Narayanaguru Laghukr...
Narayanaguru Laghukrtiyah
by: M. Harihar ShastriThe book written in Sanskrit with original verses, provides details of shorter works of Narayana Guru, a great poet of southern India. Comprising 17 chapters, it highlights his anthologies in praise of Lords Ganapati, Subrahmanya, Siva, Visnu, etc.
Original price was: ₹100.00.₹90.00Current price is: ₹90.00.
ISBN: 9788124603468
Year Of Publication: 2006
Edition: 2nd
Pages : 111
Language : Sanskrit
Binding : Paperback
Publisher: D.K. Printworld Pvt. Ltd.
Size: 22 cm.
Weight: 200
The book written in Sanskrit with original verses, provides details of shorter works of Narayana Guru, a great poet of southern India. Comprising 17 chapters, it highlights his anthologies in praise of Lords Ganapati, Subrahmanya, Siva, Visnu, etc.
- Sale!Ancient Indian Scientific Thought and Modern Theories Original price was: ₹350.00.₹315.00Current price is: ₹315.00.
The experiences and knowledge from our past are recorded in manuscripts which have been handed down to us over several thousand years. The Government of India, through the Department of Culture, took note of the importance of this vast tangible heritage and, in order to preserve and conserve as well as to make access to this wealth easy, established the National Mission for Manuscripts (NMM). In order to disseminate the knowledge content of manuscripts, the Mission has taken up several programmes such as lectures, seminars and workshops. The Mission has published the proceedings of the above-said programmes under the following series: Samraksika (on conservation), Tattvabodha (comprising lectures based on manuscripts delivered by eminent scholars), Samiksika (research-oriented papers presented in the seminars), Krtibodha (transcribed and edited texts prepared at advanced level manuscriptology workshops conducted by NMM) and Prakasika (publication of rare, unpublished manuscripts).
Ancient Indian Scientific Thought and Modern Theories makes one revisit the development of Indian science and technology in varied fields since the Vedic period, and suggests that we have a living tradition which is vivid and dynamic, inheriting at the same time claiming freedom from the past. It is the proceedings of a three-day seminar held during 25-27 March 2017 in Kolkata, organized by the Sanskrit Sahitya Parishad, Kolkata, and sponsored by NMM. This volume bears testimony to the fact that Indian sages, philosophers and scholars had a grip on all the topics that the modern-day scientists deal with, including complicated surgery and quantum mechanics. Our Vedas, Upanisads and other literary works were the storehouse of scientific wisdom, though the prevailing socio-religious conditions impeded its widespread dissemination.
This volume is expected to invoke keen interest among all who wants to know about a scientific past that Indians inherit, be a scientist or a layman. - Sale!Balagopalastuti Original price was: ₹1,195.00.₹1,076.00Current price is: ₹1,076.00.
The Balagopalastuti occupies an important place both in the annals of Krishna art as well as Krishna bhakti. This book brings to light both the poetry and paintings and touches both the Krishna rasika and Bhakta.
- Sale!Rasa in Aesthetics Original price was: ₹990.00.₹891.00Current price is: ₹891.00.
The Indian tradition of criticism is over two millennia old. And its rasa theory has, from the beginning, essentially influenced authors, connoisseurs and art critics alike. First expounded sometime between the 1st century bc and the fourth century AD in the eminent aesthetician, Bharata’s Natya Shastra, rasa theory deals with the ‘emotive content’ of a work of art — how it is depicted, inferred and transmitted. Dr. Patnaik’s book is a unique effort that demonstrates, with diverse examples, the universality of this ancient theory and its applicability to modern Western classics. Elucidating afresh the concept of rasa and all its nine primary kinds largely on the basis of Natya Shastra of Bharata and the commentaries of the tenth-century aesthetician, Abhinavagupta, the book investigates the validity of rasa theory as an aesthetic, more specifically, a literary theory, and how its canons are applicable to modern Western literature as well as Chinese love lyrics and Japanese haiku poems. Dr. Patnaik’s transcultural exploration, thus, covers all major genres of literature — poetry, drama and fiction; and also major writers — Lawrence, Mayakovsky, Kafka, Camus, Conrad, Hemingway, Faulkner, Marquez, Eliot, Hesse, O’Neill, Ionesco, Beckett, Lorca, Neruda and several others. In emphasizing the universal validity of the rasa theory, the author considers certain modern problems relevant to text, meaning and readers’/audiences’ response as well. Very few are the examples of applied rasa theory even in Sanskrit and other Indian literatures, leave alone its application to Western creative writing. This book, with its bold framework and lucid style, should, therefore, fascinate the scholars of Indology, Indian aesthetics and, above all, comparative literary criticism.
