Professor Sudhir Kum...
Professor Sudhir Kumar Saxena Centenary Celebrations
by: Manjula SaxenaOriginal price was: ₹550.00.₹495.00Current price is: ₹495.00.
ISBN: 9788124612330
Year Of Publication: 2023
Edition: 1st
Pages : vi, 60
Language : English
Binding : Hardcover
Publisher: D.K. Printworld Pvt. Ltd.
Size: 23
Weight: 275
Introduction
1. Uniqueness of the Tradition of Teaching Indian Classical Music Arising out of the Concept of “Kanthasth” Knowledge
2. The Principles and Aesthetic Aspects of Improvising and Creating Compositions in the Field of the Art of Tabla
3. A Journey from Ancient Tripuskar Vaadya to Modern Indian Percussion Instrument Tabla
4. Traditional Tabla Playing with Diverse Compositions
5. Philosophical Aesthetics and Indian Music
“Professor Sudhir Kumar Saxena Centenary Celebrations”
- Sale!Hindustani Music Today Original price was: ₹600.00.₹540.00Current price is: ₹540.00.
Stating that Hindustani music should be rightly termed Art music and not classical music, the book begins by discussing the features of Art music and presents an approach to appreciating Hindustani music. It provides a detailed understanding of the components of the raga experience in Hindustani music, including their time theory and the role of Gharanas of the musical tradition.
It deals with genres of raga-based vocal music which have been performed over the last five centuries: Dhrupad, which has its moorings in devotional music; Khayal vocalism shaped by Sufi influences; the thumree, which originated as an accompaniment to the Kathak dance; and the tappa, adapted from the songs of camel drivers in the north-west frontier. It takes up the use of instruments in Hindustani music, especially the Rudra Veena, Sitar, Surbahar, Sarod, Santoor, the Shehnai, Pakhawaj, the Hawaiian Guitar and many others, giving an account of their origin, performing styles and lineages relating to them.
Throughout, the emphasis is on contemporary trends in Hindustani music and its prospects in the future. It mentions the significant practitioners of Hindustani music, both vocal and instrumental.
The volume will interest lovers of Indian music and also scholars who want to have a greater understanding of its traditions, its contemporary appeal and trends in practice. - Sale!Bharatiya Chau-Nritya Original price was: ₹3,800.00.₹3,420.00Current price is: ₹3,420.00.
Chhau dance has an unbroken relation with the essence of Indian culture. This dance form that flourishes in the forest-areas of Jharkhand, Odisha and West Bengal has already attained widespread acclaim, internationally, as an art. By its distinct confluence of the classical and folk traditions, this art form has carved a niche for itself of being counted as the dance of the traditional and classical discipline. It is based on the foundation of martial art techniques. The most striking features are the multi-coloured, splendid, artistic and attractive masks and magnificent headgears that form part of the decoration and costume design. It consists of dance movements called as nritta-karanas as described in Bharata’s Natyashastra and hand gesticulations as found in Nandikeshvara’s Narityashastra, and is also endowed with varied regional movements of folk forms. This dance form depicts movements of day-to-day activities, gaits of animals and birds, and symbolic gestures accompanied by the war-drums and music giving an experience of the sweet fragrance of the regional music forms. The plot is generally drawn from the Ramayana, Mahbaharata, and various other Puranas and poetry. It is thus a combination of a rich tradition of artistic creativity that has naturally attracted the mind of all age-groups at the national and international arena.
The author has collected authentic information by visiting those places where this dance form is traditionally taught and practised. The author has met the teachers of chhau dance, the designers of masks and costumes, and spent time to gather information to be made available in a single place. In the present text, chhau dance has been presented for the first time elaborately with indepth and authentic details. Along with the presentation of the historical and cultural aspects of chhau dance, its performing aspect, content of plot, costumes, physical gesticulation, instruments and instrumentalists, regional styles, the three distinct styles of chhau its history, folk tradition and other details are elaborated in nine sections. The 200 photographs in this edition reiterate the richness of this art with greater authenticity and thus prove to enliven this traditional art form.
Vol. 1 ISBN: 8124606463, 9788124606469
Vol. 2 ISBN: 8124606471, 9788124606476 - Sale!Art of Tabla-Rhythm Original price was: ₹550.00.₹495.00Current price is: ₹495.00.
