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India...
India
A Culture Decline or Revival? by: Bharat GuptThis book critically analyses the state of affairs in India after the British left in 1947 and examines whether Independence has ushered an era of cultural and social freedom or a cultural decline has set in a thought-provoking subject.
₹450.00
ISBN: 9788124604595
Year Of Publication: 2008
Edition: 1st
Pages : xviii, 236
Bibliographic Details : Index
Language : English
Binding : Hardcover
Publisher: D.K. Printworld Pvt. Ltd.
Size: 23 cm.
Weight: 500
It is often taken for granted that Independence from the British rule also ushered an era of cultural and social freedom in India. The author wishes to examine if that is true or if a cultural decline set in soon after. Based on a verse in the Pancatantra, the book has been divided into six parts: Eka (person), Kula (family), Grama (habitat), Janapada (land), Prithvi (earth) and Atma. Issues of education; conflicts between the classes, regions, jatis, languages and religions; expansion of proselytizers; lack of governance; tensions between the legislators and judiciary; rise of unbridled consumerism; falling standards of democracy; dilemmas created by notions of dharma challenged by Westernized modernity; and the problems of attaining universal harmony, are all put into a perspective under these six categories. While examining the state of affairs the author also suggests a way for the pursuit of happiness through unselfish transcendence.
Preface
Part One
EKA : The Uprooted Individual
1. The Ritual Universe
2. Education Without Art
3. Shelving a Heritage : Sanskrit from Macaulay to M-Tv.
4. Conversion : Sin or Sincerity
5. Bring Back the Teacher
KULA : Broken Homes
6. Yayayatis and Kamsas : Unbridled Indulgences of Affluent Indains
7. Disappearance of the Fourth Ashram
Part Two
GRAMA : Dusty Villages, Dying Cities
8. Vote Bank Politics and Lame-Duck Legislators
9. Voting Young : Ensuring Legislative Immaturity
10. Caste Choudhary : The New Age Parasite
11. Caste Endogamy : A Return to Medievalism
12. Politics of Compensation : Mandal, Mandir and Stri-mandal
JANAPADA : Regional Defacement
13. Anglophonic Hegemony and Regional Indian Langages
14. The Frigid Face of Urdu
15. What is Ethnic?
16. Cultural Nationalism: Kitsch or Charisma
17. Religious Plurality in Education
Part Three
PRITHVEE : Diminishing Boundaries
18. Indian Diaspora: The Brihad Bharat
AATMAN : The Self in Doubt
19. Relativism : A Moral Twilight
20. Search for Sahaj : In Pursuit of Abiding Happiness
Index
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Sale!“Celebrating India through Hindu Eyes” ₹1,796.00
This book is a celebration of India through Hindu eyes. Those eyes are of sages and kings, artists and artisans, potters and poets, rasikas and bhaktas. In that journey we remember the almond-shaped eyes of Shrinathji, the round eyes of Jagganathji. Those are human eyes through which we have received the darshan of our gods and goddesses and also the blessings of our elders and teachers. Those eyes are ancient and have witnessed magnificent kingdoms and trackless empires. They have watched the creations of monumental temples as well as charming havelis. They have travelled through the pages of history and chronicled the glory of the raja and the praja. Hindu eyes see the past even when they watch the present for they guide us through linear time but when we close our eyes we contemplate in circular time. Our eyes delight in asserting the finite but they rest when they find the infinite. They rejoice in the various akritis but they direct us to our sanskriti. They have been witness to our love stories and heroic sagas. They have smiled and spoken, invited and whispered. Hindu eyes belong to our mind which is buddhi pradhan but they throb with our heart which is bhava pradhan. They are the eyes of a people for whom adornment is beautiful but the serenity of ananda is blissful, for those eyes are the windows of our atman forever seeking the Brahman. Join us in this celebration.
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Sale!Ramayana Culture ₹720.00
These essays, originally presented at an international conference, are in the forefront of the modern response to an ancient work that has gained a new critical and social relevance in contemporary scholarship. Approaching the Ramayana from several angles in an attempt to understand its aesthetic and ideological meaning, they examine the epic through the perspectives of textual criticism, art, architecture and film. Thereby they address critical issues such as the seminal status of Valmiki, the underlying problem of canonicity itself, the importance of other — so-called derivative — Ramayanas, the implications of gender representation, and the cultural manipulation of social ideals relating to the position of women and the idealisation of love that achieves its highest value in marriage. Using the methods of rigorous textual and historical investigation, each essay seeks not only to uncover the layers of meaning in the complex structure of the epic in its varied forms but also to situate it critically in the cultures of South and Southeast Asia.
