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Tattvabodha VII...
Tattvabodha VII
Essays from the Lecture Series of the National Mission for Manuscripts by: Pratapanand JhaThis volume, seventh in the series, consists of twelve papers eleven in English and one in Hindi presented by scholars of high repute in different Tattvabodha lectures organized by the National Mission for Manuscripts, presenting varied topics across Indian knowledge system.
₹405.00
ISBN: 9789380829593
Year Of Publication: 2018
Edition: 1st
Pages : xiii, 171
Bibliographic Details : Index
Language : English
Binding : Hardcover
Publisher: National Mission for Manuscripts
Size: 23
Weight: 450
The National Mission for Manuscripts was established in February 2003 by the Ministry of Culture, Government of India with the purpose of locating, documenting, preserving and disseminating the knowledge content of India’s handwritten manuscripts, said to be the largest collection of handwritten knowledge documents in the world. While looking ahead to reconnect with the knowledge of the past, the Mission is in the process of trying to re-contextualize the knowledge contained in manuscripts for the present and the future generations.
The Mission launched a lecture series titled Tattvabodha in January 2005. Since then, a monthly lecture series is organized in Delhi and other academic centres all over the country. Tattvabodha has established itself as a forum for intellectual discourse, debate and discussion. Eminent scholars representing different aspects of India’s knowledge systems have addressed and interacted with highly receptive audiences over the course of the past few years.
This volume, seventh in the series, consists of twelve papers Þ eleven in English and one in Hindi presented by well-known and upcoming scholars in different Tattvabodha lectures organized by the Mission.
The volume finds its merit in varied subjects across Indian knowledge system such as Accessing Manuscripts in the Digital Age; Physics in Ancient Indian Knowledge System; Critical and Comparative Review of the Principal Upanishads; The Concept of Shiva in Shiva-rahasya; The Ramacaritam of Ciraman; Editing of Ayurvedic Manuscripts; The Dravyanamakara Nighantu; Tribal Heritage and Indigenous Philosophical Wisdom of Odisha; Glimpses of Archival Manuscripts; Gandhari: A Key Mother Figure of the Mahabharata; Depiction of Indian Culture in Sanskrit Inscriptions of Cambodia; Phasi Katha-Parampara aura Arabyayamini.
The introductions, interpretations, explanations and analyses involved herein should solicit keen interest among academicians, scholars and students of Indology.
Foreword
Scheme of Transliteration
1. Accessing Manuscripts in the Digital Age: A Pipeline to Create a Hypertext Catalogue
and Searchable Excess to Manuscript Images Part II
Peter M. Scharf
2. Physics in Ancient Indian Knowledge System
Shankar Gopal Nene
3. Critical and Comparative Review of the Principal Upanishads
Dhirendranath Banerjee
4. The Concept of Shiva in Shiva-rahasya : An Old Unpublished Manuscript
Satya Deva Misra
5. The Ramacaritam of Ciraman : Its Significance in Malayalam Language and Literature
T.B. Venugopala Panickar
6. Editing of Ayurvedic Manuscripts
S.D. Kamat
7. The Dravyanamakara Nighantu of Bhisma Vaidya: An Unpublished Lexicographical Work
on Medicinal Plants
S.D. Kamat
8. Tribal Heritage and Indigenous Philosophical Wisdom of Odisha : Tradition, Practice and
Contribution to Indian Knowledge System
Kishore Kumar Tripathy
9. Glimpses of Archival Manuscripts
Zareena Parveen
10. Gandhari: A Key Mother Figure of the Mahabharata
Urmi Shah
11. Depiction of Indian Culture in Sanskrit Inscriptions of Cambodia
C. Upender Rao
12. Pharasi Katha-parampara aur Aarabyamini
Radhavallabha Tripathi
Contributors
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Sale!Borobudur ₹4,680.00
Borobudur was constructed during the eighth century as a guide to the Noble Path of the Buddha. Born from silence and unfolding into the serenity of the other shore, it expresses the glory of Indonesia’s awareness and creativity, the smile of her plastic forms over the centuries as well as her travels along the edge of thoughts that cross the endless corridors of memory.
Though the Western world rediscovered this magnificent structure almost 200 years ago, this sacred place nonetheless remains seated in its enigmatic depth, engulfed in vaporous illusions, waiting for someone to find the base simplicity of its Truth. This book is a catalyst and invites adventurous minds to find new directionJs by bringing into focus the vast universe of the Borobudur in order to cultivate the Way to weeding out error. The questions posed or solutions offered herein are like water and waves: different yet identical in essence. They stir discussion.
One of the special contributions of this book lies in its correlating the cyclical movements of the Sun and Moon with the numerical symbolism of Borobudur. The authors cite the magical effect of the Sun suddenly appearing out of the volcano Merapi and empowering the Borobudur-mountain with its radiant energy in poetic imagery. This magic moment of satori or enlightenment echoes the experiences of the unknown Shailendra monarch who had commissioned the monument’s construction and the inspiration that made the architect envision this Buddhist wonder.
