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Sasvara Jeevan...
Sasvara Jeevan
Pracheen Sastra evam Aadhunik Gyan by: Baidyanath Saraswati , Ramlakhan MauryaThis book explains the concept of life across different religions Þ Hindu, Buddhist, Jaina, Muslim and Christian Þ based on Shastras; life and its essence based on Upanisads, Gita, and other Shastric and Puranic teachings; and attempts to understand life in a scientific way with the help of modern science, along with the mysteries of life from various angles.
$22.00
ISBN: 9788124604625
Year Of Publication: 2009
Edition: 1st
Pages : vii, 256
Bibliographic Details : Index
Language : Hindi
Binding : Hardcover
Publisher: D.K. Printworld Pvt. Ltd.
Size: 23
Weight: 550
This book, divided into three parts, presents the independent thoughts of distinguished scholars on the satiety of life, its various styles and meanings in reference to religion and scriptures vis-à-vis modern science. The essays in the first part, based on the Shastras, try to explain the conception of life in Hindu, Buddhist, Jaina, Muslim and the Christian religions. The second part aims to understand the subject of Life and also to explain its essence on the basis of the Upanishads, Gita and other Shastric and Puranic teachings. The writings focus on, among other things, the mystery of life and death, the regularity of life, the effect of music on life, and the calculation of life on the basis of astrology. The third part (Modern Science) is a sincere attempt to understand life with a scientific approach. A logical explanation has been crafted on dependence on each other in life analyzing several literary references. This part discusses two aspects of life internal and external, life from a void to infinity, life being always out of bounds of time, life in a continuous flow of thoughts in Indian philosophy, etc. This anthology tries to explain the mysteries of life from various angles and will prove to be benefical to the researchers and students of Indian culture.
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A Study of Time in Indian Philosophy $40.00
This book, based on original sources, is an authentic study of the distinctly different views on time that have emerged from and have, in turn, shaped the Indian conceptual world. Apart from succinctly demonstrating the impact of these views on the exploration and formulation of such basic concepts as those of being, becoming, causality, creation and annihilation, the work has as critics have acclaimed since its first publication successfully shown the simple falsity of such clichés that the Indian view of time is cyclic or exclusively illusory. It has been, therefore, observed that this book makes an excellent introduction to the heart of Indian thought. It is considered to be a major contribution as well in cross-cultural philosophical conversations.
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Agneya-Kona of Bharatavarsha $40.00
The book focuses on the cultural developments of Agneya-Kona (the south-east India) and their contributions to the development of humanity, and highlights the concocted history of Bharatavarsha, especially of Agneya-Kona.
The author projects many artefacts to substantiate his theory. Many archaeological findings Þ the pre-historic rock painting of Gudahandi, images of female figurines, along with circular discs, and nude female figurines are cases in point. Female principle was worshipped in the Mahanadi Valley both in aniconic and iconic forms.
Agneya-Kona has contributed significantly to the growth of the tantric worship. In the pre-historic rock painting of Gudahandi, there is a trace of Yoga, especially Kundalini Yoga. The book details the spiritual and yogic culture of Orissa, the formative phase of Purushottama Jagannatha culture, the impact of Narasimha culture, yoni tantra traditions of the Central Mahanadi Valley and the spiritual relationship of Kalahandi with Candipur Tara-Pitha of Birbhum.
A Sumerian temple that imbibed the form of Lord Purushottama Jagannatha is in highlight, and the author makes a strong statement that the culture of the region is older than the Sumerian Civilization.
The book is a source of inspiration for archaeologists and historians, who want to study more about south-east India, and students, teachers and researchers of arts and culture. -
Tantric Rituals of Kerala Temples $44.00
Kerala Tantra is a regional phenomenon, which is an offshoot or synthesis of Saiddhantika and Pancaratra tantric ritual rites. It is a tradition deeply rooted within the Vedic ritualistic fold and characterized by Smarta-Pauranika beliefs and customs.
This volume is a general, but a serious and in-depth study of distinct temple ritual cult of Kerala. Kerala Tantra still remains to be a less explored subject. There is no exclusive study on the ritual peculiarities of Kerala Tantra. This book focuses on filling that gap covering extensively the prominent characteristics of the unique ritual cult of Kerala.
The data presented in the book are based on many unpublished and less-known, but authentic manuscripts of late medieval period, and interviews with previous and current generations of tantrins and their testimonies. It covers the great traditions of Tantra, Kerala Tantra, and transmission of tantric knowledge through formal and informal methods. It also talks about the institutionalization of Tantric education, taking a cue from the context of Vedic and Sanskrit education of Kerala. -
Cinema Through Rasa $50.00
Cinema Through Rasa discusses the important works of the world cinema in the light of Rasa Siddhānta of the Indian classical aesthetics. Rasa Siddhānta was first mentioned in Bharata Muni’s Nāṭyaśāstra – the ancient treatise on dramaturgy. This book catalogues the major cinematic works in the light of Abhinavabhāratī – a tenth-century commentary on the Nāṭyaśāstra by the great Kashmiri Śaivite philosopher Abhinavagupta. Further, it outlines the links between puruṣārtha, the cultural value system of life pursuits in Indian tradition, and aesthetics while citing examples from the works of major directors such as Orson Welles, Luis Buñuel, Ingmar Bergman, Akira Kurosawa, Andrei Tarkovsky, Alfred Hitchcock, Carl Dreyer, Charlie Chaplin, Sergei Eisenstein, Robert Bresson and Satyajit Ray.
Using contemporary scholars’ interpretation of non-dualistic Kashmir Śaivism tradition, Cinema Through Rasa aims to serve as a tribute to Abhinavagupta’s genius, a commentary on important ideas such as rasa, nature of emotions, cinema and beauty along with a tryst with the masterpieces of the world cinema. The meaning of this book is summarized by this verse – na hi rasād r̥te kaścid arthaḥ pravartate – the medium of cinema, though modern, should be seen as resting in the power of rasa without which nothing makes any sense.
This book is a translation of the original Hindi book Abhinava Cinema, which was first published in 2016. Abhinava Cinema was lauded as innovative, path-breaking and a must-read for students of literature and cinema studies by scholars and critics. -
Phenomenal Consciousness and Mind-Body Problem $32.00
The problem of explanatory gap in the phenomenal consciousness has risen in the Western philosophy mainly because the consciousness itself and its manifestations or reflections are treated separately. Whereas, according to the Vedanta school of India, the phenomenal consciousness is merely manifestations of self-consciousness which is embodied in the human beings. In this approach, the phenomenal consciousness and self-consciousness are one and the same thing because the former depends upon the latter. Hence, there is no explanatory gap in the phenomenal consciousness. Similar is the case with the mind–body problem which exists in the Western philosophy mainly because the mind is treated as synonymous with consciousness.
This book solves the above problems on the basis of the Indian philosophy and existential philosophy of Jean-Paul Sartre. In both the philosophies, there is no explanatory gap in the phenomenal consciousness and the mind–body problem.v