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Sale!Bharatiya Chau-Nritya ₹3,420.00
Chhau dance has an unbroken relation with the essence of Indian culture. This dance form that flourishes in the forest-areas of Jharkhand, Odisha and West Bengal has already attained widespread acclaim, internationally, as an art. By its distinct confluence of the classical and folk traditions, this art form has carved a niche for itself of being counted as the dance of the traditional and classical discipline. It is based on the foundation of martial art techniques. The most striking features are the multi-coloured, splendid, artistic and attractive masks and magnificent headgears that form part of the decoration and costume design. It consists of dance movements called as nritta-karanas as described in Bharata’s Natyashastra and hand gesticulations as found in Nandikeshvara’s Narityashastra, and is also endowed with varied regional movements of folk forms. This dance form depicts movements of day-to-day activities, gaits of animals and birds, and symbolic gestures accompanied by the war-drums and music giving an experience of the sweet fragrance of the regional music forms. The plot is generally drawn from the Ramayana, Mahbaharata, and various other Puranas and poetry. It is thus a combination of a rich tradition of artistic creativity that has naturally attracted the mind of all age-groups at the national and international arena.
The author has collected authentic information by visiting those places where this dance form is traditionally taught and practised. The author has met the teachers of chhau dance, the designers of masks and costumes, and spent time to gather information to be made available in a single place. In the present text, chhau dance has been presented for the first time elaborately with indepth and authentic details. Along with the presentation of the historical and cultural aspects of chhau dance, its performing aspect, content of plot, costumes, physical gesticulation, instruments and instrumentalists, regional styles, the three distinct styles of chhau its history, folk tradition and other details are elaborated in nine sections. The 200 photographs in this edition reiterate the richness of this art with greater authenticity and thus prove to enliven this traditional art form.
Vol. 1 ISBN: 8124606463, 9788124606469
Vol. 2 ISBN: 8124606471, 9788124606476 -
Sale!Aesthetic Textures ₹1,620.00
The fascinating world of multiple Bharatas that this book introduces its readers with is that of a perennial tale discovered and created afresh at each juncture of time; at each moment of self-doubt and self-exploration; at each rejoicing of self-discovery and self-recovery. If one does not come across a seamless continuity here, one does not encounter apparent ruptures either. The Bharatas, as narrated here, present us with amazing diversity with palpable consubstantiality expressed in myriad forms and multiple hues; tradition belonging as much to its contemporaneity as to its past; belonging as much to the spokes as to the axle; centrifugal and centripetal at once; a tradition old and new at the same moment of time.
The book is based on the proceedings of a seven-day international conference organized by the Indira Gandhi National Centre for the Arts (IGNCA) on the living traditions of the Mahabharata in the year 2011. The conference explored the multiple tellings and retellings of the Mahabharata story as sung, danced, and celebrated in festivals, inscribed on to geographic landscapes, committed to memory as sacred genealogy, embodied in rituals, and sculpted in shrines and temples. The presentations ranged from issues of poetics and ethics to translations, adaptations, and variations to folk and tribal traditions as sung, recited, and performed. Rather than exploring the Mahabharata as a book or a singular narrative, these papers focus on the multi-tradition of the Mahabharata in all its multidimensionality, multiplicity, and above all, in its fluidity. The book would certainly interest the scholars engaged in the study of the living heritage of Indian epics, folklorists, indologists, and anthropologists. -
Sale!Socio-Literary and Cultural Study of Indian Society ₹1,350.00
The Socio-Literary and Cultural Study of Indian Society from Ancient to Modern is a search for India’s heritage: Hindu, Sufi and about Nationalism and India’s freedom from her colonial past. It is analytical but not learnedness. The author believes as Iqbal, the famous Urdu poet, said: “Transcend your reason because though it is a glow, it is not your destination; it can only be the path to the destination show.” People, both Indian and foreign, who want to understand Indian heritage from Ancient to Modern in a simple, agreeable style and friendly manner, is the author’s destination. In this volume, he has tried to demolish many myths like dharma is religion, Vedas are Śruti though the Almighty ordered six ṛṣis to write them down. A Hindu is just not emotional in mind, he also believes in analytic discussion (tarka). Upaniṣads are not just created by ṛṣis but also by a revolution unfolded by the students by barraging questions after questions.By explaining about the vitality of India and many other subjects, the book elucidates many things about the idea of India in an authentic manner. The readers will find here many varieties of theological explication, ultimately leading to the celebration of life while searching for the divine and realizing the self.
