-
Sivastotravali of Ut...
Sivastotravali of Utpaladeva
A Mystical Hymn of Kashmir by: Swami Lakshman JooThe Sivastotravali is a collection of hymns composed by Utpaladeva, the great mystic and philosopher of non-dualistic Kashmir Saivism, and the Paramaguru of the illustrious Abhinavagupta. This book brings out the English exposition, for the first time, of the hymns by Swami Lakshman Joo, the renowned scholar of Kashmir Saivism.
₹896.00
ISBN: 9788124604670
Year Of Publication: 2008
Edition: 1st
Pages : xiii, 287
Bibliographic Details : Index
Language : English
Binding : Hardcover
Publisher: D.K. Printworld Pvt. Ltd.
Size: 23 cm.
Weight: 600
Utpaladeva (late 9thearly 10th century) was a great philosopher of the School of Recognition of non-dualist Kashmir Shaivism, who established its philosophy on a solid basis with his Ishvarapratyabhijna Karikas (Verses on the Recognition of the Lord), and with three philosophical works, the Siddhitrayi. He was the predecessor (Paramaguru) of the great Abhinavagupta. But at the same time he was a mystic of bhakti as we find it here expressed in his Hymns Shivastotravali. For him, bhakti and advaita were not opposed to each other but complementary.The Shivastotravali is a collection of verses and hymns which are an expression of intense bhakti, longing for the Lord, and the mystical experience of the author and his non-dual union with Shiva. They were arranged in 20 chapters or Stotras by his disciples. Of highly poetic quality, these verses belong to the greatest mystical literatures of the world. Swami Lakshman Joo, the last Shaivacarya of Kashmir (19071991), combined in himself the great scholar of the tradition of Kashmir Shaivism, who taught and expounded its texts time and again to his disciples and to scholars from all parts of the world, and the perfect yogi who had an intimate experience of the spirituality contained therein. He had a special love for the Shivastotravali and expounded it many times in different languages (Kashmiri, Hindi and English). His edition of the Shivastotravali with Kshemaraja’s commentary and his Hindi translation remains the standard text. In the present volume his exposition in English is brought out for the first time.
Prakkthan
— Prabha Devi
Foreword
— Prabha Devi
Preface
— Ashok Kaul
Acknowledgements
— Editor
Introduction
— Bettina Baumer
1. Bhaktivilasa Stotra : The Joy of Devotion
2. Sarvatmaparibhavana Stotra : Contemplation of the All-in-All
3. Pranayaprasada Stotra : Supplication with Reverence
4. Surasodbala Stotra : The Strength of Divine Nector
5. Svabalanideshana Stotra : Longing for Ones Own Strength
6. Adhvavisphurana Stotra : Clearing of the Path
7. Vidhuravijaya Stotra : Overcoming Separation
8. Alaukikodbalana Stotra : The Transcendent Power
9. Svatantryavijaya Stotra : The Glory of Freedom
10. Avicchedabhanga Stotra : Breaking the Continuity
11. Autsukyavishvasita Stotra : Longing for Assurance
12. Rahasyanirdesha Stotra : Revealing the Secret
13. Samgraha Stotra : In Summing Up
14. Jaya Stotra : Hymn of Glorification
15. Bhakti Stotra : The Song of Devotion
16. Pashanudbheda Stotra : Breaking the Fetters
17. Divyakridabahumana Stotra : Celebrating the Divine Play
18. Avishkara Stotra : Revealing Hymn
19. Udyotanabhidhana Stotra : The Meaning Revealed
20. Carvanabhidhana Stotra : Savouring the Meaning
Sloka Index
-
Sale!Chandogya Upanisad Translation and Commentary ₹1,215.00
Chandogya is the most intriguing of all the Upanishads. It begins with directing the priests of a Soma-yaga to see the hidden wisdom-significance in what they perform and recite as a brute ritual. This sublimating of ritualism gradually leads us to perceiving the entire life system as a yaj¤a held in and performed by Brahman. The next step this perception leads us to is “sarvam khalvidam brahma” (everything here indeed is Brahman). Then the enquiry as to what this Brahman is, begins. The answer we arrive at is “tat tvam asi” (That thou art). Finally we realize “atmaivedam sarvam” (atma indeed is everything here, or myself indeed is everything here). From this self-identity with “everything,” with Brahman, we never return to our identity with individuated forms pertaining to the world of becoming. The present commentary explicates in a lucid way how thinking progresses in this Upanishad, along with unravelling its schematic, structural and dialectical intricacies, both subjective and objective, both universal and particular.
