BalagopalastutiCelebrating the Child Krishna by: Harsha V. Dehejia , Jahnabi Barooah Chinchani , Narmada Prasad Upadhyaya
Year Of Publication: 2019
Edition: 1st Edition
Pages : 96
Language : English
Binding : Hardcover
Publisher: D.K. Printworld Pvt. Ltd.
Sale!Indian Philosophical Wisdom by: Mukta Biswas
The title of the book Indian Philosophical Wisdom: Some Glimpses itself signifies its importance. Indeed, philosophy is involved in every sphere of human life — literature, creative art, culture, etc. The author in her zeal to unravel the precious accumulated wisdom of Indian philosophy delved in its treasure with different approaches — historical, analytical, comparative, etc. An attempt has been made in this book to expound Indian philosophical systems and to analyse critically their logical implications.
This work consists of twenty-seven articles both unpublished and published in journals and from different academic forums aimed towards making a documentation of discussions on various systems of Indian philosophy, Upaniṣadic and Yoga philosophy in particular. This could be a ready reckoner on the subject for young and enterprising students and scholars who possess innate inquisitiveness to unearth the sagacity enshrined in Indian philosophy.
Sale!Chandogya Upanisad Translation and Commentary by: Swami Muni Narayana Prasad
Chandogya is the most intriguing of all the Upanishads. It begins with directing the priests of a Soma-yaga to see the hidden wisdom-significance in what they perform and recite as a brute ritual. This sublimating of ritualism gradually leads us to perceiving the entire life system as a yaj¤a held in and performed by Brahman. The next step this perception leads us to is “sarvam khalvidam brahma” (everything here indeed is Brahman). Then the enquiry as to what this Brahman is, begins. The answer we arrive at is “tat tvam asi” (That thou art). Finally we realize “atmaivedam sarvam” (atma indeed is everything here, or myself indeed is everything here). From this self-identity with “everything,” with Brahman, we never return to our identity with individuated forms pertaining to the world of becoming. The present commentary explicates in a lucid way how thinking progresses in this Upanishad, along with unravelling its schematic, structural and dialectical intricacies, both subjective and objective, both universal and particular.
Sale!Ancient History of India by: Charles J. Naegele
This is a fresh look at the history of Ancient India, centering on the Law Code of Manu (Manusmriti / Manu Dharmashastra), and its relationship to Rigveda and its possible relationship to the Indus/Harappan Civilisation of 4000 to 5000 years ago. It also throws light on Aryan society and culture, castes and guilds, use of technology and related practices in the Indus Valley Civilisation.
Dr. Charles Naegele, a practicing lawyer in Silicon Valley, California, USA, and a lifelong student of classical Indian knowledge, has written a work that will be certain to stir up controversy regarding the re-dating of the Law Code of Manu and the well-documented research concerning almost no possibility of Aryan Invasion Theory and the numerous similarities between the text of the Law Code of Manu and the archeological finds from the Indus/Harappan Civilisation.
Scholars and history buffs, as well as everyone who is proud of Indian heritage will enjoy not only this work, but also his future works.
Sale!Rasa in Aesthetics by: Priyadarshi Patnaik ₹590.00
The Indian tradition of criticism is over two millennia old. And its rasa theory has, from the beginning, essentially influenced authors, connoisseurs and art critics alike. First expounded sometime between the 1st century bc and the fourth century AD in the eminent aesthetician, Bharata’s Natya Shastra, rasa theory deals with the ‘emotive content’ of a work of art — how it is depicted, inferred and transmitted. Dr. Patnaik’s book is a unique effort that demonstrates, with diverse examples, the universality of this ancient theory and its applicability to modern Western classics. Elucidating afresh the concept of rasa and all its nine primary kinds largely on the basis of Natya Shastra of Bharata and the commentaries of the tenth-century aesthetician, Abhinavagupta, the book investigates the validity of rasa theory as an aesthetic, more specifically, a literary theory, and how its canons are applicable to modern Western literature as well as Chinese love lyrics and Japanese haiku poems. Dr. Patnaik’s transcultural exploration, thus, covers all major genres of literature — poetry, drama and fiction; and also major writers — Lawrence, Mayakovsky, Kafka, Camus, Conrad, Hemingway, Faulkner, Marquez, Eliot, Hesse, O’Neill, Ionesco, Beckett, Lorca, Neruda and several others. In emphasizing the universal validity of the rasa theory, the author considers certain modern problems relevant to text, meaning and readers’/audiences’ response as well. Very few are the examples of applied rasa theory even in Sanskrit and other Indian literatures, leave alone its application to Western creative writing. This book, with its bold framework and lucid style, should, therefore, fascinate the scholars of Indology, Indian aesthetics and, above all, comparative literary criticism.
Sale!Love Songs of Nawab Wajid Ali Shah by: Harsha V. Dehejia
This impressively illustrated volume brings forth the evergreen spirit of a Muslim ruler of Awadh, Nawab Wajid Ali Shaw (1822-87), in composing love poetry taking a cue from the amorous Krishna leela and assimilating and practising the same in personal life. A trained Kathak dancer himself and a dedicated patron of poetry, painting and performing arts, Wajid Ali Shah immersed in the rasa of dance, music and drama, and got deeply indulged in the many an expression of shringar, while administering the political affairs of his state.
Recalling the different facets of Nawab Wajid Ali’s life, the book explores the state and fame of Lucknow, of his times, where the Nawab lived a life of refinement and pomp, and attracted the best talents in arts and crafts. It also portrays how were dance and music enjoying pride of place during his reign.
While presenting a penetrating account of Ali Shah’s poetry, the book revisits his musical scholarship, history of his times and presents his poems with English translation. It as well showcases the best paintings centring around his personal and cultural life, and guides one go through the religious and cultural harmony prevailed in Awadh where a lot of factors were at play effecting acculturation between the Hindus and the Muslims, popularly known as the Ganga-Jamuni tehzeeb.