Chidambaram Abode of...
Chidambaram Abode of the Infinite
by: Dr. T. Ramalinga Dikshitar , Shri. P. Natarajan₹1,400.00 Original price was: ₹1,400.00.₹1,260.00Current price is: ₹1,260.00.
ISBN: 9788195171866
Year Of Publication: 2023
Edition: 1st
Pages : 155
Language : English
Binding : Hardcover
Publisher: Universal Publishing
Size: 30
Weight: 700
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- Sale!Love Songs of Nawab Wajid Ali Shah by: Harsha V. Dehejia
₹795.00Original price was: ₹795.00.₹716.00Current price is: ₹716.00.This impressively illustrated volume brings forth the evergreen spirit of a Muslim ruler of Awadh, Nawab Wajid Ali Shaw (1822-87), in composing love poetry taking a cue from the amorous Krishna leela and assimilating and practising the same in personal life. A trained Kathak dancer himself and a dedicated patron of poetry, painting and performing arts, Wajid Ali Shah immersed in the rasa of dance, music and drama, and got deeply indulged in the many an expression of shringar, while administering the political affairs of his state.
Recalling the different facets of Nawab Wajid Ali’s life, the book explores the state and fame of Lucknow, of his times, where the Nawab lived a life of refinement and pomp, and attracted the best talents in arts and crafts. It also portrays how were dance and music enjoying pride of place during his reign.
While presenting a penetrating account of Ali Shah’s poetry, the book revisits his musical scholarship, history of his times and presents his poems with English translation. It as well showcases the best paintings centring around his personal and cultural life, and guides one go through the religious and cultural harmony prevailed in Awadh where a lot of factors were at play effecting acculturation between the Hindus and the Muslims, popularly known as the Ganga-Jamuni tehzeeb. - Sale!Buddhist Art of Kausambi by: Aruna Tripathi
₹2,500.00Original price was: ₹2,500.00.₹2,250.00Current price is: ₹2,250.00.The Upanishads capture the quintessence of Indian spiritual wisdom unfolding deepest, highly perceptive reflections on human existence and how it is related to the mysterious cosmos. Authored by enlightened seers over the period of 1500-200 bc., the Upanishadic message is a magnificent vision that raises human consciousness to sublime heights. One of the major centres of Buddhist art in ancient times, Kausambi provides evidence of an uninterrupted art tradition spanning centuries. Pointing to the scant attention Kausambi has received from scholars in the past, this work attempts to highlight its art treasures through a study of its stone sculptures. Based on scrutiny of stone sculptures found at various sites in Kausambi and its vicinity and housed in different museums, it presents perhaps the first extensive documentation of the Buddhist art of the region from the Mauryan to post-Gupta period. It examines in detail over 300 stone sculptures, paying special attention to their iconographic features, types of stone, techniques of carving, grinding and polishing and their aesthetic appeal. All this comes with a background throwing light on the history of Kausambi and its association with Buddhism, the early archaeological explorations in the region, and the individuality and uniqueness of Kausambi art as compared to Mathura and Sarnath schools. The book presents over 225 black-and-white and over 50 coloured photographs of Buddhist sculptures which are neatly classified and systematically analysed. It would prove invaluable to scholars and students of Buddhist art.
- Sale!Akbar, The Aesthete by: Indu Anand
₹4,800.00Original price was: ₹4,800.00.₹4,320.00Current price is: ₹4,320.00.Mughal miniatures are a vivid account of the cultural, sociopolitical scenario of the Mughal era. Jalal-ud-Din Muhammad Akbar, the most powerful Mughal emperor, was a great aesthete and promoter of arts. Eminent Persian and Indian artists thronged his Royal Studio and were encouraged to paint numerous emotive miniatures of style and substance, communicating highly complex narratives. These miniatures are a beautiful manifestation of human expressions, vividly encapsulating moments of history for posterity.
This book combines the sources and methodology of history and art history of the Mughal era, and is an analysis of a select group of paintings of Akbar’s reign. The miniature paintings incorporate a wide variety of rich, vibrant and varied themes, ranging from durbar scenes, depicting Akbar in different moods and forms, the princes and nobles in their finery, hunting and battle scenes, elaborate scenes of royal births, construction scenes, ascetics, common man, and countryside scenes, to the flora and fauna. Individual analyses of these miniatures, shows the manner of their composition and the inherent value of their sociocultural content in a lively manner. These paintings became a passion and a diversion for Akbar, who had an innate aesthetic sense.
However, there are hardly any true-to-life paintings of women of the royal seraglio. This book thus attempts to cover some images of femininity, whether it is of Queen Alanquwa, Akbar’s mother, or of Madonna as sacred mothers, and women, per se, in different roles. These miniatures make one wonder how much these women contributed to the life of Mughal India.
This unique volume, having given transliteration and translation of the original Persian text of the miniatures, provides an insight into Akbar as an aesthete, and will help academics and laymen alike in appreciating the beauty and history of Akbar’s period. - Sale!An Introduction to the Study of Indian Poetics by: Mahesh Singh Kushwaha, Sanjay Kumar Misra,
₹600.00Original price was: ₹600.00.₹540.00Current price is: ₹540.00.The book aspires to do for Indian poetics what Hudson’s book, An Introduction to the Study of English Literature did for English literature, though in a totally different manner and style. It provides the student with the essential knowledge about almost all aspects of Indian poetics. Based on the original Sanskrit sources, it presents the necessary information lucidly in precise and clear terms. Each chapter is self-contained and complete in itself, with explanatory notes, and a bibliography of relevant works. The Sanskrit terms used in the text are invariably explained or provided with English equivalents.
For quick reference, “A Glossary of Sanskrit Literary Terms” is given in the Appendices, which contain also “A List of Noted Indian Poeticians (including commentators) and Their Works” and “Notes on Major Texts in Indian Poetics”.
This handy volume, with its unique features, will prove invaluable to those who are going to embark on the study of Indian poetics, especially the ones who have no Sanskrit background. To a devoted student, it will prove a useful companion during his/her further studies. - Sale!Art, Aesthetics and Philosophy by: S.G. Kulkarni, Kavita Chauhan,
₹420.00Original price was: ₹420.00.₹378.00Current price is: ₹378.00.The savants of the twentieth century have excavated the past to discerningly reveal the present. Swami Vivekananda, Rabindranath Tagore, Sri Aurobindo, Mahatma Gandhi and Ananda Coomaraswamy, among others, interpreted Indian aesthetics, civilization, culture and philosophy unearthing the Indian wisdom against the wrong interpretations and teachings of the Western colonial scholars. This volume, a collection of papers presented at a national seminar on the Philosophy of Ananda Coomaraswamy held in February 2011 at the University of Hyderabad, approaches Coomaraswamys philosophy on Indian aesthetics, life and religion from different perspectives.
The volume brings forth different facets of Coomaraswamy: as a catalyst in spiritualizing Indian arts; his views on modernism and anti-modernism; his efforts in aestheticizing India; his polemics of decolonization through art criticism; his aesthetical philosophy; his perception and understanding on art, culture and Indianness; his metaphysics; and his philosophical approach to visuals and materials from the lens of an art historian. It sketches Coomaraswamys multifaceted persona, enunciating that the crux of modern Indian philosophy is one of vision, rather than building theories.
In a nutshell this book presents the varied reflections on Coomaraswamys personality as a philosopher, art historian, art curator and his strong positioning against the colonial teachings of Western art historians and philosophers on Indias art, civilization and culture, projecting an image of Indianness in every sphere.
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