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A to Z...
A to Z
One Hundred Quotes and Thoughts by: R.N. Kogata , Lalita KogataThe 100 inspirational quotations compiled herein speak to the soul, and the thematic art works that are a visual delight, are all about leading a happy, successful life even in the face of odds.
₹220.00 ₹198.00
ISBN: Array
Year Of Publication: 2012
Edition: 1
Pages : 108
Language : English
Binding : Hardcover
Publisher: D.K. Printworld Pvt. Ltd.
Size: 17
Weight: 225
The 100 inspirational quotations compiled herein speak to the soul, and the thematic art works that are a visual delight, are all about leading a happy, successful life even in the face of odds. The quotes become handy in certain situations when one looks around for some advice or encouragement.
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Sale!Ancient Movements of Indo-Aryans and Indo-Aranians by: Marta Vannucci
₹650.00₹585.00In an attempt to explore the ancient history of Central Asia and of the movement of ancient peoples, the work examines the affinities and interactions of the people who called themselves Arya, that is, the Indo-Aryans and the Indo-Iranians, with other peoples and nations of the ancient world, like the Semites, the Hurrians and the Medes. It delves into the processes of acculturation when people of different cultures came in contact with each other at a time that goes back to the very earliest of times (ninth or tenth millennium bce). It examines the movements of the Indo-Aryans and the Indo-Iranians across Asia and their neighbours and active trade partners like the Sumerians, the people of Mesopotamia and the Harappans. It thus throws light on the interactions of the early Indo-Aryans and Indo-Iranians with other flourishing central Asian civilisations of the time. It cites references to ancient traditions that still prevail among peoples in different cultures from different parts of the world, pointing out how these testify to the continuity of ancient traditions and, importantly, the ancient interaction between cultures.
Well-researched and with accurate references to time periods, this scholarly work will deeply interest scholars and students of history and anthropology concerned with the earliest origin of cultures and cultural interactions. -
Sale!Brhadaranyaka Upanisad Vol. 1 Madhu Kanda by: Nitya Chaitanya Yati
₹800.00₹720.00The Brihadaranyaka Upanishad is one of the ten major Upanishads. A dialectical narration that unabashedly stands up to the rational scrutiny of the modern mind, it is directed towards both the individual aspirant caught up in the dark morass of confusion and the philosophic thinker in search of rare pearls of wisdom from humanitys treasury. Guru Nityas matchles commentary will enable the reader to discover the ancient seers timeles insights, to appreciate a fully-developed, integrated system of thought, and, most importantly, to learn to connect with what is real and enduring in his or her own essence. Schematically, the Brihadaranyaka Upanishad a brilliant discourse from the Yajur Veda is set out in three volumes, entitled: Madhu Kanda, Muni Kanda and Khila Kanda. In his planned three-volume thorough-going, meticulously analytical commentary. Guru Nitya distills the wisdom teaching of the Brihadaranyaka Upanishad, drawing on his intimate understanding of the human psyche, as well as both Eastern and Western philosophy, science, art and literature. Dwelling in turn on each of its 435 mantras, its poetic charm, myths, metaphors, images and symbols, Guru Nitya recreates and expands the Upanishadic vision of our own nature, human interaction, and the cosmos, and their relation to the unmoved essence of all. With highly useful appendices and a comprehensive index, the commentary will hold an enduring appeal for both scholars and discerning readers.
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Sale!Acharya Shankar Krita Brahmasutra Adhyasabhashya by: kapil Gautam
₹350.00₹315.00Adyasavada is the key principle of Advaita Vedanta. Basic premise of this theory is Adhyasabhashya. Before interpreting the first brahmasutra (athat¯o brahmajijnasa (Br.Su. 1.1.1), Acharya Shankara submitted a valuable commentary known as Adhyasabhashya. The book presents a comprehensive study of Adhyasabhashya in the light of Panchapadika of Padmapada, Bhamati of Vacaspati Mishra, Vivarana of Prakashatma Yati, Ratnaprabha of Govindananda Yati and other Vedantic texts. The numerous curiosities associated with Adhyasabhashya have been resolved in the present book: What is the format of Adhyasabhashya? Without commentary on any sutra can Adhyasabhashya be considered as a commentary? Adhyasabhashya begins with sentence yushmadasmatpratyayagocara so Adhyasabhashya consists mangalacharana or not? What is the purpose of Adhyasabhashya?
Adhyasa principle is the cornerstone of Shankaravedanta. This is the theory of error of Shankaravedanta. In the context of theory of error Shankara proposed the theory of Anirvacaniyakhyativada and refuted all prior theories of error. In this book the commentaries of Brahma-Sutra and Shariraka-Bhashya and definition, causes, types, and results of adhyasa have been analysed in detail.
Although it is difficult to write something about complex and difficult theory of Adyasavada, an endeavour is being made to bring out the theory of Adyasavada for scholars through this book. -
Sale!Apbharamsa Hindi Kosha by: Naresh Kumar
₹1,500.00₹1,350.00This Dictionary of Hindi Apabhramsa gives in detail the grammatical importance of words, their meanings, correct spellings, the alternate words and their various usages as mentioned by lexicographer Naresh Kumar.
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Sale!Aesthetics by: Manjula Saxena ₹252.00 – ₹540.00
After its attainment of Independence, India has witnessed the quickening of a new life in the field of art as well. Cultural exchanges between its various regions have shown a marked upswing, and reflection on cultural matters has also increased beyond expectations. Concurrently, in quite a few of our colleges and universities aesthetics has been included in the syllabi as an optional subject of study. Some books on this subject, mostly written in the traditional way, are surely available; but philosophical aesthetics, which is today regarded as a distinct intellectual achievement of the twentieth century, still remains largely neglected in the field of Indian scholarship. What is worse, a Hindi book on this form of aesthetics has never been attempted before the present work.
It is precisely this need which this book seeks to meet fairly. With an eye to facilitate understanding of the basic concepts and related problems of contemporary aesthetics, the author has taken pains to give appropriate references, as illustration, to Hindi, Urdu, and English poetry, and music. This should make the book useful to students of both philosophy and music.
Its language is simple Hindustani; and the manner of writing is free from needless ambiguities. Readers in general should therefore find it not only easy to follow, but interesting as well.
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