- Sale!Lalita-Sahasranama A Comprehensive Study of One Thousand Names of Lalita Maha-Tripurasundari Original price was: ₹1,500.00.₹1,350.00Current price is: ₹1,350.00.
In the Hindu sacred literature, Sahasra-namas: the texts embodying literally “the Thousand Names” of a deity, constitute a genre in their own right. And Lalita-Sahasranama (LS) is a veritable classic in the traditional writings of the kind — a classic widely acknowledged for its lucidity, clarity and poetic excellence. A medieval work of unknown authorship eulogising Shakti: the Mother Goddess, this Sahasranama is not just a masterly exposition of Shri Lalita’s cult, but also sets out the deity’s diverse epithets — like, for instance, Kundalini, Nirguna, Saguna, Parashakti or Brahman — which continue to evoke reverence as mantras with ‘mystic powers’. Also included among these names are the goddess’s other panegyric descriptions that have come to have profound, esoteric connotations in tantric practices — epitomizing, thus, the fundamental tenets of tantrashastra. Here is a brilliant critical edition of Lalita-Sahasranama meticulously analysing, for the first time, each of Shri Lalita’s thousand names — by a variety of themes, like the Goddess’s conceptual representations, anthropomorphic forms, disposition, abodes, kinships/consorts, ritualistic worship, and her supremacy in pantheonic hierarchy. Also explaining and interpreting anew these thousand names on the basis of time-honoured commentaries, Dr. Joshi under-scores the high importance of Lalita-Sahasranama in philosophy, tantra, yoga, sahasranama literature, and rituals of various descriptions. The book includes the original Sanskrit text of LS, its romanised transliteration and, additionally, an Appendix listing Sri Lalita’s thousand names in the A-Z sequence.
- Sale!Aesthetic Textures Original price was: ₹1,800.00.₹1,620.00Current price is: ₹1,620.00.
The fascinating world of multiple Bharatas that this book introduces its readers with is that of a perennial tale discovered and created afresh at each juncture of time; at each moment of self-doubt and self-exploration; at each rejoicing of self-discovery and self-recovery. If one does not come across a seamless continuity here, one does not encounter apparent ruptures either. The Bharatas, as narrated here, present us with amazing diversity with palpable consubstantiality expressed in myriad forms and multiple hues; tradition belonging as much to its contemporaneity as to its past; belonging as much to the spokes as to the axle; centrifugal and centripetal at once; a tradition old and new at the same moment of time.
The book is based on the proceedings of a seven-day international conference organized by the Indira Gandhi National Centre for the Arts (IGNCA) on the living traditions of the Mahabharata in the year 2011. The conference explored the multiple tellings and retellings of the Mahabharata story as sung, danced, and celebrated in festivals, inscribed on to geographic landscapes, committed to memory as sacred genealogy, embodied in rituals, and sculpted in shrines and temples. The presentations ranged from issues of poetics and ethics to translations, adaptations, and variations to folk and tribal traditions as sung, recited, and performed. Rather than exploring the Mahabharata as a book or a singular narrative, these papers focus on the multi-tradition of the Mahabharata in all its multidimensionality, multiplicity, and above all, in its fluidity. The book would certainly interest the scholars engaged in the study of the living heritage of Indian epics, folklorists, indologists, and anthropologists.
