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Encyclopaedia of Bud...
Encyclopaedia of Buddhist Deities, Demigods, Godlings, Saints and Demons
with Special Focus on Iconographic Attributes (2Vols. Set) by: Fredrick W. BunceWith about 8,000 articles, this Encyclopaedia presents a panorama of Buddhist deities, demigods, godlings, demons the whole range of good and evil forces with the spotlight on the concretized, recognizable forms and their subtle symbolism.
₹7,200.00
ISBN: 9788124600207
Year Of Publication: 2017
Edition: 3rd
Pages : xxiv, xviii, 1151
Bibliographic Details : 286 Line drawings; 24 Col. illustrations; Bibliography; Appendices; Glossaries; Indices
Language : English
Binding : Hardcover
Publisher: D.K. Printworld Pvt. Ltd.
Size: 29 cm.
Weight: 3800
Beginning with a few aniconic symbols, like foot prints, a throne, the Bo tree or stupas, in the prechristian Indian art, Buddhism came to evolve a variety of picturesque representations of a Self-Existent, Superimmanent Principle: in myriad forms and emanations that range from the superbly magnificent to sheerly grotesque. Endowed with diverse iconographic attributes, Buddhist deities/saints/demons have grown, over the rolling centuries, into bewildering numbers, legions. Which all, leave alone the neophytes, not even the best of scholars can recognize! The names of the divinities and their cultural/regional perceptions owing largely to the plurality of Buddhist pantheons, have only gone on to further complicate their identification. Unveiled, for the first time, in the pages of this Encyclopaedia, is a panorama of Buddhist deities, demigods, godlings, saints and demons, with spotlight on the concretized, recognizable forms and the subtle symbolism they involve. In its nearly 8000 alphabetically arranged articles of varying lengths, it mixes gods and demons, bhiksus and btsans, the aesthetic and the grotesque in fact, nearly the whole range of good and evil forces which the inspired among the adherents of the Buddhist faith conceived so ingeniously! Professor Bunce has painstakingly marshalled a wealth of data from authoritative language sources, notably, Sanskrit, Pali, Tibetan, Newari/Nepalese, Chinese, Mongolian, Japanese, Siamese/Thai, Annamese/Viet Namese, Javanese, and Sinhalese, in his effort to capture almost the entire framework of Buddhist divinities: a multi-pantheonic framework, together with its classes, groups and hierarchies, ranging from Adi-Buddha to Arhats and yet beyond. Himself a distinguished scholar of Oriental/Buddhist Art, Dr. Bunce incorporates, in scrupulous detail, the iconographic attributes of deities: like colours, heads/eyes, hands, objects held, body, feet, asanas, mudras, ornaments, vahanas, emanations, and whether calm or wrathful which, with a generous supplement of illustrations: about 300 elegant line-drawings and several colour plates, highlight the distinctiveness of each individual figure. Also included in the Encyclopaedia are users guide, glossaries (of asanas, mudras and attributes), identification charts, a hierarchic table, and bibliographic references. Growing from years of Professor Bunces persevered research and study, this compilation is certainly the first ever to draw together most of the Buddhist divinities/mythological characters, in their distinctly recognizable forms. And is, therefore, indispensable to both the specialists and non-specialists trying to identify each from a whole host of these figural representations.
Volume 1
Foreword
Introduction
Acknowledgements
List of Figures and Plates
Users Guide
Abbreviations
Deity Entries
Bibliography
Volume 2
List of Figures
List of Plates
Users Guide
Abrreviations
Users Guide: Deity Indentification Tables
White (Skt.: sita; Tib.: dkar-po), Calm Deities
White (Skt.: sita; Tib.: dkar-po) Wrathful, Angry or Haughty Deities
Red (Skt.: rakta; Tib.: dmar-po), Calm Deities
Red (Skt.: rakta; Tib.: dmar-po), Wrathful, Angry or Haughty Deities
Blue (Skt.: nila; Tib.: sngon-po), Calm Deities
Blue (Skt.: nila; Tib.: sngon-po), Wrathful, Angry or Haughty Deities
Green (Skt.: syama; Tib.: ljang-ku), Calm Deities
Green (Skt.: syama; Tib.: ljang-ku), Wrathful, Angry or Haughty Deities
Yellow (Skt.: pita; Tib.: ser-po), Calm Deities
Yellow, (Skt.: pita; Tib.: ser-po) Wrathful, Angry or Haughty Deities
Black (Skt.: krsna; Tib.: nag-po), Wrathful Deities
Dark (Skt.: syama), Purple, Brown (Skt.: babhru; Tib.: ja) or Smoke (Grey) (Skt.: dhumavarna; Tib.: dud-kha) Coloured Deities, Wrathful Deities
Natural Skin-Colored Deities:
Calm Deities: Color not Designated in Sources
Wrathful, Angry or Haughty Deities: Color not Designated in Sources
Color Plates
Glossaries
Appendix I
Appendix II
Appendix III
Deity List
Postscript
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Sale!Amulets and Pendants in Ancient Maharashtra (3rd c. bc to 3rd c. ce) ₹198.00
The book documents Indias rich tradition of ornamentation as reflected in its numerous and varied collection of amulets and pendants recovered from archaeological excavations in Maharashtra. It studies the significance of these ornaments as a visible expression of the artistic excellence and cultural wealth of the ancient Indian civilisation particularly at the time of the great Mauryan and Satvahana dynasties. Discussing the evolution of these portable charms against their socio-economic and religious background, the authoress examines the different types of amulets and pendants excavated, the techniques used in making them, their parallels in literary and sculptural representations, and Buddhist influence on them. Giving insights into the sources of raw materials used in these charms, she takes up in detail the trade relations of a specific site with other contemporary sites. With a number of figures and maps, the work promises to be useful to both scholars and students of Indology focussing on facets of Indian culture.
