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Jaisalmer...
Jaisalmer
Life and Culture of the Indian Desert by: Oki Morihiro , Masatoshi A. Konishi , Kodai KonishiThis volume on the Golden City in Desert is focused on the history and life of the people of Jaisalmer, and their cultural, ethnic, religious, and social mores. This connoisseurs collection portrays how the Jaisalmeris celebrate their life in colour and the charm of the fort, palaces and temples as well.
₹896.00
ISBN: 9788124606599
Year Of Publication: 2013
Edition: 1st
Pages : vi, 154p.
Bibliographic Details : Glossary; Bibliography
Language : English
Binding : Hardcover
Publisher: D.K. Printworld Pvt. Ltd.
Size: 29
Weight: 950
This volume juxtaposes the history, culture, occupation and the lifestyle of people in the desert district of Jaisalmer of western Rajasthan, bordering Pakistan. Popularly called the Golden City in Desert, the city has much more to say beyond its popular fort and palaces. Jaisalmer was an old city of commercial magnitude for centuries till the onset of British rule in India. It was en route connecting the East and West in trade. It has now been transformed to a tourist destination, enticing people from India and abroad.
The book details its past glory, lost significance and the regained charm through centuries of developments. It also accounts for the brief history of Marwar, its rajas of valor, and their heroic struggle for existence and survival against foreign attacks. The picturesque portrayal of the fort, the people of Jaisalmer, their cultural, ethnic and religious mores, and the must see spots in the city are the quintessential focus of the book.
Moving away from the city life, the book also focuses on the village life, exploring the mysteries and charm of the desert life. It unearths the hidden charms and the warmth of village life in this desert region, alongwith a brief account of occupation of people around.
This connoisseur’s collection would motivate also researchers of ancient monuments and history, and enthuse tourists who would like to visit the Golden City in Desert.
History and Culture of Jaisalmer
The Golden City in Desert
M.A. Konishi
* An Overview of Jaisalmer
* Rajasthan or Rajputana, the Land of the Rajputs
* Geographical Setting of Jaisalmer
* Historical Background of Jaisalmer
* Town Planning of the Fortified City
* Jaisalmer Fort, Citadel, Palaces and Temples
* Haveli The Typical Structure of Jaisalmer
* Some Important Places in and around Jaisalmer
* Jaisalmer as the Cultural Centre Religion,
Literature and Art
Village Life of the Thar Desert
Kodai Konishi
* The Living Site
* Social Structure
* Religious Life
* Festivals and Fairs
* Diversity of Religion
* The World of Folk Art and Performances
* Changing Mode of Life
Glossary
Bibliography
Plates by OKI Morihiro
Description of the Plates M.A. Konishi
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Sale!Sanskrit Parsing ₹810.00
India has a rich grammatical tradition, still extant in the form of Panini’s grammar as well as the theories of verbal cognition. These two together provide a formal theory of language communication. The formal nature of the theory makes it directly relevant to the new technology called Natural Language Processing.
This book, first presents the key concepts from the Indian Grammatical Tradition (IGT) that are necessary for understanding the information flow in a language string and its dynamics. A fresh look at these concepts from the perspective of Natural Language Processing is provided. This is then followed by a concrete application of building a parser for Sanskrit using the framework of Indian Grammatical Tradition.
This book not only documents the salient pieces of work carried out over the last quarter century under Computational Paninian Grammar, but provides the first comprehensive exposition of the ideas involved. It fills a gap for students of Computational Linguistics/Natural Language Processing who are working on Indian languages using Paninian Grammatical Framework for developing their computational models and do not have direct access to the texts in Sanskrit.
Similarly for the Sanskrit scholars and the students it provides an example of concrete application of the Indian theories to solve a contemporary problem. -
Sale!Amarushataka ₹3,150.00
Amarushataka is considered to be one of the finest poetic creations in Sanskrit in ancient India and is a watershed development in the genre of Shringara Rasa. We do not know who the poet Amaru was, but a number of legends abound and it is believed that he lived in the seventh century. In Amarus poetic gems love is not measured but experienced, it is not evaluated socially but felt in the deepest recesses of the mind and heart. He paints the varied moods and nuances of love with words that evoke vivid colours and rhythms that are sonorous with music. Amarushataka basks in a sunlit space, fragrant with the aroma of love, brilliant with the hues of a throbbing heart and within the minute compass of the few lines of a verse we are privy to a whole universe of romance. Amarus lovers inhabit a non-descript space, so that our attention is entirely on them and not on the surroundings. Amarus lovers are driven by desire, devoid of guilt, finding their fulfilment in a passionate embrace or a loving gaze. Using traditional Prakrit romantic idioms Amaru prepares us for the feast both for the eyes and the ears that is to follow, for the muktakas of Amaru create an emotionally charged world, where every nuance of romantic love is explored, where the pangs and pleasures, pathos and poignancy, of amorous dalliances are sensitively portrayed, where neither the restraint of dharma nor the restriction of samsara is allowed to interfere with a glorious celebration of love. Whatever its origins, for 1,300 years this work has retained its reputation in India as one of the foundational collections of poetry. Poets and critics still use its verses as a template against which to consider other poems. Such was the impact of Amarushataka, especially in Malwa of the seventeenth century, that it was transformed into miniature paintings in the evocative Malwa style. The one room chamber with strong monochromatic colours and robust figures marks the painting. The book also traces the history of Malwa painting. An interesting side light of the book is an attempt to demonstrate that the verses of Amaru were also perhaps responsible for amorous sculptures in Khajuraho and other temples. The book is richly illustrated, has the verses of Amaru in Sanskrit and English and is a source book of Shringara Rasa for scholars and students alike.