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Sale!Apsarases in Indian Literature and the Legend of Urvasi and Pururavas ₹315.00
Indian literature abounds in a variety of myths and legends narrating allegorical/historical stories with moral teachings where celestial or semi-celestial beings, in particular the apsarases, occupy an important place. Of such legends, a few have become much popular and they reappear in the course of the history of literature at various stages. One such legend is that of Urvashi and Pururavas which is one of the most ancient legends of India, owing its origin to the Rigveda. This scholarly work, based on extensive original sources primary, comprising ancient Sanskrit texts, commentaries and glosses and modern literary pieces, kavyas and plays, as well as critical writings on these original works, studies the origin and development of the institution of apsarases and their characteristics as described in the vast corpus of Vedic, Epic-Puranic and classical works. In this context, it undertakes an interesting survey of the concept of nymphs (apsarases) in Indo-European, especially Greek mythology. Dr. Handique then thoroughly examines the depiction of the legend of Urvashi and Pururavas a favourite theme that has been immortalised in literary masterpieces in Indian literature as a whole: from the ancient Vedas and Puranas, the Harivamsha and Vikramorvashiyam to modern works like Urvashi Janani and Abhishapta Urvashi and stray poetic pieces. Presenting a new angle to the study, the book attempts to explore aspects of an age old tradition that bears close affinity with the institution of the apsarases in terms of mode of living worship and ideals like system of the devadasis. The book will prove invaluable to scholars of Indian mythology, culture and literature as well as interest general readers of ancient India’s legends and tales.
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Sale!“Celebrating India through Hindu Eyes” ₹1,796.00
This book is a celebration of India through Hindu eyes. Those eyes are of sages and kings, artists and artisans, potters and poets, rasikas and bhaktas. In that journey we remember the almond-shaped eyes of Shrinathji, the round eyes of Jagganathji. Those are human eyes through which we have received the darshan of our gods and goddesses and also the blessings of our elders and teachers. Those eyes are ancient and have witnessed magnificent kingdoms and trackless empires. They have watched the creations of monumental temples as well as charming havelis. They have travelled through the pages of history and chronicled the glory of the raja and the praja. Hindu eyes see the past even when they watch the present for they guide us through linear time but when we close our eyes we contemplate in circular time. Our eyes delight in asserting the finite but they rest when they find the infinite. They rejoice in the various akritis but they direct us to our sanskriti. They have been witness to our love stories and heroic sagas. They have smiled and spoken, invited and whispered. Hindu eyes belong to our mind which is buddhi pradhan but they throb with our heart which is bhava pradhan. They are the eyes of a people for whom adornment is beautiful but the serenity of ananda is blissful, for those eyes are the windows of our atman forever seeking the Brahman. Join us in this celebration.
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Sale!Vada in Theory and Practice ₹1,170.00
Vada, meaning debates, dialogues, discussions, was the quintessential of Indian spirit, enabling and promoting the growth of different philosophical and knowledge systems of India. It percolated deep into our mindset and enriched the moral, ethical, religious and sociocultural edifice of anything that was essentially Indian in nature. As continuation of Anvikshiki from the bc era, vada helped thrive Indian traditional knowledge systems. It subsists on diversity and its tradition envisages pluralism.
Most of our Sanskrit works, covering a wide gamut of knowledge systems, are structured in the techniques of debate. This reality applies not only to the philosophical writings, but to Indian medical systems (Ayurveda), Arthashastra of Kautilya and Kamasutra of Vatsyayana as well. Even great epics like Ramayana and Mahabharata are no exceptions.
Vada culture involved verbal duals, attacks and even violence of speech, and all major religious systems — old or modern — were parties to it. This book also elucidates how vata was vital and critical for the growth of our socio-political fabrics. It shows how some of the major conflicts in philosophical systems were centred around karma, jnana, choice between violence and non-violence, pravritti and nivritti. It also presents the manifestations of vada on a vast canvas during the nineteenth and twentieth centuries. Modern spiritual and religious gurus like Ramana Maharshi, J. Krishnamurti and Vinoba Bhave were men of dialogues. Our scholars have applied the varied techniques of vada against the philosophical and scientific systems of the West to prove them correct.
This collector’s issue should enthrall a wide audience of philosophers, scholars and believers in Indian knowledge systems. -
Sale!Cinema Through Rasa ₹1,350.00
Cinema Through Rasa discusses the important works of the world cinema in the light of Rasa Siddhānta of the Indian classical aesthetics. Rasa Siddhānta was first mentioned in Bharata Muni’s Nāṭyaśāstra – the ancient treatise on dramaturgy. This book catalogues the major cinematic works in the light of Abhinavabhāratī – a tenth-century commentary on the Nāṭyaśāstra by the great Kashmiri Śaivite philosopher Abhinavagupta. Further, it outlines the links between puruṣārtha, the cultural value system of life pursuits in Indian tradition, and aesthetics while citing examples from the works of major directors such as Orson Welles, Luis Buñuel, Ingmar Bergman, Akira Kurosawa, Andrei Tarkovsky, Alfred Hitchcock, Carl Dreyer, Charlie Chaplin, Sergei Eisenstein, Robert Bresson and Satyajit Ray.
Using contemporary scholars’ interpretation of non-dualistic Kashmir Śaivism tradition, Cinema Through Rasa aims to serve as a tribute to Abhinavagupta’s genius, a commentary on important ideas such as rasa, nature of emotions, cinema and beauty along with a tryst with the masterpieces of the world cinema. The meaning of this book is summarized by this verse – na hi rasād r̥te kaścid arthaḥ pravartate – the medium of cinema, though modern, should be seen as resting in the power of rasa without which nothing makes any sense.
This book is a translation of the original Hindi book Abhinava Cinema, which was first published in 2016. Abhinava Cinema was lauded as innovative, path-breaking and a must-read for students of literature and cinema studies by scholars and critics.
