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Ethics and Culture:S...
Ethics and Culture:Some Indian Reflections
by: Indrani Sanyal , SashinunglaThe book explores values that involve mans existence and his interaction and interrelations with others and deal with the Vedantic, political and economic thoughts of eminent saints and thinkers of India. The articles also include various viewpoints with the hope to ignite the spirit of better understanding of values.
₹795.00 ₹716.00
ISBN: 9788186921524
Year Of Publication: 2010
Edition: 1st
Pages : viii, 364
Language : English
Binding : Hardcover
Publisher: Decent Books
Size: 23
Weight: 700
The anthology Ethics and Culture: Some Indian Reflections looks into global and local questions pertaining to individual morality and social ethos in the larger domain of man in relation to man, in relation to various domains of society and also in relation to nature/world/cosmos. A group of philosophers have presented a panorama of pluralistic Indian perspectives that include classical, traditional Vedic, contemporary and tribal viewpoints with the hope to ignite the spirit of better understanding of values. The result is a well-planned text for students of philosophy, sociology, anthropology and politics and an analytic and authentic reference for researchers with interest in these areas of thought.
Any forward-looking reader with a wider interest may find this anthology to be quite useful.
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Sale!Socio-Literary and Cultural Study of Indian Society
₹1,500.00₹1,350.00The Socio-Literary and Cultural Study of Indian Society from Ancient to Modern is a search for India’s heritage: Hindu, Sufi and about Nationalism and India’s freedom from her colonial past. It is analytical but not learnedness. The author believes as Iqbal, the famous Urdu poet, said: “Transcend your reason because though it is a glow, it is not your destination; it can only be the path to the destination show.” People, both Indian and foreign, who want to understand Indian heritage from Ancient to Modern in a simple, agreeable style and friendly manner, is the author’s destination. In this volume, he has tried to demolish many myths like dharma is religion, Vedas are Śruti though the Almighty ordered six ṛṣis to write them down. A Hindu is just not emotional in mind, he also believes in analytic discussion (tarka). Upaniṣads are not just created by ṛṣis but also by a revolution unfolded by the students by barraging questions after questions.By explaining about the vitality of India and many other subjects, the book elucidates many things about the idea of India in an authentic manner. The readers will find here many varieties of theological explication, ultimately leading to the celebration of life while searching for the divine and realizing the self.
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Sale!Brahman and the World
₹500.00₹450.00“The Vedānta has been rightly called the Finest Fruit of Indian Thought and the Upaniṣads as the Finer Flowers. Vedānta grows out of the teachings of the Upaniṣads and passes into the various systems in the writings of Śaṅkara, Bhāskara, Rāmānuja, Madhva and Vallabha, the great founders of Advaita, Bhedābheda, Viśiṣṭādvaita, Dvaitādvaita and Śuddhādvaita, respectively. However, there is a perception among Orientalists that while the Upaniṣads favour the Monistic doctrine, Bādarāyaṇa’s Brahmasūtra fundamentally opposes it on some of the most crucial points.
The book thus delves deep into the philosophies of both Bādarāyaṇa and Śaṅkara in enunciating the essential features of Brahman and Its association with the world. It thus discusses topics such as what sort of cause Brahman is?, and what sort of material causality is to be ascribed to It? It also addresses the conflicting views on the nature of Brahman like that of Vivarttavāda and of Rāmānuja’s Saguṇa-Brahman.
This book proposes to take up the question of Universal Causation to examine thoroughly as how far it is right to regard Brahman as the Universal Cause and how far sūtrakāra himself lent his support to each of the inter-conflicting schools of Vedānta. This book should, therefore, benefit all who are devoted to the philosophic teachings of Advaita Vedānta and its preceptors.” -
Sale!Akbar, The Aesthete
₹4,800.00₹4,320.00Mughal miniatures are a vivid account of the cultural, sociopolitical scenario of the Mughal era. Jalal-ud-Din Muhammad Akbar, the most powerful Mughal emperor, was a great aesthete and promoter of arts. Eminent Persian and Indian artists thronged his Royal Studio and were encouraged to paint numerous emotive miniatures of style and substance, communicating highly complex narratives. These miniatures are a beautiful manifestation of human expressions, vividly encapsulating moments of history for posterity.
This book combines the sources and methodology of history and art history of the Mughal era, and is an analysis of a select group of paintings of Akbar’s reign. The miniature paintings incorporate a wide variety of rich, vibrant and varied themes, ranging from durbar scenes, depicting Akbar in different moods and forms, the princes and nobles in their finery, hunting and battle scenes, elaborate scenes of royal births, construction scenes, ascetics, common man, and countryside scenes, to the flora and fauna. Individual analyses of these miniatures, shows the manner of their composition and the inherent value of their sociocultural content in a lively manner. These paintings became a passion and a diversion for Akbar, who had an innate aesthetic sense.
However, there are hardly any true-to-life paintings of women of the royal seraglio. This book thus attempts to cover some images of femininity, whether it is of Queen Alanquwa, Akbar’s mother, or of Madonna as sacred mothers, and women, per se, in different roles. These miniatures make one wonder how much these women contributed to the life of Mughal India.
This unique volume, having given transliteration and translation of the original Persian text of the miniatures, provides an insight into Akbar as an aesthete, and will help academics and laymen alike in appreciating the beauty and history of Akbar’s period. -
Sale!Reflections on Indian Thought
₹850.00₹765.00This anthology, consisting of fourteen essays, deals with a variety of themes that are of central importance for an authentic appreciation of the philosophical core of the Indian culture. The readers will find here illuminating discussions on various issues that bear witness to the critical thinking and deep reflection on the part of the author that have enabled her to carefully expose the subtle internal divergences that nourish the Indian conceptual world.
Based on arduous and painstaking research, these essays focus on a range of topics. There are several essays on multiple aspects of the large themes of time and consciousness, penetrating analysis showing how in the ancient discourse ideas of klesha (affliction), abhyasa (practice) and karuna (compassion) as well as on women and values are dealt with. There are also deliberations on the themes of religious diversity and the need for an encounter of world religions along with the attempt to explore India’s self-image. All these have contemporary relevance, as these essays clearly bring out the distinctive character of a living culture. -
Sale!India and South-East Asia
₹3,600.00₹3,240.00The South-East is a cultural perspective aptly named agneyi the direction of the God Agni. It is reflected even in the Sino-Japanese Mahakarunagarbha mandala of the 8th century where Agni is surrounded by sages: Angiras with his consort Gautami and Atreya with his consort Bhrgvi. In the Pao-hsiang Lou pantheon Agni is surrounded by eight rsi’s Angiras, Vasistha, Garga, Markandeya, Gautama, Kasyapa, Shan-ch’eng-ming-yang and Su-chi-i (the Sanskrit names of the last two have to yet to be found). In Indic terms, the conceptual space of SE Asia endows it with the serenity of the mind, the grandeur of structures, the profundity of expression derived from Sanskrit. The SE is the mind ground of the sages, the rishis, and as such the marvellous manifestation of the Hindu-Buddhist genius. This book chronicles the dynamism, the fire, the Agni of the Agneya (SE) direction across the past that shades into the present with tomorrows inside.
