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Voice of Senses...
Voice of Senses
Traditional Thought and Modern Science by: Baidyanath SaraswatiThis volume is devoted to a thorough understanding of the concept of senses as interpreted in the ancient Asian traditions with particular reference to Indian religious and philosophical thought. It examines the functions, perception, scientific approach and the recurring cycle of Five Senses in Chinese, Tibetan and Indian philosophy.
₹432.00
ISBN: 9788124604090
Year Of Publication: 2007
Edition: 1st
Pages : ix, 236
Bibliographic Details : Index
Language : English
Binding : Hardcover
Publisher: D.K. Printworld Pvt. Ltd.
Size: 23 cm.
Weight: 500
This volume is devoted to a thorough understanding of the concept of senses as it has been interpreted in the ancient Asian traditions with particular reference to Indian religious and philosophical thought. It examines the functions of the sense-organs and the perception of them adopting a sociological and scientific approach. The first part of the presentation comments on the recurring cycle of Five Senses in Chinese, Tibetan and Indian philosophy. It takes up ancient knowledge on the senses as can be gained from the Vedas and the Upanishads, the Buddhist Abhidharma text and Jainism, as also from Islamic and Christian philosophies. They relate functioning of the sense-organs to aesthetic perception. Articles in the second part examine ethnic-cultural communities’ responses to senses and attribution of functions to them, as, for instance, the importance attached to the senses by the traditional snake-charmers. They study responses by plant and animal life to their environment and inquire into the biological processes involved in sense perceptions. Modern technology is discussed as imitating the Five Senses. These articles should be of benefit to scholars interested in learning about the different aspects of Indian religious and philosophical perceptions.
Transliteration Chart
Introduction
— Baidyanath Saraswati
Part I : Philosophy and Religion
1. Tagores Congregational Addresses on Seeing and Hearing
— Sitansu Ray
2. The Senses
— Uma Marina Vesci
3. The Five Senses Theory : Indian Approach
— Niradbaran Mandal Kavyatarkatirtha
4. Human Sense-Organs : As Described in the Buddhist Abhidharma
— S.K. Pathak
5. Senses in Jainism
— Bashistha Narayan Sinha
6. Senses and Human Understanding
— B.D. Tripathi
7. Human Senses and Their Purpose
— K.N. Sahay
8. Function of Sense-Organs in Aesthetic Perception
— Kalpika Mukherjee
9. Conceptual Understanding of Five Agents(Senses) in Chinese
— Arttatrana Nayak
10. Sensitivity of Japan
— Hikotaro Furuta
11. Dual Nature of Senses : Islamic View
— A.S. Inam Shastri
12. Christian Understanding of Five Senses
— D.M. Solomon
Part II : Science and Society
13. Santal Perception of Organs and the Senses
— Onkar Prasad
14. Function of the Sense-Organs in the Snake-catching Technology
— Sanghamitra Pal
15. Animal Behaviour During Natural Disaster: and Their Role for the Welfare of Mankind
— Saroj Kr. Pyne and Gautam Samanta
16. Plant Response to External Stimuli
— Somasish Ghosh Dastidar and Manojit Debnath
17. Bioinformatics of Perception
— S.N. Ojha
18. Modern Technology to Imitate Five Senses
— Ajeya Jha and H.K.D. Sarma
19. Socio-cultural Construction of Senses and Post-modern Society
— Umesh K. Singh
20. The Five Senses Theory
— Henrik Janne
The Contributors
Index
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Sale!Bharatiya Chau-Nritya ₹3,420.00
Chhau dance has an unbroken relation with the essence of Indian culture. This dance form that flourishes in the forest-areas of Jharkhand, Odisha and West Bengal has already attained widespread acclaim, internationally, as an art. By its distinct confluence of the classical and folk traditions, this art form has carved a niche for itself of being counted as the dance of the traditional and classical discipline. It is based on the foundation of martial art techniques. The most striking features are the multi-coloured, splendid, artistic and attractive masks and magnificent headgears that form part of the decoration and costume design. It consists of dance movements called as nritta-karanas as described in Bharata’s Natyashastra and hand gesticulations as found in Nandikeshvara’s Narityashastra, and is also endowed with varied regional movements of folk forms. This dance form depicts movements of day-to-day activities, gaits of animals and birds, and symbolic gestures accompanied by the war-drums and music giving an experience of the sweet fragrance of the regional music forms. The plot is generally drawn from the Ramayana, Mahbaharata, and various other Puranas and poetry. It is thus a combination of a rich tradition of artistic creativity that has naturally attracted the mind of all age-groups at the national and international arena.
The author has collected authentic information by visiting those places where this dance form is traditionally taught and practised. The author has met the teachers of chhau dance, the designers of masks and costumes, and spent time to gather information to be made available in a single place. In the present text, chhau dance has been presented for the first time elaborately with indepth and authentic details. Along with the presentation of the historical and cultural aspects of chhau dance, its performing aspect, content of plot, costumes, physical gesticulation, instruments and instrumentalists, regional styles, the three distinct styles of chhau its history, folk tradition and other details are elaborated in nine sections. The 200 photographs in this edition reiterate the richness of this art with greater authenticity and thus prove to enliven this traditional art form.
