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Atmopadesh Satak...
Atmopadesh Satak
One Hundred Verses of Self-Instruction by: Narayana Guru , Swami Muni Narayana PrasadAtmopadesa Sataka, mentioning one single principle, explains that mere virtue of gaining knowledge is not an end in itself. Its usefulness should be seen in the social, religious and veneration realms.
₹120.00 ₹108.00
ISBN: 9788124601310
Year Of Publication: 1999
Edition: 1st
Pages : iv, 156
Language : Hindi
Binding : Paperback
Publisher: D.K. Printworld Pvt. Ltd.
Size: 22 cm.
Weight: 200
Atmopadesa Sataka, mentioning one single principle, explains that mere virtue of gaining knowledge is not an end in itself. Its usefulness should be seen in the social, religious and veneration realms.
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Sale!
Lalita-Sahasranama A Comprehensive Study of One Thousand Names of Lalita Maha-Tripurasundari ₹850.00In the Hindu sacred literature, Sahasra-namas: the texts embodying literally “the Thousand Names” of a deity, constitute a genre in their own right. And Lalita-Sahasranama (LS) is a veritable classic in the traditional writings of the kind — a classic widely acknowledged for its lucidity, clarity and poetic excellence. A medieval work of unknown authorship eulogising Shakti: the Mother Goddess, this Sahasranama is not just a masterly exposition of Shri Lalita’s cult, but also sets out the deity’s diverse epithets — like, for instance, Kundalini, Nirguna, Saguna, Parashakti or Brahman — which continue to evoke reverence as mantras with ‘mystic powers’. Also included among these names are the goddess’s other panegyric descriptions that have come to have profound, esoteric connotations in tantric practices — epitomizing, thus, the fundamental tenets of tantrashastra. Here is a brilliant critical edition of Lalita-Sahasranama meticulously analysing, for the first time, each of Shri Lalita’s thousand names — by a variety of themes, like the Goddess’s conceptual representations, anthropomorphic forms, disposition, abodes, kinships/consorts, ritualistic worship, and her supremacy in pantheonic hierarchy. Also explaining and interpreting anew these thousand names on the basis of time-honoured commentaries, Dr. Joshi under-scores the high importance of Lalita-Sahasranama in philosophy, tantra, yoga, sahasranama literature, and rituals of various descriptions. The book includes the original Sanskrit text of LS, its romanised transliteration and, additionally, an Appendix listing Sri Lalita’s thousand names in the A-Z sequence.
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Sale!Aditya Hrdayam
₹150.00₹135.00The ancient Indian tradition and literature accords a supreme place to the Sun in the order of divinities, revering and worshipping it as the life-force of the Universe and the highest Reality. The commentary by Swami Tattvavidananda Saraswati in this volume comes as an attempt to unravel the power and mystique of the Sun as explained in the Aditya Hrdayam, a small canto chapter offering obeisance to the Sun God in the immortal epic, Srimadramayanam of Adikavi Valmiki. The book presents the original Sanskrit mantras of the Aditya Hrdayam along with their Roman transliteration and lucid English translation. The verses are accompanied by detailed annotations that describe every term, concept and idea with great clarity. The commentary, easy to follow and fluent in flow, explores the secret of the eternal stotra, Aditya Hrdayam conveyed by Sage Agastya to Lord Rama using which the latter emerged victorious over Ravana. Aditya Hrdayam is hailed as one of the greatest tributes to the Sun by our ancient sages that provides insights into the importance of the Sun as the creator and sustainer of the Universe, the ultimate source of all wealth. The commentary involves copious references to Taittiriya Samhita, Taittiriya Aranyaka, Taittiriya Upanisad, Chandogya Upanisad, Srimadbhagavadgita, etc. , which make it all the more comprehensive and scholarly.
