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Krsna-Arjuna Samvada...
Krsna-Arjuna Samvada
Krsna-Arjuna Dialogue based on Bhagavad Gita by: Surendra Singh YadavGita is a great work emphasing on work and worship. Krsna advises Arjuna that he should not expect results. Instead, concentrate on his work with complete vigour and veneration. Gita is a path to sublimity where work meets worship as presented in this magnum opus here.
₹250.00 ₹225.00
ISBN: 9788124601617
Year Of Publication: 2000
Edition: 1st
Pages : xviii, 146
Language : Hindi
Binding : Paperback
Publisher: D.K. Printworld Pvt. Ltd.
Size: 22 cm.
Weight: 250
Gita is a great work emphasing on work and worship. Krsna advises Arjuna that he should not expect results. Instead, concentrate on his work with complete vigour and veneration. Gita is a path to sublimity where work meets worship as presented in this magnum opus here.
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Sale!Rasa in Aesthetics ₹590.00
The Indian tradition of criticism is over two millennia old. And its rasa theory has, from the beginning, essentially influenced authors, connoisseurs and art critics alike. First expounded sometime between the 1st century bc and the fourth century AD in the eminent aesthetician, Bharata’s Natya Shastra, rasa theory deals with the ‘emotive content’ of a work of art — how it is depicted, inferred and transmitted. Dr. Patnaik’s book is a unique effort that demonstrates, with diverse examples, the universality of this ancient theory and its applicability to modern Western classics. Elucidating afresh the concept of rasa and all its nine primary kinds largely on the basis of Natya Shastra of Bharata and the commentaries of the tenth-century aesthetician, Abhinavagupta, the book investigates the validity of rasa theory as an aesthetic, more specifically, a literary theory, and how its canons are applicable to modern Western literature as well as Chinese love lyrics and Japanese haiku poems. Dr. Patnaik’s transcultural exploration, thus, covers all major genres of literature — poetry, drama and fiction; and also major writers — Lawrence, Mayakovsky, Kafka, Camus, Conrad, Hemingway, Faulkner, Marquez, Eliot, Hesse, O’Neill, Ionesco, Beckett, Lorca, Neruda and several others. In emphasizing the universal validity of the rasa theory, the author considers certain modern problems relevant to text, meaning and readers’/audiences’ response as well. Very few are the examples of applied rasa theory even in Sanskrit and other Indian literatures, leave alone its application to Western creative writing. This book, with its bold framework and lucid style, should, therefore, fascinate the scholars of Indology, Indian aesthetics and, above all, comparative literary criticism.
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Sale!Asvalayana-Samhita of The Rigveda (2 Vols. Set)
₹2,500.00₹2,250.00Among the twenty-one Sakha-Samhitas of the Rigveda, as mentioned by Patanjali, only seven Samhitas were known by name and among these too, only one Sakala-Samhita was available in printed form so far. Now with the publication of the present editon of the Ashvalayana-Samhita a complete picture of a new Sakha-Samhita will come to fore for the first time. In comparison to the Sakala-Samhita, the Ashvalayana-Samhita has 212 additional mantras among which some occur in the common suktas and others form 16 additional complete suktas. Among these additional suktas special mention may be made of Kapinjala-sukta (II.44), Lakshmi-sukta (V.88-89), Pavamana-sukta (IX.68), Hiranya-sukta (X.130), Medha-sukta (X.155) and Manasa-sukta (X.171).
The book in two volumes presents the full text of the Ashvalayana Samhita of the Rigveda with padapatha, marked with proper accent marks. The additional mantras of the Ashvalayana Samhita followed by their translation in English and Hindi are also provided at the end of the Samhita text.
In a detailed introduction of the text the learned editor has examined the existence of Sakha-Samhitas of the Rigveda as mentioned by the Puranas, Patanjali, Mahidasa and other authorities, scrutinising textual evidence in support of them. The focus is, however, on the Ashvalayana-Samhita, with a background on Acarya Ashvalayana and exploring the antiquity, treatment of accent and padapatha of the text by referring to various sources. -
Sale!Love Songs of Nawab Wajid Ali Shah
₹795.00₹716.00This impressively illustrated volume brings forth the evergreen spirit of a Muslim ruler of Awadh, Nawab Wajid Ali Shaw (1822-87), in composing love poetry taking a cue from the amorous Krishna leela and assimilating and practising the same in personal life. A trained Kathak dancer himself and a dedicated patron of poetry, painting and performing arts, Wajid Ali Shah immersed in the rasa of dance, music and drama, and got deeply indulged in the many an expression of shringar, while administering the political affairs of his state.