Vol. 1 ISBN: 8124606463, 9788124606469
Vol. 2 ISBN: 8124606471, 9788124606476 -
Sale!An Introduction to the Study of Indian Poetics ₹540.00
The book aspires to do for Indian poetics what Hudson’s book, An Introduction to the Study of English Literature did for English literature, though in a totally different manner and style. It provides the student with the essential knowledge about almost all aspects of Indian poetics. Based on the original Sanskrit sources, it presents the necessary information lucidly in precise and clear terms. Each chapter is self-contained and complete in itself, with explanatory notes, and a bibliography of relevant works. The Sanskrit terms used in the text are invariably explained or provided with English equivalents.
For quick reference, “A Glossary of Sanskrit Literary Terms” is given in the Appendices, which contain also “A List of Noted Indian Poeticians (including commentators) and Their Works” and “Notes on Major Texts in Indian Poetics”.
This handy volume, with its unique features, will prove invaluable to those who are going to embark on the study of Indian poetics, especially the ones who have no Sanskrit background. To a devoted student, it will prove a useful companion during his/her further studies. -
Sale!Asian Aesthetic Theories and Art Forms ₹3,420.00
The centuries-old exchange of ideas, knowledge systems, resources, skills and materials among the people of the Asian continent left a lasting legacy in various spheres of human experience. This was a dialogue that involved rich exchange of religious, literary, aesthetic and artistic ideas and forms across the regions of Asia. The general impressions of an art, which is spiritual and magical in character, highly charged with literary myths and legends, and presented through a seemingly improvised styles in various art forms, provide us with a clue of an understanding of the fundamental foundations of the arts in Asia.
This volume contains the papers of the panel on ‘Asian Aesthetic Theories and Art Forms’ in first two sections. This panel was a part of the international conference on “Asian Encounters: Networks of Cultural Interaction” held in New Delhi. The volume reaffirms that the Indian theory of art as a creative process and creative expression is broadly true for entire Asian theory of art and aesthetics and it opens up a pan-Asian theory of art and aesthetics.
‘Representation of Asian Art in Asian Museums’ was another panel of the conference. The volume contains three papers from that panel also and the transcript of the dialogue held on ‘Cross Cultural Frontiers in the Study of the Past’. -
Sale!Apsarases in Indian Literature and the Legend of Urvasi and Pururavas ₹315.00
Indian literature abounds in a variety of myths and legends narrating allegorical/historical stories with moral teachings where celestial or semi-celestial beings, in particular the apsarases, occupy an important place. Of such legends, a few have become much popular and they reappear in the course of the history of literature at various stages. One such legend is that of Urvashi and Pururavas which is one of the most ancient legends of India, owing its origin to the Rigveda. This scholarly work, based on extensive original sources primary, comprising ancient Sanskrit texts, commentaries and glosses and modern literary pieces, kavyas and plays, as well as critical writings on these original works, studies the origin and development of the institution of apsarases and their characteristics as described in the vast corpus of Vedic, Epic-Puranic and classical works. In this context, it undertakes an interesting survey of the concept of nymphs (apsarases) in Indo-European, especially Greek mythology. Dr. Handique then thoroughly examines the depiction of the legend of Urvashi and Pururavas a favourite theme that has been immortalised in literary masterpieces in Indian literature as a whole: from the ancient Vedas and Puranas, the Harivamsha and Vikramorvashiyam to modern works like Urvashi Janani and Abhishapta Urvashi and stray poetic pieces. Presenting a new angle to the study, the book attempts to explore aspects of an age old tradition that bears close affinity with the institution of the apsarases in terms of mode of living worship and ideals like system of the devadasis. The book will prove invaluable to scholars of Indian mythology, culture and literature as well as interest general readers of ancient India’s legends and tales.
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Sale!Modern Civilization ₹720.00
The crisis of the age inheres in this, that notwithstanding the century’s mind-numbing disasters, it persists in subscribing to propositions which have logically led to the atomization of the whole cloth of human experiencing, and being. Great indeed is the value which is placed on the procedure of analytic dismemberment. While the method has certainly been result-producing, materially, in its wake it has brought immense suffering – both physical and spiritual. The price paid for a lopsided advance is thirty major wars – with their toll of one hundred and thirty million lives, and the irreparable destruction of the natural environment. The time demands a reappraisal of the basic paradigms of human existence, but the hegemony of well-entrenched vested interests – material or intellectual – would seem to preclude this.
The “advanced” people among the mankind of the day become suicidally specialized. For, if the mechanical model of thought has been of advantage in man’s preceding unfolding, the same, what may be called the “survival” paradigm, now creates dangerous dualities, binary oppositions (you–me, body–mind, East–West, etc). The model has outlived its usefulness merely enforcing dormancy on a major part of the human brain.
It behoves mankind to choose wisely right now – since parallel to the socio-economic, scientific and technological revolutions there has got to be the overdue radical psychic transformation. The first step towards clearing the fateful crisis would therefore be to be aware and end the hold of the linear, causal, mechanical thought orientation over the intellectual culture of the times.
Delving deep into the epistemological cum ontological causation of the emergency confronting the being and becoming of man, this volume provokes the thoughtful lay reader to a serious engagement with his or her self.