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Sale!Gita Govind of Jayadeva
₹980.00₹882.00“…delves deep into the poetry of Jayadeva and throws new light on many little known aspects of Sanskrit kavya literature. The way words play in the Gitagovindam is a true marvel. All the technical details and classifications as also the multiple streams of expression in such poetry, the subtelities of puns and alliterations, and the inherent beauty of rasa and dhvani are brought out … It is a labour of love, and is worth studying because among all our ancient literature, this magnum opus alone has been the inspiration for the best in our arts – music, dance, painting, sculpture and more. Bhakti and Sringara rise and set in a profound cycle in this poem, like the sun and moon in an eternal flow of light and shade (This book) shares the pleasures of Sanskrit poetry with us, making the case for Sanskrit studies a must in modern India. What a loss to our civilization if we do not wake up to it now.” — (Lakshmi Viswanathan) KALAKSHETRA JOURNAL ISSUE 6, Feb 2017
“…The authors vividly elucidate the Nayaka and Nayika bhedas. The ten stages of love, called kamavasthas,….as elaborated in Natya Sastra, were beautifully employed by Jayadeva, and this is accurately pointed out by the authors…. the English translation of each verse is committed to the original without deviation….kudos to the authors who have unearthed the notes and established the raga and tala as mentioned by Jayadeva.
The effort in presenting this treasure trove for easy rendering of verses with well-hyphenated words is commendable.” — (M. Varadarajan) FRIDAY REVIEW, THE HINDU, June 23, 2017
“The Gita Govinda transports one to the world where everything glows with the love of Radha and Krishna. It reminds us of beauty in nature, the wonder of creation and complete surrender to the Lord. The work is a welcome addition to one’s collection of books. It brings us to the magical world of dance and music through the eyes of a Sanskrit scholar and a mature, expressive dancer. Two experts in their respective fields have come together to write this book. It makes the poetry much more meaningful and is a value addition to the world of literature and arts.” – (Meenakshi Krishnan) The JOURNAL of the MUSIC ACADEMY MADRAS,VOL 88, Dec 2017 -
Sale!Rasa in Aesthetics ₹590.00
The Indian tradition of criticism is over two millennia old. And its rasa theory has, from the beginning, essentially influenced authors, connoisseurs and art critics alike. First expounded sometime between the 1st century bc and the fourth century AD in the eminent aesthetician, Bharata’s Natya Shastra, rasa theory deals with the ‘emotive content’ of a work of art — how it is depicted, inferred and transmitted. Dr. Patnaik’s book is a unique effort that demonstrates, with diverse examples, the universality of this ancient theory and its applicability to modern Western classics. Elucidating afresh the concept of rasa and all its nine primary kinds largely on the basis of Natya Shastra of Bharata and the commentaries of the tenth-century aesthetician, Abhinavagupta, the book investigates the validity of rasa theory as an aesthetic, more specifically, a literary theory, and how its canons are applicable to modern Western literature as well as Chinese love lyrics and Japanese haiku poems. Dr. Patnaik’s transcultural exploration, thus, covers all major genres of literature — poetry, drama and fiction; and also major writers — Lawrence, Mayakovsky, Kafka, Camus, Conrad, Hemingway, Faulkner, Marquez, Eliot, Hesse, O’Neill, Ionesco, Beckett, Lorca, Neruda and several others. In emphasizing the universal validity of the rasa theory, the author considers certain modern problems relevant to text, meaning and readers’/audiences’ response as well. Very few are the examples of applied rasa theory even in Sanskrit and other Indian literatures, leave alone its application to Western creative writing. This book, with its bold framework and lucid style, should, therefore, fascinate the scholars of Indology, Indian aesthetics and, above all, comparative literary criticism.
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Sale!Love Songs of Nawab Wajid Ali Shah
₹795.00₹716.00This impressively illustrated volume brings forth the evergreen spirit of a Muslim ruler of Awadh, Nawab Wajid Ali Shaw (1822-87), in composing love poetry taking a cue from the amorous Krishna leela and assimilating and practising the same in personal life. A trained Kathak dancer himself and a dedicated patron of poetry, painting and performing arts, Wajid Ali Shah immersed in the rasa of dance, music and drama, and got deeply indulged in the many an expression of shringar, while administering the political affairs of his state.
Recalling the different facets of Nawab Wajid Ali’s life, the book explores the state and fame of Lucknow, of his times, where the Nawab lived a life of refinement and pomp, and attracted the best talents in arts and crafts. It also portrays how were dance and music enjoying pride of place during his reign.
While presenting a penetrating account of Ali Shah’s poetry, the book revisits his musical scholarship, history of his times and presents his poems with English translation. It as well showcases the best paintings centring around his personal and cultural life, and guides one go through the religious and cultural harmony prevailed in Awadh where a lot of factors were at play effecting acculturation between the Hindus and the Muslims, popularly known as the Ganga-Jamuni tehzeeb.
