-
Dictionary of Hindu ...
Dictionary of Hindu Gods and Goddesses (PB)
by: TRR IyengarThe book systematically studies various Hindu gods and goddesses based on Hindu sacred literature. It covers their earliest references and the evolution of their worship, their attributes and forms, and their signific-ance in the Hindu scheme of worship. It also includes references to many animate/inanimate sacred beings/things associated with the deities.
₹270.00
ISBN: 9788124602331
Year Of Publication: 2007
Edition: 1st
Pages : ix, 326
Bibliographic Details : Index
Language : English
Binding : Paperback
Publisher: D.K. Printworld Pvt. Ltd.
Size: 23 cm.
Weight: 650 gm.
The Hindu pantheon of gods and goddesses has evolved over many millennia from a simple worship of elements and phenomena of nature to a complex system of myriad gods and goddesses of differing physical attributes, characteristic features and functions and each with different forms. The present Dictionary is an attempt to provide an in-depth yet comprehensive account of Hindu gods and goddesses referring to all the important religious sources. Based on Hindu sacred literature including the Vedas, epics and the Puranas, the book is a systematic study, in alphabetical order, of various Hindu gods and goddesses covering aspects such as the evolution of their worship and their earliest references in texts, stories of their birth and achievements, their attributes, their significance in the Hindu scheme of worship, their forms of representations, and their relationship with one another. It has references to not only personified beings but also other animate and inanimate sacred beings/things, seen in close association with the deities and worshipped by devotees, like Nandi, the bull, the snakes, the banyan and pipal trees, the saligramas and the banalingas. The adornments, vahanas, weapons and places associated with the deities are also elaborately discussed. The Dictionary will be an immensely useful reference work for scholars of ancient Indian mythology and religion as well as general readers willing to know more about Hindu gods and goddesses.
Introduction
A
B
C
D
E
G
H
I
J
K
L
M
N
O
P
R
S
T
U
V
Y
Index
-
Sale!Absence of the Buddha Image in Early Buddhist Art ₹1,350.00
It is next to impossible today to even think of Buddhism without the presence of the Buddha image! The image of the Buddha, in truth, has not only come to symbolise the essence of Buddhism but is also a brilliant expression of the cultural/artistic achievements of the Buddhists since ancient times. Surprisingly, the Buddha image developed at a later stage of the evolutionary process; after the parinirvana of the Buddha, the Buddhists for a considerable time beheld the Buddha and experienced him in their own minds without taking recourse to the Buddha image itself. In Absence of the Buddha Image in Early Buddhist Art, Dr. Tanaka, a well-versed scholar, has for the first time ever explored the absence of the Buddha image in Buddhist art particularly in the period from third century bc to late first century ad in order to rediscover the significance of this phenomenon. Dr. Tanaka observes Bharhut and Sanchi sculptures to point out the most essential motifs and elements of stupa-art design the visible facts pertaining to the absence of the Buddha image. The author studies the religious, philosophical, artistic and political significance of the visible facts, highlighting the concept of the empty throne as the motif representative of that absence. She applies the empty throne concept to the sanctuaries of monotheistic religions, and thus undertakes a comparative study of Buddhism and other religions, particularly, Zoroastrianism, Judaism, Christianity, Islam and Sikhism to suggest that present-day discussions on the linkage between religions can centre on this theme. The dexterous handling of the topic combined with the authors use of first-hand research material makes this an erudite study. The directness in the authors approach and the unwavering eye on the theme sustains the interest throughout. An abundance of visual material, i.e., drawings and photographs, and tables immensely aid in analysis of the visible facts. This intense work on a rich theme offers well-researched and interesting material that will be useful to scholars of religious studies, fine arts and even philosophy.
-
Sale!Akbar, The Aesthete ₹4,320.00
Mughal miniatures are a vivid account of the cultural, sociopolitical scenario of the Mughal era. Jalal-ud-Din Muhammad Akbar, the most powerful Mughal emperor, was a great aesthete and promoter of arts. Eminent Persian and Indian artists thronged his Royal Studio and were encouraged to paint numerous emotive miniatures of style and substance, communicating highly complex narratives. These miniatures are a beautiful manifestation of human expressions, vividly encapsulating moments of history for posterity.
This book combines the sources and methodology of history and art history of the Mughal era, and is an analysis of a select group of paintings of Akbar’s reign. The miniature paintings incorporate a wide variety of rich, vibrant and varied themes, ranging from durbar scenes, depicting Akbar in different moods and forms, the princes and nobles in their finery, hunting and battle scenes, elaborate scenes of royal births, construction scenes, ascetics, common man, and countryside scenes, to the flora and fauna. Individual analyses of these miniatures, shows the manner of their composition and the inherent value of their sociocultural content in a lively manner. These paintings became a passion and a diversion for Akbar, who had an innate aesthetic sense.
However, there are hardly any true-to-life paintings of women of the royal seraglio. This book thus attempts to cover some images of femininity, whether it is of Queen Alanquwa, Akbar’s mother, or of Madonna as sacred mothers, and women, per se, in different roles. These miniatures make one wonder how much these women contributed to the life of Mughal India.
This unique volume, having given transliteration and translation of the original Persian text of the miniatures, provides an insight into Akbar as an aesthete, and will help academics and laymen alike in appreciating the beauty and history of Akbar’s period. -
Sale!Visistadvaita’s Critique of the Advaita Hermenqutics ₹450.00
Vedānta is the very heart of Indian philosophy. The various schools of Vedānta have been explored under diverse categories including ontological and epistemological, but they are a storehouse of so much more. “Hermeneutics” in simple words can be the theory of interpretation and this book has studied the critique of the Advaita hermeneutics by Rāmānujācārya based on Vedic statements like tat tvam asi, tadaikāta bahu syāma, neha nānāsti kiñcana and many others in his book Vedārthasaṁgraha which mirrors a complete vision of the Upaniṣads. Rāmānujācārya has shown how the Śruti statements can be seen in a coherent manner resolving the conflicts of bheda and abheda. The nature of a word and its various śaktis, followed by how successful are words in describing the concepts of sat, cit and ānanda, are also discussed here.
This book is an initial effort in the hermeneutic studies of Indian texts, which have been kept limited to the scope of philosophy, theology or religion alone. Many more linguistic treasures can be found here. -
Sale!Apbharamsa Hindi Kosha ₹1,350.00
This Dictionary of Hindi Apabhramsa gives in detail the grammatical importance of words, their meanings, correct spellings, the alternate words and their various usages as mentioned by lexicographer Naresh Kumar.
-
Sale!India and South-East Asia ₹3,240.00
The South-East is a cultural perspective aptly named agneyi the direction of the God Agni. It is reflected even in the Sino-Japanese Mahakarunagarbha mandala of the 8th century where Agni is surrounded by sages: Angiras with his consort Gautami and Atreya with his consort Bhrgvi. In the Pao-hsiang Lou pantheon Agni is surrounded by eight rsi’s Angiras, Vasistha, Garga, Markandeya, Gautama, Kasyapa, Shan-ch’eng-ming-yang and Su-chi-i (the Sanskrit names of the last two have to yet to be found). In Indic terms, the conceptual space of SE Asia endows it with the serenity of the mind, the grandeur of structures, the profundity of expression derived from Sanskrit. The SE is the mind ground of the sages, the rishis, and as such the marvellous manifestation of the Hindu-Buddhist genius. This book chronicles the dynamism, the fire, the Agni of the Agneya (SE) direction across the past that shades into the present with tomorrows inside.