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Sale!Art, Aesthetics and Philosophy ₹378.00
The savants of the twentieth century have excavated the past to discerningly reveal the present. Swami Vivekananda, Rabindranath Tagore, Sri Aurobindo, Mahatma Gandhi and Ananda Coomaraswamy, among others, interpreted Indian aesthetics, civilization, culture and philosophy unearthing the Indian wisdom against the wrong interpretations and teachings of the Western colonial scholars. This volume, a collection of papers presented at a national seminar on the Philosophy of Ananda Coomaraswamy held in February 2011 at the University of Hyderabad, approaches Coomaraswamys philosophy on Indian aesthetics, life and religion from different perspectives.
The volume brings forth different facets of Coomaraswamy: as a catalyst in spiritualizing Indian arts; his views on modernism and anti-modernism; his efforts in aestheticizing India; his polemics of decolonization through art criticism; his aesthetical philosophy; his perception and understanding on art, culture and Indianness; his metaphysics; and his philosophical approach to visuals and materials from the lens of an art historian. It sketches Coomaraswamys multifaceted persona, enunciating that the crux of modern Indian philosophy is one of vision, rather than building theories.
In a nutshell this book presents the varied reflections on Coomaraswamys personality as a philosopher, art historian, art curator and his strong positioning against the colonial teachings of Western art historians and philosophers on Indias art, civilization and culture, projecting an image of Indianness in every sphere. -
Sale!Bachpan-Childhood ₹162.00
In the life of a human being the most sweet and memorable part is its childhood, say from its second year till its seventh or eighth. During this time the child is very innocent, full of life, playful, has no responsibility or worry, and when in fear or pain it calls its mother and she is there ever ready to protect it. It understands no restriction and has freedom to go and talk to anybody in the house. It does not know how to hate anyone — in fact, it is like the manifestation of the ever-gracious divinity in the world. A child is loved, respected and even adored.
This book is a small attempt to express the love, affection and feelings towards children. In Hindu pantheon the only divine family having children is that of Shiva and Parvati or Uma. Through pleasing illustrations, another made-for-each-other couple — the Kogatas — have touched upon the various facets in the life of the divine chidren — Ganesha and Karttikeya — together with their doting parents. The delightful verses add sweetness and charm to the book.
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Sale!Bibliography on Indian Buddhist Art and Archaeology ₹1,710.00
The bibliography includes 4081 entries, covering published materials in English and French languages over the last two centuries. It is divided into two parts. The first part contains 2410 entries dealing with Indian Buddhist art and archaeology and Indian art in general, history, religion, some Buddhist sites outside present India with special attention given to Pakistan , etc. Entries in the second part are exclusively devoted to Indian Buddhist sites. There are 57 sites; each one is individually studied. The book gives a representative overview of what has been researched and accomplished in the field of Indian Buddhist Art and Archaeology since Wilkins’s article on Bodh-Gaya in 1788 or Thomas Daniel’s first illustration on the Kanheri caves in 1798.
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Sale!Temples in India (PB) ₹450.00
This volume is a study of the beginning and evolution of temple architecture in India which covers sculptures and carvings as well. With over a hundred plates of temples and carvings on them, including cave facades and pillar depictions, it deals with temples constructed by the different ancient and medieval dynasties in Indian history, particularly the Early Western Calukyan and Later Western Calukyans, Pallava, Pandya, Cola, Hoyasala and Nayaka. With illustrations that include maps, plans of caves and even viharas and caityas, it undertakes a study of the temples found in different States of India. The research discusses the variations in plans and elevations to examine development of temple architecture over time and new experimentations in the building of temples by use of various materials. Reconstructing art and architectural styles from the remnants of the ruined temples in many places, it explains terms and concepts in temple building and architecture and cites examples of various temple styles and traditions including the best and the earliest ones. The focus is on the Dravida and Nagara temple styles and a third hybrid form of ÷ikhara that developed in the Deccan. Many Jaina temples are also covered. The book will prove extremely useful for scholars and students of Indology, particularly those studying Indian religious architecture.
