Art The Integral Vis...
Art The Integral Vision
Essays in Felicitation of KAPILA VATSYAYAN by: Baidyanath Saraswati , Subhash Chandra Malik , Madhu Khanna₹3,200.00 Original price was: ₹3,200.00.₹2,880.00Current price is: ₹2,880.00.
ISBN: 9788124610602
Year Of Publication: 2020
Edition: 2nd
Pages : xvii, 353
Bibliographic Details : Index
Language : English
Binding : Hardcover
Publisher: D.K. Printworld Pvt. Ltd.
Size: 23
Weight: 1262
“An assemblage of twenty-six scholarly essays: in honour of Dr Kapila Vatsyayan, the book attempts to conjure up the integral vision of art — exploring, as it does, the underlying unity of different disciplines. Written by distinguished Indian and foreign scholars: artists, art historians, archaeologists, anthropologists, scientists, philosophers and litterateurs, who have shared or subscribed to Dr Vatsyayan’s holistic vision of arts, these essays look for the linkages that have existed within the arts, between the arts, and across the cultures — focusing, contextually, on the form, the content, and the vision of art in terms of time and space. With at once stimulating alternative viewpoints available to humankind today, the authors consider space, time and consciousness as they are related to, and expressed in, metaphor, symbol and creative process. Together with cross-cultural comparisons of art, the book also explores the future of man as an artist. Art: The Integral Vision, besides the Editors’ Introduction giving an overview on the presentations, is blessed by His Holiness the Dalai Lama’s personal message. A foremost authority on Indian art and culture, Dr Kapila Vatsyayan is well-known to all serious scholars of art history, religion, philosophy and cosmology. A prolific author and recipient of several honours, including the prestigious Padma Shree (1990) and Padma Vibhushan (2011), she has convincingly spelt out the unifying principles of cultural plurality and the interdependence and interrelatedness of creative arts. This holistic vision — unmistakably manifest in her writings — has come to finest fruition in her setting up (in 1985) the Indira Gandhi National Centre for the Arts (IGNCA), New Delhi. This is a fascinating book for wide-ranging specialists and students interested in the mathematical, geometrical, metaphysical, astrophysical, cosmological, philosophical, psychological, historical, mythological and metaphorical understanding of art, especially the Indian art.”
Message
— His Holiness The Dalai Lama
Preface to the Second Edition
Introduction
1. Sarvadarśikā
2. Dialogue and Monologue with Kapilaji
— Baidyanath Saraswati
3. A Letter to Kapila Vatsyayan
— Michael Meschke
4. The Invention of Space
— David Park
5. Autonomy and Wholeness: Reflections on Creativity and
Self-expression
— S.C. Malik
6. The Learning of the Imagination
— Kathleen Raine
7. Higher States of Consciousness in East and West
— Peter Malekin
8. Seeing Time in the Indian Miniature
— Jim C. Masselos
9. A Gurjara-Pratihāra Image of Viṣṇu Viśvarūpa
— T.S. Maxwell
10. Mudrā: Its Metaphysical Basis in Kashmir Śaivism
— Bettina Bäumer
11. Radiance as an Aesthetic Value in the Art of Mesopotamia
(With Some Indian Parallels)
— Irene J. Winter
12. Art and Meditation: Traditional Imagery and Contemporary
Parallels as Seen Through Children’s Meditational Art
— Madhu Khanna
13. The Compleat Devotee and the Cosmic City: Hanuman at Hampi
— John Mckim Malville
14. Art and the Topology of Being: Introducing a Threefold
Homage to Kapila Vatsyayan
— André Scrima
15. Sergiu Al-George and the Romanian School of indology
— Radu Bercea
16. Museum of the Future: The Project Gīta-govinda
— Ranjit Makkuni
17. Kr̥ṣṇa-līlā in Temple Art of Khajurāho
— Devangana Desai
18. Goddess Cybele in Hindu Śākta Tradition
— M.C. Joshi
19. The Formation of Medieval Style in Malwa Region
(A Presentation of Hiṅglajgarh Sculptures)
— Ratan Parimoo
20. The Buddhist Bronzes of Surocolo
— Lokesh Chandra and Sudarshana Devi Singhal
21. What Is Deśī About Br̥ahaddeśī?
— Prem Lata Sharma
22. “No Dance, and There is Only the Dance”: Dance and the Indian Arts
— Sehdev Kumar and Aaloka Mehndiratta
23. The King, the Boar and the Waterhole: An Oral Narrative
about the Recreation of Puṣkara
— Aditya Malik
24. The Membrane of Tolerance: Middle and Modern India
— Michael W. Meister
25. Is Religion a Human Invariant?
— Raimon Panikkar
26. A Question of Human Future
— Keshav Malik
27. India and the Future Culture of Man: A Search for
New Perspectives
— Meera Aster Patel
Notes on Contributors
Index



“Art The Integral Vision” Cancel reply
- Sale!ABIA by: Asha Gupta
₹2,100.00Original price was: ₹2,100.00.₹1,890.00Current price is: ₹1,890.00.Volume four contains 1344 records on South and Southeast Asia selected out of 1800 records from the ABIA South and Southeast Asian Art and Archaeology Index database. Volume four has been compiled by the ABIA project team at IGNCA New Delhi. It includes all forms of scholarly publications, ranging from survey works to small but important articles in composite books and journals published in India between 2006 and 2011. Subjects include pre- and protohistory, historical archaeology, ancient art history, modern art history, material culture, epigraphy and palaeography, numismatics and sigillography (seals). The bibliographic descriptions (with the original diacritics), keywords and annotations have made this reference work a reliable guide to recently published scholarly work in the field.
