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Balagopalastuti...
Balagopalastuti
Celebrating the Child Krishna by: Harsha V. Dehejia , Jahnabi Barooah Chinchani , Narmada Prasad Upadhyaya₹1,195.00 ₹1,076.00
ISBN: 9788124610015
Year Of Publication: 2019
Edition: 1st Edition
Pages : 96
Language : English
Binding : Hardcover
Publisher: D.K. Printworld Pvt. Ltd.
Weight: 350
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Sale!Chandogya Upanisad Translation and Commentary by: Swami Muni Narayana Prasad
₹1,350.00₹1,215.00Chandogya is the most intriguing of all the Upanishads. It begins with directing the priests of a Soma-yaga to see the hidden wisdom-significance in what they perform and recite as a brute ritual. This sublimating of ritualism gradually leads us to perceiving the entire life system as a yaj¤a held in and performed by Brahman. The next step this perception leads us to is “sarvam khalvidam brahma” (everything here indeed is Brahman). Then the enquiry as to what this Brahman is, begins. The answer we arrive at is “tat tvam asi” (That thou art). Finally we realize “atmaivedam sarvam” (atma indeed is everything here, or myself indeed is everything here). From this self-identity with “everything,” with Brahman, we never return to our identity with individuated forms pertaining to the world of becoming. The present commentary explicates in a lucid way how thinking progresses in this Upanishad, along with unravelling its schematic, structural and dialectical intricacies, both subjective and objective, both universal and particular.
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Sale!Atmopadesh Satak by: Narayana Guru, Swami Muni Narayana Prasad,
₹120.00₹108.00Atmopadesa Sataka, mentioning one single principle, explains that mere virtue of gaining knowledge is not an end in itself. Its usefulness should be seen in the social, religious and veneration realms.
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Sale!Aesthetic Textures by: Molly Kaushal
₹1,800.00₹1,620.00The fascinating world of multiple Bharatas that this book introduces its readers with is that of a perennial tale discovered and created afresh at each juncture of time; at each moment of self-doubt and self-exploration; at each rejoicing of self-discovery and self-recovery. If one does not come across a seamless continuity here, one does not encounter apparent ruptures either. The Bharatas, as narrated here, present us with amazing diversity with palpable consubstantiality expressed in myriad forms and multiple hues; tradition belonging as much to its contemporaneity as to its past; belonging as much to the spokes as to the axle; centrifugal and centripetal at once; a tradition old and new at the same moment of time.
The book is based on the proceedings of a seven-day international conference organized by the Indira Gandhi National Centre for the Arts (IGNCA) on the living traditions of the Mahabharata in the year 2011. The conference explored the multiple tellings and retellings of the Mahabharata story as sung, danced, and celebrated in festivals, inscribed on to geographic landscapes, committed to memory as sacred genealogy, embodied in rituals, and sculpted in shrines and temples. The presentations ranged from issues of poetics and ethics to translations, adaptations, and variations to folk and tribal traditions as sung, recited, and performed. Rather than exploring the Mahabharata as a book or a singular narrative, these papers focus on the multi-tradition of the Mahabharata in all its multidimensionality, multiplicity, and above all, in its fluidity. The book would certainly interest the scholars engaged in the study of the living heritage of Indian epics, folklorists, indologists, and anthropologists. -
Sale!Comparative Literary Theory by: Kapil Kapoor ₹405.00 – ₹720.00
“Two cultures of the world — Greek and Indian — have nourished literature. While the contemporary Western thinking is rooted in Greek thought, especially of Socrates, Plato and Aristotle, and percolated down to the modern European languages with the advent of Christian thought, the multilingual Indian literary tradition has its base from the classical Tamil, Pali, Prakrt and Sanskrit.
Though cultural specificity marks these two traditions off from each other, the universal human condition that finds expression in all literatures binds them together. This book delves deep into the growth of poetics, theory of literature, literary artefacts, aesthetics of literature as an art form, and dramaturgy and philosophy of literature.
Cultures have given forms as their typical expressions — for India great epics, for Greece tragedies, and for England lyrics. Similarly, different ages of a culture find expression in different forms — Elizabethan age of England in lyrics, sixteenth-seventeenth centuries in drama, eighteenth century in prose, and nineteenth century in novel. India’s genius is in epics and its expression unfolds in sravya-preksa compositions, being singable poetry as its preferred form.
This book must serve pretty useful for students and teachers of literature. Also, an invaluable collection for researchers in literature.” -
Sale!Lalita-Sahasranama A Comprehensive Study of One Thousand Names of Lalita Maha-Tripurasundari by: L.M. Joshi ₹765.00 – ₹1,350.00
In the Hindu sacred literature, Sahasra-namas: the texts embodying literally “the Thousand Names” of a deity, constitute a genre in their own right. And Lalita-Sahasranama (LS) is a veritable classic in the traditional writings of the kind — a classic widely acknowledged for its lucidity, clarity and poetic excellence. A medieval work of unknown authorship eulogising Shakti: the Mother Goddess, this Sahasranama is not just a masterly exposition of Shri Lalita’s cult, but also sets out the deity’s diverse epithets — like, for instance, Kundalini, Nirguna, Saguna, Parashakti or Brahman — which continue to evoke reverence as mantras with ‘mystic powers’. Also included among these names are the goddess’s other panegyric descriptions that have come to have profound, esoteric connotations in tantric practices — epitomizing, thus, the fundamental tenets of tantrashastra. Here is a brilliant critical edition of Lalita-Sahasranama meticulously analysing, for the first time, each of Shri Lalita’s thousand names — by a variety of themes, like the Goddess’s conceptual representations, anthropomorphic forms, disposition, abodes, kinships/consorts, ritualistic worship, and her supremacy in pantheonic hierarchy. Also explaining and interpreting anew these thousand names on the basis of time-honoured commentaries, Dr. Joshi under-scores the high importance of Lalita-Sahasranama in philosophy, tantra, yoga, sahasranama literature, and rituals of various descriptions. The book includes the original Sanskrit text of LS, its romanised transliteration and, additionally, an Appendix listing Sri Lalita’s thousand names in the A-Z sequence.
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