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Varsha...
Varsha
A Celebration of Colours by: Harsha V. DehejiaThis volume, through colours, transcends many a cue of the aesthetic aspects of human life into a connoisseur’s mind. Whether on fabric or canvas, mud wall or floor, sculptures or pots, colours for us is a language, a raga and a tala.
₹1,495.00 ₹1,346.00
ISBN: 9788124609699
Year Of Publication: 2019
Edition: 1st
Pages : 140
Language : English
Binding : Hardcover
Publisher: D.K. Printworld Pvt. Ltd.
Size: 21 cm.
Weight: 750
Colours are not just for adornment, but a medium that reflects our state of mind, artistic acumen, culture, ethics, philosophy, social values, tradition and the sacredness of life. A non-verbal language, they conjure up our emotions, feelings and moo ds, and take a rasika far beyond the realms of words. In them we see the lush and luxuriant natural world around us, the world of birds and blossoms, earth and sky, gems and stones, creating in us a certain feeling and a gush of powerful ethos.
The artist in Varsha, through colours, transcends many a cue of the aesthetic aspects of human life into a connoisseurs mind. Whether on fabric or canvas, mud wall or floor, sculptures or pots, colours for us is a language, a raga and a tala. And Celebration of Colours is just that.
Involved with her family, Varsha loves art and craft, whether it is painting, embroidery, working with terracotta and ceramic, jewels and the creation of ornaments, crochet and knitting, stitching and designing clothes, or cooking. Absorbed in the world of colour, she likes to share her moment of beauty with everyone around her and spread joy everywhere.
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Sale!Bibliography on Indian Buddhist Art and Archaeology
₹1,900.00₹1,710.00The bibliography includes 4081 entries, covering published materials in English and French languages over the last two centuries. It is divided into two parts. The first part contains 2410 entries dealing with Indian Buddhist art and archaeology and Indian art in general, history, religion, some Buddhist sites outside present India with special attention given to Pakistan , etc. Entries in the second part are exclusively devoted to Indian Buddhist sites. There are 57 sites; each one is individually studied. The book gives a representative overview of what has been researched and accomplished in the field of Indian Buddhist Art and Archaeology since Wilkins’s article on Bodh-Gaya in 1788 or Thomas Daniel’s first illustration on the Kanheri caves in 1798.
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Sale!Atthigiri
₹1,200.00₹1,080.00This book, published on the auspicious occasion of the rising of Atthi Varadar, contains a concise account of the Sthala-Puranam, the role of many Srivaishnava Acharyas. architecture, sculptures, inscriptions paintings, music, prasadam and festivals of the ancient and sacred temple of Varadaraja Perumal in Kanchipuram.
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Sale!Akbar, The Aesthete
₹4,800.00₹4,320.00Mughal miniatures are a vivid account of the cultural, sociopolitical scenario of the Mughal era. Jalal-ud-Din Muhammad Akbar, the most powerful Mughal emperor, was a great aesthete and promoter of arts. Eminent Persian and Indian artists thronged his Royal Studio and were encouraged to paint numerous emotive miniatures of style and substance, communicating highly complex narratives. These miniatures are a beautiful manifestation of human expressions, vividly encapsulating moments of history for posterity.
This book combines the sources and methodology of history and art history of the Mughal era, and is an analysis of a select group of paintings of Akbar’s reign. The miniature paintings incorporate a wide variety of rich, vibrant and varied themes, ranging from durbar scenes, depicting Akbar in different moods and forms, the princes and nobles in their finery, hunting and battle scenes, elaborate scenes of royal births, construction scenes, ascetics, common man, and countryside scenes, to the flora and fauna. Individual analyses of these miniatures, shows the manner of their composition and the inherent value of their sociocultural content in a lively manner. These paintings became a passion and a diversion for Akbar, who had an innate aesthetic sense.
However, there are hardly any true-to-life paintings of women of the royal seraglio. This book thus attempts to cover some images of femininity, whether it is of Queen Alanquwa, Akbar’s mother, or of Madonna as sacred mothers, and women, per se, in different roles. These miniatures make one wonder how much these women contributed to the life of Mughal India.
This unique volume, having given transliteration and translation of the original Persian text of the miniatures, provides an insight into Akbar as an aesthete, and will help academics and laymen alike in appreciating the beauty and history of Akbar’s period. -
Sale!Birds and Animals in Mughal Miniature Paintings
₹1,600.00₹1,440.00The depiction of flora and fauna has been an intrinsic part of Indian painting traditions. The Mughals in their turn, in their fascinating paintings, used the bird and animal imagery to lend a special quality to their art of painting. This book, with over 70 illustrations, is a survey of the birds and animals used in Mughal paintings, especially during the reigns of Emperors Akbar and Jahangir. With historical details, it shows that the depiction of various kinds of birds and animals played a significant role in conformity with the context or the demands of the narratives. The artists painted both wild and domestic animals with equal competence. Outlining the differences in the paintings under the Mughal rulers themselves with regard to depiction of fauna, it notes that while Akbar was interested in historical, mythological or anecdotal events, Jahangir introduced album paintings and evinced interest in individual portrait studies of fauna. In all, it showcases the meticulous depiction of fauna in Mughal art and its persevering beauty. It mentions the names of a host of artists who executed the paintings and the many illustrated manuscripts mythological, historical and on popular fables that saw lavish use of paintings with faunal imagery. The book will interest historians especially those studying art history of the medieval period.
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Sale!Art & Archaeology of India
₹700.00₹630.00The book begins with an introduction on the prehistoric and proto-historic cultures of India. Well-known historians discuss human evolution as gathered from hominid fossil remains, pre-human hominid remains of the Siwaliks and fossil remains of the Narmada basin. The systematic study, mentioning the areas of finds and their geography and other characteristics, examines the nature of cultural relics belonging to each period and dynastic rule; agriculture, trade, settlement and migration patterns related to making, use and spread of art materials; how the finds reflect upon rise of craft and industrial centers at the time; and social and religious aspects of society that are revealed by the art and architecture of the periods. Importantly, it reveals the interchange of cultural thoughts and lifestyles and of art and architectural influences; and the synthesis of artistic style and materials as evident in especially the periods of Muslim rule in India. The book also features fossil finds, art and architectural materials pertaining to painting, pottery, sculpture and iconography, and literary materials like Persian documents housed in the Indraprastha Museum of Art and Archaeology, New Delhi. The materials date from the stone ages, Indus-Saraswati Civilization and Chalcolithic period to what are commonly identified as the ancient medieval and modern periods of Indian history. The volume will be useful to scholars and students of various disciplines history, archeology, art and culture, and sociology.