- Sale!Art, Aesthetics and Philosophy by: S.G. Kulkarni, Kavita Chauhan,
₹420.00Original price was: ₹420.00.₹378.00Current price is: ₹378.00.The savants of the twentieth century have excavated the past to discerningly reveal the present. Swami Vivekananda, Rabindranath Tagore, Sri Aurobindo, Mahatma Gandhi and Ananda Coomaraswamy, among others, interpreted Indian aesthetics, civilization, culture and philosophy unearthing the Indian wisdom against the wrong interpretations and teachings of the Western colonial scholars. This volume, a collection of papers presented at a national seminar on the Philosophy of Ananda Coomaraswamy held in February 2011 at the University of Hyderabad, approaches Coomaraswamys philosophy on Indian aesthetics, life and religion from different perspectives.
The volume brings forth different facets of Coomaraswamy: as a catalyst in spiritualizing Indian arts; his views on modernism and anti-modernism; his efforts in aestheticizing India; his polemics of decolonization through art criticism; his aesthetical philosophy; his perception and understanding on art, culture and Indianness; his metaphysics; and his philosophical approach to visuals and materials from the lens of an art historian. It sketches Coomaraswamys multifaceted persona, enunciating that the crux of modern Indian philosophy is one of vision, rather than building theories.
In a nutshell this book presents the varied reflections on Coomaraswamys personality as a philosopher, art historian, art curator and his strong positioning against the colonial teachings of Western art historians and philosophers on Indias art, civilization and culture, projecting an image of Indianness in every sphere. - Sale!Buddhist Art in India and Sri Lanka by: Virender Kumar Dabral
₹1,000.00Original price was: ₹1,000.00.₹900.00Current price is: ₹900.00.The book is a comprehensive study of the evolution and development of Buddhist visual art in India and Sri Lanka, taking into consideration their diverse forms and the impact of regional trends on them. Consulting a number of original sources including scholarly works in the Sinhala language, Dr. Dabral highlights the salient features of ancient Buddhist art in the two countries with special attention to architecture, sculpture, painting, use of symbols like the lotus and Sri Lanka devil masks. Dr. Dabral emphasises how Sri Lankan Buddhist art though originally derived from Indian art, developed its own art forms on the basis of local conditions. The critical study evaluates Buddhist art under various rulers/empires such as the Mauryan empire, the Kushanas, the Nagas and the Guptas. With numerous plates and an extensive bibliography, it gives insights into important aspects like the architectural excellence of stupas and viharas, the Sigiriya frescoes, Ajanta and Bagh paintings, Mathura, Gandhara and Sarnath schools of art, and the Jatakas as reflected in carvings at Sanci, Amaravati and other places.
- Sale!Amulets and Pendants in Ancient Maharashtra (3rd c. bc to 3rd c. ce) by: Jyotsna Maurya
₹220.00Original price was: ₹220.00.₹198.00Current price is: ₹198.00.The book documents Indias rich tradition of ornamentation as reflected in its numerous and varied collection of amulets and pendants recovered from archaeological excavations in Maharashtra. It studies the significance of these ornaments as a visible expression of the artistic excellence and cultural wealth of the ancient Indian civilisation particularly at the time of the great Mauryan and Satvahana dynasties. Discussing the evolution of these portable charms against their socio-economic and religious background, the authoress examines the different types of amulets and pendants excavated, the techniques used in making them, their parallels in literary and sculptural representations, and Buddhist influence on them. Giving insights into the sources of raw materials used in these charms, she takes up in detail the trade relations of a specific site with other contemporary sites. With a number of figures and maps, the work promises to be useful to both scholars and students of Indology focussing on facets of Indian culture.
- Sale!Assimilation of Brahmanism into Buddhism by: Sampa Biswas
₹2,100.00Original price was: ₹2,100.00.₹1,890.00Current price is: ₹1,890.00.Assimilation of Brahmanism into Buddhism is a research work on Buddhism and Buddhist art of early medieval period in India. Archaeological materials and literary records suggest that Buddhism had a continuous existence during the third century bce to the thirteenth century ce in India. Though early Buddhism was totally different in its doctrines and faith from the Brahmanical system, the Buddhism of today is a religio-philosophical system having assimilated and adopted new ideas and beliefs from the environment in which it was born and nurtured.
The introduction of Tantrism bought Buddhism and Brahmanism closer to each other. It opened the gate to the vast field of Buddhist iconography along with Tantric practices, deities, mudras and mandalas. Many of these were influenced by the Brahmanic idea of godhead and some were the combination of one or more ideas of Brahmanic divinities. There was assimilation of a number of factors between Brahmanism and Buddhism.
This scholarly volume addresses the different aspects of this assimilation process by getting into a historical study of Hinayana and Mahayana Buddhism; outlining the political history, and socio-economic and religious changes during 300700 ce; scanning the political and economic background and the spreading of esoteric Buddhism; emergence of Vajrayana Buddhism; and providing a detailed sketch of Vajrayana images.
There are no reviews yet.