This authoritative work deals comprehensively with Tabla rhythm, focusing on the performed art with an eye to its history and aesthetics. It is aimed at the Tabla student, the Tabla performer, as well as the inquiring listener of Hindustani music, for whom it encapsulates a Tabla practitioner’s knowledge in these matters acquired over a lifetime of learning and teaching. Beginning with the evolution of the Tabla, the book explains the technique of producing the basic bols. It further describes the way to do reyaz on the Tabla, to maintain the instrument through changing seasons, and to raise and moderate its pitch, besides other practical directions. The author explains the principal compositions that make up a standard Tabla recital, and how they may be played in solo and sangat contexts. The major gharanas of Tabla are discussed critically, and their notated compositions are provided in both Roman and Devanagari scripts. The CD accompanying the book carries samples of the tabla of these gharanas recorded under the author’s direction, as well as demonstrations of compositions used as illustrations in the book. Grounded in traditional learning in Tabla rhythm, the book is written with a rational, empirical mind, and in a lucid manner all along which makes it accessible to a wide range of musicians and listeners.
- Sale!Hindustani Music and the Aesthetic Concept of Form Original price was: ₹800.00.₹720.00Current price is: ₹720.00.
With its roots in the Samaveda (which treats it as a divine art), music in India has a long, splendid tradition. Over the centuries, it has absorbed fresh influences and experimented with new forms to finally evolve into two meticulously codified classical systems: Hindustani and Carnatic. In todays growing library of writings on Hindustani music, Anjali Mittals research is yet another valuable addition adopting, as it does, a viewpoint which has been neglected so far, namely, the viewpoint of contemporary western aesthetics. It is for the first time that this monograph examines the concept of form in Hindustani classical music. In this context, analytic attention has been focussed on some select compositions in dhruvapada, dhamar, tarana, vilambit and drut khyal genres of Hindustani classical vocal music. A wide variety of drut tanas has also been analysed in terms of notation and linear diagrams. Such diagrams, in fact, distinguish the present volume. Analysis of some rhythm-cycles and rhythmic patterns is another feature of this book. Thoroughly documented and written in a jargon-free language, the study includes a contextual discussion of aesthetics, artistic expression, aesthetic predicates and, above all, the concept of artistic form. The work may be expected to interest all those who want an analytic understanding of what form (or bandisha) means in the region of Hindustani classical vocal music.
- Sale!Hindustani Sangeet and a Philosopher of Art Original price was: ₹850.00.₹765.00Current price is: ₹765.00.
The book is decidedly the very first of its kind. It seeks to weigh some basic facts and concepts of Hindustani sangeet (music, rhythm, and Kathak dance) against the art theories of Susanne K. Langer, an eminent aesthetician of the recent past; but nowhere without meticulous attention to the text of her writings. The expression theory of art has for long dominated the history of aesthetics. At the hands of Langer, however, the theory takes a new turn. She conceives of art not as a direct self-expression of the artist’s immediate affective state, but as a symbolic expression of his knowledge of what she terms variously as felt life, sentience, or forms of feeling. Drawing freely upon examples from the region of Hindustani sangeet, the present book accepts Langer’s protest against the popular view of artistic expression, but contends that there is a good deal in our music and dance which has nothing to do with feeling, and is admired simply because of its sweetness, clarity, shapeliness, and accordance with grammatical norms. In the chapter on music, while discussing Langer’s emphasis on commanding form in a total performance, the author proposes a quite new definition of raga which seeks to integrate the various points in its traditional characterizations. The third chapter too, which deals with Langer’s view of rhythm, is not merely explanatory, but ventures to propose a fresh and fairly defensible definition of rhythm. The closing chapter, devoted to dance, not only essays to meet some key objections to Langer’s writing on this art, but clarifies some atypical language that she uses in this context: apparition of vital powers; the dynamic image; virtual realities; and the created, superhuman dance-personality. But perhaps the two most striking features of the book are: first, a lucid exposition of the essentials of Langer’s aesthetics in the opening chapter; and, second, abounding illustrative references to Hindustani sangeet.
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