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Sale!Across the South of Asia ₹1,530.00
All too often, modern scholarship limits its scope according to the boundaries of contemporary nations and current geopolitical borders. Academic expertise frequently ties itself artificially to these pre-defined spaces and in so doing often does a disservice to the past. It is no great revelation to point out that people of the past defined the limits of their political and cultural reach in ways that were very different from those found on modern maps. Ancient rulers, merchants, and priests understood the reach of their influence and defined foreignness in ways that would be deeply unfamiliar to those only knowledgeable of the modern world. Yet, despite the well-recognized truth in these observations, it is still relatively rare for scholars to research in ways that transcend modern boundaries.
This collection of essays invites readers to take a broad view of South Asian art and culture by providing a wide geographic and chronological scope. The articles are united only by their focus on art historical and archaeological concerns and their concentration on South Asia ranging from Afghanistan to the island kingdoms of Indonesia. Each essay on its own constitutes a solid, well-grounded academic study, but taken collectively they provide a wide and inclusive view of issues of art and material culture that span the region and invite comparison.
By taking this approach, this volume is a tribute to Prof. Robert L. Brown whose lifetime of teaching has always emphasized connections as well as differences. Over his professional career, he has trained a large cohort of students (many of whom are contributors to this volume) whose expertise truly does reach across the south of Asia. -
Sale!Bagore-Ki-Haveli ₹86.00
Rajasthan boasts of many beautiful monuments and structures of the royalty which stand as evidence to Indias glorious ancient culture and heritage. The Bagore-ki-Haveli is one such edifice. The book takes us through the architectural wonders of the haveli to reflect what it had been the royal household of Maharaj of Bagore. With many splendid colour photographs of its impressive rooms, large balconies, wide terraces and attractive, leafy courtyards, it reconstructs the royal household and its functioning, customs and religious practices, costumes and ornaments, and arts and entertainment. It captures the artistic brilliance of the exquisite glass inlay work and paintings in the restored haveli including a gallery of Madhurastakam paintings describing the loveliness of Sri Krishna and his divine lover, Radha. The work highlights the charming style of the haveli that typifies the best of Mewari architecture but has a unique character of its own. The book, a visual delight presenting a glimpse into the royal lifestyle and splendour of the time, will be invaluable to historians studying the history, art and architecture of north India in the centuries before Indias independence and will also interest readers in general as well as tourists.
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Sale!Elements of Indian Art ₹1,080.00
The book is a study of the fundamental principles of ancient Indian art and architecture, dealing with essentials of Hindu thinking and practice of art like the Hindu view of Godhead, iconography and iconometry, and symbols and symbolism in Hindu art. Referring to major classical Indian literary works shedding light on art and architecture, it undertakes a survey of Indian art and temple architecture from the 3rd century bc through the medieval period, highlighting the directional changes that marked the history of art, specifically sculpture and painting. It elaborately views the various terms and concepts associated with the field of art and iconography like mudras, asanas, pithas, explaining the nature of Buddhist and Jain deities as well as those of Hindu sects like Saivism, Vaisnavism and Saktism. Pointing out the importance of studying Hindu temple architecture in order to fully appreciate Hindu art which was meant for propagation of dharma, it analyses the basic features of the temple architecture and its regional variants. Tracing the differences in conception and delineation of a Hindu temple, a Muslim mosque and a Christian church, the research focuses particularly on the principles of visualisation of symbols and signs in Hinduism and Christianity. It also reveals how the West has viewed Indian literature and art, exposing the inner contradictions of some European thinkers who while praising literary works of Kalidasa and others condemned the Hindu images. The work contains more than 200 illustrations, half-tone and line drawings, that make the discussion easy to comprehend for a range of readers — scholars, students as well as laymen
