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Revisiting Literatur...
Revisiting Literature, Criticism and Aesthetics in India
by: Avadhesh Kumar SinghThe book objectively revisits the widely discussed issues pertaining to colonialism, post-colonialism, literary criticism and aestheties in India and not only critiques their constructs but also comes up with alternative constructs in the backdrop of Indian realities as manifested in creative and critical terms.
₹1,260.00
ISBN: 9788124606278
Year Of Publication: 2012
Edition: 1st
Pages : xii, 608 p.
Bibliographic Details : Appendices; Bibliography; Index
Language : English
Binding : Hardcover
Publisher: D.K. Printworld Pvt. Ltd.
Size: 23cm
Weight: 1000
The declining decades of the 20th century witnessed discussion of various issues pertaining to colonialism, postcolonialism, literary criticism and aesthetics in India. The present book in its four parts Word, World and Perception, Colonialism and After, Literature and Theorizing in India, and Criticism and India deals with them and ancillary issues; and in the process of revisiting them not only critiques their constructs but also proposes alternative constructs in the context of Indian realities and their manifestations in creative and critical terms.
Acknowledgement
LEAD IN : Negotiating Little Questions
Part I: Word, World and Perception
1. Word and Beyond: Questions of Meaning and Interpretation
2. Theory of Creative Process in Narratives about the Ramayana and the Mahabharata : Mythic Narrative as a Mode of Constituting Knowledge
3. Aesthetics, Ethics and Indian Culture
Part II: Colonialism and After
4. India Self-(re)fashioning and Colonialism: Resistance and Polyvalence in the Nineteenth- Century Gujarati and Hindi Renaissance Prose Writings
5. Ornament or Blessing or Both: The Other in Colonial Paradigms with Reference to India
6. Theorizing/Narrating Resistance and Colonization in India
7. Knowledge, Globalization and Third World: An Indian Contextual Discourse
8. Towards a New Framework of Literary Studies in Post-Colonial India
Part III: Literature and Theorizing in India
9. In Their Own Words and Worlds: Women Saint Poets and their Poetry
10. Self or Motherhood: Feminist Discourse in India
11. Constructing an Indian theory of Feminism: Problems and Potentialities
12. Towards an Indian Theory of Post-colonialism
Part IV: Criticism and India
13. Continuity and Change in Indian Critical Tradition
14. Rethinking Literary Theory in India
15. Postmodernism in India
16. Towards Compoetics in India: Alternative Frameworks of Comparative Study of Poetics
LEAD OUT : Interliterariness and Contactuality in India
Appendix A : Select List of Compositions in Sanskrit in the Post-Jagannatha Period
Appendix B : Select List of Texts in Sanskrit in the Post-Jagannatha Period
Appendix C : List of the Texts on Indian Poetics in the Post-Jagannatha Period
Appendix D : Select List of Works in Hindi on Indian Poetics in the Twentieth Century
Bibliography
Index
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This Exposition on the Bhagavad-Gita is an exception to the traditional translation of and commentary on the scripture. It covers all the eighteen chapters of the Gita in the form of essays, with English translation of almost all verses and commentaries thereupon. In addition, the essays do contain the reflections of the author who has analyzed the topics in the light of modern thought in a broader spectrum. The Sanskrit text in Devanagari script, with Roman transliteration, has been appended to the main text.
The Gita is not a religious book. It does not belong to any single faith. In the language of Aldous Huxley, it is the perennial philosophy of mankind. Keeping this context in view, the book has been addressed not only to the present citizens but also to the whole mankind which will inhabit the earth in the future.
This scripture had its birth in a battlefield. Symbolically speaking, everybodys life is a battleground. Arjuna represents all members of the human species. In a situation of agony and dejection, being utterly perplexed, he could not decide what to do and what not to do. The Gita provides practical solutions to the problems of life and leads the path to liberation. It humanizes and divinizes man. The present book gets success if it helps man ascend humanely and spiritually. -
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Yet another masterly piece of Hindu spiritual wisdom, Aitareya essentially reinforces the grand Upanishadic message which is neither a picturesque mythology nor a promise of heaven nor a threat of hell. It is yet another reminder (from the ancient seers) of our cosmic connection showing how this universe, this phenomenal world of ours, and all that is created, whether movable or immovable, are unfolded from one primeval casual Reality: atman, variantly called the Supreme Spirit, Pure Consciousness or Prajnanam Brahma; and how, in turn, atman perceives itself as the one underlying substance of all these phenomena. A distinguished exponent of Vedanta, Swami Muni Narayana Prasad reinterprets this Upanishad, developing refreshing insights into its textual discourse, its meaning, and its message. Also included in this critical commentary are its original Sanskrit text, Romanised transliteration, and verse for verse English translation. Appended to the Rigveda, Aitareya Upanishad comprises three chapters (IV-VI) of the Aitareya-Aranyaka which, in itself, is a continuation of Aitareya Brahmana. And as one of the principal Upanishads is invaluable as much to the discerning readers as to the scholars of Indian philosophy.
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Dr. Charles Naegele, a practicing lawyer in Silicon Valley, California, USA, and a lifelong student of classical Indian knowledge, has written a work that will be certain to stir up controversy regarding the re-dating of the Law Code of Manu and the well-documented research concerning almost no possibility of Aryan Invasion Theory and the numerous similarities between the text of the Law Code of Manu and the archeological finds from the Indus/Harappan Civilisation.
Scholars and history buffs, as well as everyone who is proud of Indian heritage will enjoy not only this work, but also his future works. -
Sale!Atreyashiksha ₹720.00
Atreyashiksha is one of the Shiksha texts of the Krishna-Yajurveda, Taittiriya school. This text has been critically edited and translated consulting two palm-leaf manuscripts which are currently the only discovered manuscripts of this text in public libraries. Shiksha texts deal with phonetics and phonology of the Vedas and the method of proper pronunciation and recitation. The Atreyashiksha is well-structured in terms of arranging its topics of discussion.
When compared to the other Shikshas of the Taittiriya school, the Atreyashiksha, in keeping its focus on the discussion on the different methods of Vedic recitation, namely, word-reading (padapatha), sequential reading (kramapatha), tangled reading (jatapatha) and the five varieties of the reading of the phonic sequences (varnakramas), holds a unique position in the corpus of the Shiksha literature. A close reading of the text shows that the main aim of the text is to explain the practical aspects of the different ways of Vedic recitation, in whose connection it describes the theoretical elements of Shiksha too.
The book, therefore, serves as a practical guidebook to Vedic reciters who recite the above-mentioned readings of the Taittiriya Krishna-Yajurveda along with the continuous reading. While describing the methods of recitation, the Atreyashiksha gives enough emphasis on the theoretical nuances. The phonological rules, most of which are expressed in the Taittiriya Pratishakhya, are also illustrated in this text. This book consists of a detailed introduction, the critically edited text in Devanagari script, its Roman transliteration and an authentic English translation.
