takes up crucial problems faced by the old, suggests ways to address them and discusses the future scenario viewing ageing and the aged in the context of increasing modernisation. The well-researched papers, reflecting clarity in thought and language, deal with aspects like inter-generational problems of the old, the environments effect on them and their nutritional status and health problems. They examine how the age-old institution of the family and the newly-evolved concept of the old-age home cater to the needs and comforts of the elderly persons, with investigations into care of the aged in specific homes and institutions. They also focus specially on the plight of the poor aged and old women who are debilitated by the social environment and conditions as well. They study the priorities of action where the welfare of the aged is concerned, reviewing policies and programmes in operation including the National Policy for Welfare of the aged. The book would prove invaluable to scholars of gerontology and sociologists and be of interest to general readers as well.
Ageless Mind and Timeless Ideas contains the reflections and reminiscences on the life and legend of Prof. Koneru Ramakrishna Rao by some of his students, colleagues and fellow scholars who are familiar with him and his work. The volume also includes as an Epilogue a recent address of Prof. Rao at the Centenary Conference on Psychology at Calcutta University in October 2015 Indian Psychology: A Case Study of Mahatma Gandhi.
Ageless Mind and Timeless Ideas contains the reflections and reminiscences on the life and legend of Prof. Koneru Ramakrishna Rao by some of his students, colleagues and fellow scholars who are familiar with him and his work. The volume also includes as an Epilogue a recent address of Prof. Rao at the Centenary Conference on Psychology at Calcutta University in October 2015 Indian Psychology: A Case Study of Mahatma Gandhi.
Prof. Ramakrishna Rao is both a visionary and a missionary with an incredible ability to conceptualize and concretize his ideas and the gift to live his dreams. He is an internationally acclaimed academic visionary who excelled in vastly different areas that include Psychology, Philosophy, Yoga, Education, and Library and Information Sciences. At 83, Prof. Rao is still active as a scholar and administrator. He published over 5,000 pages during the last ten years, and currently serves as the Chancellor of GITAM University.
This book is a study on the cultural developments of Agneya-Kona (the south-east India), where Orissa is the centre, and their contributions to the development of humanity. It studies the rise and spread of different cults and states that the culture of Agneya-Kona was older than the Sumerian Civilization.
The book focuses on the cultural developments of Agneya-Kona (the south-east India) and their contributions to the development of humanity, and highlights the concocted history of Bharatavarsha, especially of Agneya-Kona.
The author projects many artefacts to substantiate his theory. Many archaeological findings Þ the pre-historic rock painting of Gudahandi, images of female figurines, along with circular discs, and nude female figurines are cases in point. Female principle was worshipped in the Mahanadi Valley both in aniconic and iconic forms.
Agneya-Kona has contributed significantly to the growth of the tantric worship. In the pre-historic rock painting of Gudahandi, there is a trace of Yoga, especially Kundalini Yoga. The book details the spiritual and yogic culture of Orissa, the formative phase of Purushottama Jagannatha culture, the impact of Narasimha culture, yoni tantra traditions of the Central Mahanadi Valley and the spiritual relationship of Kalahandi with Candipur Tara-Pitha of Birbhum.
A Sumerian temple that imbibed the form of Lord Purushottama Jagannatha is in highlight, and the author makes a strong statement that the culture of the region is older than the Sumerian Civilization.
The book is a source of inspiration for archaeologists and historians, who want to study more about south-east India, and students, teachers and researchers of arts and culture.
This critical commentary offering fresh insights into the essential teachings of the Aitareya Upanisad presents its original Sanskrit text along with Roman transliteration and a verse-to-verse translation in English.
Yet another masterly piece of Hindu spiritual wisdom, Aitareya essentially reinforces the grand Upanishadic message which is neither a picturesque mythology nor a promise of heaven nor a threat of hell. It is yet another reminder (from the ancient seers) of our cosmic connection showing how this universe, this phenomenal world of ours, and all that is created, whether movable or immovable, are unfolded from one primeval casual Reality: atman, variantly called the Supreme Spirit, Pure Consciousness or Prajnanam Brahma; and how, in turn, atman perceives itself as the one underlying substance of all these phenomena. A distinguished exponent of Vedanta, Swami Muni Narayana Prasad reinterprets this Upanishad, developing refreshing insights into its textual discourse, its meaning, and its message. Also included in this critical commentary are its original Sanskrit text, Romanised transliteration, and verse for verse English translation. Appended to the Rigveda, Aitareya Upanishad comprises three chapters (IV-VI) of the Aitareya-Aranyaka which, in itself, is a continuation of Aitareya Brahmana. And as one of the principal Upanishads is invaluable as much to the discerning readers as to the scholars of Indian philosophy.
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