Shirdi Sai Chalisa...
Shirdi Sai Chalisa
by: UnknownIn this book, alongside the 40 verses or chaalisa, are given their meaning in Hindi and their English translation. Sri Sai Baba aarati is also included.
Original price was: ₹50.00.₹45.00Current price is: ₹45.00.
ISBN: 9788182650107
Year Of Publication: 2014
Edition: 1st
Pages : 112 p.
Language : English, Hindi
Binding : Paperback
Publisher: Srikunj Sadbhawana Manch
Size: 12
Weight: 50
In this book, alongside the 40 verses or chaalisa, are given their meaning in Hindi and their English translation. Sri Sai Baba aarati is also included.
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This book examines the views of Vishishtadvaita of Ramanuja on bhakti and prapatti (self-surrender). It studies in-depth the meaning of God, the soul and the Supreme Soul, and the world; the concept of bhakti; the different stages of bhakti referring to numerous sources that include the Vedas, the Bhagavad-Gita, the Upanishads and the Puranas. It focuses on Ramanujas teaching of bhakti, examining his philosophy in general and his sevenfold practice, Sadhana Saptaka to generate bhakti that expounds the qualities and significance of discrimination for viveka, freedom from sensual attachment or anger for securing vimoka, repeated reflection of God, performance of religious duty for inner mental strength, development of ethical virtues, freedom from despair and freedom from excessive joy. It understands the relevance of symbols in devotion and examines nature and use of symbols in Buddhism and Hinduism. The scholarly study discusses the importance and cultivation of peaceful emotions, and need for prayer and dietary regulations in devotion.
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Hindustani classical music, a jewel in the crown of the Indian musical tradition, has become increasingly popular in South India and abroad over the last few decades. This book attempts to present a detailed and comprehensive discussion of the fundamental concepts and aspects of Hindustani classical music. It begins with an account of the history and evolution of Hindustani classical music by taking up developments in a chronological order. It explains a number of terms and processes involved in the performance of Hindustani classical vocal music. In an interesting discussion, it mentions the various famous gharanas of the genre and deals with the life-histories of some of their eminent musicologists and singers. The musical instruments which are used in accompaniment to the vocal singing in Hindustani music are described. It also details the rags which are frequently presented in contemporary musical concerts, highlighting the important features of each.
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Devotional songs frequently sung by the common public in praise of various Gods/Goddesses like Sri Ganesa, Siva, Krsna, Hanuman, Rama, Khattu Syama, Durga, etc. have been compiled in this hard-bound volume at a very nominal price.
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