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Paintings of Bundelk...
Paintings of Bundelkhand
Some Remembered, Some Forgotten, Some not yet Discovered by: Harsha V. DehejiaThis volume presents meticulous deliberations on the mural paintings of Bundelkhand. These murals — a living art, more democratic and decidely popular — were the artistic idiom of Bundelkhand. It reminds us a truth that the paintings of Bundelkhand are half remembered, half forgotten and many yet to be discoverd.
₹2,520.00
ISBN: 9788124608456
Year Of Publication: 2016
Edition: 1st Edition
Pages : 160
Language : English
Binding : Hardcover
Publisher: D.K. Printworld Pvt. Ltd.
Size: 28
Weight: 1100
This volume, a visual journey, through its meticulous deliberations on the wall paintings and miniature paintings of Bundelkhand makes us reminisce the footfalls of valiant Bundella kings, ankle bells of elegant court-dancers, evocative poetry of mahakavi Kesvadas and the brilliant artistic skills of mural painters and many other historical events. These find their excellent expressions beyond the palaces of Orchha and Datia, and in many jagirs and thikanas such as Rehali, Madanpur, Chhatarpur, Narsinghgarh, Ajayagarh, Todi Fatehpur, Samthar, Jhansi and Rannod as well. A glimpse of Malwa painting is a value-add.
The murals, a living art, more democratic and decidedly popular, were the artistic idiom of Bundelkhand. It was art for the raja and the praja, depicting not only Puranic stories, but also the regal affairs and the day-to-day life of ordinary people.
Despite the fact that time, the vicissitudes of weather and vandalism have taken their toll on the murals, a cultivated aesthete can restore life in them. The book candidly reminds us a truth: The paintings of Bundelkhand are half remembered, half forgotten and many yet to be discovered.
Thus, this book should inspire art connoisseurs, art historians, art students, and laymen alike, paving the way for further researches and studies on the forgotten legacies of Bundelkhand.
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Sale!Bagore-Ki-Haveli ₹86.00
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India has a rich grammatical tradition, still extant in the form of Panini’s grammar as well as the theories of verbal cognition. These two together provide a formal theory of language communication. The formal nature of the theory makes it directly relevant to the new technology called Natural Language Processing.
This book, first presents the key concepts from the Indian Grammatical Tradition (IGT) that are necessary for understanding the information flow in a language string and its dynamics. A fresh look at these concepts from the perspective of Natural Language Processing is provided. This is then followed by a concrete application of building a parser for Sanskrit using the framework of Indian Grammatical Tradition.
This book not only documents the salient pieces of work carried out over the last quarter century under Computational Paninian Grammar, but provides the first comprehensive exposition of the ideas involved. It fills a gap for students of Computational Linguistics/Natural Language Processing who are working on Indian languages using Paninian Grammatical Framework for developing their computational models and do not have direct access to the texts in Sanskrit.
Similarly for the Sanskrit scholars and the students it provides an example of concrete application of the Indian theories to solve a contemporary problem. -
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