The Three Great Livi...
The Three Great Living Temples
World Heritage Landmarks by: Prof. S. Rajavelu , Ram ShankarOriginal price was: ₹1,400.00.₹1,260.00Current price is: ₹1,260.00.
ISBN: 9788195171873
Year Of Publication: 2024
Edition: 1st
Pages : 176
Language : English
Binding : Hardcover
Publisher: Universal Publishing
Size: 30
Weight: 700
“The Three Great Living Temples”
- Sale!Love Songs of Nawab Wajid Ali Shah Original price was: ₹795.00.₹716.00Current price is: ₹716.00.
This impressively illustrated volume brings forth the evergreen spirit of a Muslim ruler of Awadh, Nawab Wajid Ali Shaw (1822-87), in composing love poetry taking a cue from the amorous Krishna leela and assimilating and practising the same in personal life. A trained Kathak dancer himself and a dedicated patron of poetry, painting and performing arts, Wajid Ali Shah immersed in the rasa of dance, music and drama, and got deeply indulged in the many an expression of shringar, while administering the political affairs of his state.
Recalling the different facets of Nawab Wajid Ali’s life, the book explores the state and fame of Lucknow, of his times, where the Nawab lived a life of refinement and pomp, and attracted the best talents in arts and crafts. It also portrays how were dance and music enjoying pride of place during his reign.
While presenting a penetrating account of Ali Shah’s poetry, the book revisits his musical scholarship, history of his times and presents his poems with English translation. It as well showcases the best paintings centring around his personal and cultural life, and guides one go through the religious and cultural harmony prevailed in Awadh where a lot of factors were at play effecting acculturation between the Hindus and the Muslims, popularly known as the Ganga-Jamuni tehzeeb. - Sale!Bachpan-Childhood Original price was: ₹180.00.₹162.00Current price is: ₹162.00.
In the life of a human being the most sweet and memorable part is its childhood, say from its second year till its seventh or eighth. During this time the child is very innocent, full of life, playful, has no responsibility or worry, and when in fear or pain it calls its mother and she is there ever ready to protect it. It understands no restriction and has freedom to go and talk to anybody in the house. It does not know how to hate anyone — in fact, it is like the manifestation of the ever-gracious divinity in the world. A child is loved, respected and even adored.
This book is a small attempt to express the love, affection and feelings towards children. In Hindu pantheon the only divine family having children is that of Shiva and Parvati or Uma. Through pleasing illustrations, another made-for-each-other couple — the Kogatas — have touched upon the various facets in the life of the divine chidren — Ganesha and Karttikeya — together with their doting parents. The delightful verses add sweetness and charm to the book.
- Sale!Sanskrit Parsing Original price was: ₹900.00.₹810.00Current price is: ₹810.00.
India has a rich grammatical tradition, still extant in the form of Panini’s grammar as well as the theories of verbal cognition. These two together provide a formal theory of language communication. The formal nature of the theory makes it directly relevant to the new technology called Natural Language Processing.
This book, first presents the key concepts from the Indian Grammatical Tradition (IGT) that are necessary for understanding the information flow in a language string and its dynamics. A fresh look at these concepts from the perspective of Natural Language Processing is provided. This is then followed by a concrete application of building a parser for Sanskrit using the framework of Indian Grammatical Tradition.
This book not only documents the salient pieces of work carried out over the last quarter century under Computational Paninian Grammar, but provides the first comprehensive exposition of the ideas involved. It fills a gap for students of Computational Linguistics/Natural Language Processing who are working on Indian languages using Paninian Grammatical Framework for developing their computational models and do not have direct access to the texts in Sanskrit.
Similarly for the Sanskrit scholars and the students it provides an example of concrete application of the Indian theories to solve a contemporary problem. - Sale!Absence of the Buddha Image in Early Buddhist Art Original price was: ₹1,500.00.₹1,350.00Current price is: ₹1,350.00.
It is next to impossible today to even think of Buddhism without the presence of the Buddha image! The image of the Buddha, in truth, has not only come to symbolise the essence of Buddhism but is also a brilliant expression of the cultural/artistic achievements of the Buddhists since ancient times. Surprisingly, the Buddha image developed at a later stage of the evolutionary process; after the parinirvana of the Buddha, the Buddhists for a considerable time beheld the Buddha and experienced him in their own minds without taking recourse to the Buddha image itself. In Absence of the Buddha Image in Early Buddhist Art, Dr. Tanaka, a well-versed scholar, has for the first time ever explored the absence of the Buddha image in Buddhist art particularly in the period from third century bc to late first century ad in order to rediscover the significance of this phenomenon. Dr. Tanaka observes Bharhut and Sanchi sculptures to point out the most essential motifs and elements of stupa-art design the visible facts pertaining to the absence of the Buddha image. The author studies the religious, philosophical, artistic and political significance of the visible facts, highlighting the concept of the empty throne as the motif representative of that absence. She applies the empty throne concept to the sanctuaries of monotheistic religions, and thus undertakes a comparative study of Buddhism and other religions, particularly, Zoroastrianism, Judaism, Christianity, Islam and Sikhism to suggest that present-day discussions on the linkage between religions can centre on this theme. The dexterous handling of the topic combined with the authors use of first-hand research material makes this an erudite study. The directness in the authors approach and the unwavering eye on the theme sustains the interest throughout. An abundance of visual material, i.e., drawings and photographs, and tables immensely aid in analysis of the visible facts. This intense work on a rich theme offers well-researched and interesting material that will be useful to scholars of religious studies, fine arts and even philosophy.
- Sale!Artisans and Craftsmen of Northern India Original price was: ₹1,100.00.₹990.00Current price is: ₹990.00.
The basic aim of the book is to expose the major contributions of artisans and craftsmen in portraying the society in different perspectives. These artisans and craftsmen, were drawn mostly from the shudras, lower caste of the community, suppressed and have-nots section of the society, but were highly talented. The work is also designed to create interest among the reader and scholars alike, to understand the society of the period under reference through the immortal art of these creative people. The artisans such as potters, weavers, carpenters, architects, sculptors, brick-makers, metallurgy and metal workers, leather workers, painters, and the workers engaged in the profession of ivory, glass and mirror, perfume and cosmetic, musical instrument, oil, salt and liquor makers, etc. were the heroes of that time, who not only met the day-to-day requirement of the then society, but also portrayed different aspects of their life, in its true color, through their workmanship. It was the architect who designed and constructed houses to live in, as well as water tank, well and channel, royal building, stupa, temple and fort, bridge, pillar and rock-edict etc., which met the need of the society.
Today, we feel proud of the rich heritage of old Indian art and architecture, credit for which solely goes to the then artisan who crafted immortal creations. However, the invaluable contribution made by the historians in immortalizing their creations, by putting them in black and white, is no less important. It is the historian, whose mighty pen has immortalized not only Ashoka the great, as a king but also the creators of the stupas of his times on equal footings. It is with this aim in view that the present book has been presented to the posterity, in order to pay rich tributes to the creators of our rich cultural heritage.
Unluckly there was no proper institutionalized provision for the education of artisans and craftsmen, so generally the former adopted the occupation of their parents and hereditary skill was enhances as it was transferred from father to son, and generation to generation. Contemporary sources reveal that the social stautus of artisan class was based on the nature and economic conditions of a particular profession.
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