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The Sculptural Splen...
The Sculptural Splendours of Meenakshi Temple
by: Dr. V. Vedachalam , Dr. G. Sethuraman₹1,100.00 ₹990.00
ISBN: 9788193883907
Year Of Publication: 2019
Edition: 1st
Pages : 195
Bibliographic Details : Bibliography
Language : English
Binding : Hardcover
Publisher: Arulmighu Meenakshi Sundareshwarar Temple
Size: 24
Weight: 875
“The Sculptural Splendours of Meenakshi Temple”
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Sale!Bibliography on Indian Buddhist Art and Archaeology
₹1,900.00₹1,710.00The bibliography includes 4081 entries, covering published materials in English and French languages over the last two centuries. It is divided into two parts. The first part contains 2410 entries dealing with Indian Buddhist art and archaeology and Indian art in general, history, religion, some Buddhist sites outside present India with special attention given to Pakistan , etc. Entries in the second part are exclusively devoted to Indian Buddhist sites. There are 57 sites; each one is individually studied. The book gives a representative overview of what has been researched and accomplished in the field of Indian Buddhist Art and Archaeology since Wilkins’s article on Bodh-Gaya in 1788 or Thomas Daniel’s first illustration on the Kanheri caves in 1798.
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Sale!Explorations in Indian Philosophy
₹550.00₹495.00Any discourse on Indian philosophy has to be taken out of the box in which it was confined for ages using obsolete methods for evaluating thinking patterns. In the traditional way of analysing Indian philosophy there was an inimical approach to each other between the philosophers and the philologists, and between the Sanskrit tradition-oriented philosophers and modern English/vernacular-based philosophers. This friction is evident in the hesitation of the traditionalists in giving philosophers like Daya Krishna and K.C. Bhattacharyya their due share.
The twelve essays in this volume address many a question about the characteristics of Indian philosophical traditions and Indian-ness. Indian philosophy is essentially not Sanskrit based alone, there is a significant contribution to it from the South Asian languages and English, and the cultures of the subcontinent. It attempts to provide provocative insights in sharing the author’s penetrative acumen both in his traditional and modern approaches to South Asian intellectual systems. It therefore addresses the prejudice between the East and the West, and traditional and modern, and the concerns of South Asian diaspora in the Western countries.
As far as this anthology is concerned, the icing on the cake is the Foreword by Dr Mrinal Kaul, who critically analyses the major developments taken place in the realm of Indian philosophy in the last few decades, critically appreciating the contents. -
Sale!ABIA
₹2,100.00₹1,890.00Volume four contains 1344 records on South and Southeast Asia selected out of 1800 records from the ABIA South and Southeast Asian Art and Archaeology Index database. Volume four has been compiled by the ABIA project team at IGNCA New Delhi. It includes all forms of scholarly publications, ranging from survey works to small but important articles in composite books and journals published in India between 2006 and 2011. Subjects include pre- and protohistory, historical archaeology, ancient art history, modern art history, material culture, epigraphy and palaeography, numismatics and sigillography (seals). The bibliographic descriptions (with the original diacritics), keywords and annotations have made this reference work a reliable guide to recently published scholarly work in the field.
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Sale!Assimilation of Brahmanism into Buddhism
₹2,100.00₹1,890.00Assimilation of Brahmanism into Buddhism is a research work on Buddhism and Buddhist art of early medieval period in India. Archaeological materials and literary records suggest that Buddhism had a continuous existence during the third century bce to the thirteenth century ce in India. Though early Buddhism was totally different in its doctrines and faith from the Brahmanical system, the Buddhism of today is a religio-philosophical system having assimilated and adopted new ideas and beliefs from the environment in which it was born and nurtured.
The introduction of Tantrism bought Buddhism and Brahmanism closer to each other. It opened the gate to the vast field of Buddhist iconography along with Tantric practices, deities, mudras and mandalas. Many of these were influenced by the Brahmanic idea of godhead and some were the combination of one or more ideas of Brahmanic divinities. There was assimilation of a number of factors between Brahmanism and Buddhism.
This scholarly volume addresses the different aspects of this assimilation process by getting into a historical study of Hinayana and Mahayana Buddhism; outlining the political history, and socio-economic and religious changes during 300700 ce; scanning the political and economic background and the spreading of esoteric Buddhism; emergence of Vajrayana Buddhism; and providing a detailed sketch of Vajrayana images. -
Sale!Art, Aesthetics and Philosophy
₹420.00₹378.00The savants of the twentieth century have excavated the past to discerningly reveal the present. Swami Vivekananda, Rabindranath Tagore, Sri Aurobindo, Mahatma Gandhi and Ananda Coomaraswamy, among others, interpreted Indian aesthetics, civilization, culture and philosophy unearthing the Indian wisdom against the wrong interpretations and teachings of the Western colonial scholars. This volume, a collection of papers presented at a national seminar on the Philosophy of Ananda Coomaraswamy held in February 2011 at the University of Hyderabad, approaches Coomaraswamys philosophy on Indian aesthetics, life and religion from different perspectives.
The volume brings forth different facets of Coomaraswamy: as a catalyst in spiritualizing Indian arts; his views on modernism and anti-modernism; his efforts in aestheticizing India; his polemics of decolonization through art criticism; his aesthetical philosophy; his perception and understanding on art, culture and Indianness; his metaphysics; and his philosophical approach to visuals and materials from the lens of an art historian. It sketches Coomaraswamys multifaceted persona, enunciating that the crux of modern Indian philosophy is one of vision, rather than building theories.
In a nutshell this book presents the varied reflections on Coomaraswamys personality as a philosopher, art historian, art curator and his strong positioning against the colonial teachings of Western art historians and philosophers on Indias art, civilization and culture, projecting an image of Indianness in every sphere.
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