Buddhism as/in Perfo...
Buddhism as/in PerformanceAnalysis of Meditation and Theatrical Practice by: David E.R. George
It explores the art and concept of performance in varied Buddhist traditions Chinese, Japanese, Sri Lankan and others. It explains theatrical performances representing Hinayana, Mahayana and Vajrayana cultures, with extensive endnotes and bibliographical references.
Year Of Publication: 2011
Pages : ix, 225
Bibliographic Details : Bibliography; Index
Language : English
Binding : Hardcover
Publisher: D.K. Printworld Pvt. Ltd.
Size: 23 cm.
Professor George has ventured into a comparatively unchartered area seeking, as he does, to explore the art and concept of performance in Buddhism more specially in the context of Buddhist meditation and theatre. Spelling out the epistemology of performance in all its different connotations and definitional nuances, his study opens out an astonishingly vast panorama of the Buddhist theatrical practices in Sri Lanka, China, Japan, Nepal, Tibet . . . and goes on to demonstrate how, within this panorama, three kinds of theatrical practice can be identified, each corresponding to one of the three paths open to a Buddhist: the karma path, the Bodhisattva option, and enlightenment, and each representative of one of the three main cultures of Buddhism the Hinayana, Mahayana, Vajrayana. Supported by extensive endnotes and bibliographic references, Dr. Georges book also carries a range of case studies of the art of performance in Buddhism, with definitive examples, among others, of the Sri Lankan Kandy dance and Karma drama, Tibetan Chams and Chod, and Japanese Noh. Buddhism as/in Performance is a commendable piece of painstaking research, presented in a jargonless, compellingly readable style. It is certainly a pre-eminent contribution to drama studies, particularly of Buddhist theatrical practices.
Buddhism as Performance
1. The Epistemology of Performance
Theatre and Performance
Performance: Eight Epistemological Theses
2. Buddhist Epistemology: The World as Performance
Meditation As Performance
The Case Studies
Buddhism in Performance
3. Karma Drama: The Hinayana; Sri Lanka
Kandy Dance; The Classical Case
Buddhist Performance Epistemology in Practice
Conclusion: From Karma to Nirvana
4. Theatre of Compassion: The Vajrayana; Tibet
5. Bodhi-drama: Zen; Japan
Introductory: The Terms