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The Splendour of Sri...
The Splendour of Srivilliputtur
by: Chithra Madhavan₹1,200.00 ₹1,080.00
ISBN: 9788195171835
Year Of Publication: 2022
Edition: 1st
Pages : 143
Language : English
Binding : Hardcover
Publisher: Universal Publishing
Size: 30
Introduction
Preface
1. Sthala Puranam
2.An Incarnation through Devotion
3.An Epic of the Bhakti Movement
4.Architecture & Sculpture
5.The Enigma of Andal Nachiyar’s Parrot
6.Festivals
7.Arayar Sevai at Srivilliputtur
8.Songs on Srivilliputtur
9.Andal’s Wedding
10.Inscriptions
11.Prasadams
12.Temples Connected with Srivilliputtur
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₹180.00₹162.00In the life of a human being the most sweet and memorable part is its childhood, say from its second year till its seventh or eighth. During this time the child is very innocent, full of life, playful, has no responsibility or worry, and when in fear or pain it calls its mother and she is there ever ready to protect it. It understands no restriction and has freedom to go and talk to anybody in the house. It does not know how to hate anyone — in fact, it is like the manifestation of the ever-gracious divinity in the world. A child is loved, respected and even adored.
This book is a small attempt to express the love, affection and feelings towards children. In Hindu pantheon the only divine family having children is that of Shiva and Parvati or Uma. Through pleasing illustrations, another made-for-each-other couple — the Kogatas — have touched upon the various facets in the life of the divine chidren — Ganesha and Karttikeya — together with their doting parents. The delightful verses add sweetness and charm to the book.
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The volume brings forth different facets of Coomaraswamy: as a catalyst in spiritualizing Indian arts; his views on modernism and anti-modernism; his efforts in aestheticizing India; his polemics of decolonization through art criticism; his aesthetical philosophy; his perception and understanding on art, culture and Indianness; his metaphysics; and his philosophical approach to visuals and materials from the lens of an art historian. It sketches Coomaraswamys multifaceted persona, enunciating that the crux of modern Indian philosophy is one of vision, rather than building theories.
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