Year Of Publication: 2019
Pages : 150
Language : English, Tamil
Binding : Hardcover
Publisher: Universal Publishing
This book, published on the auspicious occasion of the rising of Atthi Varadar, contains a concise account of the Sthala-Puranam, the role of many Srivaishnava Acharyas. architecture, sculptures, inscriptions paintings, music, prasadam and festivals of the ancient and sacred temple of Varadaraja Perumal in Kanchipuram.
Sale!Ardhanarisvara in Art and Literature by: Neeta Yadav
The scholarly work throws light on the artistic, aesthetic, literary and philosophical aspects of the Ardhanarishvara form of Shiva the form which is a divine expression of the amalgamation of the male and the female and is said to contain the whole world in it. Providing a conceptual and historical back-ground of the doctrines relating to Shiva and Shakti worship it involves an iconographical study of the Ardhanarishvara image, with the focus on its dress, ornaments, coiffure, posture and other features. With many visuals of the Ardhanarishvara images even the unpublished ones, it describes the images found in different parts of India and discusses the emergence of the deity relying on literary sources and theories. Explaining how the idea and actual representation of the unity of Shiva and Shakti came to acquire supreme importance with the growth of sects each worshipping the deity in its own form, Dr. Yadav points out that the Ardhanarishvara aspect is basically the output of the Tantra philosophy. Providing maps and line-drawings and a list of the places that have yielded Ardhanarishvara images, she makes an interesting and indepth analysis, based on extensive field-work, to come up with some brilliant and new explanations of the meaning and implications of the Ardhanarishvara.
Sale!Ahobilam by: Chithra Madhavan
₹1,200.00The book Ahobilam- The Sacred Abode of the Nava Narasimha is a visual splendour that covers every facet of the Nava Narasimha Kshetra from History, Epigraphical references Sthalapurana to the majestic Gopurams, Mandapams, Konerus, as well as rituals and festivals. The book is the result of extensive research presented with a professional approach, enhanced with vibrant photographs and composed with an aesthetic appearance. The book is a visual feast imparting information about Vishnu’s unique incarnation as Narasimha at Ahobilam. This book embarks the reader on a journey to the religious centre of the group of temples at Ahobilam, and to Ahobila Narasimhaswamy who is compassionate and loving to his devotees. The book is the outcome of the blessings of Sri Ahobila Narasirnhaswamy And His Holiness Srivan Satakopa Sri Ranganatha Yatheendra Maha Desikan.
Sale!Amulets and Pendants in Ancient Maharashtra (3rd c. bc to 3rd c. ce) by: Jyotsna Maurya
The book documents Indias rich tradition of ornamentation as reflected in its numerous and varied collection of amulets and pendants recovered from archaeological excavations in Maharashtra. It studies the significance of these ornaments as a visible expression of the artistic excellence and cultural wealth of the ancient Indian civilisation particularly at the time of the great Mauryan and Satvahana dynasties. Discussing the evolution of these portable charms against their socio-economic and religious background, the authoress examines the different types of amulets and pendants excavated, the techniques used in making them, their parallels in literary and sculptural representations, and Buddhist influence on them. Giving insights into the sources of raw materials used in these charms, she takes up in detail the trade relations of a specific site with other contemporary sites. With a number of figures and maps, the work promises to be useful to both scholars and students of Indology focussing on facets of Indian culture.
Sale!Birds and Animals in Mughal Miniature Paintings by: Zaheda Khanam
The depiction of flora and fauna has been an intrinsic part of Indian painting traditions. The Mughals in their turn, in their fascinating paintings, used the bird and animal imagery to lend a special quality to their art of painting. This book, with over 70 illustrations, is a survey of the birds and animals used in Mughal paintings, especially during the reigns of Emperors Akbar and Jahangir. With historical details, it shows that the depiction of various kinds of birds and animals played a significant role in conformity with the context or the demands of the narratives. The artists painted both wild and domestic animals with equal competence. Outlining the differences in the paintings under the Mughal rulers themselves with regard to depiction of fauna, it notes that while Akbar was interested in historical, mythological or anecdotal events, Jahangir introduced album paintings and evinced interest in individual portrait studies of fauna. In all, it showcases the meticulous depiction of fauna in Mughal art and its persevering beauty. It mentions the names of a host of artists who executed the paintings and the many illustrated manuscripts mythological, historical and on popular fables that saw lavish use of paintings with faunal imagery. The book will interest historians especially those studying art history of the medieval period.
Sale!An Introduction to the Study of Indian Poetics by: Mahesh Singh Kushwaha, Sanjay Kumar Misra, ₹325.00
The book aspires to do for Indian poetics what Hudson’s book, An Introduction to the Study of English Literature did for English literature, though in a totally different manner and style. It provides the student with the essential knowledge about almost all aspects of Indian poetics. Based on the original Sanskrit sources, it presents the necessary information lucidly in precise and clear terms. Each chapter is self-contained and complete in itself, with explanatory notes, and a bibliography of relevant works. The Sanskrit terms used in the text are invariably explained or provided with English equivalents.
For quick reference, “A Glossary of Sanskrit Literary Terms” is given in the Appendices, which contain also “A List of Noted Indian Poeticians (including commentators) and Their Works” and “Notes on Major Texts in Indian Poetics”.
This handy volume, with its unique features, will prove invaluable to those who are going to embark on the study of Indian poetics, especially the ones who have no Sanskrit background. To a devoted student, it will prove a useful companion during his/her further studies.