Recalling the different facets of Nawab Wajid Ali’s life, the book explores the state and fame of Lucknow, of his times, where the Nawab lived a life of refinement and pomp, and attracted the best talents in arts and crafts. It also portrays how were dance and music enjoying pride of place during his reign.
While presenting a penetrating account of Ali Shah’s poetry, the book revisits his musical scholarship, history of his times and presents his poems with English translation. It as well showcases the best paintings centring around his personal and cultural life, and guides one go through the religious and cultural harmony prevailed in Awadh where a lot of factors were at play effecting acculturation between the Hindus and the Muslims, popularly known as the Ganga-Jamuni tehzeeb. -
Sale!Gita Govind of Jayadeva
₹980.00₹882.00“…delves deep into the poetry of Jayadeva and throws new light on many little known aspects of Sanskrit kavya literature. The way words play in the Gitagovindam is a true marvel. All the technical details and classifications as also the multiple streams of expression in such poetry, the subtelities of puns and alliterations, and the inherent beauty of rasa and dhvani are brought out … It is a labour of love, and is worth studying because among all our ancient literature, this magnum opus alone has been the inspiration for the best in our arts – music, dance, painting, sculpture and more. Bhakti and Sringara rise and set in a profound cycle in this poem, like the sun and moon in an eternal flow of light and shade (This book) shares the pleasures of Sanskrit poetry with us, making the case for Sanskrit studies a must in modern India. What a loss to our civilization if we do not wake up to it now.” — (Lakshmi Viswanathan) KALAKSHETRA JOURNAL ISSUE 6, Feb 2017
“…The authors vividly elucidate the Nayaka and Nayika bhedas. The ten stages of love, called kamavasthas,….as elaborated in Natya Sastra, were beautifully employed by Jayadeva, and this is accurately pointed out by the authors…. the English translation of each verse is committed to the original without deviation….kudos to the authors who have unearthed the notes and established the raga and tala as mentioned by Jayadeva.
The effort in presenting this treasure trove for easy rendering of verses with well-hyphenated words is commendable.” — (M. Varadarajan) FRIDAY REVIEW, THE HINDU, June 23, 2017
“The Gita Govinda transports one to the world where everything glows with the love of Radha and Krishna. It reminds us of beauty in nature, the wonder of creation and complete surrender to the Lord. The work is a welcome addition to one’s collection of books. It brings us to the magical world of dance and music through the eyes of a Sanskrit scholar and a mature, expressive dancer. Two experts in their respective fields have come together to write this book. It makes the poetry much more meaningful and is a value addition to the world of literature and arts.” – (Meenakshi Krishnan) The JOURNAL of the MUSIC ACADEMY MADRAS,VOL 88, Dec 2017 -
Sale!Lalita-Sahasranama A Comprehensive Study of One Thousand Names of Lalita Maha-Tripurasundari ₹850.00
In the Hindu sacred literature, Sahasra-namas: the texts embodying literally “the Thousand Names” of a deity, constitute a genre in their own right. And Lalita-Sahasranama (LS) is a veritable classic in the traditional writings of the kind — a classic widely acknowledged for its lucidity, clarity and poetic excellence. A medieval work of unknown authorship eulogising Shakti: the Mother Goddess, this Sahasranama is not just a masterly exposition of Shri Lalita’s cult, but also sets out the deity’s diverse epithets — like, for instance, Kundalini, Nirguna, Saguna, Parashakti or Brahman — which continue to evoke reverence as mantras with ‘mystic powers’. Also included among these names are the goddess’s other panegyric descriptions that have come to have profound, esoteric connotations in tantric practices — epitomizing, thus, the fundamental tenets of tantrashastra. Here is a brilliant critical edition of Lalita-Sahasranama meticulously analysing, for the first time, each of Shri Lalita’s thousand names — by a variety of themes, like the Goddess’s conceptual representations, anthropomorphic forms, disposition, abodes, kinships/consorts, ritualistic worship, and her supremacy in pantheonic hierarchy. Also explaining and interpreting anew these thousand names on the basis of time-honoured commentaries, Dr. Joshi under-scores the high importance of Lalita-Sahasranama in philosophy, tantra, yoga, sahasranama literature, and rituals of various descriptions. The book includes the original Sanskrit text of LS, its romanised transliteration and, additionally, an Appendix listing Sri Lalita’s thousand names in the A-Z sequence.