-
Sale!Lilavati Vithi of Ramapanivada ₹585.00
The Lilavati, a vithi, is the magnum opus of Ramapanivada, a versatile poet of eighteenth century ce, a resourceful and multitalented writer of almost all the genres of creative compositions, belonged to Kerala, India. The Lilavati is the best of all available specimens of vithi literature in the history of Sanskrit drama. The plot of the Lilavati Vithi is based on the love story between Virapala, the king of Kuntala, and Lilavati, the daughter of the king of Karnata.
The text of the present volume of Lilavati Vithi is carefully edited and presented with a Sanskrit commentary Praci in the light of Sanskrit dramaturgy as well as Indian rhetorics. The commentary Praci treats to critically evaluate various poetical aspects, like figures in speech and metres. The characteristics of vithi with the suitable examples from the Lilavati, the thirteen numbers of vithyangas, the type of amukha or prastavana are explored in the introduction. It also presents an account of the history of the literature of available and non-available vithi type in its introduction.
Present edition of Lilavati Vithi along with the Sanskrit commentary Praci and an extensive introduction in English and appendices will interest scholars and students of Indology who are focused on the study of Sanskrit literature. It will benefit the readers interested in classical Sanskrit literature. It will also be a supporting tool for the researchers of the history of classical Sanskrit literature in general and vithi literature in particular. -
Sale!Atreyashiksha ₹720.00
Atreyashiksha is one of the Shiksha texts of the Krishna-Yajurveda, Taittiriya school. This text has been critically edited and translated consulting two palm-leaf manuscripts which are currently the only discovered manuscripts of this text in public libraries. Shiksha texts deal with phonetics and phonology of the Vedas and the method of proper pronunciation and recitation. The Atreyashiksha is well-structured in terms of arranging its topics of discussion.
When compared to the other Shikshas of the Taittiriya school, the Atreyashiksha, in keeping its focus on the discussion on the different methods of Vedic recitation, namely, word-reading (padapatha), sequential reading (kramapatha), tangled reading (jatapatha) and the five varieties of the reading of the phonic sequences (varnakramas), holds a unique position in the corpus of the Shiksha literature. A close reading of the text shows that the main aim of the text is to explain the practical aspects of the different ways of Vedic recitation, in whose connection it describes the theoretical elements of Shiksha too.
The book, therefore, serves as a practical guidebook to Vedic reciters who recite the above-mentioned readings of the Taittiriya Krishna-Yajurveda along with the continuous reading. While describing the methods of recitation, the Atreyashiksha gives enough emphasis on the theoretical nuances. The phonological rules, most of which are expressed in the Taittiriya Pratishakhya, are also illustrated in this text. This book consists of a detailed introduction, the critically edited text in Devanagari script, its Roman transliteration and an authentic English translation. -
Sale!Comparative Literary Theory ₹720.00
“Two cultures of the world — Greek and Indian — have nourished literature. While the contemporary Western thinking is rooted in Greek thought, especially of Socrates, Plato and Aristotle, and percolated down to the modern European languages with the advent of Christian thought, the multilingual Indian literary tradition has its base from the classical Tamil, Pali, Prakrt and Sanskrit.
Though cultural specificity marks these two traditions off from each other, the universal human condition that finds expression in all literatures binds them together. This book delves deep into the growth of poetics, theory of literature, literary artefacts, aesthetics of literature as an art form, and dramaturgy and philosophy of literature.
Cultures have given forms as their typical expressions — for India great epics, for Greece tragedies, and for England lyrics. Similarly, different ages of a culture find expression in different forms — Elizabethan age of England in lyrics, sixteenth-seventeenth centuries in drama, eighteenth century in prose, and nineteenth century in novel. India’s genius is in epics and its expression unfolds in sravya-preksa compositions, being singable poetry as its preferred form.
This book must serve pretty useful for students and teachers of literature. Also, an invaluable collection for researchers in literature.” -
Sale!Bhagavad Gita ₹765.00
Nearing its fiftieth year of being continuously in print, Nataraja Gurus monumental analysis of one of the greatest philosophical classics of Planet Earth is now available in a new edition. Generations have benefited from its unique angle of vision, which introduces a universal framework that does not depend on faith to impart its message of infinite potential for every human being. The Gurus wry humor, fresh insights, and fearless challenges to prevailing orthodoxies, are clear marks of his style. His analysis is radical by any measure, yet it must be noted that much of the scientific and philosophic community has evolved over the same half century toward a similar global, broad-minded outlook to the one which the Guru brings to bear in these pages, and which not coincidentally is advocated by the Bhagavad Gita itself.
