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Balagopalastuti...
Balagopalastuti
Celebrating the Child Krishna by: Harsha V. Dehejia , Jahnabi Barooah Chinchani , Narmada Prasad Upadhyaya₹1,195.00 ₹1,076.00
ISBN: 9788124610015
Year Of Publication: 2019
Edition: 1st Edition
Pages : 96
Language : English
Binding : Hardcover
Publisher: D.K. Printworld Pvt. Ltd.
Weight: 350
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Sale!Kautilya Arthashastra by: Sushim Dubey
₹850.00₹765.00कौटिल्य-अर्थशास्त्र प्राचीन भारतीय आर्थिक परम्परा का आधारभूत ग्रन्थ है। भारत का प्राचीन आर्थिक इतिहास सामाजिक संरचना, राजनीतिक मान्यताओं इस ग्रन्थ में जो प्रतिनिधिक वर्णन मिलता है, वह किसी भी अन्य ग्रन्थ में दुर्लभ है। सत्ता एवं शक्ति, न्याय एवं दण्डनीति, वार्ता एवं आन्वीक्षिकी, नगर-जनपद-ग्राम्य की संरचना से लेकर सुचारू अर्थव्यवस्था, स्वर्ण-नीति, मौद्रिक-नीति एवं लोक-कल्याणकारी तथा निष्टकण्टक राज आदि सिद्धान्त, कौटिल्य-अर्थशास्त्र को विश्व के आर्थिक इतिहास में महत्वपूर्ण ग्रन्थ के रूप में प्रतिष्ठित करते हैं। कौटिल्य के अर्थशास्त्र में विषय-वस्तु की गहनता एवं ऐतिहासिक कालक्रम में उनका इदम्प्रथमतया प्रणयन कौटिल्य को विश्व में अर्थशास्त्र का पुरोधा घोषित करते हैं।
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Sale!Love Songs of Nawab Wajid Ali Shah by: Harsha V. Dehejia
₹795.00₹716.00This impressively illustrated volume brings forth the evergreen spirit of a Muslim ruler of Awadh, Nawab Wajid Ali Shaw (1822-87), in composing love poetry taking a cue from the amorous Krishna leela and assimilating and practising the same in personal life. A trained Kathak dancer himself and a dedicated patron of poetry, painting and performing arts, Wajid Ali Shah immersed in the rasa of dance, music and drama, and got deeply indulged in the many an expression of shringar, while administering the political affairs of his state.
Recalling the different facets of Nawab Wajid Ali’s life, the book explores the state and fame of Lucknow, of his times, where the Nawab lived a life of refinement and pomp, and attracted the best talents in arts and crafts. It also portrays how were dance and music enjoying pride of place during his reign.
While presenting a penetrating account of Ali Shah’s poetry, the book revisits his musical scholarship, history of his times and presents his poems with English translation. It as well showcases the best paintings centring around his personal and cultural life, and guides one go through the religious and cultural harmony prevailed in Awadh where a lot of factors were at play effecting acculturation between the Hindus and the Muslims, popularly known as the Ganga-Jamuni tehzeeb. -
Sale!Aesthetic Textures by: Molly Kaushal
₹1,800.00₹1,620.00The fascinating world of multiple Bharatas that this book introduces its readers with is that of a perennial tale discovered and created afresh at each juncture of time; at each moment of self-doubt and self-exploration; at each rejoicing of self-discovery and self-recovery. If one does not come across a seamless continuity here, one does not encounter apparent ruptures either. The Bharatas, as narrated here, present us with amazing diversity with palpable consubstantiality expressed in myriad forms and multiple hues; tradition belonging as much to its contemporaneity as to its past; belonging as much to the spokes as to the axle; centrifugal and centripetal at once; a tradition old and new at the same moment of time.
The book is based on the proceedings of a seven-day international conference organized by the Indira Gandhi National Centre for the Arts (IGNCA) on the living traditions of the Mahabharata in the year 2011. The conference explored the multiple tellings and retellings of the Mahabharata story as sung, danced, and celebrated in festivals, inscribed on to geographic landscapes, committed to memory as sacred genealogy, embodied in rituals, and sculpted in shrines and temples. The presentations ranged from issues of poetics and ethics to translations, adaptations, and variations to folk and tribal traditions as sung, recited, and performed. Rather than exploring the Mahabharata as a book or a singular narrative, these papers focus on the multi-tradition of the Mahabharata in all its multidimensionality, multiplicity, and above all, in its fluidity. The book would certainly interest the scholars engaged in the study of the living heritage of Indian epics, folklorists, indologists, and anthropologists. -
Sale!Manusmriti-Prachina Bharatiya Mulya evam Darshan (Part 2) by: Sushim Dubey
₹850.00₹765.00“प्रस्तुत ग्रन्थ प्राचीन भारतीय मूल्य एवं दर्शन शृंखला के द्वितीय भाग है। मनुस्मृति प्राचीन भारतीय धर्मशास्त्र परम्परा का आधारभूत ग्रन्थ है। भारत का प्राचीन धार्मिक इतिहास सामाजिक संरचना, राजनीतिक मान्यताओं इस ग्रन्थ में जो प्रतिनिधिक वर्णन मिलता है।
मनुस्मृति मूल रूप से आध्यात्मिक मान्यता परक ग्रन्थ रहा, जिसमें कालक्रमः से समाज.व्यवस्था, वर्णव्यवस्था एवं अनेकानेक बातें समाहित होती चली गईं। तथापि मनुस्मृति की सर्वोपरिता आर्यवर्त में सहसीरों वर्ष तक निर्विवाद रही। धर्म, कर्म, कर्तव्य, सूतक, प्रायश्चित्त एवं संस्कार आदि के लिए आज भी स्रोत ग्रन्थ के रूप में मनुस्मृति संदर्भ ग्रन्थ है।” -
Sale!Rasa in Aesthetics (PB) by: Priyadarshi Patnaik
₹590.00₹531.00The Indian tradition of criticism is over two millennia old. And its rasa theory has, from the beginning, essentially influenced authors, connoisseurs and art critics alike. First expounded sometime between the 1st century bc and the fourth century AD in the eminent aesthetician, Bharata’s Natya Shastra, rasa theory deals with the ‘emotive content’ of a work of art — how it is depicted, inferred and transmitted. Dr. Patnaik’s book is a unique effort that demonstrates, with diverse examples, the universality of this ancient theory and its applicability to modern Western classics. Elucidating afresh the concept of rasa and all its nine primary kinds largely on the basis of Natya Shastra of Bharata and the commentaries of the tenth-century aesthetician, Abhinavagupta, the book investigates the validity of rasa theory as an aesthetic, more specifically, a literary theory, and how its canons are applicable to modern Western literature as well as Chinese love lyrics and Japanese haiku poems. Dr. Patnaik’s transcultural exploration, thus, covers all major genres of literature — poetry, drama and fiction; and also major writers — Lawrence, Mayakovsky, Kafka, Camus, Conrad, Hemingway, Faulkner, Marquez, Eliot, Hesse, O’Neill, Ionesco, Beckett, Lorca, Neruda and several others. In emphasizing the universal validity of the rasa theory, the author considers certain modern problems relevant to text, meaning and readers’/audiences’ response as well. Very few are the examples of applied rasa theory even in Sanskrit and other Indian literatures, leave alone its application to Western creative writing. This book, with its bold framework and lucid style, should, therefore, fascinate the scholars of Indology, Indian aesthetics and, above all, comparative literary criticism.
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